Bibliography of Texts Significant for a Study of Otium in Indian Fiction
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Common Perspectives in Post-Colonial Indian and African Fiction in English
COMMON PERSPECTIVES IN POST-COLONIAL INDIAN AND AFRICAN FICTION IN ENGLISH ABSTRACT THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF Bottor of IN ENGLISH LITERATURE BY AMINA KISHORE DEPARTMENT OF ENGLISH ALIGARH MUSLIIVI UNIVERSITY ALIGARH 1995 Abstract The introduction of the special paper on Commonwealth Literature at the Post Graduate level and the paper called 'Novel other than British and American' at the Under Graduate level at AMU were the two major eventualities which led to this study. In the paper offered to the M A students, the grouping together of Literatures from atleast four of the Commonwealth nations into one paper was basically a makeshift arrangement. The objectives behind the formulation of such separate area as courses for special study remained vaguely described and therefore unjustified. The teacher and students, were both uncertain as to why and how to hold the disparate units together. The study emerges out of such immediate dilemma and it hopes to clarify certain problematic concerns related to the student of the Commonwealth Literature. Most Commonwealth criticism follows either (a) a justificatory approach; or (b) a confrontationist approach; In approach (a) usually a defensive stand is taken by local critics and a supportive non-critical, indulgent stand is adopted by the Western critic. In both cases, the issue of language use, nomenclature and the event cycle of colonial history are the routes by which the argument is moved. Approach (b) invariably adopts the Post-Colonial Discourse as its norm of presenting the argument. According to this approach, the commonness of Commonwealth Literatures emerges from the fact that all these Literatures have walked ••• through the fires of enslavement and therefore are anguished, embattled units of creative expression. -
Women Novelists in Indian English Literature
WOMEN NOVELISTS IN INDIAN ENGLISH LITERATURE DR D. RAJANI DEIVASAHAYAM S. HIMA BINDU Associate Professor in English Assistant Professor in English Ch. S. D. St. Theresa’s Autonomous College Ch. S. D. St. Theresa’s Autonomous for Women College for Women Eluru, W.G. DT. (AP) INDIA Eluru, W.G. DT., (AP) INDIA Woman has been the focal point of the writers of all ages. On one hand, he glorifies and deifies woman, and on the other hand, he crushes her with an iron hand by presenting her in the image of Sita, the epitome of suffering. In the wake of the changes that have taken place in the society in the post-independence period, many novelists emerged on the scene projecting the multi-faceted aspects of woman. The voice of new Indian woman is heard from 1970s with the emergence of Indian English women novelists like Nayantara Sehgal, Anitha Desai, Kamala Markandaya, Ruth Prawer Jhabvala, Arundhati Roy, Shashi Deshpande, Gita Mehta, Bharathi Mukherjee, and Jhumpha Lahiri.. These Feminist writers tried to stamp their authority in a male dominated environment as best as it is possible to them. This paper focuses on the way these women writers present the voice of the Indian woman who was hitherto suppressed by the patriarchal authority. Key words: suppression, identity, individuality, resistance, assertion. INTRODUCTION Indian writers have contributed much for the overall development of world literature with their powerful literary expression and immense depth in characterization. In providing global recognition to Indian writing in English, the novel plays a significant role as they portray the multi-faceted problems of Indian life and the reactions of common men and women in the society. -
Chapter-Ii Journey of Women Novelists in India
CHAPTER-II JOURNEY OF WOMEN NOVELISTS IN INDIA 2.1 Preliminaries This chapter deals with the study of „novel‟ as a popular literary genre. It traces the advent of the novel in India which is a product of colonial encounter. Essentially dominated by male writers, women‟s writings in the past were looked down upon as inconsequential. Literary contributions by Indian women writers were undervalued on account of patriarchal assumptions which prioritized the works of male experiences. For many women writers, who are products of strong patriarchal cultures, ability to write and communicate in the language of the colonizers represents power. Since English is the language of British-ruled colonies, literature written in English has often been used to marginalize and thwart female point of view. But in the post-colonial era, however, the ability to use language, read, write, speak and publish has become an enabling tool to question the absence of female authorial representation from the literary canon. Post-colonial studies sparks off questions related to identity, race, gender and ethnicity. Since one of the objectives of the post-colonial discourse is aimed at re- instating the marginalized in the face of the dominant some of the aspects it seeks to address through its fictions are those related to women‟s status in society, gender bias, quest for identity among others. As Rosalind Miles remarks, The task of interpretation of women‟s experience cannot be left to male writers alone, however sympathetic they might be. The female perspective expressed through women‟s writings of all kinds is more than a valuable corrective to an all-male view of the universe.1 Taking this argument into consideration, the present chapter will very briefly study the works of women novelists in India. -
Arun Joshi As an Adept in Effecting a Focus on the Predicament of Modern Man, Especially His Alienated Self in the Contemporary Indian Milieu: an Appraisal
© June 2019 | IJIRT | Volume 6 Issue 1 | ISSN: 2349-6002 Arun Joshi as an Adept in Effecting a Focus on the Predicament of Modern Man, Especially His Alienated Self in the Contemporary Indian Milieu: An Appraisal DR. C.Ramya M.B.A, M.A, M.Phil, Ph.D, Asst.Professor, Department of English, E.M.G. Yadava College for Women, MADURAI – 625 014, Tamil Nadu, India Abstract- The paper aims at delineating the predicament become an integral part of Indian reality thereby of modern man, in Arun Joshi’s novels. He is one of the showing full cognizance of the changing facets of supreme novelists, his journey of fictional works is Indian Life. based on the sense of alienation and existential One of the avowed objectives of Indo-Anglian predicament. Arun Joshi has successfully revealed the writers of fiction is the creative interpretations of subtleties and complexities of contemporary Indian milieu through his writings. scenes and situations, men and matters in India. Every culture has its own image, consequently the Index Terms- Self-alienation, Self-realization, artistic endeavour to project it has its positive value. inscrutable, impermanence, discrepancy, rootlessness, Culture is reflected in the modes of life of people, social fabric their thought processes, their innermost urges and I. INTRODUCTION longings, their fulfillments and frustrations. It signified certain innate compulsions peculiar to the What is commonly held is that fiction transmutes the way of life of a community. Certain modes and ways facts of life. The Novel, as a literary genre, is new to of feeling became characteristic of the psyche of a India. -
Introduction
I INTRODUCTION The objective of the thesis has been to explore the rootlessness in the major fictional works of V.S. Naipaul, the-Trinidad-born English author. The emphasis has been on the analysis of his writings, in which he has depicted the images of home, family and association. Inevitably, in this research work on V.S. Naipaul’s fiction, multiculturalism, homelessness (home away from home) and cultural hybridity has been explored. Naipaul has lost his roots no doubt, but he writes for his homeland. He is an expatriate author. He gives vent to his struggle to cope with the loss of tradition and makes efforts to cling to the reassurance of a homeland. Thepresent work captures the nuances of the afore-said reality. A writer of Indian origin writing in English seems to have an object, that is his and her imagination has to be there for his/her mother country. At the core of diaspora literature, the idea of the nation-state is a living reality. The diaspora literature, however, focuses on cultural states that are defined by immigration counters and stamps on one’s passport. The diaspora community in world literature is quite complex. It has shown a great mobility and adaptability as it has often been involved in a double act of migration from India to West Indies and Africa to Europe or America on account of social and political resources. Writers like Salman Rushdie, RohingtonMistry, Bahrain Mukherjee, and V.S. Naipaul write from their own experience of hanging in limbo between two identities: non-Indian and Indian. -
The Trauma of the Loss of Identity and Anguish of Alienation: an Appraisal of the Indian Writing in English
The Asian Conference on Literature & Librarianship 2013 Official Conference Proceedings Osaka, Japan The Trauma of the Loss of Identity and Anguish of Alienation: An Appraisal of the Indian Writing in English Shruti Sinha Management Development Institute of Singapore, Singapore 0448 The Asian Conference on Literature & Librarianship 2013 Official Conference Proceedings 2013 iafor The International Academic Forum www.iafor.org 248 The Asian Conference on Literature & Librarianship 2013 Official Conference Proceedings Osaka, Japan This paper explores alienation as a global problem in reference to Indian Writing in English. However, before such a discussion is initiated, it would be appropriate to explain the term Indian Writing in English. The term really applies to the writings of those authors who are by birth, ancestry and nationality Indians, which are written in English and which gives the aroma of Indian culture, ethos, homeland and geography, which are peopled by those men who are either Indians or of Indian origin, who either live in India or in any other part of the world. This paper, in particular, deals with Indian Fiction in English, the domain of which includes such diasporic writers as Salman Rushdie, Vikram Seth, Kiran Desai, Jhumpa Lahiri, Amitava Ghosh and many others. Most of our Indian –English authors have been globe trotters or educated in the west. R.S Pathak has rightly said; The Indian writers in English lose their sense of identity -both personal and national-and feel alienated in their making frantic efforts to seek, organize and affirm that identity. In many cases not only the novelists but also the characters in their novels face what psychologists call identity crisis.1 The Indian Fiction in English started with Rajmohan’s Wife written by Bankimchandra Chatterjee in 1864 and in its voyage of more than 150 years has witnessed such names as Mulk Raj Anand, R.K. -
THE INDIAN JOURNAL of ENGLISH STUDIES an Annual Journal
ISSN-L 0537-1988 53 THE INDIAN JOURNAL OF ENGLISH STUDIES An Annual Journal VOL.LIII 2016 Editor-in-Chief Dr. Binod Mishra Associate Professor of English, IIT Roorkee The responsibility for facts stated, opinion expressed or conclusions reached and plagiarism, if any, in this Journal is entirely that of the author. The editor/publisher bears no responsibility for them whatsoever. THE OFFICIAL PUBLICATION OF ASSOCIATION FOR ENGLISH STUDIES OF INDIA 53 2016 INDIAN JOURNAL OF ENGLISH STUDIES Editor-in-Chief: Dr. Binod Mishra, CONTENTS Department of HSS, IIT Roorkee, Uttarakhand. The Indian Journal of English Studies (IJES), published since 1940, accepts Editorial Binod Mishra VII scholarly papers presented by members at the annual conferences World Literature in English of the Association for English Hari Mohan Prasad 1 Studies of India (AESI). Orders for the Indian and Western Canon copy of the journal for home, college, Charu Sheel Singh 12 departmental/university library may be sent to the Editor-in-Chief, Mahesh Dattani’s Ek Alag Mausam: Dr. Binod Mishra, by sending an Art for Life’s Sake Mukesh Ranjan Verma 23 e-mail on [email protected]. Teachers and research scholars are Encounters in the Human requested to place orders on behalf of Zoo through Albee their institutions for one or more J. S. Jha 33 copies. Orders can be sent to Dr. Binod John Dryden and the Restoration Milieu Mishra, Editor-in-Chief, IJES, 215/3 Vinod Kumar Singh 45 Saraswati Kunj, IIT Roorkee, District- Folklore and Film: Commemorating Haridwar, Uttarakhand-247667, Vijaydan Detha, the Shakespeare India. -
A Room of Their Own: Women Novelists 109
A Room of their Own: Women Novelists 109 4 A Room of their Own: Women Novelists There is a clear distinction between the fiction of the old masters and the new novel, with Rushdie's Midnight's Children providing a convenient watershed. When it comes to women novelists, the distinction is not so clear cut. The older generation of women writers (they are a generation younger than the "Big Three") have produced significant work in the nineteen-eighties: Anita Desai's and Nayantara Sahgal's best work appeared in this period. We also have the phenomenon of the "late bloomers": Shashi Deshpande (b. 1937) and Nisha da Cunha (b. 1940) have published their first novel and first collection of short stories in the eighties and nineties respectively. But the men and women writers also have much in common. Women too have written novels of Magic Realism, social realism and regional fiction, and benefited from the increasing attention (and money) that this fiction has received, there being an Arundhati Roy to compare with Vikram Seth in terms of royalties and media attention. In terms of numbers, less women writers have been published abroad; some of the best work has come from stay-at- home novelists like Shashi Deshpande. Older Novelists Kamala Markandaya has published just one novel after 1980. Pleasure City (1982) marks a new direction in her work. The cultural confrontation here is not the usual East verses West, it is tradition and modernity. An efficient multinational corporation comes to a sleepy fishing village on the Coromandal coast to built a holiday resort, Shalimar, the pleasure city; and the villagers, struggling at subsistence level, cannot resist the regular income offered by jobs in it. -
Pragati's English Journal June 2014 Vol.14 No.1.P65
PRAGATI'S PRAGATI EDUCATIONAL COUNCIL H.O. Jalandhar City ENGLISH JOURNAL (Registered at Chandigarh in 1988 under the act XXI 1860) ISSN 0975-4091 Pragati's English Journal is a house-journal of the Pragati Educational Council. It is published in June and December every year. Editor : Dr. N. K. Neb Associate Professor Editor : Dr. N. K. Neb PG Department of English DAV College, Jalandhar Editorial Advisory Board : Dr. Gurupdesh Singh : Dr. Kulbhushan Kushal Editorial Advisory Board : Dr. Gurupdesh Singh Pragati's English Journal is published by Pragati Prof. of English, Educational Council in Collaboration with Dayanand Institute of GNDU Campus, Amritsar Education Management and Research (D.I.E.M.R.) Panvel, New Mumbai, Maharashtra. : Dr. Kulbhushan Kushal All correspondence pertaining to subscription/publicity should be Regional Director addressed to the General Secretary Pragati Educational Council at DAV Institutions the following address : Maharashtra & Gujrat. 61/75A–Garden Colony, Jalandhar City 144 003. Subscription : (For individuals) Per copy (Postage extra) : Rs. 150/– $ 5 Annual : Rs. 300/– $ 10 website:www.englishjournal.in (For institutions) Per Copy : Rs. 250/– $13 Annual : Rs. 450/– $ 25 Vol. 14 No.1 June 2014 Payments should be made through a bank draft or a money order in favour of Pragati Educational Council, Jalandhar. Typesetting : Printed by : Krishna Lazer Graphics Paper Offset Printers Opinions expressed by Contributors are not necessarily those of Jalandhar. Jalandhar. the editors. 2 Pragati's English Journal 1 While examining female characters in Roth’s fiction, Mary Allen A Feminist Study of Philip Roth’s When She Was Good comes down heavily on Lucy. -
Issn 0976-299X
www.literaryendeavour.com ISSN 0976-299X LITERARY ENDEAVOUR A Quarterly International Refereed Journal of English Language, Literature and Criticism VOL. VII NO. 4 OCTOBER 2016 Chief Editors Dr. Ramesh Chougule Dr. S. Subbiah www.literaryendeavour.com ISSN 0976-299X Registered with the Registrar of Newspaper of India vide MAHENG/2010/35012 LITERARY ENDEAVOUR A Quarterly International Refereed Journal of English Language, Literature and Criticism VOL. VII NO. 3 JULY 2016 CHARM OF SCIENCE FICTION - Manee Hanash; AN ADEQUATE DEFINITION OF PEACE IN ADA AHARONI'S QUEST FOR CONFLICT RESOLUTION - Dr. S. Venkateswaran & Prof. Esther Prasanakumar; THE COLONIAL ENCOUNTER IN VALERIE FITZGERALD'S ZEMINDAR - Smt Padmaja Shetty; VIKRAM SETH'S AN EQUAL MUSIC: A THEMATIC STUDY - V.Vanitha & Dr. M. Solayan; NOSTALGIC STRAIN IN AMITAV GHOSH'S THE SHADOW LINES - M. Renugadevi & Dr.V.Nagarajan; PATRIARCHY AND FEMININE STRIFE IN SELECT NOVELS OF MANJU KAPUR - F. Vincent Rajasekar & Dr. V. Nagarajan; EXPLORATION OF DIASPORIC CONSCIOUSNESS AND MIGRATORY EXPERIENCES IN BAPSI SIDWA'S SELECT WORKS - Dr. S. Karthika; REPRESENTATION OF CARIBBEAN IDENTITY IN THE WORKS OF GEORGE LAMMING - Dr. S. Venkateswaran & Jayashree. C; INDIAN DIASPORA AS REPRESENTED IN THE SELECT NOVELS OF AMITAV GHOSH - C. Candace Jessin Graceta & Dr. R. Sumathi; LIBERAL HUMANISM OF E.M.FORSTER WITH SPECIAL REFERENCE TO HOWARDS END - Dr. S.Venkateswaran & Shashi Kala .L; PORTRAYAL OF INDO-WESTERN TRADITION IN RUTH PRAWER JHABVALA'S ESMOND IN INDIA - Sunilreddy Vasan; QUEST FOR IDENTITY IN ESTHER DAVID'S BOOK OF RACHEL AND THE WALLED CITY - Ms. Tejaswini Kiran Mane & Dr.(Mrs) Pradnya.V.Ghorpade; QUEST FOR IDENTITY IN RUTH PRAWER JHABVALA'S THE HOUSEHOLDER - Sunilreddy Vasan; GOVERNMENT BRAHMANA: A LITERARY PROTEST - Shrinivas K.; COMPARATIVE LITERATURE: THEMATICS, INFLUENCE, RECEPTION, MOVEMENT AND GENRE - Mrs Anu Nair; THE IDEA OF CULTURE WITH REFERENCE TO RAYMOND WILLIAMS - Mrs Anu Nair; SOCIAL CONCERNS IN CHINUA ACHEBE'S NO LONGER AT EASE - RAMESH.S.M; IMAGE OF INDIA IN E.M. -
The Indian English Novel of the New Millennium Also by Prabhat K
The Indian English Novel of the New Millennium Also by Prabhat K. Singh Literary Criticism Z Realism in the Romances of Shakespeare Z Dynamics of Poetry in Fiction Z The Creative Contours of Ruskin Bond (ed.) Z A Passage to Shiv K. Kumar Z The Indian English Novel Today (ed.) Poetry Z So Many Crosses Z The Vermilion Moon Z In the Olive Green Z Lamhe (Hindi) Translation into Hindi Z Raat Ke Ajnabi: Do Laghu Upanyasa (Two novellas of Ruskin Bond – A Handful of Nuts and The Sensualist) Z Mahabharat: Ek Naveen Rupantar (Shiv K. Kumar’s The Mahabharata) The Indian English Novel of the New Millennium Edited by Prabhat K. Singh The Indian English Novel of the New Millennium, Edited by Prabhat K. Singh This book first published 2013 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2013 by Prabhat K. Singh All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4951-0, ISBN (13): 978-1-4438-4951-7 For the lovers of the Indian English novel CONTENTS Preface ........................................................................................................ ix Chapter One ................................................................................................. 1 The Narrative Strands in the Indian English Novel: Needs, Desires and Directions Prabhat K. Singh Chapter Two .............................................................................................. 28 Performance and Promise in the Indian Novel in English Gour Kishore Das Chapter Three ........................................................................................... -
May-Jun, 2018
i FOREWORD I am pleased to put into the hands of readers Volume-3; Issue-3: 2018 (May-June, 2018) of “International Journal of English Literature and Social Sciences (IJELS) (ISSN: 2456-7620) ” , an international journal which publishes peer reviewed quality research papers on a wide variety of topics related to English Literature, Humanities and Social Sciences. Looking to the keen interest shown by the authors and readers, the editorial board has decided to release print issue also, journal issue will be available in various library also in print and online version. This will motivate authors for quick publication of their research papers. Even with these changes our objective remains the same, that is, to encourage young researchers and academicians to think innovatively and share their research findings with others for the betterment of mankind. This journal has DOI (Digital Object Identifier) also, this will improve citation of research papers. I thank all the authors of the research papers for contributing their scholarly articles. Despite many challenges, the entire editorial board has worked tirelessly and helped me to bring out this issue of the journal well in time. They all deserve my heartfelt thanks. Finally, I hope the readers will make good use of this valuable research material and continue to contribute their research finding for publication in this journal. Constructive comments and suggestions from our readers are welcome for further improvement of the quality and usefulness of the journal. With warm regards. Dr. Manoj Kumar Editor-in-Chief International Journal of English Literature and Social Sciences (IJELS) (ISSN: 2456-7620) www.ijels.com Date: June, 2018 ii Editorial Board Dr.