Marine Barracks Historic District Nomination (1972)
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“What Are Marines For?” the United States Marine Corps
“WHAT ARE MARINES FOR?” THE UNITED STATES MARINE CORPS IN THE CIVIL WAR ERA A Dissertation by MICHAEL EDWARD KRIVDO Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2011 Major Subject: History “What Are Marines For?” The United States Marine Corps in the Civil War Era Copyright 2011 Michael Edward Krivdo “WHAT ARE MARINES FOR?” THE UNITED STATES MARINE CORPS IN THE CIVIL WAR ERA A Dissertation by MICHAEL EDWARD KRIVDO Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, Joseph G. Dawson, III Committee Members, R. J. Q. Adams James C. Bradford Peter J. Hugill David Vaught Head of Department, Walter L. Buenger May 2011 Major Subject: History iii ABSTRACT “What Are Marines For?” The United States Marine Corps in the Civil War Era. (May 2011) Michael E. Krivdo, B.A., Texas A&M University; M.A., Texas A&M University Chair of Advisory Committee: Dr. Joseph G. Dawson, III This dissertation provides analysis on several areas of study related to the history of the United States Marine Corps in the Civil War Era. One element scrutinizes the efforts of Commandant Archibald Henderson to transform the Corps into a more nimble and professional organization. Henderson's initiatives are placed within the framework of the several fundamental changes that the U.S. Navy was undergoing as it worked to experiment with, acquire, and incorporate new naval technologies into its own operational concept. -
House Resolution No.110
HOUSE RESOLUTION NO.110 Rep. Reilly offered the following resolution: 1 A resolution to declare May 17-21, 2021, as Home Education 2 Week in the state of Michigan. 3 Whereas, The state of Michigan is committed to excellence in 4 education; and 5 Whereas, Michigan law affirms that it is the natural 6 fundamental right of parents and legal guardians to determine and 7 direct the care, teaching, and education of their children; and 8 Whereas, Research demonstrates conclusively that educational 9 alternatives and direct family participation improve academic 10 performance; and 11 Whereas, Families engaged in home-based education are not 12 dependent on public, tax-funded resources for their children's 13 education, thus saving Michigan taxpayers thousands of dollars Home Education W 21H 2 1 annually; and 2 Whereas, Educating children at home was the predominant form 3 of education during much of our nation’s history; and 4 Whereas, Home education has a long history of success in our 5 country, producing such notable Americans as George Washington, 6 Benjamin Franklin, Patrick Henry, John Quincy Adams, John Marshall, 7 Robert E. Lee, Abraham Lincoln, Thomas Edison, Helen Keller, Clara 8 Barton, Laura Ingalls Wilder, Franklin D. Roosevelt, George Patton, 9 Douglas MacArthur, Frank Lloyd Wright, John Philip Sousa, and Tim 10 Tebow among many others; and 11 Whereas, Michigan’s home-educated students are being equipped 12 to be successful, informed, engaged, ethical, and productive 13 citizens who enrich our society and contribute to the well-being -
U.S. Marine Band Bios
WOLF TRAP HOLIDAY SING-A-LONG FROM HOME ABOUT THE ARTISTS “THE PRESIDENT’S OWN” UNITED STATES MARINE BAND Established by an Act of Congress in 1798, the United States Marine Band is America’s oldest continuously active professional musical organization. Its mission is unique—to provide music for the President of the United States and the Commandant of the Marine Corps. President John Adams invited the Marine Band to make its White House debut on New Year’s Day, 1801, in the then-unfinished Executive Mansion. In March of that year, the band performed for Thomas Jefferson’s inauguration and it is believed that it has performed for every presidential inaugural since. In Jefferson, the band found its most visionary advocate. An accomplished musician himself, Jefferson recognized the unique relationship between the band and the Chief Executive and he is credited with giving the Marine Band its title, “The President’s Own.” COLONEL JASON K. FETTIG, director Colonel Jason K. Fettig is the 28th director of “The President’s Own” United States Marine Band. He joined in 1997 as a clarinetist and assumed leadership of the Marine Band in July of 2014. He was promoted to his present rank in August 2017 by President Donald J. Trump, becoming the third director of “The President’s Own” to be promoted to colonel in a White House ceremony. As director, Col. Fettig is the music adviser to the White House and regularly conducts the Marine Band and Marine Chamber Orchestra at the Executive Mansion and at all Presidential Inaugurations. He also serves as music director of Washington, D.C.’s historic Gridiron Club, a position held by every Marine Band Director since John Philip Sousa. -
Senate Resolution No. 52
MICHIGAN SENATE Senate Resolution No. 52 Offered by Senators Theis, Victory, Bizon, Horn, Barrett, Nesbitt, Daley, MacDonald, Lauwers, LaSata, Bumstead, McBroom, Runestad, Zorn, VanderWall, Shirkey, Johnson, Outman, Schmidt and Stamas A RESOLUTION TO RECOGNIZE MAY 17-21, 2021, AS MICHIGAN HOME EDUCATION WEEK WHEREAS, The state of Michigan is committed to excellence in education; and WHEREAS, Michigan law affirms that it is the natural, fundamental right of parents and legal guardians to determine and direct the care, teaching, and education of their children; and WHEREAS, Research demonstrates that educational alternatives and direct family participation improve academic performance conclusively; and WHEREAS, Families engaged in home-based education are not dependent on public, tax-funded resources for their children’s education, saving Michigan taxpayers thousands of dollars annually; and WHEREAS, Educating children at home was the predominant form of education during much of our nation’s history; and WHEREAS, Home education has a long history of success in our country, producing such notable Americans including George Washington, Benjamin Franklin, Patrick Henry, John Quincy Adams, John Marshall, Robert E. Lee, Abraham Lincoln, Thomas Edison, Helen Keller, Clara Barton, Laura Ingalls Wilder, Franklin D. Roosevelt, George Patton, Douglas MacArthur, Frank Lloyd Wright, John Philip Sousa, and Tim Tebow among many others; and WHEREAS, Michigan’s home educated students are equipped to be successful, informed, engaged, ethical, and productive -
12/9/55 Fine and Applied Arts University Bands-Sousa Archives for Band Research Virginia Root Collection, 1847-1945
The materials listed in this document are available for research at the University of Record Series Number Illinois Archives. For more information, email [email protected] or search http://www.library.illinois.edu/archives/archon for the record series number. 12/9/55 Fine and Applied Arts University Bands-Sousa Archives for Band Research Virginia Root Collection, 1847-1945 Box 1: Octavo Choral Music, Libretti, and Collections (Donizetti-Koven) Box 2: Libretti and Collections (Leoncavallo-Sousa) Box 3: Libretti and Collections (Spinetti-Weckerlin) Box 4: Libretti and Collections (Items Lacking Attribution) Box 5: Vocal/Piano Sheet Music (Abt-Elgar) Box 6: Vocal/Piano Sheet Music (Faure-Lynes) Box 7: Vocal/Piano Sheet Music (MacDermid-Söderberg) Box 8: Vocal/Piano Sheet Music (Sousa-Young) Box 9: Piano Music Collection, Scrapbooks Box 10: Journals, Newspaper Introduction and Biographical Note Eleanor Virginia Root, descendant of entrepreneur Cornelius Vanderbilt and American composer and music publisher George Root, studied voice and held leading roles in opera productions in Italy and the United States following her graduation from P.S. 157 (St. Nicholas Ave and 157th Street) in New York City on 25 June 1900. Miss Root toured with the Harry Lauder All Star Company, using the stage name, Virginia Vervelle, prior to serving as vocal soloist for the Sousa Band from 1909 through 1917. She was in demand as a soloist in the New York Hippodrome shows in 1916 and 1917, as well as in sacred and secular performances throughout her professional career. Root performed in the “Chapman Concerts” in 1905; those concerts are frequently addressed in clippings and represented by concert programs. -
University Bands 2012–13 Season Sunday 18 November 2012 185Th Concert Miller Auditorium 3:00 P.M
University Bands 2012–13 Season Sunday 18 November 2012 185th Concert Miller Auditorium 3:00 p.m. UNIVERSITY CONCERT BAND John A. Lychner, Conductor Brad Pulverenti, Graduate Assistant Conductor John Philip Sousa The Thunderer (1889) 1854–1932 arr. Keith Brion/Loras Schissel Richard Strauss Allerseelen (1885) 1864–1949 Brad Pulverenti, Conductor arr. Albert O. Davis ed. Frederick Fennell Malcolm Arnold Four Scottish Dances (1957) 1921–2006 I. Pesante arr. John P. Paynter II. Vivace III. Allegretto IV. Con Brio UNIVERSITY SYMPHONIC BAND Robert L. Spradling, Conductor Matthew Pagel, Graduate Assistant Conductor with guest artists WESTERN BRASS QUINTET Scott Thornburg, Trumpet Stephen Jones, Trumpet Lin Foulk, Horn Daniel Mattson, Trombone Jacob Cameron, Tuba Clifton Williams Symphonic Dance Number 3 – “Fiesta” (1965) 1923–1976 Matthew Pagel, Conductor Scott Lindroth Passage (2010) b. 1958 Eric Ewazen Shadowcatcher (1996) b. 1954 I. Offering to the Sun II. Among the Aspens III. The Vanishing Race IV. Dancing to Restore an Eclipsed Moon with the Western Brass Quintet Building emergencies will be indicated by the flashing exit lights and sounding of alarm s within the seating area. Please walk, DO NO T RUN, to the nearest exit. Ushers will be located near exits to assist patrons. Please turn off all cell phones and other electronic devices during the perform ance. Because of legal issues, any video or audio recording of this performance is prohibited without prior consent from the School of M usic. Thank you for your cooperation. PROGRAM NOTES compiled by John Lychner and Brad Pulverenti Sousa, The Thunderer determined that Sousa had no association with that newspaper at the time. -
THE University of Memphis Naval ROTC MIDSHIPMEN KNOWLEDGE
THE University of Memphis Naval ROTC MIDSHIPMEN KNOWLEDGE Handbook 2014 (This page intentionally left blank) 1 May 2014 From: Commanding Officer, Naval Reserve Officers Training Corps, Mid-South Region, The University of Memphis To: Incoming Midshipmen Subj: MIDSHIPMEN KNOWLEDGE HANDBOOK Ref: (a) NSTC M-1533.2 1. PURPOSE: The purpose of this handbook is to provide a funda- mental background of knowledge for all participants in the Naval ROTC program at The University of Memphis. 2. INFORMATION: All chapters in this book contain vital, but basic information that will serve as the building blocks for future development as Naval and Marine Corps Officers. 3. ACTIONS: Midshipmen, Officer Candidates, and Marine Enlisted Commissioning Education Program participants are expected to know and understand all information contained within this handbook. Navy students will know the Marine information, and Marine students will know the Navy information. This will help to foster a sense of pride and esprit de corps that shapes the common bond that is shared amongst the two Naval Services. B. C. MAI (This page intentionally left blank) MIDSHIPMEN KNOWLEDGE HANDBOOK TABLE OF CONTENTS CHAPTER TITLE 1 INTRODUCTION 2 CHAIN OF COMMAND 3 LEADERSHIP 4 GENERAL KNOWLEDGE 5 NAVY SPECIFIC KNOWLEDGE 6 MARINE CORPS SPECIFIC KNOWLEDGE APPENDIX A CHAIN OF COMMAND FILL-IN SHEET B STUDENT COMPANY CHAIN OF COMMAND FILL-IN SHEET C UNITED STATES MILITARY OFFICER RANKS D UNITED STATES MILITARY ENLISTED RANKS FIGURES 2-1 CHAIN OF COMMAND FLOW CHART 2-2 STUDENT COMPANY CHAIN OF COMMAND FLOW CHART 4-1 NAVAL TERMINOLOGY (This page intentionally left blank) MIDSHIPMEN KNOWLEDGE HANDBOOK CHAPTER 1 INTRODUCTION PARAGRAPH PAGE PURPOSE 1001 1-3 SCOPE 1002 1-3 GUIDELINES 1003 1-3 NROTC PROGRAM MISSION 1004 1-3 1-1 (This page intentionally left blank) MIDSHIPMEN KNOWLEDGE HANDBOOK 1001: PURPOSE 1. -
Fourth Grade 2018-2019 Blue and Gold List If the Walls Could Talk by Jane O'connor the Great Pet Escape by Victoria Jamieson
Fourth Grade 2018-2019 Blue and Gold List If the Walls Could Talk by Jane O’Connor In case you've ever wondered, the walls at 1600 Pennsylvania Avenue have eyes and ears -- and, what's more, they don't miss a thing. Now, listen up because the walls have a thing or two to tell you! During President John Tyler's presidency, the White House was such a mess that it was called the "Public Shabby House." President William Howard Taft was so large that he had to have a jumbo-size bathtub installed -- one big enough for four people. President Andrew Jackson's "open door" policy at the White House resulted in 20,000 people showing up for his inauguration party. (The new president escaped to the quiet of a nearby hotel!) Hear these funny, surprising stories and more about the most famous home in America and the extraordinary families who have lived in it. Our Texas by Jackie Mims Hopkins From King Ranch to the Alamo on through the capital city of Austin, explore historical sites, learn about the people who helped Texas develop, and discover the natural beauty of this dynamic state. This book takes readers on a tour of the cities and wilderness of this larger-than-life state. John Philip Duck by Patricia Polacco Edward loves his pet duck more than anything. He raised it from a baby, and now it follows him everywhere, even to the big fancy hotel in Memphis where he works with his father. Everyone at the Peabody loves to watch that little duck do tricks; why, it can even waddle up and down in time to a John Philip Sousa march, which is why Edward decides to name it John Philip. -
MCL Mideast Division Conference 24-25 June * Hilton Wilmington/Christiana * Newark, Delaware
Marine Corps League 1426 East Fort Avenue (#17 Fire House) Baltimore, Maryland 21230-5247 Baltimore Detachment #565 Phone: 410-547-7699 http://www.mclbaltimore.org Earl Ruff, Jr.* Commandant July 2016 * Vol . 20, No. 7 * Stuart Blair, Editor MCL Mideast Division Conference 24-25 June * Hilton Wilmington/Christiana * Newark, Delaware Most MCL members representing North Carolina, Virginia, West Virginia, Maryland and the host Department of Delaware arrived Friday 24 June to register. Then socialized in the hospitality room, while others made their way to the hotel restaurant. Later that evening the Devil Dogs gathered for the MED Growl (report in MODD Article) On Saturday at 0900 the annual MED Meeting was opened by host Dept of DE Commandant - Raymond Snyder presiding, with opening ceremony conducted by the New Castle County Young Marines, New Castle County, DE and Delaware State Police Pipe & Drum. Mideast Div NVC Mike McLain gave welcome comments followed by Joint Memorial Service was conducted by Mideast Division Chaplain Lee Taylor. Dignitaries were recognized by the MVC McLain Joint Opening Guest Speaker –Theresa Hancock - Director Dept of Veterans Affairs, Veterans Health Administration, Veterans and Gave a talk on veteran Health Information Regular business followed with Staff Officers and Department officers’ reports Department Commandant’s Reports Awards were presented to MCL MED Leaders by NVC McLain, concluding with Good of the League and announcements. In the afternoon of the 25th: Professional Development Training: Nat JA Johnny Baker and Div Adjutant Roger Ware held a discussion of the 2016 Proposed National Bylaws and AP. Adjutant spoke about new 990N filing site, Nonprofit status, Required reports for detachments, division roster and need for email address for all detachments and departments for more communications, need for all activities to be approved by membership for coverage under corporate status and insurance policy. -
John Philip Sousa (1854-1932)
Composer Fact Sheets John Philip Sousa (1854-1932) FAST FACTS • Known as “The March King” • Played many different instruments, but his dad forced him to join the Marines • Became conductor of “The President’s Own” Marine Band • Wrote 136 marches and 15 operettas • Toured Europe many times with his band Born: 1854 (Washington, DC) Died: 1932 (Reading, PA) John Philip Sousa was a famous American composer and conductor who became known as the “March King” for the amount of patriotic and inspiring pieces he wrote for professional bands. Sousa began studying and playing piano, stringed instruments, woodwinds, and brass. When he tried to join a circus band at age 13, however, his father forced him to join the Marines. Sousa was only with the Marines eight years before he was discharged so he could perform violin professionally. He also began conducting theater orchestras at this time. Inspired by this kind of music, he began to write operettas (light-hearted shows much like musical theater of today). For 12 years, Sousa was appointed conductor of “The President’s Own”, which is the official music organization of the U.S. Marines. Sousa served five different presidents while he was the conductor of “The President’s Own”: presidents Hayes, Garfield, Arthur, Cleveland, and Harrison. He composed pieces for the band that gave people a sense of excitement and pride, called “marches”. In 1889, Sousa composed The Washington Post march , for which he received international fame. After the band took two separate tours, Sousa resigned to start his own community band. His band performed in New Jersey, but also performed at the World’s Columbian Exposition, also known as The Chicago World’s Fair in 1893. -
2012 Campaign
50MARINE CORPS SCHOLARSHIP FOUNDATION 2012 Campaign SATURDAY, OCTOBER 27, 2012 The Ritz-Carlton Laguna Niguel • Benefactor • ••• •Commandant • Congratulations Dennis Haysbert and Trevor Hoffman With great appreciation for your leadership and outstanding service to our community. You are both an inspiration. Congratulations on this well deserved tribute Julia and George Argyros The Argyros Family Foundation ••• Honoring Marines by Educating Their Children Honoring Marines by Educating Their Children MARINE CORPS SCHOLARSHIP FOUNDATION WEST COAST 2012 Campaign honoring DENNIS HAYSBERT Actor, Producer, Director and Writer Semper Fidelis Award and •• TREVOR HOFFMAN Special Assistant, San Diego Padres John Wooden Sportsman Award ••• MARINE CORPS SCHOLARSHIP FOUNDATION ••• Honoring Marines by Educating Their Children Marine Corps Scholarship Foundation BOARD OF DIRECTORS Gen William L. “Spider” Nyland USMC (Ret.) (FL) Chairman of the Board Eric J. Candelori (VA) Vice Chairman Richard C. Hartnack (MN) Treasurer Kevin N. Ainsworth (NY) General Counsel C. Michael Armstrong (FL) Karen Kelly (VA) Richard A. Bergen (NJ) SgtMaj Carlton W. Kent USMC (Ret.) (VA) Matthew J. Carroll (VA) James D. King (IL) Deborah G. Carstens (AZ) Col Burrell H. Landes Jr. USMC (Ret.) (CO) H. Lee Dixson Jr. (MD) Katherine C. McCallum (NY) Joseph L. Driscoll (CA) LtGen Frederick McCorkle USMC (Ret.) (TN) Craig J. Duchossois (IL) Dennis P. Morris (Ontario) Donald V. Esmond (CA) Bernard A. Pekala (MA) Donald W. Faul (CA) Charles C. Scianna (TX) Nathaniel C. Fick (DC) Col K. Patrick Sirmon USMC (Ret.) (AL) Michael K. Hayde (CA) Manning J. Smith (PA) John C. Heenan (PA) LtGen Martin R. Steele USMC (Ret.) (FL) LtGen Jan C. Huly USMC (Ret.) (VA) Capt Sarah M. -
American Music Research Center Journal
Volume 15 2005 UNIVERSITY OF COLORADO AT BOULDER AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 15 2005 Laurie J. Sampsel, Guest Editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado at Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Cassandra M. Volpe, Archivist Sister Mary Dominic Ray, O. P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music Joice Waterhouse Gibson, Research Assistant, 2004–2006 Ross Hagen, Research Assistant, 2005–2007 EDITORIAL BOARD Alan Cass Portia Maultsby Susan Cook Tom C. Owens Robert R. Fink Katherine Preston William Kearns Catherine Parsons Smith Karl Kroeger Helen Smith Victoria Lindsay Levine Jessica Sternfeld Kip Lornell Joanne Swenson-Eldridge Jeffrey Magee The American Music Research Center Journal is published annually. Subscription rate is $14.50 per issue ($16.50 outside U.S.). Please address all inquiries to Laurie J. Sampsel, College of Music, University of Colorado at Boulder, 301 UCB, Boulder, CO 80309-0301. ISSN 1058-3572 © 2005 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro - posals from the scholarly community. All articles should be addressed to Laurie J. Sampsel, College of Music, University of Colorado at Boulder, 301 UCB, Boulder, CO 80309-0301. Each separate article should be submitted in two copies, on 81/2-by-11-inch paper, double-spaced, with 1" margins.