Sobre As Bandas Confirmadas
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Edp Vilar De Mouros Divulga Horários De Nota De Imprensa Concertos
EDP VILAR DE MOUROS DIVULGA HORÁRIOS DE NOTA DE IMPRENSA CONCERTOS • Festival pronto para receber as 18 bandas confirmadas • Magia do EDP Vilar de Mouros acontece nos dias 22, 23 e 24 e traz muitas novidades • The Cult, Manic Street Preachers, The Offspring, Skunk Anansie, Prophets of Rage, e Gogol Bordello são algumas das bandas que vão atuar no palco EDP, enquanto artistas como os Therapy?, The Sisters of Mercy, Tape Junk, The House of Love atuam no palco MEO. A organização do festival EDP Vilar de Mouros acaba de divulgar os horários dos concertos IPSIS que vão decorrer nos dois palcos, o EDP e o MEO, preparados para receber as 18 bandas que Catarina Teixeira Soraia Tomaz atuam nos dias 22, 23 e 24 de agosto, sob a promessa de um ano inesquecível para todos os edpvilardemouros @ipsis.pt apaixonados por música. Tlf: +351 211 978 073 Tlm: +351 93 285 A edição 2019 traz-nos um cartaz eclético e com confirmações de peso: no palco EDP atuam 77 74/ +351 910 157 923 bandas como os The Cult, Manic Street Preachers, Anna Calvi, The Offspring, Skunk Anansie, Nitzer Ebb, Prophets of Rage, Gogol Bordello e Linda Martini, e, no palco MEO os Therapy?, The Wedding Present, Tape Junk, The Sisters of Mercy, The House of Love, Clan of Xymox, Fisher-Z, Gang of Four e Jarojupe. Horários dos concertos Deslocação (Desconto CP e Transfer Gratuito Óptica Pistosga) Os festivaleiros com passe do evento têm 30% de desconto na CP na compra de viagens em intercidade, inter-regionais e regionais com destino e partida de Caminha, de 18 a 25 de agosto. -
Czas Na Ambient Festival!
Wiadomości Piątek, 5 lipca 2019 Czas na Ambient Festival! Gorlickie Centrum Kultury serdecznie zaprasza na Międzynarodowe Prezentacje Multimedialne Ambient Festival 2019, które odbędą się w sali teatralnej GCK w dniach 12-13 lipca br. Ambient Festival to impreza prezentująca współczesne odmiany muzyki elektronicznej i elektroakustycznej oraz pokazująca wartościowe przedsięwzięcia z zakresu sztuki „Video Art”. Coraz większa popularność tej odmiany muzyki na całym świecie sprawia, że zajmuje się nią coraz większa ilość muzyków, na co dzień uprawiających jazz, folk, a także muzykę klasyczną. Ideą imprezy jest zainteresowanie szerszej publiczności niekomercyjnymi formami muzyki o najwyższych wartościach artystycznych oraz zapoznanie z najnowszymi trendami w polskiej i światowej muzyce współczesnej. Ze względu na swój „niszowy” charakter gorlicki Ambient Festival jest jedną z najważniejszych tego typu imprez w Polsce oraz jedną z coraz bardziej liczących się w Europie. W roku 2018 Ambient Festival obchodził 20-lecie swego istnienia. Przez ten okres zaprezentowaliśmy osiągnięcia wielu światowej sławy artystów zajmujących się nie tylko muzyką elektroniczną, ale także muzyką klasyczną, folkową czy jazzową. W Gorlicach wystąpili między innymi: Manuel Goetsching, Harald Grosskopff, Hans Joachim Roedelius, Christian Fennesz, Geir Jensen /Biosphere/, Richard Pinhas, Robin Guthrie, Pieter Nooten, Kouhei Matsunaga, Andres Jankowski, Eivind Aarset, Tadeusz Sudnik, Józef Skrzek, Alex Paterson /The Orb/ oraz wielu innych muzyków z niemalże całej Europy. Przez wiele lat koncerty festiwalowe prowadził red. Jerzy Kordowicz. Dyrektorem artystycznym festiwalu jest Tadeusz Łuczejko, laureat konkursu na najlepsze nagranie muzyki elektronicznej, zorganizowanego właśnie przez J. Kordowicza na antenie „Trójki”. Tradycyjnie uruchomiona zostanie giełda płyt /CD i Vinyle/, pokaz audiofilskiego sprzętu grającego. Na tegorocznym festiwalu wystąpią: 12.07 (piątek) – START GODZ. -
Ivan Muñoz Aka Vigilante Is One of the Most Important Electronic Music Artists & Djs in South America
Ivan Muñoz aka Vigilante is one of the most important electronic music artists & Djs in South America. With his mix of electronic and metal, Muñoz has conquered audiences from Chile and all over the world. He has released three albums: "The Heroes Code" (2005), "War of Ideas" (2007), and “The New Resistance” (2011), one EP "Juicio Final" (2006); one DVD + CD "Life is a Battlefield" (2009) and several singles in countries as diverse as Germany, Russia, Chile, Argentina and Japan. His records are distributed both physically and digitally throughout the world. With 6 international tours, Vigilante has brought his music to many countries: United States, Russia, Germany, Netherlands, Peru, Argentina, Chile, Czech Republic, Poland, Denmark, Belgium, France, Portugal, Switzerland, Italy, Norway, Spain, and many more. In addition, he has been the only Chilean musician to participate in some of the more important Festivals in Europe, like Wave Gotik Treffen (Germany, 2006 and 2010), Castle Party (Poland, 2012); and in 2008 Vigilante was the support band of the Industrial legends Nine Inch Nails. Throughout his career, he has worked, remixed and shared stage with the most important bands in the scene such as: Nine Inch Nails, Lacrimosa, Ministry, Strapping Young Lad, Public Enemy, Suicide Commando, S.I.T.D., Die Krupps, VNV Nation, Funker Vogt, Leaether Strip, Agonoize, Soman, Hocico, Birmingham 6, Hanin Elias, Tyske Ludder, Clan of Xymox and many more. His profesionalism and talent made him being endorsed by the most important brands in the music industry like Focusrite, Novation, Schecter, Fxpansion, Presonus, Seymour Duncan, Sony Creative Software and many more. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
BEAUTIFUL NOISE Directions in Electronic Music
BEAUTIFUL NOISE Directions in Electronic Music www.ele-mental.org/beautifulnoise/ A WORK IN PROGRESS (3rd rev., Oct 2003) Comments to [email protected] 1 A Few Antecedents The Age of Inventions The 1800s produce a whole series of inventions that set the stage for the creation of electronic music, including the telegraph (1839), the telephone (1876), the phonograph (1877), and many others. Many of the early electronic instruments come about by accident: Elisha Gray’s ‘musical telegraph’ (1876) is an extension of his research into telephone technology; William Du Bois Duddell’s ‘singing arc’ (1899) is an accidental discovery made from the sounds of electric street lights. “The musical telegraph” Elisha Gray’s interesting instrument, 1876 The Telharmonium Thaddeus Cahill's telharmonium (aka the dynamophone) is the most important of the early electronic instruments. Its first public performance is given in Massachusetts in 1906. It is later moved to NYC in the hopes of providing soothing electronic music to area homes, restaurants, and theatres. However, the enormous size, cost, and weight of the instrument (it weighed 200 tons and occupied an entire warehouse), not to mention its interference of local phone service, ensure the telharmonium’s swift demise. Telharmonic Hall No recordings of the instrument survive, but some of Cahill’s 200-ton experiment in canned music, ca. 1910 its principles are later incorporated into the Hammond organ. More importantly, Cahill’s idea of ‘canned music,’ later taken up by Muzak in the 1960s and more recent cable-style systems, is now an inescapable feature of the contemporary landscape. -
MILLER's RIVER ROCKS on .2. • 4 Ammo Orelv111111
JUNE 4, 1993 ISSUE #328 fax: (609) 654-68.0 TOP PRIORITY STEVE "ILLER WIDE RIVER HARD ACTS TO FOLLOW IE DEVLINS I KNEW THAT ALTERNATIVE PICK HEY ZEUS! INSIDE: HARD HITTER • A RARE, LONG FORM CONVERSATION WITH ONE OF ROCK'S MCST CNIGMATIC AND IDIOSYNCRATIC HITMEN • dfARK AND BRIAN NOW SET TO SIMULCAST MORNING DRIVE AT {GON/PORTLAND. AND B-97(KKBB) BAKERSFIELD • 2D KELLY TO TEAM UP WITH KEN CAL VERT FOR WLLZ MORNINGS • 'RQR MAKES STEVEN SEAWEIT THEIR PERMANENT MORNING MAN JOHNNY YOUNG BACK TO NI3HTS, MARY HOLLOWAY TO MIDDAYS • _RS PROMOTES KAREN LEE TO NATIONAL DIR. PROMO 'EAST • VRCQ, FAYETTEVILLE LMA's WITH WZNS /DILLON SOUTH CAROLINA ire ▪ ..ISA RIEGEL ROUNDS UP A VIGILANTES OF LOVE INTERVIEW Ftyrrynnt • •vrvre I SAW YOUR MOMMY MILLER'S RIVER ROCKS ON .2._ • 4 ammo orelV111111 S T E V E M I L L E R BAN D W I D E R I V E R The first track from the long-awaited new studio recording. T H E U N MIS T A K A B LE S O U N D O F S U M M E R, '93- O n tour with Paul Rodgers JI .NE JULY AUGUST 4/ I M .,,poli. MN Target I:reeler Thu 7/1 unlasde. NS ji111,1 Ileac le Theater Sun 8/1 :mg» 11en•se. t. Parr. %se phighenier Sat fen %Maned.... NI %hereon 1emehiritealer Fri 7/2 e atone. Nt J Itenelt Thenier Mon 8/2 :ones. Menu. ti tes rhigeenter Sun 4/6 leirseute. -
Slugmag.Com 1 2 Saltlakeunderground Slugmag.Com 3 Saltlakeunderground • Vol
slugmag.com 1 2 SaltLakeUnderGround slugmag.com 3 SaltLakeUnderGround • Vol. 24 • Issue #292 • April 2013 • slugmag.com facebook.com/SLUG.Mag @SLUGMag @SLUGMag youtube.com/user/SLUGMagazine Publisher: Eighteen Percent Gray Marketing Manager: Editor: Angela H. Brown Karamea Puriri Managing Editor: Esther Meroño Marketing Team: Ischa B., Emily Burkhart, Contributing Editor: Ricky Vigil Sabrina Costello, Taylor Hunsaker, Kristina Sandi, Junior Editor: Alexander Ortega Brooklyn Ottens, Angella Lucisano, Nicole Roc- Office Coordinator:Gavin Sheehan canova, Briana Buendia, Raffi Shahinian, Victoria Copy Editing Team: Rebecca Vernon, Ricky Vigil, Loveless, Zac Freeman, Cassie Anderson Esther Meroño, Liz Phillips, Alexander Ortega, Mary Social Media Coordinator: Catie Weimer Enge, Cody Kirkland, Johnathan Ford, Alex Cragun, Rachel Miller, Katie Bald, Hannah Christian, Katie Distribution Manager: Eric Granato Panzer, Sunny Oliver Distro: Eric Granato, Tommy Dolph, Tony Bassett, Joe Jewkes, Nancy Burkhart, Joyce Bennett, Adam Cover Artist: Sean Hennefer Okeefe, Ryan Worwood, John Ford, Cody Kirkland, Lead Designer: Joshua Joye Nate Brooks, Matt Pothier, Phil Cannon Design Team: Eric Sapp, Eleanor Scholz, Bj Viehl, Jeremy Riley Senior Staff Writers: Mike Brown, Mariah Ad Designers: Kent Farrington, Sumerset Bivens, Mann-Mellus, James Orme, Lance Saunders, Bryer Christian Broadbent, Kelli Tompkins, Maggie Call, Wharton, Peter Fryer, James Bennett, Ricky Vigil, Eric Sapp, Brad Barker, Lindsey Morris, Paden Gavin Hoffman, Jon Robertson, Esther Meroño, Bischoff, Maggie Zukowski, Thy Doan Rebecca Vernon, Jimmy Martin, Ben Trentelman, Website Design: Kate Colgan Princess Kennedy, Sean Zimmerman-Wall, Cody Office Interns: Carl Acheson, Robin Sessions Hudson, Shawn Mayer, Courtney Blair, Dean O. Illustrators: Ryan Perkins, Phil Cannon, Benji Hillis, Chris Proctor, Alexander Ortega, Jeanette D. -
U.S. Cannot Be Active in All World Conflicts Senator Accused Of
33150 YEARS& SAINT ^OBSERVER MARY’S Tuesday, September 28, 1993 • Vol. XXVI No. 22 S® NOTRE DAME IN gg mil iNm rrNnrNT Ni wsi\/\n R MRviNu NOTRt n w u \Nn s.,\iNT MARY'S Fireside Clean-up chats begin reform By SARAH DORAN Assistant News Editor needed Striving to educate the com munity in an informal envi By NICK RIOS ronment, the Multicultural News Writer Executive Council (M.E.C.) is sponsoring five fireside chats Urging the Defense this week as part of the annual Department to strengthen its Multicultural Fall Festival, ac environmental ethic, Len cording to Patricia Acosta of Ackland, University of Colorado the M.E.C. professor, attacked the “Speakers from any and all American government’s cultures were invited to speak method of nuclear weapons in a relaxed setting about a production and waste disposal topic them believe is important in a lecture last night. to inform people on,” said “We must stop exploiting our Acosta. “It’s basically an minds looking for new and im education process.” proved ways to kill each other,” said Ackland. “We must rec The chats, which began yes * ognize that the land has rights terday with a talk on “The and that we should have rules The Observer/Rick Bernardo that guarantee that the people Myths and Realities of Aids” University of Colorado Professor Len Ackland lectured last night on the the environmental responsibilities of presented by an HIV-positive the Defense Department at the Kroc Institute for International Peace Studies. _______________________________ woman, are presented by many see LECTURE / page 4 different types of people—from a blue collar worker to an Australian, said Acosta. -
Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 A Dissertation Presented by Jason James Hanley to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philsophy in Music (Music History) Stony Brook University August 2011 Copyright by Jason James Hanley 2011 Stony Brook University The Graduate School Jason James Hanley We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Judith Lochhead – Dissertation Advisor Professor, Department of Music Peter Winkler - Chairperson of Defense Professor, Department of Music Joseph Auner Professor, Department of Music David Brackett Professor, Department of Music McGill University This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 by Jason James Hanley Doctor of Philosophy in Music (Music History) Stony Brook University 2011 The British band Throbbing Gristle first used the term Industrial in the mid-1970s to describe the intense noise of their music while simultaneously tapping into a related set of aesthetics and ideas connected to early twentieth century modernist movements including a strong sense of history and an intense self-consciousness. This model was expanded upon by musicians in England and Germany during the late-1970s who developed the popular music style called Industrial as a fusion of experimental popular music sounds, performance art theatricality, and avant-garde composition. -
First Candidate Arrives, Meets with Campus
Ins ft SPARTAN DAILY 4" Vol. 98, No. 25 Published for San lose State University since 1934 Friday, February 28, 1992 'She has the unique ability to bring people from varied backgrounds together...' First candidate arrives, meets with campus iv Smits Patel has policy-making powers over the Daily staff writer entire University of Hawaii system. Ching, who arrived in San Jose SJSU Doris Michiko Ching almost late Wednesday night, is known as a Presidential MEET Doris Michico Ching didn't make it to San Jose. consensus builder at Ull Manoa, and Selection This is the schedule ol open meetings or Doris Mtchiko Chings visit to campus today After Ching, the first of the six highly praised for her fairness and All meetings are open forums Faulty staff students and the public are invited SJSU presidential candidates sched- willingness to hear all sides of an Spring '92 uled to visit the campus, flew out of issue. 9:45-10:30 Staff hosted open meeting, Honolulu, the pilot discovered a "She is very good at talking to a.m. problem with the landing gear. The people. She has a knack for identify- woes as "an extrena challenge:. and Spartan Memorial Chapel. plane returned to Honolulu where the ing all the individuals that need to be forecasted they would be around for passengers disembarked, boarded brought into a discussion" said Tom at least another two years, or even ? 11:15 a.m.noon Union hosted open another plane ,and finally flew back Gething, dean of students at Ull longer, until the country pulls out of meeting, Spartan Memcrial Chapel. -
Nightshiftmag.Co.Uk @Nightshiftmag Nightshiftmag Nightshiftmag.Co.Uk Free Every Month NIGHTSHIFT Issue 270 January Oxford’S Music Magazine 2018 BRICKWORK
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 270 January Oxford’s Music Magazine 2018 BRICKWORK “There’s definitely an appetite in Oxford for bands that are outside the norm” photo: Geoff Russell Hayward MBE at RHimageart photo: Geoff Russell Hayward LIZARDS Oxford’s exotic musical travellers talk longing, hangings and Sultans’ wedding parties. Also in this issue: Introducing MOTHER plus All your Oxford music news, previews, reviews and gigs for the month ahead NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk folk weekend – the longest running festival in YOUNG WOMEN’S MUSIC PROJECT Oxfordshire – takes place from the 24th-27th geared up for the campaign to keep the August 2018 at Thame Showground. Other acts project alive in 2018 by filming a video for confirmed so far include Martin Joseph; Peter a new song at the start of December. The Knight & John Spiers; Martin Simpson; Wildwood long-running project, led by musician Zahra Kin, and Faustus. Tickets are on sale now at Tehrani, is under threat as its current home, www.towerseyfestival.com. Fusion Arts, behind East Oxford Community Centre, is due to be demolished as part of IF NOT NOW, WHEN? Returns in 2018. The redevelopment of the area. YWMP works with one-day festival of new indie and DIY music over 60 young women and girls as well as takes place at East Oxford Community Centre and partnering various organisations and charities Fusion Arts on Saturday 15th September. -
D:\Teora\Radu\R\Pdf\Ghid Pop Rock\Prefata.Vp
DedicaÆie: Lui Vlad Månescu PREFAæÅ Lucrarea de faÆå cuprinde câteva sute de biografii çi discografii ale unor artiçti çi trupe care au abordat diverse stiluri çi genuri muzicale, ca pop, rock, blues, soul, jaz çi altele. Cartea este dedicatå celor care doresc så-çi facå o idee despre muzica çi activitatea celor mai cunoscuÆi artiçti, mai noi çi mai vechi, de la începutul secolului çi pânå în zilele noastre. Totodatå am inclus çi un capitol de termeni muzicali la care cititorul poate apela pentru a înÆelege anumite cuvinte sau expresii care nu îi sunt familiare. Fårå a se dori o lucrare foarte complexå, aceastå micå enciclopedie oferå date esenÆiale din biografia celor mai cunoscuÆi artiçti çi trupe, låsând loc lucrårilor specializate pe un anumit gen sau stil muzical så dezvolte çi så aprofundeze ceea ce am încercat så conturez în câteva rânduri. Discografia fiecårui artist sau trupå cuprinde albumele apårute de la începutul activitåÆii çi pânå în prezent, sau, de la caz la caz, pânå la data desfiinÆårii trupei sau abandonårii carierei. Am numit disc de platinå sau aur acele albume care s-au vândut într-un anumit numår de exemplare (diferit de la Æarå la Æarå, vezi capitolul TERMENI MUZICALI) care le-au adus acest statut. Totodatå, am inclus çi o serie de LP-uri BEST OF sau GREATEST HITS apårute la casele de discuri din întreaga lume. De aceea veÆi observa cå discografia unui artist sau a unei trupe cuprinde mai multe albume decât au apårut în timpul vieÆii sau activitåÆii acestora (vezi Jimi Hendrix, de exemplu) çi asta pentru cå industria muzicalå çi magnaÆii acesteia çi-au protejat contractele çi investiÆiile iniÆiale cât mai mult posibil, profitând la maximum de numele artiçtilor çi trupelor lor.