DOCSLIB.ORG

The Paramount Ballroom in the 1930S : a Modernist Social and Architectural Space

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Paramount Ballroom in the 1930S : a Modernist Social and Architectural Space University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2012 The Paramount Ballroom in the 1930s : a modernist social and architectural space. Xi Zhang 1987- University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Zhang, Xi 1987-, "The Paramount Ballroom in the 1930s : a modernist social and architectural space." (2012). Electronic Theses and Dissertations. Paper 1642. https://doi.org/10.18297/etd/1642 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE PARAMOUNT BALLROOM IN THE 1930s: A MODERNIST SOCIAL AND ARCHITECTURAL SPACE By Xi Zhang B.A., Sichuan International Studies University, 2009 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of Requirements for the Degree of Master of Arts Department of Fine Arts University of Louisville Louisville, Kentucky May, 2012 Copyright 2012 by Xi Zhang All rights reserved THE PARAMOUNT BALLROOM IN THE 1930s: A MODERNIST SOCIAL AND ARCHITECTURAL SPACE By Xi Zhang B.A., Sichuan International Studies University, 2009 A Thesis Approved on April, 2012 by the following Thesis Committee: Delin Lai Thesis Director Benjamin Hufbauer Yuxin Ma ii ACKNOWLEDGMENTS I would like to thank my advisor, Dr. Delin Lai, for his years of patient mentoring and guidance, which have been instrumental in achieving my academic goal of a M.A. in Art History. I would also like to thank the other committee members, Dr. Benjamin Hufbauer and Dr. Yuxin Ma, for their comments and assistance over the past three years. I am grateful for their constructive criticism and support. I would like to thank the following Chinese scholars: Xing Jianrong,Yang Weixun, Zhang Wei and other scholars who granted me interviews and provided me photos during my field research in Beijing and Shanghai. I would also like to express my gratitude to my parents, Nie Fei and Zhang Qinghai, who have given me invaluable educational opportunities and emotional support; and to all my friends, who assisted me with the editing of my thesis. iii ABSTRACT THE PARAMOUNT BALLROOM IN THE 1930s: A MODERNIST SOCIAL AND ARCHITECTURAL SPACE Xi Zhang April 9 2012 The Paramount Ballroom was an innovative urban space that challenged traditional Chinese values. In doing so it played an important role in Shanghai's modernization. Traditional Confucian morality set very strict regulations on the social interaction of men and women, while, in contrast, the architectural space of the Paramount Ballroom allowed men and women to have close contact. The experience created by this architecture was not just pleasurable and fashionable; it was a sign of modernity. This study reconstructs the entertainment experience of the contemporary middle class in the newly constructed ballrooms of Shanghai. It examines how the Paramount Ballroom emerged, how it was interpreted by Chinese society, and the historical role it played in modernizing Shanghai's urban space in the 1930s. iv TABLE OF CONTENTS PAGE ACKNOWLEDGMENTS .................................................. , .................... .iii ABSTRACT .... , ............................................. , .................................... .iv LIST OF FIGURES ............................................................................... vii INTRODUCTION ................................................................................. 1 CHAPTER I: THE PARAMOUNT AND DANCING CULTURE IN SHANGHAI ..... 3 The Paramount ................................................................................. 7 A novel scene in Shanghai: Western dancing moving eastward ......................... 10 An era of the Paramount Ballroom: Shanghai after 1932 ................................. 16 CHAPTER II: THE INVESTOR LIANCHENG GU AND THE SITE SELECTION ............................................................................................................... 19 Site Selection ................................................................................... 23 CHAPTER III: LIGHT, HEAT, AND POWER: THE ARCHITECTURAL DESIGN OF THE PARAMOUNT ................................................................................ 25 Different spatial experience ................................................................... 25 Plan of the Paramount ......................................................................... 28 Outside the Paramount ........................................................................ 32 Fluid urban public space: modern, open and popular ...................................... .43 Two varied experiences of the dance floor ................................................ .48 v CHAPTER IV: EXPERIENCING AND EXPRESSING: THE IMAGIERY OF MODERNIATION ........................................................................ 53 Women's new images and the modern imagination .................................... 58 Women's experience: Shaping Their Own Discourse of Power ....................... 63 Men's experience: from architectural space to social space ........................... 69 CONCLUSION: THE GATE TO ONE HUNDRED PLEASURES ....................... 72 REFERENCES .................................................................................... 75 CURRICULUM VITAE .......................................................................... 80 vi LIST OF FIGURES FIGURE PAGE 1. Shen Baa reported the Paramount "Open to the Public on December IS" on March 21, 1933 .............................................................................................. 5 2. The North China Daily News reported the Paramount "Open to the Public on December IS" on March 21, 1933 .............. , ............................................... 5 3. Le Journal de Shanghai reported the Paramount "Open to the Public on December IS" on March 21, 1933 ..................................................................6 4. The band of the Paramount, Le Journal de Shanghai, December 24, 1933 ....... 6 5.1. The designer of the Paramount, Yang Xiliu in the 1970s .............................. 9 5.2. Xiliu Yang's old residence in Tongli, Wujiang .... , .............. , ................ 9 6. Dancing Parties .............................................................................. .15 7. Popularity of dancing class in 1930s' Shanghai ....................................... .15 8. Map of 1930s' Shanghai ................................ , ................................ 18 9. Gu Jingzhai ................................................................................ 22 10. Gu Liancheng ........................................................................... 22 11. The plan of the first-floor of the Paramount .......................................... 31 12. The present Cathay Cinema ...............................................................38 13.1. Today's Paramount .......................................................................38 13.2. The column-shaped lighthouse of the Paramount ................................39 13.3. The column-shaped lighthouse and the signage format of the Paramount .... 39 vii 14.1. The opening of the Metropol Theater, December 5,1933 ...................... .40 14.2. Series reports of Hollywood Stars, December 2, 1933 .......................... .40 15.1. The entrance of the Paramount, December 15, 1933 ........................... .41 15.2. The lobby of the Paramount ........................................................ .41 16.1. The circular space on the second floor entrance into the lounge .............. .42 16.2. The present lounge of the second-floor circular dance floor ..................... .42 17.1. The plan of the second-floor of the Paramount with the main sprung dance floor .............................................................................................46 17.2. The plan of the third-floor of the Paramount with the smaller glass dance floor .............................................................................................46 18.1. The interior decoration of the Paramount ........................................ ..47 18.2. The interior decoration of the Paramount, under the smaller glass dance floor .............................................................................................47 18.3. The present interior decoration of the Paramount ................................ .47 19. The main dance floor of the Paramount .............................................. 51 20.1. The cross-section and plan of the steel sprung floor .............................. 51 20.2. The wooden "sprung" floor utilized by Yang in the design of the Paramount ...................................................................................... 52 2l. The smaller glass dance floor of the Paramount .................................... 52 22. Charlie Chaplin and Paulette Goddard dancing at the Paramount ................ 57 23. Taxi dance girls in Shanghai in the 1930s ........................................... 61 24. Calendar of dancing scenes ...........................................................
Load more

Recommended publications
  • Journal of East Asian Libraries, No. 165, October 2017
    Journal of East Asian Libraries Volume 2017 | Number 165 Article 1 10-2017 Journal of East Asian Libraries, No. 165, October 2017 Follow this and additional works at: https://scholarsarchive.byu.edu/jeal BYU ScholarsArchive Citation (2017) "Journal of East Asian Libraries, No. 165, October 2017," Journal of East Asian Libraries: Vol. 2017 : No. 165 , Article 1. Available at: https://scholarsarchive.byu.edu/jeal/vol2017/iss165/1 This Full Issue is brought to you for free and open access by the All Journals at BYU ScholarsArchive. It has been accepted for inclusion in Journal of East Asian Libraries by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Journal of East Asian Libraries Journal of the Council on East Asian Libraries No. 165, October 2017 CONTENTS From the President 3 Essay A Tribute to John Yung-Hsiang Lai 4 Eugene W. Wu Peer-Review Articles An Overview of Predatory Journal Publishing in Asia 8 Jingfeng Xia, Yue Li, and Ping Situ Current Situation and Challenges of Building a Japanese LGBTQ Ephemera Collection at Yale Haruko Nakamura, Yoshie Yanagihara, and Tetsuyuki Shida 19 Using Data Visualization to Examine Translated Korean Literature 36 Hyokyoung Yi and Kyung Eun (Alex) Hur Managing Changes in Collection Development 45 Xiaohong Chen Korean R me for the Library of Congress to Stop Promoting Mccune-Reischauer and Adopt the Revised Romanization Scheme? 57 Chris Dollŏmaniz’atiŏn: Is It Finally Ti Reports Building a “One- 85 Paul W. T. Poon hour Library Circle” in China’s Pearl River Delta Region with the Curator of the Po Leung Kuk Museum 87 Patrick Lo and Dickson Chiu Interview 1 Web- 93 ProjectCollecting Report: Social Media Data from the Sina Weibo Api 113 Archiving Chinese Social Media: Final Project Report New Appointments 136 Book Review 137 Yongyi Song, Editor-in-Chief：China and the Maoist Legacy: The 50th Anniversary of the Cultural Revolution文革五十年：毛泽东遗产和当代中国.
    [Show full text]
  • Shanghai, China's Capital of Modernity
    SHANGHAI, CHINA’S CAPITAL OF MODERNITY: THE PRODUCTION OF SPACE AND URBAN EXPERIENCE OF WORLD EXPO 2010 by GARY PUI FUNG WONG A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOHPY School of Government and Society Department of Political Science and International Studies The University of Birmingham February 2014 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis examines Shanghai’s urbanisation by applying Henri Lefebvre’s theories of the production of space and everyday life. A review of Lefebvre’s theories indicates that each mode of production produces its own space. Capitalism is perpetuated by producing new space and commodifying everyday life. Applying Lefebvre’s regressive-progressive method as a methodological framework, this thesis periodises Shanghai’s history to the ‘semi-feudal, semi-colonial era’, ‘socialist reform era’ and ‘post-socialist reform era’. The Shanghai World Exposition 2010 was chosen as a case study to exemplify how urbanisation shaped urban experience. Empirical data was collected through semi-structured interviews. This thesis argues that Shanghai developed a ‘state-led/-participation mode of production’.
    [Show full text]
  • Analysis of Character Convergence of Jiangnan Ancient Towns Lei Yunyao , Zhang Qiongfang
    International Forum on Management, Education and Information Technology Application (IFMEITA 2016) Analysis of Character Convergence of Jiangnan Ancient Towns Lei Yunyao1, a, Zhang Qiongfang 1,b 1 Wuchang Shouyi University, Wuhan 430064 China [email protected], b [email protected] Key Words：Jiangnan Ancient Towns; Character convergence; Analysis Abstract：This article illustrates the representation of character convergence of Jiangnan Ancient Towns. It analyzes the formation mechanism of character convergence to build the whole image of these ancient towns with Zhouzhuang as a prototype. Based on Tourism Geography Theory and Regional Linkage Theory, it puts forward the fact that the character convergence can be beneficial to building a whole tourism image and to enhancing people’s awareness of ancient heritage. But some problems caused by the convergence will also be presented, such as the identical tourism development model, the backward infrastructure and the destruction of original ecology. Introduction With Taihu Lake as the center, the region of Jiangnan, the south of the lower reaches of the Yangtze River, is scattered all over by many historic ancient towns. These towns have a long history and deep cultural deposit. They are densely occupied and economically developed. They form a national transport network combined with inland waterway. These towns have witnessed a long-term economic prosperity in the south of the lower reaches of the Yangtze River and are now generally called “Jiangnan Ancient Towns”. Since 1980s, under the wave of reform, opening up and modernization construction, experience-based tourism and leisure tourism of these towns have achieved great development. Under the influence of “China's First Water Town” Zhouzhuang, some other similar towns like Tongli, Luzhi, Xitang, Nanxun, Wuzhen all choose to follow suit.
    [Show full text]
  • Globalization and Shanghai Model: a Retrospective and Prospective Analysis
    Journal of International and Global Studies Volume 4 Number 1 Article 5 11-1-2012 Globalization and Shanghai Model: A Retrospective and Prospective Analysis Linsun Cheng Ph.D. University of Massachusetts-Dartmouth, [email protected] Follow this and additional works at: https://digitalcommons.lindenwood.edu/jigs Part of the Anthropology Commons, Critical and Cultural Studies Commons, Environmental Studies Commons, and the Sociology Commons Recommended Citation Cheng, Linsun Ph.D. (2012) "Globalization and Shanghai Model: A Retrospective and Prospective Analysis," Journal of International and Global Studies: Vol. 4 : No. 1 , Article 5. Available at: https://digitalcommons.lindenwood.edu/jigs/vol4/iss1/5 This Essay is brought to you for free and open access by the Journals at Digital Commons@Lindenwood University. It has been accepted for inclusion in Journal of International and Global Studies by an authorized editor of Digital Commons@Lindenwood University. For more information, please contact [email protected]. Globalization and Shanghai Model: A Retrospective and Prospective Analysis Linsun Cheng University of Massachusetts-Dartmouth [email protected] AAbstractbstractAbstract Intended to shed light on the debate on the results of globalization and provide better understanding of the influences of globalization upon China as well as the world, this article traces the history of Shanghai’s economic globalization over the past 170 years since 1843 and demonstrates the benefits and problems Shanghai received from (or connected to) its
    [Show full text]
  • Suburban Development in Shanghai: a Case of Songjiang
    CARDIFF UNIVERSITY SCHOOL OF CITY AND REGIONAL PLANNING Suburban Development in Shanghai: A Case of Songjiang Jie Shen Supervisor: Professor Fulong Wu Thesis for the Degree of Doctor of Philosophy December 2011 ABSTRACT Since 2000, a new round of suburbanisation characterised by mixed-use clustered development has begun to unfold in China. This research aims to explore the dynamics of recent suburban growth in China and also provide an empirical case for enriching suburban theory. It is held that suburbanisation in China in its current form is by no means a spontaneous process, but results from capitalism’s creation of a new space to facilitate accumulation. Based on this view, the study examines the underlying forces of contemporary suburban growth with regard to three questions: what is the role of suburbanisation in China’s contemporary capital accumulation regime? How are the suburbs developed under coalitions of different actors? And how is suburban development shaped by demand-side actors? The study is founded on an intensive case study of Shanghai and one of its suburban districts, Songjiang. Both qualitative and quantitative research methods are used. Firsthand data from interviews and a questionnaire survey and a wide variety of secondary data were collected, providing a rich fund of knowledge for the research. While similar forms and functions to (post)-suburban settlements that have recently emerged in Western countries are found in Chinese suburbs, suburbanisation through new town development in China is a strategy of capital accumulation in response to a range of new conditions specific to China’s local context. New towns deal with the recentralisation of both fiscal and land development powers on the one hand, and accommodate the increasing housing demands of a diverse labour force on the other.
    [Show full text]
  • Business Risk of Crime in China
    Business and the Ris k of Crime in China Business and the Ris k of Crime in China Roderic Broadhurst John Bacon-Shone Brigitte Bouhours Thierry Bouhours assisted by Lee Kingwa ASIAN STUDIES SERIES MONOGRAPH 3 THE AUSTRALIAN NATIONAL UNIVERSITY E PRESS E PRESS Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at: http://epress.anu.edu.au/ National Library of Australia Cataloguing-in-Publication entry Title: Business and the risk of crime in China : the 2005-2006 China international crime against business survey / Roderic Broadhurst ... [et al.]. ISBN: 9781921862533 (pbk.) 9781921862540 (ebook) Notes: Includes bibliographical references. Subjects: Crime--China--21st century--Costs. Commercial crimes--China--21st century--Costs. Other Authors/Contributors: Broadhurst, Roderic G. Dewey Number: 345.510268 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU E Press Cover image: The gods of wealth enter the home from everywhere, wealth, treasures and peace beckon; designer unknown, 1993; (Landsberger Collection) International Institute of Social History, Amsterdam. Printed by Griffin Press This edition © 2011 ANU E Press Contents Foreword . vii Lu Jianping Preface . ix Acronyms . xv Introduction . 1 1 . Background . 25 2 . Crime and its Control in China . 43 3 . ICBS Instrument, Methodology and Sample . 79 4 . Common Crimes against Business . 95 5 . Fraud, Bribery, Extortion and Other Crimes against Business .
    [Show full text]
  • Shanghai Before Nationalism Yexiaoqing
    East Asian History NUMBER 3 . JUNE 1992 THE CONTINUATION OF Papers on Fa r EasternHistory Institute of Advanced Studies Australian National University Editor Geremie Barme Assistant Editor Helen 1.0 Editorial Board John Clark Igor de Rachewiltz Mark Elvin (Convenor) Helen Hardacre John Fincher Colin Jeffcott W.J.F. Jenner 1.0 Hui-min Gavan McCormack David Marr Tessa Morris-Suzuki Michael Underdown Business Manager Marion Weeks Production Oahn Collins & Samson Rivers Design Maureen MacKenzie, Em Squared Typographic Design Printed by Goanna Print, Fyshwick, ACT This is the second issue of EastAsian History in the series previously entitled Papers on Far Eastern History. The journal is published twice a year. Contributions to The Editor, EastAsian History Division of Pacific and Asian History, Research School of Pacific Studies Australian National University, Canberra ACT 2600, Australia Phone +61-6-2493140 Fax +61-6-2571893 Subscription Enquiries Subscription Manager, East Asian History, at the above address Annual Subscription Rates Australia A$45 Overseas US$45 (for two issues) iii CONTENTS 1 Politics and Power in the Tokugawa Period Dani V. Botsman 33 Shanghai Before Nationalism YeXiaoqing 53 'The Luck of a Chinaman' : Images of the Chinese in Popular Australian Sayings Lachlan Strahan 77 The Interactionistic Epistemology ofChang Tung-sun Yap Key-chong 121 Deconstructing Japan' Amino Yoshthtko-translat ed by Gavan McCormack iv Cover calligraphy Yan Zhenqing ���Il/I, Tang calligrapher and statesman Cover illustration Kazai*" -a punishment
    [Show full text]
  • An Enchanted Modern: Urban Cultivation in Shanghai
    IQAS Vol. 51 / 2020 1–2, pp. 223–242 An Enchanted Modern: Urban Cultivation in Shanghai Anna Greenspan, Francesca Tarocco Abstract China is in the midst of the fastest and largest process of urbanisation in history. Alongside the dynamism of the region’s hyperdense cities, however, are alarming levels of air pollution, recur- rent stories of toxic food, contaminated waterways and intensifying popular protests concern- ing polluting factories and plants. Issues surrounding a sustainable urban ecology have thus become paramount in the construction of Asia’s metropolitan future. This paper, which focuses particularly on the Shanghai region, suggests that the ideas and practices of “cultivation” might be of value in the creation and imagination of a future ecological metropolis. We examine self-cultivation concretely, as a set of situated embodied practices in specific places and specific historical conditions. We also explore the abstract conceptual idea, by looking at how the modern philosopher Mou Zongsan articulated the idea of “cultivation” as a guide for life. Ultimately, we are interested in how the embodied cultural practices of cultivation can be harnessed as a strategy of re-enchantment, with the power to reconfigure urban nature in the Chinese mega- city of the 21st century. Keywords: cultivation, Shanghai, modernity, practice, urbanism 1. An enchanted modern: urban cultivation At 8am in Shanghai’s Nanjing Road, the giant commercial metropolis pulses with the frenzied congestion of early morning rush hour. In a central park right outside Jing’an Temple, an altogether different urban rhythm greets the day. Inside Jing’an Park the city is alive with the practice of ritual.
    [Show full text]
  • Virtual Shanghai
    ASIA mmm i—^Zilll illi^—3 jsJ Lane ( Tail Sttjaca, New Uork SOif /iGf/vrs FO, LIN CHARLES WILLIAM WASON COLLECTION Draper CHINA AND THE CHINESE L; THE GIFT OF CHARLES WILLIAM WASON CLASS OF 1876 House 1918 WINE ATJD~SPIRIT MERCHANTS. PROVISION DEALERS. SHIP CHANDLERS. yigents for jfidn\iratty C/jarts- HOUSE BOATS supplied with every re- quisite for Up-Country Trips. LANE CRAWFORD 8 CO., LTD., NANKING ROAD, SHANGHAI. *>*N - HOME USE RULES e All Books subject to recall All borrowers must regis- ter in the library to borrow books fdr home use. All books must be re- turned at end of college year for inspection and repairs. Limited books must be returned within the four week limit and not renewed. Students must return all books before leaving town. Officers should arrange for ? the return of books wanted during their absence from town. Volumes of periodicals and of pamphlets are held in the library as much as possible. For special pur- poses they are given out for a limited time. Borrowers should not use their library privileges for the benefit of other persons Books of special value nd gift books," when the giver wishes it, are not allowed to circulate. Readers are asked to re- port all cases of books marked or mutilated. Do not deface books by marks and writing. - a 5^^KeservaToiioT^^ooni&^by mail or cable. <3. f?EYMANN, Manager, The Leading Hotel of North China. ^—-m——aaaa»f»ra^MS«»» C UniVerS"y Ubrary DS 796.S5°2D22 Sha ^mmmmilS«u,?,?llJff travellers and — — — — ; KELLY & WALSH, Ltd.
    [Show full text]
  • Swedish Male Sex Tourists in Prostitution Industries Abroad
    “Welcome to Sin City” Swedish male sex tourists in prostitution industries abroad A report from Sweden's Fair Travel network “Welcome to Sin City” Swedish male sex tourists in prostitution industries abroad This report was written by Joakim Medin The aim of the Fair Travel network is that both on behalf of Schyst resande – Sweden's Fair tourism and business travel should contribute Travel network. The information is partly built to a sustainable development. That means, on interviews conducted in Thailand. among other things: Published: October 18th 2018 › Making sure that the workers in the tourism industry have decent working conditions. All photos by: Joakim Medin › Choosing climate-friendly and environmentally sound options. For enquiries about the report, contact: › Supporting locally owned businesses. Schyst resande /Fair Travel network › Acting against prostitution and trafficking. Helena Myrman, project manager, tel 070-257 03 04 › Refraining from activities that may [email protected] contribute to the exploitation of children. › Thinking about one's "alcohol footprint". Eight organizations are part of the Fair Travel network: Unionen, Childhood Foundation, Fair Action, The Hotel and Restaurant Workers' Union, the IOGT-NTO movement, Real- Stars, the Church of Sweden and Union to Union. “Welcome to Sin City” 4 Introduction Introduction Pattaya, Thailand, August 2018. 52-year-old “Karl” from Sweden is sucking intensely on the nipple he has just bought some playtime with. His eyes are half open, and with his left hand he is pinching and pulling the nipple of the other naked breast in front of him. Karl adores these nipples. He pointed them out from our sofa, calling them the biggest nipples he has ever seen in this strip club.
    [Show full text]
  • Chinese Literature in the Second Half of a Modern Century: a Critical Survey
    CHINESE LITERATURE IN THE SECOND HALF OF A MODERN CENTURY A CRITICAL SURVEY Edited by PANG-YUAN CHI and DAVID DER-WEI WANG INDIANA UNIVERSITY PRESS • BLOOMINGTON AND INDIANAPOLIS William Tay’s “Colonialism, the Cold War Era, and Marginal Space: The Existential Condition of Five Decades of Hong Kong Literature,” Li Tuo’s “Resistance to Modernity: Reflections on Mainland Chinese Literary Criticism in the 1980s,” and Michelle Yeh’s “Death of the Poet: Poetry and Society in Contemporary China and Taiwan” first ap- peared in the special issue “Contemporary Chinese Literature: Crossing the Bound- aries” (edited by Yvonne Chang) of Literature East and West (1995). Jeffrey Kinkley’s “A Bibliographic Survey of Publications on Chinese Literature in Translation from 1949 to 1999” first appeared in Choice (April 1994; copyright by the American Library Associ- ation). All of the essays have been revised for this volume. This book is a publication of Indiana University Press 601 North Morton Street Bloomington, IN 47404-3797 USA http://www.indiana.edu/~iupress Telephone orders 800-842-6796 Fax orders 812-855-7931 Orders by e-mail [email protected] © 2000 by David D. W. Wang All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses’ Resolution on Permissions constitutes the only exception to this prohibition. The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences— Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984.
    [Show full text]
  • Annual Report 2009 - 2010
    CENTRE FOR INTELLIGENT MACHINES (CIM) www.cim.mcgill.ca Annual Report 2009 - 2010 Director Professor Benoit Boulet [email protected] Table of Contents BACKGROUND SUMMARY 3 RESEARCH HIGHLIGHTS 5 New Member 5 New Associate Members 5 OUTSTANDING SCIENTIFIC CONTRIBUTIONS 7 CIM 25th Anniversary Seminar Series 7 CIM in the News 11 Kudos 12 Appendices Contents FACULTY MEMBERS i STUDENT AWARDS AND RECOGNITION iii STUDENT DISTRIBUTION xv STUDENT RESEARCH TOPICS xvi VISITORS xx VISITING LECTURES xxii PUBLICATIONS xxvii 2 CIM Annual Report 2009 – 2010 BACKGROUND SUMMARY Mission The Centre for Intelligent Machines (CIM) supports graduate research, teaching and applications of intelligent systems. This dynamic community of scientists, engineers and designers seek to bridge science and innovation. Their novel ideas bring solutions to some of the most challenging problems of the 21st century. Established in 1985 CIM was formed in 1985 as the McGill Research Centre for Intelligent Machines (McRCIM). At that time, it reported to the Dean of the Faculty of Engineering and the Vice-Principal Graduate Studies and Research. Members from the Department of Electrical Engineering, the Department of Mechanical Engineering, the Department of Biomedical Engineering, the Department of Mining and Materials Engineering and the School of Computer Science contributed to the Centre’s early formation. As of 2009-2010 Today, the Centre is comprised of 29 faculty members and associate members, about 150 graduate and honors-undergraduate students, post-doctoral fellows and visitors and 13 topical laboratories. The Centre for Intelligent Machines (CIM) currently spans 2 faculties with members from the Departments of Electrical and Computer Engineering, Mechanical Engineering and the School of Computer Science.
    [Show full text]