DOCSLIB.ORG

WGLT Program Guide, October, 1980

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
WGLT Program Guide, October, 1980 Illinois State University ISU ReD: Research and eData WGLT Program Guides Arts and Sciences Fall 10-1-1980 WGLT Program Guide, October, 1980 Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/wgltpg Recommended Citation Illinois State University, "WGLT Program Guide, October, 1980" (1980). WGLT Program Guides. 17. https://ir.library.illinoisstate.edu/wgltpg/17 This Book is brought to you for free and open access by the Arts and Sciences at ISU ReD: Research and eData. It has been accepted for inclusion in WGLT Program Guides by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. October Illinois State University Program Guide Normal, IL 61761 Program Guide Staff: (309) 438-2255 Editor: Floyd Arthur Brewer Graphic Artist: Julie Graf WGL T89.1FM is a non-commercial radio station ON operated by Illinois State University in Normal, IL. General Manager: G. Ben Paxton The station is financed by the Illinois State Univer Station Manager & Public Affairs Director: Rod sity General Revenue Fund, the Corporation for Neavei/1 Public Broadcasting, local and area business un­ Development Director: Nancy N. Briere derwriting, and the Friends of WGL T. We provide Chief Engineer: Mike Flood unique and informative programming which in­ Music & Fine Arts Director: Paul Feinman cludes classical, jazz, and ethnic music, along with Operations Director: Charlie Bronson a wide variety of public affairs and general interest Assistant News & Public Affairs Director: Nancy educational programs. DiSanto Engineer/ Announcer: Don White WGLT89.1FM is associated with the Corporation Announcer/Producer: John Burk "What a piece of work is man. .. " exults William Shakespeare. Yet what does it mean to be for Public Broadcasting, National Public Radio Secretary/Receptionist: Helen Holzer human? Is man " .. the beauty of the world, the paragon of animals," as Shakespeare's age (NPR), Public Radio in Mid-America (PRIMA), believed? Or are we nothing more than a figment of our own imagination, an intellectual concept National Radio Broadcasters Association Audience Research: Theresa Gregory, doomed to obsolescence and extinction? (NRBA), Illinois Broadcasters Association (IBA), Denise Robinson Illinois News Broadcasters Association (!NBA) The consideration of the concept of man, and our assessment of our place in the order of things and Illinois News Network (INN). Development Staff: Floyd Brewer, David form the basis for a new NPR series. A QUESTION OF PLACE: SOUND PORTRAITS OF TWEN­ Claeys, Patricia Glaser, Julie Graf, Belinda TIETH CENTURY HUMANISTS, which was made possible by a major grant from the National En­ Lawhorn dowment for the Humanities, with additional funds from the Corporation for Public Broadcasting, explores contemporary humanist thought by examining 12 seminal figures of modern intellectual Volunteer Producer/Hosts: Benton Bristol, history. The series premieres on WGL T Sunday, October 5, at 7 p.m. J.F. Briere, Dwight Brooks, Julian Dawson, Thomas Fatten, John Freed, Mike King, Chris According to NPR Presidnet Frank Manckiewicz, "A QUESTION OF PLACE is so Schwelle, David Shrader, Roar Schaad, Daryl demonstrative of what radio can do in the area of bringing ideas to life, that I believe people who Rowe, Tim Walker respect ideas will have new respect for public radio- as more than just a purveyor of excel/en t news and music programs. With this series, we have taken a quantum leap into the intellectual life of our Music Library: Karena Bailey, Carol Krebs, country." Jill Schroeder, Rene Schwoerer, Terrence Featured in the 13-part series are the works and ideas of poet Robert Frost; novelist William Seaphus, Susan Wittmer Faulkner; philosopher Bertrand Russell; playwright Bertold Brecht; linguist Noam Chomsky; News & Public Affairs: Mike Coslow, Gretchen writer and philospoher Simone de Beauvoir; sociologist W.E.B. DuBois; radical historian Michel Monti, Ike Olney, Julie Stoneburner, Bruce Foucault; psychoanalyst Sigmund Freud; author James Joyce; anthropologist Claude Levi­ Zanca Strauss; and composer Igor Stravinsky. The final program reviews the work of these figures, relating their ideas to the tradition of human inquiry. about the cover: Operations: Mary Lou Simonis, Gina Stortz The programs, which combine the best scholarly consultation with state-of-the-art audio techniques, feature such outstanding actors and actresses as Theodore Bike!, Len Cariou, Colleen Production/ Announcers: Jamie Brandt, Mike Dewhusrt, Tammy Grimes, John Houseman, Viveca Lindors, and Fritz Weaver as well as members Bucek, Mark Burgess, Joe Davis, Tim Emmons, The Illinois Arts Council is sponsoring its third an­ of the Negro Ensemble Company. Jim McManus, John Murie/lo, Cardell Purdie, nual Jllinois Arts Week Oct. 4-12, and to salute this Larry Kotowski, Tom Stolberg, Yvonne event, WGLT89.1FM has chosen for this The premise throughout the series is that a system of beliefs concerning human beings is only Schmoeller Tost Program Guide an art print created by Harry meaningful as it is understood and lived by human beings. In addition to vivid dramatizations, A QUESTION OF PLACE employs interview material, music, sound effects, and the whole range of Ryburn, Jr., an adult student at the McLean Community Advisory Board: Terry Bush, state-of-the-art audio techniques. These elements have been applied throughout the series to County Arts Center. Although legally blind, William Colvin, Marucha Hartley, Francis Irvin, produce provocative radio essays on contemporary humanist thought as represented by these Ryburn has not let this handicap deter him from Y. Margo Mendoza, Arthur Na/zinger, Donald becoming one of the many fine artists in the diverse figures. Thus, the subjects of these programs are treated as lives lived as well as thoughts Phi/lips, Carol Reitan, Tim Walker, Rev. William thought. Bloomington-Normal area. L. White Musical Notes October is not only "Awareness Month" on NPR, it is a month that our listeners will be DISCOVER "discovering the difference." There are many changes to note this month, all changes benefitting and, hopefully, increasing our listening audience. Jazz fans will note that Friday nights, Saturday mornings and nights, and Sunday nights are THE theirs. Ebony Affair will now be heard four nights a week, 10 pm to 1 am. Evening Concert moves from Friday to Mondays through Thursdays from 6-8 pm. As October is a special-filled month, Music From ISU will only be heard on Monday, Oct. 20 CINCINNATI from 8-10 pm. Their exciting new season gets fully underway in November, Every night in the early evening hours WGLTwill spotlight famous symphony orchestras. On Tuesdays we will feature the SYMPHONY Baltimore Symphony. Thursdays you can hear the New York Philharmonic. The Cincinnati Symphony will be heard on Fridays, and the Chicago Symphony Orchestra begins its new season in its regular Sunday spot. Wednesdays will be reserved for specials. ORCHESTRA Opera buffs, the Grand Opera is moving to Saturday afternoons. The Studs Terkel Almanac and Talking About Music become part of the Sunday lineup. There are many new programs and premieres during" Awareness Month" including A Brahms by Byron Belt , noted music critic and admirer of the Cincinnati Symphony Orchestra Banquet, which will feature all the piano music of Johannes Brahms (Sundays at 8 am). Nostalgia buffs will enjoy Saturday evenings when "yours truly" takes you back to a specific year via original The Cincinnati Symphony Orchestra was one of the first American orchestras to appear on popular recordings. The Talking Machine, with John Burke, (Sunday, Oct. 5 at 1 pm) will do the radio, and since its debut in the 1920's, the celebrated ensemble has been heard irregularly, but same with classical music. Fusion, with Charlie Bronson, will take us from the Chicago Symphony always with great admiration, throughout America. to jazz. Tom Fatten's Die Bibliothek expands to two hours. As you can see, WGL Tis moving forward. We hope our listeners will bear with us and grow as To help launch WGLT's" Awareness Month," the orchestra from the "Queen City" returns for we do. Yours in good listening, a major series of concerts that will stress its magnificent past and its glorious future. For 13 weeks Paul Feinman beginning October 10, Fridays at 8:00 p.m., the orchestra will be heard in concerts from its current season, and a selection of programs taped during the last one as well. TIME Underwriters Support The up-coming season is the first for Michael Gielen as music director. After a brilliant career in Germany, the American appearances with the New York Philharmonic and other major orchestras, ON WGLT Maestro Gielen assumes a podium star-studded from its initial years. YOUR WGLT is most grateful to the following In 1895 Frank A. Van der Stucken conducted the first concert of the Cincinnati Symphony Orchestra, and during his dozen developmental years' tenure, brought Richard Strauss as a guest HANDS? businesses whose support is vital. Please let your underwriters know how much you appreciate conductor, and presented- among other major works- the 1905 premiere of Gustav Mahler's WGLT is your radio station, so here's your their support. mighty Fifth Symphony. opportunity to become personally and actively The Brittany Restaurant In 1909 Leopold Stokowski assumed the leadership of the Cincinnati Symphony, a dazzling involved. Contarino's Fine Jewelry luminary among a list of conductors of rare distinction. Currently, we are seeking new volunteers. Now His, Hers, & Theirs Stokowski accepted the Cincinnati post with but little experience as a conductor. He was don't think that to volunteer means to get stuck International Tapetronics primarily a great church organist, and he carried his love of the organ and the music of Bach into a with the dirty work. That's not true! We have Kiss Screen Printing virutal one-man revival of the great baroque master's music.
Load more

Recommended publications
  • ARSC Journal, Spring 1992 69 Sound Recording Reviews
    SOUND RECORDING REVIEWS Chicago Symphony Orchestra: The First Hundred Years CS090/12 (12 CDs: monaural, stereo; ADD)1 Available only from the Chicago Symphony Orchestra, 220 S. Michigan Ave, Chicago, IL, for $175 plus $5 shipping and handling. The Centennial Collection-Chicago Symphony Orchestra RCA-Victor Gold Seal, GD 600206 (3 CDs; monaural, stereo, ADD and DDD). (total time 3:36:3l2). A "musical trivia" question: "Which American symphony orchestra was the first to record under its own name and conductor?" You will find the answer at the beginning of the 12-CD collection, The Chicago Symphony Orchestra: The First 100 Years, issued by the Chicago Symphony Orchestra (CSO). The date was May 1, 1916, and the conductor was Frederick Stock. 3 This is part of the orchestra's celebration of the hundredth anniversary of its founding by Theodore Thomas in 1891. Thomas is represented here, not as a conductor (he died in 1904) but as the arranger of Wagner's Triiume. But all of the other conductors and music directors are represented, as well as many guests. With one exception, the 3-CD set, The Centennial Collection: Chicago Symphony Orchestra, from RCA-Victor is drawn from the recordings that the Chicago Symphony made for that company. All were released previously, in various formats-mono and stereo, 78 rpm, 45 rpm, LPs, tapes, and CDs-as the technologies evolved. Although the present digital processing varies according to source, the sound is generally clear; the Reiner material is comparable to RCA-Victor's on-going reissues on CD of the legendary recordings produced by Richard Mohr.
    [Show full text]
  • Finding Aid for the Sheldon Harris Collection (MUM00682)
    University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr.
    [Show full text]
  • UNITED STATES DISTRICT COURT NORTHERN DISTRICT of INDIANA SOUTH BEND DIVISION in Re FEDEX GROUND PACKAGE SYSTEM, INC., EMPLOYMEN
    USDC IN/ND case 3:05-md-00527-RLM-MGG document 3279 filed 03/22/19 page 1 of 354 UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF INDIANA SOUTH BEND DIVISION ) Case No. 3:05-MD-527 RLM In re FEDEX GROUND PACKAGE ) (MDL 1700) SYSTEM, INC., EMPLOYMENT ) PRACTICES LITIGATION ) ) ) THIS DOCUMENT RELATES TO: ) ) Carlene Craig, et. al. v. FedEx Case No. 3:05-cv-530 RLM ) Ground Package Systems, Inc., ) ) PROPOSED FINAL APPROVAL ORDER This matter came before the Court for hearing on March 11, 2019, to consider final approval of the proposed ERISA Class Action Settlement reached by and between Plaintiffs Leo Rittenhouse, Jeff Bramlage, Lawrence Liable, Kent Whistler, Mike Moore, Keith Berry, Matthew Cook, Heidi Law, Sylvia O’Brien, Neal Bergkamp, and Dominic Lupo1 (collectively, “the Named Plaintiffs”), on behalf of themselves and the Certified Class, and Defendant FedEx Ground Package System, Inc. (“FXG”) (collectively, “the Parties”), the terms of which Settlement are set forth in the Class Action Settlement Agreement (the “Settlement Agreement”) attached as Exhibit A to the Joint Declaration of Co-Lead Counsel in support of Preliminary Approval of the Kansas Class Action 1 Carlene Craig withdrew as a Named Plaintiff on November 29, 2006. See MDL Doc. No. 409. Named Plaintiffs Ronald Perry and Alan Pacheco are not movants for final approval and filed an objection [MDL Doc. Nos. 3251/3261]. USDC IN/ND case 3:05-md-00527-RLM-MGG document 3279 filed 03/22/19 page 2 of 354 Settlement [MDL Doc. No. 3154-1]. Also before the Court is ERISA Plaintiffs’ Unopposed Motion for Attorney’s Fees and for Payment of Service Awards to the Named Plaintiffs, filed with the Court on October 19, 2018 [MDL Doc.
    [Show full text]
  • Fritz Reiner-The Complete RCA Recordings
    Fritz Reiner-The Complete RCA Recordings Fritz Reiner could be the beloved with made use of document traders. Audiophiles pay out large costs for his or her RCA "plum label" in addition to "shaded dog" LP pressings. Chicago's Orchestra Hall had been the actual venue Mercury Documents used in a very highly regarded compilation of "Living Presence" LPs, 1951-1953, done by Raphael Kubelik: Kubelik Holds The eventual in orchestral seem during the monaural time. Orchestra Area in addition turned out to be the right position for RCA's "Living Stereo" Luteal phase files wth Fritz Reiner, created in between 1954 plus 1970. A more rewarding recording studio when compared with concert arena * the room basically appeared to be superior clear. Generated by Richard Mohr plus Ruben Pfeiffer, engineer Lewis Layton. Soon after Reiner's retirement living, Band Hallway has been renovated having regrettable results, which in turn proficiently sabotaged the period associated with their champion Jean Martinon. Decca experimented with a number of different producing sites for Georg Solti, but none of them may possibly complement the actual seem connected with Band Hall. Fritz Reiner was constantly a conductor I actually highly regarded a lot more than treasured, nevertheless respect can take that you' great distance. He'd the actual strangest running process That i have ever seen. Grabbed in DVD: Dallas Concert Orchestra Historic Telecasts 1953-1954: Fritz Reiner * and also -- Chicago, illinois Symphony Band Old Telecasts: Reiner/Hindemith/Stokowski They placed a compact baton waist-high, plus shifted it maybe Some inches (16 inches) in virtually any direction; a perpetual scowl upon his or her encounter.
    [Show full text]
  • FP 8.2 Summer1988d Updated.Pdf (4.050Mb)
    a current listing of contents Volume 8, Number 2 Summer 1988 Published by Susan Searing, Women's Studies Librarian University of Wisconsin System 1 12A Memorial Library 728 State Street Madison, Wisconsin 53706 (608) 263-5754 a current listing of contents Volume 8, Number 2 Summer 1988 Periodical literature is the cutting edge of women's scholarship, feminist theory, and much of women's culture. Feminist-- Periodicals:- .- - -. - A Current Listing of--- Contents is published by the Office of the University of Wisconsin System Women's Studies Librarian on a quarterly basis with the intent of increasing public awareness of feminist periodicals. It is our hope that Feminist Periodicals wi 11 serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' familiarity with a wide spectrum of feminist periodicals ; and to provide the requisite bib1iographi c information should a reader wish to subscribe to a journal or to obtain a particular article at her library or through interlibrary loan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyri ghted materi a1 s .) Table of contents pages from current issues of major feminist journals are reproduced in each issue of Femi nist Periodical s , preceded by a comprehensi ve annotated 1isting of a1 1 journals we have selected. As puhl ication schedules vary enormously, not every periodical wi 11 have table of contents pages reproduced in each issue of -FP. The annotated listing provides the following infonnation on each journal : 1. Year of fi rst publication.
    [Show full text]
  • I. This Term Is Borrowed from the Title of Betty Friedan's Book, First
    Notes POST·WAR CONSERVATISM AND THE FEMININE MYSTIQUE I. This term is borrowed from the title of Betty Friedan's book, first published in 1963, in order not to confuse the post-Second World War ideology of women's role and place with such nineteenth-century terms as 'woman's sphere'. Although this volume owes to Freidan's book far more than its title, it does not necessarily agree with either its emphasis or its solutions. 2. Quoted in Sandra Dijkstra, 'Simone de Beauvoir and Betty Friedan: The Politics of Omission', Feminist Studies, VI, 2 (Summer 1980), 290. 3. Barbara Ehrenreich and Deirdre English, For Her Own Good: 150 Years of the Experts' Advice to Women (Garden City, New York: Anchor Press/Doubleday, 1978), pp. 216-17. 4. Richard J. Barnet, Roots of War (Baltimore: Penguin Books, 1973), pp 48-9, 118, 109. First published by Atheneum Publishers, New York, 1972. 5. Quoted in William H. Chafe, The American Woman: Her Changing Social, Economic, and Political Roles, 1920-1970 (New York: Oxford University Press, 1972), p. 187. 6. Mary P. Ryan, Womanhood in America: From Colonial Times to the Present, 2nd edn (New York and London: New Viewpoints/A division of Franklin Watts, 1979), p. 173. 7. Ferdinand Lundberg and Marynia F. Farnham, MD, Modern Woman: The Lost Sex (New York and London: Harper & Brothers Publishers, 1947), p. 319. 8. Lillian Hellman, An Unfinished Woman: A Memoir (Boston: Little, Brown and Company, 1969), pp. 5-6. 9. Barbara Charlesworth Gelpi and Albert Gelpi (eds), Adrienne Rich's Poetry (New York: W.W.
    [Show full text]
  • Toscanini VII, 1937-1942
    Toscanini VII, 1937-1942: NBC, London, Netherlands, Lucerne, Buenos Aires, Philadelphia We now return to our regularly scheduled program, and with it will come my first detailed analyses of Toscanini’s style in various music because, for once, we have a number of complete performances by alternate orchestras to compare. This is paramount because it shows quite clear- ly that, although he had a uniform approach to music and insisted on both technical perfection and emotional commitment from his orchestras, he did not, as Stokowski or Furtwängler did, impose a specific sound on his orchestras. Although he insisted on uniform bowing in the case of the Philadelphia Orchestra, for instance, one can still discern the classic Philadelphia Orchestra sound, despite its being “neatened up” to meet his standards. In the case of the BBC Symphony, for instance, the sound he elicited from them was not far removed from the sound that Adrian Boult got out of them, in part because Boult himself preferred a lean, clean sound as did Tosca- nini. We shall also see that, for better or worse, the various guest conductors of the NBC Sym- phony Orchestra did not get vastly improved sound result out of them, not even that wizard of orchestral sound, Leopold Stokowki, because the sound profile of the orchestra was neither warm in timbre nor fluid in phrasing. Toscanini’s agreement to come back to New York to head an orchestra created (pretty much) for him is still shrouded in mystery. All we know for certain is that Samuel Chotzinoff, representing David Sarnoff and RCA, went to see him in Italy and made him the offer, and that he first turned it down.
    [Show full text]
  • ARSC Journal, Vol
    NATIONAL PUBLIC RADIO ARTS AND PERFORMANCE PROGRAMS By Frederica Kushner Definition and Scope For those who may be more familiar with commercial than with non-commercial radio and television, it may help to know that National Public Radio (NPR) is a non­ commercial radio network funded in major part through the Corporation for Public Broadcasting and through its member stations. NPR is not the direct recipient of government funds. Its staff are not government employees. NPR produces programming of its own and also uses programming supplied by member stations; by other non­ commercial networks outside the U.S., such as the British Broadcasting Corporation (BBC) and the Canadian Broadcasting Corporation (CBC); by independent producers, and occasionally by commercial networks. The NPR offices and studios are located on M Street in Washington, D.C. Programming is distributed via satellite. The radio programs included in the following listing are "arts and performance." These programs were produced or distributed by the Arts Programming Department of NPR. The majority of the other programming produced by NPR comes from the News and Information Department. The names of the departments may change from time to time, but there always has been a dichotomy between news and arts programs. This introduction is not the proper place for a detailed history of National Public Radio, thus further explanation of the structure of the network can be dispensed with here. What does interest us are the varied types of programming under the arts and performance umbrella. They include jazz festivals recorded live, orchestra concerts from Europe as well as the U.S., drama of all sorts, folk music concerts, bluegrass, chamber music, radio game shows, interviews with authors and composers, choral music, programs illustrating the history of jazz, of popular music, of gospel music, and much, much more.
    [Show full text]
  • Table of Contents
    1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis­ A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas.
    [Show full text]
  • Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre
    Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) James Cotton Living the Blues James Cotton; Larry McCray; John Primer; Johnny B. Gayden; Brian Jones; Dr. John; Lucky Peterson; Joe Louis Walker 1994 1121-105-242 19 Blues (music) Willie Dixon Willie Dixon; Andy McKaie; Don Snowden 1988 1121-105-249 01 Oversized case; 2 CD box set Blues (music) Cincinnati Blues (1928-1936) Bob Coleman's Cincinnati Jug Band and Associates; Walter Coleman; Bob Coleman no date 1121-105-242 17 Found with CD album in Box #10, Item #28; Case was found separately Blues (music) Willie Dixon, The Big Three Trio Willie Dixon; The Big Three Trio 1990 1121-105-242 18 Blues (music) The Best of Muddy Waters Muddy Waters 1987 1121-105-242 08 Blues (music) The Roots of Robert Johnson Robert Johnson 1990 1121-105-242 07 Blues (music) The Best of Mississippi John Hurt Mississippi John Hurt; Bob Scherl 1987 1121-105-242 06 Blues (music) Bud Powell: Blues for Bouffemont Bud Powell; Alan Bates 1989 1121-105-242 36 Friday, May 11, 2018 Page 1 of 89 Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) Big Bill Broonzy Good Time Tonight Big Bill Broonzy 1990 1121-105-242 04 Blues (music) Bessie Smith The Collection Bessie Smith; John Hammond; Frank Walker 1989 1121-105-242 38 Blues (music) Blind Willie Johnson Praise God I'm Satisfied Blind Willie Johnson 1989 1121-105-242 20 Post-it note was found on the back of this CD case, photocopy made and placed in envelope behind CD.
    [Show full text]
  • Ladyslipper Tenth Anniversary
    Ladyslipper Tenth Anniversary Resource Guide apes by Women T 1986 About Ladyslipper Ladyslipper is a North Carolina non-profit, tax- 1982 brought the first release on the Ladys­ exempt organization which has been involved lipper label: Marie Rhines/Tartans & Sagebrush, in many facets of women's music since 1976. originally released on the Biscuit City label. In Our basic purpose has consistently been to 1984 we produced our first album, Kay Gard­ heighten public awareness of the achievements ner/A Rainbow Path. In 1985 we released the of women artists and musicians and to expand first new wave/techno-pop women's music al­ the scope and availability of musical and liter­ bum, Sue Fink/Big Promise; put the new age ary recordings by women. album Beth York/Transformations onto vinyl; and released another new age instrumental al­ One of the unique aspects of our work has bum, Debbie Tier/Firelight Our purpose as a been the annual publication of the world's most label is to further new musical and artistic direc­ comprehensive Catalog and Resource Guide of tions for women artists. Records and Tapes by Women—the one you now hold in your hands. This grows yearly as Our name comes from an exquisite flower the number of recordings by women continues which is one of the few wild orchids native to to develop in geometric proportions. This anno­ North America and is currently an endangered tated catalog has given thousands of people in­ species. formation about and access to recordings by an expansive variety of female musicians, writers, Donations are tax-deductible, and we do need comics, and composers.
    [Show full text]
  • WGLT Program Guide, December-January, 1980-81
    Illinois State University ISU ReD: Research and eData WGLT Program Guides Arts and Sciences Fall 12-1-1980 WGLT Program Guide, December-January, 1980-81 Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/wgltpg Recommended Citation Illinois State University, "WGLT Program Guide, December-January, 1980-81" (1980). WGLT Program Guides. 19. https://ir.library.illinoisstate.edu/wgltpg/19 This Book is brought to you for free and open access by the Arts and Sciences at ISU ReD: Research and eData. It has been accepted for inclusion in WGLT Program Guides by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. LD 65 · I ' front Songs \\ Without Points (tragment) DECEMBER­ JANUARY Notes From Illinois State University Program Guide The Development Office Normal, IL 61761 It is not unusual to stop and look back to Managing Editor: Nancy N. Briere evaluate your work when you've been on the (309) 438-2255 Editor: Floyd Arthur Brewer job a year. That is a good plan that helps you to WGLT89.1FM is a non-commercial radio station Graphic Artist: Julie Graff see where you were and where you're headed. operated by Illinois State University in Normal, IL My only change in plans is that my "anniver­ The station is financed by the Illinois State Univer­ General Manager: G. Ben Paxton sary message" has become a farewell message Station Manager & Public Affairs Director: Rod sity General Revenue Fund, the Corporation for as well. In December I will be leaving WGL T Public Broadcasting, local and area business un­ Neavei/1 for Savannah, Georgia where both my Hus­ Development Director: Nancy N.
    [Show full text]