The Complete Works of Mark Twain [Pseud.] the Adventures Of
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Mark Twain's the Adventures of Huckleberry Finn in the Contemporary English Classroom
Mark Twain's The Adventures of Huckleberry Finn in the Contemporary English Classroom Senior Paper Presented in Partial Fulfillment of the Requirements For a Degree Bachelor of Arts with A Major in Literature at The University of North Carolina at Asheville Fall 2009 By HOGAN CARRINGER _____________________ Thesis Director Dr. Blake Hobby _____________________ Thesis Advisor Dr. Merritt Moseley Carringer 2 When choosing a narrator for a work, why does an author decide that a child’s voice would suit the narrative best? Is it the child’s unsullied and unvarnished perspective because of his age? Could it be a child’s lack of experience with life in general which help to explain characters’ mistakes and plot complications? These are all important questions to ponder while analyzing Mark Twain’s novel The Adventures of Huckleberry Finn. In fact, by placing critics of the novel in a dialogue, we can see both why the work has been and will continue to be controversial and why this work should remain a part of the American literary canon. The connection between the two ideas is that readers who find the novel unacceptable often do so because they do not read it in a sophisticated way that acknowledges Huck's unreliability, instead thinking that he speaks for the novel's values, even in his offhand racist comments. To establish his unreliability is to separate the novel's racial attitudes from those of its narrator. A Bildungsroman set in the pre-slavery days of America, the work follows the travails of a ten year old boy named Huckleberry Finn and his runaway slave friend Jim as they journey down the Mississippi River in search of freedom from a restrictive and hostile society. -
Mark Twain's Huckleberry Finn As Anti Racist Novel
Journal of Literature, Languages and Linguistics www.iiste.org ISSN 2422-8435 An International Peer-reviewed Journal Vol.46, 2018 Mark Twain’s Huckleberry Finn as Anti Racist Novel Ass.Lecturer Fahmi Salim Hameed Imam Kadhim college for Islamic science university, Baghdad , Iraq "Man is the only Slave. And he is the only animal who enslaves. He has always been a slave in one form or another, and has always held other slaves in bondage under him in one way or another.” - Mark Twain Abstract Mark Twain, the American author and satirist well known for his novels Huckleberry Finn and The Adventures of Tom Sawyer , grew up in Missouri, which is a slave state and which later provided the setting for a couple of his novels. Tom Sawyer and Huck Finn are the two most well-known characters among American readers that Mark Twain created. As a matter of fact, they are the most renowned pair in all of American literature. Twain’s father worked as a judge by profession, but he also worked in slave-trade sometimes. His uncle, John Quarles, owned 20 slaves; so from quite an early age, Twain grew up witnessing the practice of slave-trade whenever he spent summer vacations at his uncle's house. Many of his readers and critics have argued on his being a racist. Some call him an “Unexcusebale racist” and some say that Twain is no where even close to being a racist. Growing up in the times of slave trade, Twain had witnessed a lot of brutality and violence towards the African slaves. -
Huckleberry Finn's Cure for Warts
HUCKLEBERRY FINN’S CURE FOR WARTS A Humorous Reading by Mark Twain Wetmore Declamation Bureau Box 2695 Sioux City, IA 51106 www.wetmoredeclamation.com Email: [email protected] CAUTION: Wetmore Declamation Bureau material is protected by United States copyright law and conventions. None of our material may be reproduced, stored in a retrieval system, or transmitted in any form or by any means-electronic, mechanical, photocopy, recording, or any other-without prior permission. No trademark, copyright or other notice may be removed or changed. All rights reserved. Violators will be prosecuted to the full extent of the law. HUCKLEBERRY FINN’S CURE FOR WARTS A Humorous Reading Mark Twain From “The Adventures of Tom Sawyer” ISBN 1-60045-088-1 Huckleberry Finn, son of the town drunkard, was dreaded by all the mothers of the town, because he was idle and lawless—and because all their children admired him so, and wished they dared to be like him. Tom Sawyer, like the rest of the respectable boys, was under strict orders not to play with him. So he played with him every time he got a chance. Huckleberry did not have to go to school or to church; he could go fishing or swimming when and where he chose, and stay as long as it suited him; nobody forbade him to fight; he was always the first boy that went barefoot in the spring and the last to resume leather in the fall; he never had to wash, nor put on clean clothes. In a word, everything that goes to make life precious, that boy had. -
Jack Pearson
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The Adventures of Huckleberry Finn
T HE G LENCOE L ITERATURE L IBRARY Study Guide for The Adventures of Huckleberry Finn by Mark Twain A i Meet Mark Twain Hannibal to work as a printer’s assistant. He held printing jobs in New York, Pennsylvania, and Iowa. Then, when he was twenty-one, he returned to the Mississippi River to train for the job he wanted above all others: steamboat pilot. A few years later, he became a licensed pilot, but his time as a pilot was cut short by the start of the Civil War, in 1861. After a two-week stint in the Confederate army, Clemens joined his brother in Carson City, Nevada. There, Clemens began to write humorous sketches and tall tales for the local newspaper. In February 1863, he first used the pseudonym, or pen I was born the 30th of November, 1835, in the name, that would later be known by readers almost invisible village of Florida, Monroe County, throughout the world. It was a riverboating term Missouri. The village contained a hundred for water two fathoms, or twelve feet, deep: “Mark people and I increased the population by Twain.” 1 percent. It is more than many of the best men Clemens next worked as a miner near San in history could have done for a town. Francisco. In 1865 he published in a national magazine a tall tale he had heard in the mine- —The Autobiography of Mark Twain fields—“The Celebrated Jumping Frog of Calaveras County.” It was an instant success. ark Twain, whose real name was Samuel Later, he traveled to Hawaii, Europe, and the M Clemens, was in many ways a self-made Middle East. -
Critics' Views of the Character of Jim in Huckleberry Finn Elizabeth J
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1977 Critics' views of the character of Jim in Huckleberry Finn Elizabeth J. Gifford Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the English Language and Literature Commons Recommended Citation Gifford, Elizabeth J., "Critics' views of the character of Jim in Huckleberry Finn " (1977). Retrospective Theses and Dissertations. 6965. https://lib.dr.iastate.edu/rtd/6965 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Critics' views of the character of Jim in Huckleberry Finn by Elizabeth J. Gifford A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of The Requirements for the Degree of MASTER OF ARTS Major; English Signatures have been redacted for privacy Iowa State University Ames, Iowa 1977 One hundred years have passed since Samuel Clemens began creating his masterpiece. Huckleberry Finn. The main charac ters in this novel are a homeless rebel of a boy who is (or believes he is) running away from his murderous father/ and a frightened slave who is running away from a greedy old woman owner who was about to sell him and separate him from his family. Much has been written about this work—ranging from the highest praise to scathing criticism. -
Mark Twain, the Dialogic Imagination, and the American Classroom Drew
Kansas English, Vol. 98, No. 1 (2017) Mark Twain, the Dialogic Imagination, and the American Classroom Drew Clifton Colcher Abstract Mark Twain is often read as a provincial realist or naturalist whose works are disseminated in simplified versions as children’s stories or seen as humorous social criticism of the southern United States and its dialects. This article focuses on two of Twain’s novels—A Connecticut Yankee in King Arthur’s Court (1889) and No. 44, the Mysterious Stranger (published posthumously with various titles)—in order to focus on the more modern, less provincial, novelistic aspects of Twain’s writing. The theories of Mikhail Bakhtin provide the background for a characterization of the novelistic nature of these works in an effort to re-focus Twain criticism away from realist or naturalist analysis and toward semiotic and structural considerations. This essay functions as an introductory-level presentation of Bakhtinian analysis and Twain criticism, as well as a reimagining of the role of Twain’s writings in the classroom, especially in light of recent controversies surrounding the language used in works like The Adventures of Huckleberry Finn. Of paramount importance to this argument are the temporal, spatial, formal and thematic coordinates of the two books, and the assertion that they conform to Bakhtin’s conception of the novel and how it radically differs from other forms. Keywords Mark Twain, Mikhail Bakhtin, semiotics, novelism, American literature, literary theory, pedagogy, literary criticism, modernism, realism, structuralism Novels like A Connecticut Yankee at King Arthur’s Court and No. 44, The Mysterious Stranger raise problematic questions for Twain scholars because they directly approach more philosophical human concerns while, at times, casting off the sarcastically humorous facade that characterizes Twain’s work in general. -
Plot Structure in Tie Novels of Mark Tnain
Net PLOT STRUCTURE IN TIE NOVELS OF MARK TNAIN THESIS Presented to the Graduate Council of the North Texas State College in Partial Ful- fillment of the Requirements For the Degree of iSTER OF ARTS By Zelma Ruth Odle, B. A. Gordonville, Texas August, 1949 TABIE OF CONTENTS Chapter Page I. INTRODUCTIU CTION........... Purposes of the Study Mark Twain's Literary Beginnings Mark Twain's Statements of His Limitations in Plot Structure Mark Twain's Method in Plot Structure Criticisms of Mark Twain's Methods II. A COMPArJSCN OF TIE ADVENTURES OF TOM SAI2ER AND TM ADVETTJRES 07 HU=TBTRRY7IN . 8 Structure of Tom Sawyer Structure of uckler Finn III. THRED NOVELS OF HISTORICAL INTEEST: TIE PRINCE AND THE PAUPER, A CONNICTICUT YAhKtE f7IING ARTHUR' S~COURT, AND PERSONAL17ECTL ACTIONS OF JOAN OF ARC . 20 Structure of The Prince and the Pauper Structure of A~onne ticut~Ya~-nkee nfj Arthurts Court Structure ofPersonal Recollections of Joan of Arc IV. A COMPARISON OF PUDD'NHEAD WILSON AND THOSE EXTRACODINAH T iSINS............ 42 Structure of PuddInhead Wilson Structure of Those E traordinary Twins V. A COMPAISON OF THE MYSTERIOUS STRANGER AND THE MAN THAT CORRUPTED HADLEYBRUG. 56 Structure of The Mysterious Stranger Structure of M'E3 Mttan tVt orrupte Hadleybur VI *CONCLUSION . * . * 72 BIBLIOGRAPHY . 81 iii CHAPTER I IN TRODUCTITK Mark Twain was not only a wit but a literary man. He could paint a scene and he could make a character live, but could he plot a novel? It is the purpose of this study to anaylze his methods and his products, with emphasis upon the building of plots. -
THE VIRGINIAN a Horseman of the Plains by OWEN WISTER
THE VIRGINIAN A Horseman Of The Plains by OWEN WISTER To THEODORE ROOSEVELT Some of these pages you have seen, some you have praised, one stands new-written because you blamed it; and all, my dear critic, beg leave to remind you of their author's changeless admiration. TO THE READER Certain of the newspapers, when this book was first announced, made a mistake most natural upon seeing the sub-title as it then stood, A TALE OF SUNDRY ADVENTURES. "This sounds like a historical novel," said one of them, meaning (I take it) a colonial romance. As it now stands, the title will scarce lead to such interpretation; yet none the less is this book historical--quite as much so as any colonial romance. Indeed, when you look at the root of the matter, it is a colonial romance. For Wyoming between 1874 and 1890 was a colony as wild as was Virginia one hundred years earlier. As wild, with a scantier population, and the same primitive joys and dangers. There were, to be sure, not so many Chippendale settees. We know quite well the common understanding of the term "historical novel." HUGH WYNNE exactly fits it. But SILAS LAPHAM is a novel as perfectly historical as is Hugh Wynne, for it pictures an era and personifies a type. It matters not that in the one we find George Washington and in the other none save imaginary figures; else THE SCARLET LETTER were not historical. Nor does it matter that Dr. Mitchell did not live in the time of which he wrote, while Mr. -
Huckleberry Finn and the Picaresque As Lens Against Debt Peonage
University of Northern Iowa UNI ScholarWorks Annual Graduate Student Symposium 2016 Annual Graduate Student Symposium Apr 6th, 2:50 PM - 3:10 PM Huckleberry Finn and the Picaresque as Lens Against Debt Peonage Cory Dahlstrom University of Northern Iowa Let us know how access to this document benefits ouy Copyright © 2016 Cory Dahlstrom Follow this and additional works at: https://scholarworks.uni.edu/agss Part of the Literature in English, North America Commons Dahlstrom, Cory, "Huckleberry Finn and the Picaresque as Lens Against Debt Peonage" (2016). Annual Graduate Student Symposium. 32. https://scholarworks.uni.edu/agss/2016/all/32 This Open Access Oral Presentation is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Annual Graduate Student Symposium by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. Dahlstrom 1 Cory James Dahlstrom 9th Annual Graduate Symposium University of Northern Iowa 6 April 2016 Huckleberry Finn and the Picaresque as Lens Against Debt Peonage The following presentation is a brief overview of one chapter of my graduate thesis, which is an explorative undertaking of the American picaresque, and very much a current work in progress. The chapter I’ve chosen to share with you, analyses America’s most wellknown picaresque novel, The Adventures of Huckleberry Finn by Mark Twain. The novel has a long history of controversy and censorship that earns it the title of alltimemostbannedbook. Most of modernday controversy centers around the prolific use of the nword, and it has been both praised and denigrated for its depiction of race from both white and black critics. -
LET US NOW PRAISE FAMOUS MEN Photographs Reproduced Through the Cour- Tesy of Farm Security Administration, United States Department of Agriculture
LET US NOW PRAISE FAMOUS MEN Photographs reproduced through the cour- tesy of Farm Security Administration, United States Department of Agriculture. LET US NOW PRAISE FAMOUS MEN THREE TENANT FAMILIES LET US NOW PRAISE FAMOUS MEN JAMES AGEE WALKER EVANS !t HOUGHTON MIFFLIN COMPANY BOSTON Qfie Xibereibe @tees Camfiribge COPYRIGHT, 1939 AND 1940, BY JAMES AGEE COPYRIGHT, 1941, BY JAMES AGEEAND WALKEREVANS COPYRIGHT@ 19t30 BY WALKEREVANS LIBRARYOF CONGRESSCATALOG CARDNUMBER:41-13770 ALL RIGHTS RESERVED INCLUDING THE RIGHT TO REPRODUCE THIS BOOK OR PARTS THEREOF IN ANY FORM PASSAGESFROXI THIS BOOK HA\'E AL'l'EAREU IX C~IIII~IO~Sense, 1Vew Directio~zs,.AYU The Atlantic i2lontlzly aije Bibereibe $re$$ CAMBRIDGE . MASSACHUSETTS PRINTED IN THE U.S.A. To those of whom the record is made. In gratefulness and in love. J. A. W. E. FOREWORD JAMES AGEE IN 1936 by Walker Evans AT THE TIME, Agee was a youthful-looking twenty- seven. I think he felt he was elaborately masked, but what you saw right away - alas for conspiracy - was a faint rubbing of Harvard and Exeter, a hint of family gentility, and a trace of romantic idealism. He could be taken for a likable American young man, an above-average product of the Great Democracy from any part of the country. He didn't look much like a poet, an intellectual, an artist, or a Christian, each of which he was. Nor was there outward sign of his paralyzing, self-lacerating anger. His voice was pronouncedly quiet and low-pitched, though not of "culti- vated" tone. It gave the impression of diffidence, but never of weakness. -
The Scarlet Letter Is No Huck Finn! 1Day High School English
The Scarlet Letter is no Huck Finn! 1day High School English DESIRED RESULTS: What are the “big ideas” that drive this lesson? Mark Twain’s Adventures of Huckleberry Finn was a groundbreaking work because it was the first American book which did not adhere to British literary standards, instead using a distinctly American vernacular intended for an American audience and dealing with American subjects and issues. What are the “essential questions” that students must answer in order to understand the “big ideas”? How does the style and content of Mark Twain’s Adventures of Huckleberry Finn differ from an earlier American masterpiece such as Nathaniel Hawthorne’s The Scarlet Letter? In particular, how does the “voice” of Huck compare to the voice of the narrator of The Scarlet Letter? CORE UNDERSTANDINGS: Identify what the students will know and/or be able to do. Through close reading of text excerpts, students will be able to compare and contrast works of literature and identify key characteristics of differences in tone, voice, and context. SUGGESTED ASSESSMENT(S): Annotation of texts, completion of worksheet with partner (think-pair-share) LEARNING EXPERIENCES: Use the WHERETO acronym to consider key design elements: 1. W – Where is it going? Students generally do not enjoy reading The Scarlet Letter on account of its style. Help them to build a bridge from Hester to Huck by really focusing on the differences in tone and language between the two books. (Note: You might preface this lesson with a class that introduces students to the ongoing controversy surrounding Adventures of Huckleberry Finn’s use of the “n” word and its controversial treatment of race.) Students need to notice the stark contrast between the voice of Hawthorne's distant narrator and Huck's first-person point-of-view.