2018 Global Awards for Academic Advising
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All Around the World the Global Opportunity for British Music
1 all around around the world all ALL British Music for Global Opportunity The AROUND THE WORLD CONTENTS Foreword by Geoff Taylor 4 Future Trade Agreements: What the British Music Industry Needs The global opportunity for British music 6 Tariffs and Free Movement of Services and Goods 32 Ease of Movement for Musicians and Crews 33 Protection of Intellectual Property 34 How the BPI Supports Exports Enforcement of Copyright Infringement 34 Why Copyright Matters 35 Music Export Growth Scheme 12 BPI Trade Missions 17 British Music Exports: A Worldwide Summary The global music landscape Europe 40 British Music & Global Growth 20 North America 46 Increasing Global Competition 22 Asia 48 British Music Exports 23 South/Central America 52 Record Companies Fuel this Global Success 24 Australasia 54 The Story of Breaking an Artist Globally 28 the future outlook for british music 56 4 5 all around around the world all around the world all The Global Opportunity for British Music for Global Opportunity The BRITISH MUSIC IS GLOBAL, British Music for Global Opportunity The AND SO IS ITS FUTURE FOREWORD BY GEOFF TAYLOR From the British ‘invasion’ of the US in the Sixties to the The global strength of North American music is more recent phenomenal international success of Adele, enhanced by its large population size. With younger Lewis Capaldi and Ed Sheeran, the UK has an almost music fans using streaming platforms as their unrivalled heritage in producing truly global recording THE GLOBAL TOP-SELLING ARTIST principal means of music discovery, the importance stars. We are the world’s leading exporter of music after of algorithmically-programmed playlists on streaming the US – and one of the few net exporters of music in ALBUM HAS COME FROM A BRITISH platforms is growing. -
OREGON DOT Report Template
CONSTRUCTION OF EFFICIENT, COST- EFFECTIVE AND SUSTAINABLE MAINTENANCE FACILITIES Final Report PROJECT 792 CONSTRUCTION OF EFFICIENT, COST-EFFECTIVE AND SUSTAINABLE MAINTENANCE FACILITIES Final Report PROJECT 792 by Dr. Jason H. Ideker Dr. Karl R. Haapala Dr. Anh Tong Dr. Chang Li for Oregon Department of Transportation Research Section 555 13th Street NE, Suite 1 Salem OR 97301 and Federal Highway Administration 400 Seventh Street, SW Washington, DC 20590-0003 October 2018 Technical Report Documentation Page 1. Report No. 2. Government Accession 3. Recipient’s Catalog FHWA-OR-RD-19-04 No. No. 4. Title and Subtitle Report Date CONSTRUCTION OF EFFICIENT, COST-EFFECTIVE AND October 2018 SUSTAINABLE MAINTENANCE FACILITIES Performing Organization Code 7. Author(s) 8. Performing Jason H. Ideker, Karl R. Haapala, Anh Tong and Chang Li Organization Report No. 9. Performing Organization Name and Address 10. Work Unit No. (trais) Oregon Department of Transportation Research Section Contract or Grant No. 555 13th Street NE, Suite 1 SPR 792 Salem, OR 97301 Sponsoring Agency Name and Address Type of Report and Period Covered Oregon Dept. of Transportation Final Report Research Section Federal Highway Admin. 555 13th Street NE, Suite 1 400 Seventh Street, SW Sponsoring Agency Code Salem, OR 97301 Washington, DC 20590-0003 Supplementary Notes Abstract: The Oregon Department of Transportation (ODOT) manages about 89 maintenance stations. Many of these are reaching or beyond their life expectancy, inefficient, or functionally obsolete (e.g., unable to accommodate large modern equipment). There is an urgent need to systematically replace these buildings to support the maintenance mission of the agency. By reviewing literature, green building standards and rating systems, and other DOT regulations, and by conducting two case studies as part of an ODOT research project (SPR 792), best practices were identified to be considered when constructing new or renovating existing stations. -
Global Forum-2019-Ver5.Indd
PILNET 2019 11-13 November GL BAL FORUM SINGAPORE 2019 PILnet GL BAL FORUM 11–13 November Concorde Hotel Singapore Singapore Forum Champion Sponsors PPHOTOHOTO CCREDIT:REDIT: HHuu CChenhen l UUnsplashnsplash elcome to the 2019 PILnet Global Forum, and welcome to Singapore. We are thrilled to Wwelcome you to this stunning part of the globe which in so many ways typifies the world today: Here you’ll witness the height of commerce, a diversity of people and cultures, the engines of finance, and the apex of technology and communications. At the present moment, there is no better place than this historic but thoroughly modern Asian city-state to convene lawyers working for a better world. We come together this week to engage in thought-provoking discussions, to learn from our peers, and to push all of our thinking forward so that we can collectively grapple with the world’s biggest crises, from the climate emergency at our doorsteps, to the masses of people on the move around the globe, to the disastrous effects of economic globalization for some of the world’s poorest and most vulnerable. At PILnet, we envision a world in which law works for all. We welcome you all to share in this vision with us this week as we explore the ways that we, as lawyers, can advance a pro bono publico mission. Over the next few days, we will focus on the many ways to engage lawyers from across the legal profession to protect and advance the needs of vulnerable communities around the world. It is an opportune moment to do this. -
Over 100 Award Nominations for PRS Foundation's
Big Numbers prsformusic.com/bignumbers Headline results .................. 3-4 Our track record .................. 5 International .................. 6 Public Performance .................. 7 Online .................. 8 Basis of preparation: Broadcast .................. 9 The figures presented in this financial review are for the Performing Right Society Limited (PRS). Membership .................. 10 Outreach .................. 11 This review has not been audited. Audited financial statements for PRS are prepared Repertoire .................. 12 - 13 using accepted UK accounting practices. PRS Members’ Fund .................. 14 PRS Foundation .................. 15 prsformusic.com/bignumbers 2019 was another record year for PRS for Music. We collected and distributed more than ever before on behalf of our members £810.8m £721.1m Another record amount After costs and charitable collected on behalf donations, net distributable of our members revenue to members 8.7% 11.2% on 2018 on 2018 £686.0m Record royalties processed and paid out to songwriters, composers and music publishers 13.7% on 2018 Total 2019 revenue figure presented on a constant currency basis. Distribution timings vary depending on revenue stream. Royalties distributed in 2019 may include activity from previous years. Return to contents page The BIG number 18.8tn performances We processed 18.8 trillion ‘performances’ of music last year, including streams, downloads, radio and TV broadcasts, music played in UK businesses and live music played across the globe. 67.8% on 2018 Return to contents page Where does the money come from? We pay our members whenever their music is streamed, downloaded, broadcast, performed and Our track played in public in the UK and overseas. record It is testament to the creative talent of our 145,500 members that royalty revenues from their music have continued to grow. -
1 2018 ROSTER Stephen Fitzmaurice
2018 ROSTER Stephen Fitzmaurice – Producer / Mix Engineer • Sam Smith – In The Lonely Hour (Grammy Award winning album – Co-Produced / Mixed) • Utada - Fantôme (Album Japan No.1 and Worldwide Hit album – Produced/Mixed) • Sam Smith – Writings On The Wall (UK No.1 Single - Co-Produced / Mixed) • Max Jury – Great American Novel (Album and Singles – Mixed) • Kwabs – Love And War – Album Tracks (Mixed) • Foxes – Glorious (UK Top 10 album, tracks – Mixed) • The Kooks – Listen (Album – Mix) • Frances – Grow - EP (Produced & Mixed) • Louis Berry – Restless (Single – Produced) • Rag’n’Bone Man – Human (Album – Mixed & Programming) • Frances – Things I’ve Never Said (Album – Mixed) • Sam Smith – The Thrill of It All (Produced) – U.K No.1/US no.1 Currently working with Louis Berry (Ministry) / James Hearsey (Glassnote) / Conrad Sewell (Atlantic) / Liv Dawson (Method / Universal) / J.P Cooper (Island) Jeremy Wheatley – Producer / Mix Engineer • Skunk Anansie – Forthcoming Album (Mixed) • Tor Miller – ‘Carter and Cash’ / ‘Surrender’ (Forthcoming Singles – Mixed) • Aurora Aksnes – ‘Conqueror’ / ‘Warrior’ (Forthcoming Singles – Mixed) • Enter Shikari – Mindsweep – (Kerrang Award winning album – Mixed) • Mika – Good Guys (Single – Mixed) • Echosmith – ‘Bright’ (Forthcoming Single - Mixed) • The Shires – ‘State Lines’ / ‘I Just Wanna Love You (Singles – Mixed / Add Prod) • Shane Filan – Right Here (Album & Singles – Mixed) • Josef Salvat – ‘The Days’ (Single – Mixed) • The Shires – My Universe (Album – Mixed) • Aura Dione – Indian Giver (Single – Mixed) -
ULI GLOBAL AWARDS for EXCELLENCE: 2019 Winners
URBAN LAND INSTITUTE GLOBAL AWARDS FOR EXCELLENCE 2019 WINNERS AND FINALISTS COVER PHOTOS Clockwise from top left: Guoco Tower, Singapore (©SOM); Gathering Place, Tulsa, Oklahoma, United States (©Barrett Doherty); Scioto Peninsula Cultural District, Columbus, Ohio, United States (©Brad Feinknopf); Lingnan Tiandi (Lntd) Lot 1, Foshan, Guangdong, China (©Shui On Land); 1800 Arch Street, Philadelphia, Pennsylvania, United States (Antonio Fiol-Silva); International Market Place, Honolulu, Hawaii, United States (©Mariko) BACK COVER PHOTOS Clockwise from top left: Crosstown Concourse, Memphis, Tennessee, United States (©McGinn Photography); Ink Block, Boston, Massachusetts, United States (©Joe Prezioso); Pier 17 at the Seaport District, New York, New York, United States (©Howard Hughes Corporation); Gathering Place, Tulsa, Oklahoma, United States (©Shane Bevel); Hoffman-Madison Waterfront (The Wharf Phase I), Washington, D.C., United States (Hoffman-Madison Waterfront); Cornell Tech Campus, New York, New York, United States (©Iwan Baan) ©2019 by the Urban Land Institute. All rights reserved. Reproduction or use of the whole or any part of the contents of this publication without written permission of the copyright holder is prohibited. CONTENTS About the Urban Land Institute �. 2 About the ULI Global Awards for Excellence �. 3 2019 Winners. 4 1800 Arch Street (Philadelphia, Pennsylvania, United States) ��������������������������������������������������������������� 4 Cornell Tech Campus (New York, New York, United States) ������������������������������������������������������������������� -
The Year's Best Music Marketing Campaigns
DECEMBER 11 2019 sandboxMUSIC MARKETING FOR THE DIGITAL ERA ISSUE 242 thE year’s best music marketing campaigns SANDBOX 2019 SURVEY thE year’s best music marketing campaigns e received a phenomenal Contents 15 ... THE CINEMATIC ORCHESTRA 28 ... KIDD KEO 41 ... MARK RONSON number of entries this year and 03 ... AFRO B 16 ... DJ SHADOW 29 ... KREPT & KONAN 42 ... RICK ROSS had to increase the shortlist W 17 ... BILLIE EILISH 30 ... LAUV 43 ... SAID THE WHALE 04 ... AMIR to 50 in order to capture the quality 05 ... BASTILLE 18 ... BRIAN ENO 31 ... LD ZEPPELIN 44 ... SKEPTA and breadth of 2019’s best music campaigns. 06 ... BEE GEES 19 ... FEEDER 32 ... SG LEWIS 45 ... SLIPKNOT We had entries from labels of all 07 ... BERET 20 ... DANI FERNANDEZ 33 ... LITTLE SIMZ 46 ... SAM SMITH sizes around the world and across 08 ... BIG K.R.I.T. 21 ... FLOATING POINTS 34 ... MABEL 47 ... SPICE GIRLS a vast array of genres. As always, 09 ... BON IVER 22 ... GIGGS 35 ... NSG 48 ... SUPERM campaigns are listed in alphabetical 10 ... BRIT AWARDS 2019 23 ... HOT CHIP 36 ... OASIS 49 ... THE 1975 order, but there are spot prizes 11 ... BROKEN SOCIAL SCENE 24 ... HOZIER 37 ... ANGEL OLSEN 50 ... TWO DOOR CINEMA CLUB throughout for the ones that we felt 12 ... LEWIS CAPALDI 25 ... ELTON JOHN 38 ... PEARL JAM 51 ... UBBI DUBBI did something extra special. Here are 13 ... CHARLI XCX 26 ... KANO 39 ... REGARD 52 ... SHARON VAN ETTEN 2019’s best in show. 14 ... CHASE & STATUS 27 ... KESHA 40 ... THE ROLLING STONES 2 | sandbox | ISSUE 242 | 11.12.19 SANDBOX 2019 SURVEY AFRO B MARATHON MUSIC GROUP specifically focusing on Sweden, Netherlands, Ghana, Nigeria, the US and France. -
BBC Diversity Commissioning Code of Practice Progress Report 2020/21 Welcome to the BBC Diversity Commissioning Code of Practice Report 2020/21
BBC Diversity Commissioning Code of Practice Progress Report 2020/21 Welcome to the BBC Diversity Commissioning Code of Practice Report 2020/21 BBC One, I May Destroy You: Various Artists. Paapa Essiedu nominated BAFTA Best Actor, Michaela Coel winner BAFTA Director, Writer and Actress and Weruche Opia nominated BAFTA Best Supporting Actress Foreword Introduction Overview p3 p4 p5 1 2 3 Leading by example Authentic portrayal Casting should p6 p13 be open and fair p19 Our aim is to focus on being 4 5 more rather than less BBC. A diverse Measurement workforce makes p26 More distinctive. More committed for better content p23 to our unique mission. BBC Diversity Commissioning Code of Practice Progress Report 2020/21 Introduction Section 1: Leading by example Section 2: Authentic portrayal Section 3: Casting should be open Section 4: A diverse workforce Measurement and fair makes for better content 3 Foreword he BBC is here to provide great value to The commitment to diversity and inclusion has all of our audiences. We create bold and never been stronger. At the very top of the distinctive content that seeks to reflect a organisation the message is clear: the ambition is diverse range of voices from local to create an organisation which reflects more Tcommunities and appeal to both UK and global accurately the society we serve. audiences. We’re putting inclusion and accessibility at the The BBC continues to make bold creative choices heart of everything that we do; it’s not just about which benefit and reflect all 4 Nations of the UK; the future of the BBC, it’s about the impact we launching a series of daily educational make in the communities of the audiences we programmes that allowed children to study whilst serve across the UK and in the creative industry at schools were closed, Children in Need match- large. -
Annual Report 2019-20
ANNUAL REPORT 2019-20 Things do not change; we change. - Henry David Thoreau Dear Fellow Shareholder, On behalf of the Board of Directors of Dynamatic Technologies Limited and its subsidiaries, I take pleasure in presenting you with Audited Financial Statements for the year 2019-20. During the year under review, your Company recorded Consolidated Net Revenue of `13,212 million with Consolidated EBIDTA of `1,899 million & Profit After Tax of `298 million. UK During the past 15 years your BRISTOL Dynamatic-Oldland Aerospace®, Dynamatic Limited, UK Company has been globalising SWINDON Dynamatic Hydraulics®, Dynamatic Limited, UK its footprint with manufacturing Dynamatic-Oldland Aerospace®, Dynamatic Limited, UK facilities in India, Germany, UK and GERMANY USA. Our manufacturing capacity ERLA Eisenwerk Erla GmbH is augmented with strong design and engineering capabilities USA MILWAUKEE which are spread out across the Dynamatic US LLC SINGAPORE Organisation. JKM Global PTE Limited Today we are a vertically- integrated global supplier of INDIA highly engineered products to CHENNAI JKM Ferrotech Limited the world’s most respected COIMBATORE JKM Wind Farm, Dynamatic Technologies Ltd companies, and are focussing BANGALORE Dynamatic Hydraulics®, Dynamatic on profitable growth into the Technologies Ltd. Dynamatic Homeland Security®, Dynamatic Technologies Ltd. Aerospace and Defence Sector. Dynamatic-Oldland Aerospace®, Dynamatic Technologies Ltd. Dynamatic MedicalTM, Dynamatic Technologies Ltd. JKM Research Farm Limited The graph (below) shows the NASIK Dynamatic-Oldland Aerospace®, Dynamatic change in sales mix between the Technologies Ltd. business segments of Automotive FY’18 FY’20 & Metallurgy, Aerospace & Defence and Hydraulics. To achieve this transformation, your company had to re-train 26% 38% employees, re-configure existing 40% 52% manufacturing facilities and establish a global footprint. -
The Ivors 2019
UNDER EMBARGO UNTIL 16:30HRS THURSDAY 23RD MAY 2019 WINNERS ANNOUNCED FOR THE IVORS 2019 • Mariah Carey awarded PRS for Music Special International Award, grime star Wiley honoured with The Ivors Inspiration Award and Dido’s songwriting excellence celebrated with Outstanding Song Collection • Chart-toppers The 1975 win twice for Best Contemporary Song and Songwriters of the Year, while Ben Howard takes award for Best Song Musically and Lyrically • Composers of scores for Requiem and Phantom Thread won for Television and Film categories, with Best Original Video Game Score going to Sea of Thieves composer • Richard Ashcroft, Idles and Deep Purple also take home awards • 83% of winners are receiving an Ivor Novello Award for the first time 23rd May 2019: The Ivors Academy announce the winners and recipients of Ivor Novello Awards presented at The Ivors 2019, during a star-studded ceremony at Grosvenor House, Park Lane, London. The Ivors, now in their 64th year, celebrate, honour and reward excellence in British and Irish songwriting and composing across categories for songs, album, film, TV and video game scores released in the UK in 2018. The ceremony also saw the presentation of Ivor Novello Awards which recognise music creators for their wider contribution to UK music. The Ivors Academy presented Ivor Novello Awards to 29 individual songwriters and composers across fourteen award categories, 83% of which are first time winners. The Ivors Academy Chair, Crispin Hunt, said “From heavyweights of rock, to gods of grime, jazz maestros to chart royalty; today’s celebrated music creators have been rightly recognised for their artistic merit and inspiring influence on their fellow creators. -
INFO-19-41 Corporate Payments for the Month of November, 2018
Information Memo To: City Council From: Stephanie Sinnott, Commissioner, Finance Services Department Item Number: INFO-19-41 Date: February 11, 2019 Subject: Corporate Payments for the Month of November, 2018 File: C-4100 1.0 Purpose The purpose of this information memo is to provide a summary of expenditures for the month ended November 30, 2018. 2.0 Input From Other Sources Not applicable. 3.0 Analysis The corporate payments are summarized below and details are provided in Schedules 1, 2 and 3 attached to this report. These payments are in accordance with established City Policies and Procedures under By-law 4204, as amended by By-law 149-72, and are submitted to Council for information. Memo to City Council Item: INFO-19-41 Date: February 11, 2019 Page 2 4.0 Financial Implications Payments $ $ Gross Payroll – Per Schedule 1 5,798,432.06 Less: Employee Deductions Included in Schedules 2 and 3 -1,749,240.45 Net Payroll 4,049,191.61 Bank Debit Memos – Per Schedule 2 1,793,985.45 Accounts Payable – Per Schedule 3 – Cheques/EFT 13,286,614.52 Preauthorized Payments: Region of Durham 12,080.34 Royal Bank Visa 51,288.96 Rogers 8,938.15 Enbridge 43,550.60 Shaw 74.90 Hydro One 1,028.33 Total Preauthorized Payments 116,961.28 Total Payments 19,246,752.86 5.0 Relationship to the Oshawa Strategic Plan This report meets the Oshawa Strategic Plan goal of Accountable Leadership by ensuring respect, responsiveness and transparency. Stephanie Sinnott, Commissioner, Finance Services Department INFO-19-41 Schedule 1 OSHPY010 The Corporation of the City of Oshawa Page 1 Gross Pay Summary by Department Run Date01/22/2019 Pay Period Ending 27-OCT-2018 to 10-NOV-2018 Run Time 14:40:32 Department Gross Regular Overtime Vacation Other Executive and Legislative 57,266.70 32,055.18 0.00 6,176.00 19,035.52 Office of the City Manager 259,750.89 250,140.83 138.00 9,297.06 175.00 Corporate Services Department 730,318.57 672,183.99 23,900.56 30,894.28 3,339.74 Development Services Dept. -
CRS Annual Report FY2018
ANNUAL REPORT FISCAL YEAR 2018 Informing the legislative debate since 1914 ANNUAL REPORT Congressional Research Service Library of Congress Fiscal Year 2018 To the Joint Committee on the Library United States Congress Pursuant to Section 321 Public Law 91-510 Mary B. Mazanec Director January 2019 Congressional Research Service Library of Congress 101 Independence Avenue, S.E. Washington, DC 20540 The annual report is prepared by the Office of the Director, Congressional Research Service, Library of Congress, 202-707-5700, [email protected] CONTENTS Letter from the Director 1 Leadership 2 Mission, Vision and Core Values 3 5 SERVING CONGRESS Products and Services 6 Major Policy Issues 19 83 OPTIMIZING RESOURCES Strategic and Directional Planning 84 Human Resources Management 84 Technology 86 Knowledge Management and Intranet Governance 87 Policies and Guidelines 88 Communications 88 89 APPENDIXES A. Organization Chart 90 B. Offices and Divisions 91 C. Budget, Resources and Other Funding 94 D. New Products 95 iii LETTER FROM THE DIRECTOR Mary B. Mazanec, Director exists to serve Congress. From the enactment of legislation in 1914 establishing the Service, to the Legislative Reorganization Act of 1970 and into its second century, CRS has served Cas a vitalRS source of nonpartisan, objective, confidential and authoritative information, research and analysis. We continue to evolve and transform the organization to ensure that we are best positioned to support a 21st century Congress as it grapples with critical legislative and legal issues. This report highlights our accomplishments in fiscal 2018 in support of our mission, which remains the focus of all of our work.