The Hoot – April 2020
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Affective Timelines Towards the Primary-Process Emotions Of
AFFECTIVE TIMELINES TOWARDS THE PRIMARY-PROCESS EMOTIONS OF MOVIE WATCHERS: MEASUREMENTS BASED ON SELF- EXPERIENCE AND INTERACTION ANNOTATION AND AFFECTIVE NEUROSCIENCE Marko Radeta, Zhabiz Shafieyoun and Marco Maiocchi SIP Lab | Studies on Interaction and Perception | Desi!n Department, Politecnico di Milano marko@ siplab.or!, zhabiz@ siplab.or!, marco@ siplab.or! ABSTRACT The economic success of a movie depends on audience satisfaction and on how much they are emotionally en!a!ed while watchin! it. Our research is related to the identification of such kinds of emotions felt by movie watchers durin! screenin! movie screenin!. We endorse the model of 7 Primary-process emotions from A#ective Neuroscience (SEEKING, PLAY, CARE, FEAR, GRIEF, RAGE and LUST) and ask subjects to watch 14 movies and match them with these 7 emotions. We provide a self-annotatin! application and reveal “A#ective Timelines” of clicks with arousal scenes. We verify that it is possible to discriminate movie watchers’ emo- tions accordin! to their self-annotation by obtainin! 0.51 - 0.81 ran!e of accordance in an- notatin! 14 movies and comparin! them with the authors of this study. These timelines will be matched with physiolo!ical sensors in future research. KEYWORDS: A ect Annotation, Primary-process Emotions, Movie Watchers, Movie Analysis, A ective Computing. INTRODUCTION arousal scale by using the FEELTRACE (Cowie, 2000) emo- tion annotation tool. Participants viewed the films and, in Influencing the emotions is a key factor in satisfying a movie real-time, annotated their emotional responses by moving audience and for the overall success of the movie. Movies the mouse pointer on a square two-dimensional area rep- are art-forms that involve affective, perceptual and intellec- resenting the valence-arousal emotional space. -
Nicl\ Renbour:Rz, D~Vey Graham, Ralpl1 Mcte/1 and Donovan, to Be Followed by Fair Port Conventzon, John Martyn, Pentangle and the Incredible String Band
. Tlze En~lish fol~ scene has always seemed obscure and mysterious from tlzis J szd~ of the. Atlantzc Ocean. _Tize traditional music of the British Isles began a re I nmssance ~n tlze 1950s and 60s witlz Ewan MacCo/1 A .L. Lloyd, Imz Campbell and Ma.rtm Carthy. Tlzey paved the way for the singer/songwriter/guitarist, who, w>tll a nod towards Bob Dylan, updated the traditional folk style and syn thesized it with blues and jazz. The early '60s wave was led by Bert Jansch, John Nicl\_ Renbour:rz, D~vey Graham, Ralpl1 McTe/1 and Donovan, to be followed by Fair port Conventzon, John Martyn, Pentangle and the Incredible String Band. ~orne .of thes~ people r~ached llationwide, even worldwide, success. Many re r:zamed m relatzve obscunty, rarely if ever playing ill the States. They remained m the folk club and small concert scene in Englmzd. Tlzeir music was often intri Drake cate, introsp~ctive and unlike tlze )olk mu~ic" we were accustomed to. One of them .wa~ Nzck Drake, who remams to thzs. day all almost anonymous figure, even m hzs own country. already established himself through Witch season Productions, recording LPs by Fair port, John Martyn and the Incredible String Band (as well as being the latter's mentor/manager). He called Nick and asked for a tape, which Nick obliged. Joe described his initial impression of Drake's music as "melodically unusual and sophisti cated." There was no doubt that Nick had to be nurtured and recorded. Five Leaves Left was begun in mid-1968. -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
How Campaign Songs Sold the Image of Presidential Candidates
University of Central Florida STARS Honors Undergraduate Theses UCF Theses and Dissertations 2019 Music and the Presidency: How Campaign Songs Sold the Image of Presidential Candidates Gary M. Bogers University of Central Florida Part of the Music Commons, and the United States History Commons Find similar works at: https://stars.library.ucf.edu/honorstheses University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by the UCF Theses and Dissertations at STARS. It has been accepted for inclusion in Honors Undergraduate Theses by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Bogers, Gary M., "Music and the Presidency: How Campaign Songs Sold the Image of Presidential Candidates" (2019). Honors Undergraduate Theses. 511. https://stars.library.ucf.edu/honorstheses/511 MUSIC AND THE PRESIDENCY: HOW CAMPAIGN SONGS SOLD THE IMAGE OF PRESIDENTIAL CANDIDATES by GARY MICHAEL BOGERS JR. A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Music Performance in the College of Arts and Humanities and in The Burnett Honors College at the University of Central Florida Orlando, Florida Spring Term, 2019 Thesis Chair: Dr. Scott Warfield Co-chairs: Dr. Alexander Burtzos & Dr. Joe Gennaro ©2019 Gary Michael Bogers Jr. ii ABSTRACT In this thesis, I will discuss the importance of campaign songs and how they were used throughout three distinctly different U.S. presidential elections: the 1960 campaign of Senator John Fitzgerald Kennedy against Vice President Richard Milhouse Nixon, the 1984 reelection campaign of President Ronald Wilson Reagan against Vice President Walter Frederick Mondale, and the 2008 campaign of Senator Barack Hussein Obama against Senator John Sidney McCain. -
September 8, 2017
University of Mississippi eGrove Daily Mississippian Journalism and New Media, School of 9-8-2017 September 8, 2017 The Daily Mississippian Follow this and additional works at: https://egrove.olemiss.edu/thedmonline Recommended Citation The Daily Mississippian, "September 8, 2017" (2017). Daily Mississippian. 189. https://egrove.olemiss.edu/thedmonline/189 This Newspaper is brought to you for free and open access by the Journalism and New Media, School of at eGrove. It has been accepted for inclusion in Daily Mississippian by an authorized administrator of eGrove. For more information, please contact [email protected]. Friday, September 8, 2017 THE DAILY Volume 106, No. 11 MISSISSIPPIANTHE STUDENT NEWSPAPER OF THE UNIVERSITY OF MISSISSIPPI SERVING OLE MISS AND OXFORD SINCE 1911 Visit theDMonline.com @thedm_news A.J. Brown hoping to build on early success Hundreds See page 12 for a preview of tickets of this Saturday’s game See page 9 for staff picks remain for on the big games in college football football COLTON NECAISE STAFF WRITER game KENDALL PATTERSON ast weekend, A.J. STAFF WRITER Brown shattered the Ole Miss school With about 300 left, Ole Miss record for receiving student season tickets have yet Lyards – not a bad start to the to sell out as the football team season. approaches its second game of Brown’s averaged 29 yards the season against UT Martin, per reception, totaling 233 according to Matt Cook, associ- yards on eight catches. To ate director of ticket operations. put this landmark in per- Cook said he believes this is due spective, Brown totaled 412 to the lack of big rivalry home yards last season. -
Game Closes out Win-Win Week
The ‘color run’ on sept. 14 was enjoyed by everyone … PHOTO BY YEARBOOK STAFF Published biweekly by and for the Upper School students of Riverfield Country Day School in Tulsa, OK SEPTEMBERAPRIL 28,3, 2015 2018 THE COMMONS Coach Kay wants to revive RCDS soccer By Logan Payne STAFF WRITER New faculty member David Kay took the time to answer a few questions about his new school and its athletics. Logan: How are you liking Riverfield so far? David Kay: It clearly stands out compared to any school I've ever seen. I absolute- ly love the atmosphere that the staff, students and families have created here. I have witnessed some incredible things already that have reaffirmed my passion for social studies education as well as sports. This is without a doubt the best teaching job any- Some of the girls who will play flag football tonight practice their positions during lunch. PHOTO BY PATRICIA DICKEY one could ask for! L: Are you looking for- ward to changing up any of our sports here at Riverfield? DK: I want to create a cul- ture of soccer that encourages Game closes out win-win week the growth of the sport from the Lower School through the Up- By Brenden Paul Last year, Riverfield raised approximately $1,300 during per School. I would love to see STAFF WRITER WinWin Week, according to Mrs. Knight. the program grow on and off the The week’s activities culminate in a Girls’ Flag Football field to where a passion for the very year, Riverfield participates in an annual game, which will be held tonight on the Martha S. -
2020 WWE Finest
BASE BASE CARDS 1 Angel Garza Raw® 2 Akam Raw® 3 Aleister Black Raw® 4 Andrade Raw® 5 Angelo Dawkins Raw® 6 Asuka Raw® 7 Austin Theory Raw® 8 Becky Lynch Raw® 9 Bianca Belair Raw® 10 Bobby Lashley Raw® 11 Murphy Raw® 12 Charlotte Flair Raw® 13 Drew McIntyre Raw® 14 Edge Raw® 15 Erik Raw® 16 Humberto Carrillo Raw® 17 Ivar Raw® 18 Kairi Sane Raw® 19 Kevin Owens Raw® 20 Lana Raw® 21 Liv Morgan Raw® 22 Montez Ford Raw® 23 Nia Jax Raw® 24 R-Truth Raw® 25 Randy Orton Raw® 26 Rezar Raw® 27 Ricochet Raw® 28 Riddick Moss Raw® 29 Ruby Riott Raw® 30 Samoa Joe Raw® 31 Seth Rollins Raw® 32 Shayna Baszler Raw® 33 Zelina Vega Raw® 34 AJ Styles SmackDown® 35 Alexa Bliss SmackDown® 36 Bayley SmackDown® 37 Big E SmackDown® 38 Braun Strowman SmackDown® 39 "The Fiend" Bray Wyatt SmackDown® 40 Carmella SmackDown® 41 Cesaro SmackDown® 42 Daniel Bryan SmackDown® 43 Dolph Ziggler SmackDown® 44 Elias SmackDown® 45 Jeff Hardy SmackDown® 46 Jey Uso SmackDown® 47 Jimmy Uso SmackDown® 48 John Morrison SmackDown® 49 King Corbin SmackDown® 50 Kofi Kingston SmackDown® 51 Lacey Evans SmackDown® 52 Mandy Rose SmackDown® 53 Matt Riddle SmackDown® 54 Mojo Rawley SmackDown® 55 Mustafa Ali Raw® 56 Naomi SmackDown® 57 Nikki Cross SmackDown® 58 Otis SmackDown® 59 Robert Roode Raw® 60 Roman Reigns SmackDown® 61 Sami Zayn SmackDown® 62 Sasha Banks SmackDown® 63 Sheamus SmackDown® 64 Shinsuke Nakamura SmackDown® 65 Shorty G SmackDown® 66 Sonya Deville SmackDown® 67 Tamina SmackDown® 68 The Miz SmackDown® 69 Tucker SmackDown® 70 Xavier Woods SmackDown® 71 Adam Cole NXT® 72 Bobby -
Ascap Songwriters in the Top 50 of the Country Aircheck
Peak Position Peak Wks. on 2020 Artist Title Label (wks. at No.1) Date Chart Rank JASON ALDEAN We Back Macon Music/Broken Bow 6 3/23/20 21 43 JASON ALDEAN Got What I Got Macon Music/Broken Bow 1(1) 10/19/20 29 33 A JIMMIE ALLEN Make Me Want To Stoney Creek 1(1) 3/2/20 18 28 s INGRID ANDRESS More Hearts Than Mine Warner/WEA 1(1) 4/27/20 26 24 of TOP 15 KELSEA BALLERINI Hole In The Bottle Black River 13 11/9/20 19 75 GABBY BARRETT I Hope Warner/WAR 1(1) 4/20/20 25 3 LEE BRICE One Of Them Girls Curb 1(2) 10/5/20 26 32 GARTH BROOKS & BLAKE SHELTON Dive Bar Pearl 5 3/2/20 17 56 B KANE BROWN Homesick RCA 1(2) 3/16/20 20 17 KANE BROWN Cool Again RCA 2 9/28/20 25 37 LUKE BRYAN What She Wants Tonight Capitol 1(1) 3/30/20 22 30 2020 LUKE BRYAN One Margarita Capitol 1(2) 7/13/20 15 22 theYEAR KENNY CHESNEY Tip Of My Tongue Blue Chair/Warner/WEA 7 11/18/19 8 74 CARLY PEARCE in MUSIC KENNY CHESNEY Here And Now Blue Chair/Warner/WEA 1(1) 6/29/20 21 36 CMA Musical Event of the Year (“I Hope You’re Happy Now”) KENNY CHESNEY Happy Does Blue Chair/Warner/WEA 11 11/9/20 16 64 ERIC CHURCH Monsters EMI Nashville 15 5/4/20 30 55 C LUKE COMBS Even Though I’m Leaving River House/Columbia 1(3) 12/2/19 9 5 LUKE COMBS f/ERIC CHURCH Does To Me River House/Columbia 1(2) 6/1/20 20 11 DAN + SHAY & JUSTIN BIEBER LUKE COMBS Lovin’ On You River House/Columbia 1(2) 9/21/20 16 38 JAMIE MOORE & CRAIG WISEMAN 3x AMA Winners LUKE COMBS Better Together River House/Columbia 15 11/9/20 5 -- Aircheck #1 Country Song of the Year Favorite Song/Collab of the Year (“10,000 Hours”) -
Pink Moon, a Story About Nick Drake Free
FREE PINK MOON, A STORY ABOUT NICK DRAKE PDF Gorm Henrik Rasmussen,Bent Sorensen | 176 pages | 24 Jan 2012 | Essential Works Ltd | 9781906615291 | English | London, United Kingdom ShieldSquare Captcha Pink Moon is a personal, original, and moving retelling of the life, death, and posthumous rise of Nick Drake from Danish poet Gorm Henrik Rasmussen. This is the only account of Nick's life to include extensive interviews with Nick's parents as well as others of his close friends. It is now available in English for the first time. Pink Moon explores how Nick Drake's third and final album has puttered and purred its way into a new millennium. Features interviews with producer Joe Boyd, string arranger Robert Kirby, and even the marketing team behind the VW Cabrio commercial that launched the album to platinum status more than thirty Pink Moon after its release. Nick Drake was barely 26 years old when he died in All are now recognized as classics. It provides an insight into the life and work of Nick Drake, and also the music scene of the s that formed his backdrop. In the book, he draws on a long letter from Nick's father to Dr Lusk, in which he describes how Nick's mother, discovered Nick's body during the morning of 25 Novemberfollowing an accidental overdose of prescribed drugs. Since his death in at the age of twenty-six, singer-songwriter Nick Drake has gained a huge international audience and come to be thought of as the epitome of English romanticism. In this book, Nathan Wiseman-Trowse unravels the myths surrounding Drake and his work and explores how ideas of Englishness have come to be intimately associated with the cult musician. -
The Anchor, Volume 104.08: October 30, 1991
Hope College Hope College Digital Commons The Anchor: 1991 The Anchor: 1990-1999 10-30-1991 The Anchor, Volume 104.08: October 30, 1991 Hope College Follow this and additional works at: https://digitalcommons.hope.edu/anchor_1991 Part of the Library and Information Science Commons Recommended Citation Repository citation: Hope College, "The Anchor, Volume 104.08: October 30, 1991" (1991). The Anchor: 1991. Paper 21. https://digitalcommons.hope.edu/anchor_1991/21 Published in: The Anchor, Volume 104, Issue 8, October 30, 1991. Copyright © 1991 Hope College, Holland, Michigan. This News Article is brought to you for free and open access by the The Anchor: 1990-1999 at Hope College Digital Commons. It has been accepted for inclusion in The Anchor: 1991 by an authorized administrator of Hope College Digital Commons. For more information, please contact [email protected]. Campus Life Board o* Magicians, mice and Women's basketball should act on opinion of Mt. Rushmore appear gears up for a new students at Masquerade season —Page 4 —Pages 6-7 —Page 11 rm Hope College -g Bulk Rate U.S. Postage PAID Permit #592 ^1 he anchor Holland MI October 30, 1991 Harnessing the winds of change Volume 104, Number 8 Majority of students oppose Nykerk integration made my decision one way or the other. I'm Jill Flanagan IV) Should Nykerk be integrated? waiting to weigh news editor Differences in opinion between those who have and have not students opinions and hear what the com- participated in Nykerk. A large majority of Hope students do not mittee has to say." l-Vi . -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs. -
Videojuego De Aventura Gráfica 3D. Diseño Y Uso De Los Diálogos
Escola Tècnica Superior d’Enginyeria Informàtica Universitat Politècnica de València "Frozen Out", videojuego de aventura gráfica 3D. Diseño y uso de los diálogos Trabajo Fin de Grado Grado en Ingeniería Informática Autor: Vicent Pla Madrid Tutor: Manuel Agustí Melchor 2019-2020 "Frozen Out", videojuego de aventura gráfica 3D. Diseño y uso de los diálogos 2 Resumen Esta memoria trata el desarrollo de un proyecto de emprendimiento, un videojuego de aventuras y puzles en tres dimensiones, dentro del marco de la universidad, así como la implementación de los sistemas de juego que posibilitaron las funcionalidades del diálogo. El producto se realizó dentro de un equipo multidisciplinar de cinco estudiantes y utilizando el motor de videojuegos Unity. La propuesta original se analizó y se desarrollaron un conjunto de características para evaluar su viabilidad en dos experimentos frente a público objetivo, los cuales resultaron tener una recepción positiva. Por otro lado, en cuanto al apartado técnico se indagaron e integraron herramientas existentes centradas en el control de conversaciones y se implementación extensiones a este para acomodarse a las necesidades del proyecto en cuestión, resultando en la creación de un gestor de diálogos flexible y personalizable para otros proyectos. Palabras clave: videojuego, diálogo, emprendimiento, Unity. Resum Aquesta memòria tracta el desenvolupament d’un projecte d’emprenedoria, un videojoc d’aventures i puzles en tres dimensions, dins del marc de la universitat, així com la implementació dels sistemes de joc que possibiliten les funcions del diàleg. El projecte es va realitzar dins d’un equip multidisciplinar de cinc estudiants i utilitzant el motor de videojocs Unity.