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Nwsltr 23 4.Pdf
-~-SPRING 2011 VOL. 23 i NO.4 A Newsletter for Supporters and Friends of the Symphony o t e 5 Andrew Rammon, principal cellist of the Williamsport Symphony While living in Los Angeles, Mr. Rammon appeared in Steven Orchestra, was born in Las Vegas, Nevada, and raised in a family of Spielberg's movie Amistad and in a music video by Puff Daddy. During American musicians in Germany. He began his formal studies at the the summer Mr. Rammon performs and teaches in Heidelberg, Frankfurt Musikhochschule while in high school, and continued at Germany as part of Pepperdine University's summer music program. Pepperdine University and The Cleveland Institute of Music. His Past performances as soloist with the WSO include Shostakovich Cello teachers include Ronald Leonard and Stephen Geber. Currently Concerto (2004), and Richard Strauss, Don Quixote (2008). Mr. Rammon is the cellist of the Grammy-nominated Eaken Piano Trio. Mr. Rammon teaches cello at Bucknell, Susquehanna and Mansfield The trio has performed extensively in the United States, Europe and Universities, and Lycoming College. In Williamsport he maintains a China. Their twelve commercial recordings have been heard on private studio of talented young cello students with whom he plays in National Public Radio's Performance Today and All Things Considered the biannual event called Cellobration. and have been broadcast on many local radio stations including WVIA. The trio's upcoming projects include the recording of a CD of arrangements and original music by Mike Garson, a featured soloist with the Williamsport Symphony Orchestra in 2009. Concen Sponsor LYCOMING COLLEGE Guest Artist Sponsor AITORNEYS FOR THE ARTS Williamsport Symphony Orchestra 1220 West Fourth Street,Third Floor 1 Williamsport, PA 17701-61021570.322.02271 www.williamsportsymphony.org CONDUCTOR'S CORNER cSa()eIhe dale Dear Friends, It is hard to believe that our final concert of c5afurday:June 11 the season is a month away! At the Symphony we are all having a fantastic time and the season finale is one not to be missed. -
2015 Year in Review
Ar#st Album Record Label !!! As If Warp 11th Dream Day Beet Atlan5c The 4onthefloor All In Self-Released 7 Seconds New Wind BYO A Place To Bury StranGers Transfixia5on Dead Oceans A.F.I. A Fire Inside EP Adeline A.F.I. A.F.I. Nitro A.F.I. Sing The Sorrow Dreamworks The Acid Liminal Infec5ous Music ACTN My Flesh is Weakness/So God Damn Cold Self-Released Tarmac Adam In Place Onesize Records Ryan Adams 1989 Pax AM Adler & Hearne Second Nature SprinG Hollow Aesop Rock & Homeboy Sandman Lice Stones Throw AL 35510 Presence In Absence BC Alabama Shakes Sound & Colour ATO Alberta Cross Alberta Cross Dine Alone Alex G Beach Music Domino Recording Jim Alfredson's Dirty FinGers A Tribute to Big John Pa^on Big O Algiers Algiers Matador Alison Wonderland Run Astralwerks All Them Witches DyinG Surfer Meets His Maker New West All We Are Self Titled Domino Jackie Allen My Favorite Color Hans Strum Music AM & Shawn Lee Celes5al Electric ESL Music The AmazinG Picture You Par5san American Scarecrows Yesteryear Self Released American Wrestlers American Wrestlers Fat Possum Ancient River Keeper of the Dawn Self-Released Edward David Anderson The Loxley Sessions The Roayl Potato Family Animal Hours Do Over Self-Released Animal Magne5sm Black River Rainbow Self Released Aphex Twin Computer Controlled Acous5c Instruments Part 2 Warp The Aquadolls Stoked On You BurGer Aqueduct Wild KniGhts Wichita RecordinGs Aquilo CallinG Me B3SCI Arca Mutant Mute Architecture In Helsinki Now And 4EVA Casual Workout The Arcs Yours, Dreamily Nonesuch Arise Roots Love & War Self-Released Astrobeard S/T Self-Relesed Atlas Genius Inanimate Objects Warner Bros. -
Lucky Drummer from NYC Jazz to Johnny Carson
Lucky Drummer From NYC Jazz to Johnny Carson by Ed Shaughnessy with Robyn Flans © 2012 Ed Shaughnessy ISBN 978-1-888408-16-4 REBEATS PUBLICATIONS 219 Prospect, Alma, Michigan 48801 www.Rebeats.com Cover design, index, gear diagrams by Rob Cook Discography typing by Nancy Stringer Printed in the United States of America All rights for publication and distribution are reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retreival systems without publisher’s written consent. Where it’s at.... MY CHILDHOOD 1 Growing up in Jersey THE GOOD OL’ DAYS—THE STAGE-SHOW ERA 5 The Paramount, Strand, Capital, and Loew’s State theaters SUNDAY JAMS 7 Big name theater musicians jamming in small ballrooms THE TEEN YEARS 9 Timpani in the school orchestra, getting hooked up with frst teachers BILL WEST 11 More than a great teacher, a way to make the New York scene ANOTHER MENTOR 13 Mo Goldenberg and the mallets POST-HIGH SCHOOL 14 Getting a NYC room to establish residency DIDN’T MAKE THE CUT 14 Fired from my frst professional job– not for musical reasons BOBBY BYRNE AND THE BIG EASY 14 Working with the trombonist in New Orleans BACK HOME 15 Back to NYC with Jack Teagarden and George Shearing THE ’50s 16 Experimental music with Teddy Charles, Miles Davis WATCHING FROM THE BALCONY—WATCHA GONNA BRING? 16 Coming of age in New York City CHARLIE VENTURA 17 Introduction to touring by the bop saxmaster, zoot suit pants A STAR IS BORN 19 My frst endorsement deal THE TIME I DIDN’T 20 -
Issue 29 | Aug 2017 |
AN INDEPENDENT, FREE MONTHLY GUIDE TO MUSIC, ART, THEATRE, COMEDY, LITERATURE & FILM IN STROUD. ISSUE 29 | AUG 2017 | WWW.GOODONPAPER.INFO GOOD 2017 ON PAPER SPECIAL ISSUE #29 INSIDE: STROUD STROUD GOOD FRINGE BLOCK ON PAPER PREVIEW PARTY STAGE + Joe Magee: The Process | Stroud Fringe Choir | Index Projects: Corridor Burning House Books | Comedy At The Fringe Cover image: Ardyn by Adam Hinks (Original image by Tammy Lynn Photography) Lynn Tammy image by Hinks (Original Adam by image: Ardyn Cover #29 | AUG 2017 EDITOR Advertising/Editorial/Listings: EDITOR’S Alex Hobbis [email protected] DESIGNER Artwork and Design NOTE Adam Hinks [email protected] ONLINE FACEBOOK TWITTER goodonpaper.info /GoodOnPaperStroud @GoodOnPaper_ WELCOME TO THE TWENTY NINTH ISSUE OF GOOD ON PAPER – YOUR FREE MONTHLY GUIDE TO MUSIC CONCERTS, ART EXHIBITIONS, THEATRE PRINTED BY: PRODUCTIONS, COMEDY SHOWS, FILM SCREENINGS AND LITERATURE Tewkesbury Printing Company EVENTS IN STROUD... The fringe returns! And with it our annual Stroud Fringe Special providing a defi nitive guide to the 21st edition of the festival. SPONSORED BY: The team behind the fringe have worked tirelessly throughout the year to bring you another packed programme of events featuring live music, comedy, art, literature, street entertainment and much much more over the course of the last weekend in August. CO-WORKING STUDIO As well as the Bank Gardens, Canal and Cornhill stages the hugely popular Stroud Block Party also returns with a brand new venue, Good On Paper will be taking stroudbrewery.co.uk -
Pt.BI ISHTAR ~IKAIBKRS
ASCAP "S 2006 DART CLADI Pt.BI ISHTAR ~IKAIBKRS WiD AFFILIATED FOREIG& SOCIETIKS 3 OLC&IE I OF III P U B L I S H E R .357 PUBLISHING (A) S1DE UP MUSIC $$ FAR BEYOND ENTERTAINMENT $3.34 CHANGE OF THE BEAST ? DAT I SMELL MUS1C 'NANA PUDDIN PUBL1SHING A & N MUSIC CORP A & R MUSIC CO A A B A C A B PUBLISH1NG A A KLYC 4 A A P PUBLISHING A AL1KE PUBLiSHING A ALIKES MUSIC PUBLISHING A AND F DOGZ MUSIC A AND G NEALS PUBLiSHER A AND L MUS1C A AND S MUSICAL WORKS AB& LMUSIC A B A D MUZIC PUBLISHING A B ARPEGGIO MUSIC ABCG I ABCGMUSIC A B GREER PUBLISH1NG A B REAL MUSIC PUBLISHING A B U MUSIC A B WILLIS MUS1C A BAGLEY SONG COMPANY A BALLISTIC MUSIC A BETTER HISTORY PUBLISH1NG A BETTER PUBL1SHING COMPANY A BETTER TOMORROM A BIG ATT1TUDE INC A BIG F-YOU TO THE RHYTHM A BILL DOUGLAS MUSIC A BIRD AND A BEAR PUBLISHING A BLACK CLAN 1NC A BLONDE THING PUBLISHING A BOCK PUBLISHING A BOMBINATION MUSIC A BOY AND HIS DOG A BOY NAMED HO A BRICK CALLED ALCOHOL MUSIC A BROOKLYN PROJECT A BROS A BUBBA RAMEY MUSIC A BURNABLE PUBLISHING COMPANY A C DYENASTY ENT A CARPENTER'S SON A CAT NAMED TUNA PUBLISHING A CHUNKA MUSIC A CIRCLE OF FIFTHS MUSIC A CLAIRE MlKE MUSIC A CORDIS MUSIC A CREATI VE CHYLD ' PUB L I SHING A CREATIVE RHYTHM A CROM FLIES MUSIC INC A .CURSIVE MEMDR1ZZLE A D D RECORDiNGS A D G MUSICAL PUBLISHING INC A D HEALTHFUL LIFESTYLES A D SIMPSON OWN A D SMITH PUBLISHING P U B L I S H E R A D TERROBLE ENT1RETY A D TUTUNARU PUBLISHING A DAISY IN A JELLYGLASS A DAY XN DECEMBER A DAY XN PARIS MUSIC A DAY W1TH KAELEY CLAIRE A DELTA PACIFIC PRODUCTION A DENO -
"Full Blown" Internship Program to Begin Professor for President Intel
c c Volume 10, Number 8 College at Lincoln Center, Fordham University, New York December 9, 1987 "Full Blown" Internship Program Intel campus Issues: Student To Begin Affairs Co-Op Loses Government Funding By Mary Kay Linge The Curriculum Committee of the College The demise of CLC's Cooperative Education Council meets this week to begin discussions on (Co-Op) Program, a result of budget cuts in the the form that the program will take, Stratford U.S. Department of Education, may give rise to said. Unlike the Co-Op Program, which match- an all-new internship program "that will make ed students with paid part-time positions in the a connection between the world of academics and field of their choice, "We're going to try to set the world of work," according to Career Plan- up a system of formalized internships" by the ning and Placement Director Bernie Stratford. fall of 1988, said Stratford. "The emphasis won't be on pay.'' Instead, students will probably work several hours a week, then meet together to earn classroom credit, he said —a system similar to the one used at the Rose Hill campus. The Co-Op Program, which had been operating for two years on a combination of federal and University funds, was ended this semester for a single reason: "purely Reaganomics," according to Adult Student Ser- vices Director Ully Hirsch, the administrator who had been responsible for obtaining the federal grant. Hirsch explained that, in order for the govern- ment to choose which schools among the 319 ap- NORMAND PARKNTF.AU plicants should receive funding, each one*had to submit a rigidly outlined proposal. -
Felix Issue 1016, 1995
The Student Newspaper of Imperial College Nol022 24FEB95 Powermacs Pilfered from Huxley BY ANDREW SMITH by a sturdier security lock, was minimal. Some of the stolen possession of a screwdriver and a abandoned after the intruders equipment has already been long-bladed knife. Supervisor An estimated £30,000 of failed to detach it from its bolts. replaced, and the rest is expected Dockman made the arrest of the computer equipment was FELIX has been assured by in the near future. One benefit: male suspect who alleges that damaged or stolen from the Dr Sloman, Assistant Director of first year computing students someone let him into the fourth floor of the Department of Computers and Communication, have had coursework deadlines building using their swipe card. Computing in the early hours of that no confidential information postponed! This incident, together with Saturday morning. Further was held on the hard drives of In a further incident in the the allegation that the computer damage was prevented when a the stolen equipment. All files are Huxley Building Imperial thieves had explained their postgraduate student heard the held in the department's central College Security scored a success suspicious activity by saying that intruders, saving some of the computing service which were with the apprehension of a they were looking for toilets, has department's multi-million backed up the previous night, so dangerous intruder. After being raised concerns that both pounds equipment from being only one day's work should have spotted attempting to break into students and staff are not being targeted. been lost. -
Download Oxfordshire Music Scene 41 (2.4 Mb Pdf)
SUMMER 2019 FREE ISSUE 41 BEST FESTIVAL SEASON EVER! AN INSIDE LOOK AT THIS SUMMER’S LINEUPS... INSIDE: DOLLY MAVIES, POTTERY, SEB REYNOLDS, CATGOD, FLIGHTS OF HELIOS, SHOTOVER. LIVE: WOOD 2019, GOLDIE LOOKIN’ CHAIN, JACK GOLDSTEIN ALBUMS FROM RICHARD HAWLEY, HONEYBLOOD, THE NATIONAL & MUCH MORE OMS41 MOSA - DAWNED EP Six years since his last foray as MUSIC NEWS Samuel Zasada, the super-talented David Ashbourne is back playing RIVERSIDE APPEAL One of the bedrocks of the local solo, and he’s bringing That Voice music scene Riverside Festival, the free annual event with him. This time he’s not pulling at Charlbury has set up a funding page to help bridge any punches, channeling the raw, caustic intensity of the financial shortfall caused by the rainfall last year. Tom Waits lightened with the delicacy and soaring Local music lovers should head to gofundme.com to tones reminiscent of early Gomez. He blew us help the festival which is staffed by volunteers. The away the first time round, and frankly he’s knocked organisers said “We raise the majority of our funding it out of the park again. All good things come to he from sales at the bar, and as a consequence of the who Waits. Dawned is out on Witney-based label weather, for the first time ever, we didn’t cover our Fourtwenny at the end of June. costs.” This year’s Riverside, rousing indie rockers Kanadia headlining, and a pixie theme (in homage PEERLESS PIRATES –BANQUET FOR to the Pixies, of course), is on 20-21 July. -
BLAHZAY BLAHZAY Blah Blah Blah NO EXPORT to EUROPE
BLAHZAY BLAHZAY Blah Blah Blah NO EXPORT TO EUROPE KEY SELLING POINTS • First time to ever be reissued on vinyl since original 1996 release on Fader Records • Features original artwork from the official release • Limited edition of 1000 hand-numbered copies DESCRIPTION ARTIST: Blahzay Blahzay In August 1996, a Brooklyn duo consisting of MC Outloud and DJ TITLE: Blah Blah Blah P.F. Cuttin, better known to the world as Blahzay Blahzay, released CATALOG: l-TKR003 “Blah Blah Blah”, their one and only album, on Fader Records. The LABEL: Tuff Kong Records album’s 13 tracks proudly waved the flag of the East, featuring hit GENRE: Hip-Hop single “Danger”, as well as other bangers such as “Pain I Feel”, “Good BARCODE: 659123084215 Cop/Bad Cop” and “Danger - Part 2” (featuring Smoothe Da Hustler, FORMAT: 2XLP Trigger Tha Gambler and Wu-Tang affiliate La the Darkman). The RELEASE: 6/30/2017 combination of PF Cuttin’s polished beats and Outloud’s aggressive LIST PRICE: $31.98 / FB lyrical style made this album a classic for all underground hip-hop heads. TRACKLISTING 1. Intro Twenty-one years after its original release, Blahzay Blahzay have 2. Blah, Blah, Blah teamed up with Italian independent record label Tuff Kong Records 3. Medina’s In Da House to bring back their legendary “Blah Blah Blah” LP. This spring, Tuff 4. Danger - Part 2 (feat. La The Darkman, Smoothe Da Hustler, Kong Records will be releasing the album on 2LP, re-mastered for Trigger Tha Gambler) vinyl and featuring the original artwork, as a limited edition run of 5. -
Jazzletter PO Box 240, Ojai CA 93024-0240
Gene Lees Jazzletter PO Box 240, Ojai CA 93024-0240 November 1999 Vol. 18 N0. 11 Other Voices imposing licensing and record-keepingrequirements on gun dealers and prohibiting firearms purchasers from providing false state- I finished reading Slaughterhouse '99 and a depressed day trader ments, and even an Illinois ban on possession of most handgims. goes on a spree in Atlanta. Then a man who wants to give a . In these cases, the courts have held that the Second Amend- “wake-up call to America to kill the Jews” opens fire in Los ment guarantees a ‘collective right’, not an individual one.” Angeles on little children. “Pith schools starting this week all over The cowardice is found not necessarily in the courts but rather America, should we ask Tom Selleck where the next rampage will in the state legislatures and the Congress, greedily trousering NRA occur? . dollars and doing their bidding. As your favorite songwriter said, You may want to ask the impressive liberal Ted Turner, now “Money doesn’t talk, it swears." Of course, with the present a part of the Time-Life-Warner cartel. If he is a liberal, he has a composition of the “Renchburg” court, as Nixon once called him, lovely way of showing it. there is no guarantee this modicum will continue. This Court seems Thanks for the altemative to crap you provide. determined to return the nation to the ante-bellum days of Henry - — Thomas Priesmeyer; Nashville, Tennessee Clay and John C. Calhoun arguing over states’ rights. I can ahnost hear Jesse Helms and Strom Thurmond calling for a reconsidera- Since your thoughtful and compelling article Slaughterhouse tion of the “unsettled slavery” issue. -
Jamming As a Curriculum of Resistance: Popular Music, Shared Intuitive Headspaces, and Rocking in the "Free" World
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2015 Jamming as a Curriculum of Resistance: Popular Music, Shared Intuitive Headspaces, and Rocking in the "Free" World Mike Czech Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Art Education Commons, and the Curriculum and Instruction Commons Recommended Citation Czech, Mike, "Jamming as a Curriculum of Resistance: Popular Music, Shared Intuitive Headspaces, and Rocking in the "Free" World" (2015). Electronic Theses and Dissertations. 1270. https://digitalcommons.georgiasouthern.edu/etd/1270 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. JAMMING AS A CURRICULUM OF RESISTANCE: POPULAR MUSIC, SHARED INTUITIVE HEADSPACES, AND ROCKING IN THE “FREE” WORLD by MICHAEL R. CZECH (Under the Direction of John Weaver) ABSTRACT This project opens space for looking at the world in a musical way where “jamming” with music through playing and listening to it helps one resist a more standardized and dualistic way of seeing the world. Instead of having a traditional dissertation, this project is organized like a record album where each chapter is a Track that contains an original song that parallels and plays off the subject matter being discussed to make a more encompassing, multidimensional, holistic, improvisational, and critical statement as the songs and riffs move along together to tell why an arts-based musical way of being can be a choice and alternative in our lives. -
ORIGINAL IR[RC~I"-M~A-8&3 DEC 1 9 2002
SUSAN CHERTKOF MUNSAT ASSOCIATE COUNSEL BUSINESS ANO LEGAL AFFAIRS ORIGINAL IR[RC~I"-M~a-8&3 DEC 1 9 2002 GENERAL COUNSEL a a December 19, 2002 QF COPYRIGHT I ' I I ' BY HAND David O. Carson, Esq. General Counsel U.S. Copyright Office James Madison Memorial Building Room LM-403 First and Independence Avenue, SE Washington, DC 20559-6000 Re: Notice of Intent to Participate in Copyright Arbitration Royalty Panel Proceedin Docket No. 2002-1 CARP DTRA3 Dear Mr. Carson: Enclosed please find for filing an original and five copies of a Notice of Intent to Participate (the "Notice") along with a sixth copy of the Notice for our records. Please date-stamp the sixth copy and return it to my assistant Edward Hahn, who will be hand- delivering the Notice to your office. Sincerely, &fgLQ /IlUJJJ ~ Susan Chertkof Munsat Enclosures ON /0C2 RECORDING INDUSTRY ASSOCIATION DF AMERICA 1330CONNECT I CUT AVE I NWI S II I TE3 0 0 I WASH I NG7 0 0 3 6 PHONE: 202.857.9682 FAX: 202.775.7253 WEB: www.viaa.corn IRXCKIE~KD& Before the DEC 1 9 2002 COPYRIGHT OFFICE LIBRARY OF CONGRESS GENERAL COUNSEL QOPYRlGHT Washington, D.C. QF ) ) In Re: ) ) Adjustment of Rates and Terms for the ) Digital Performance of Sound Recordings ) Docket No. 2002-1 CARP DTRA3 ) ) ) ) NOTICE OF INTENT TO PARTICIPATE The Recording Industry Association ofAmerica, Inc. ("RIAA"), on its own behalf and on behalf of SoundExchange, presently an unincorporated division ofthe RIAA, submits the following comments in response to the Copyright Office Notice published at 67 Fed.