TTM3418 Peter Medhurst Weimar Kohen.Qxp Layout 1

Total Page:16

File Type:pdf, Size:1020Kb

TTM3418 Peter Medhurst Weimar Kohen.Qxp Layout 1 PETER MEDHURST is well-known in the world of the arts as a singer, pianist, scholar and lecturer, who in addition to his appearances on the concert platform and in the lecture hall, sets aside time to devise and lead tours abroad for small groups of art and music connoisseurs. His particular interests are centred on the music, art and history of Vienna, Salzburg (with its strong Mozart link), Berlin, Halle (Handel’s birthplace), Dresden, Venice, Madrid and Delft (with its Vermeer and 17th century Dutch School connections). He did his training at the Royal College of Music and at the Mozarteum in Salzburg as well as privately in London. TOURS EXPLORING MUSIC AND THE ARTS THOMAS ABBOTT graduated in Psychology and Art History at Carleton College, Minnesota, and studied at the Louvre School JS Bach of Art History in Paris. 1987 he moved to Berlin leading tours in Germany, specialising, in Weimar & Leipzig of course, in the German capital. While in Berlin, Thomas commenced and completed with Peter Medhurst & Thomas Abbott his graduate studies in the history of art and architecture, specialising in the art of the 7 days from £2,769 • Departing 29 March 2019 Italian and German Baroque. FEATURES • Tour limited to 24 passengers • Lectures by Peter Medhurst on Days 2, 4, 5 & 6 • Thomas Abbott - professional tour manager & art historian • 4 private organ recitals • All excursions, entrance fees, guided tours & gratuities for hotel & restaurant staff included • 4* & 5* hotels in Weimar & Leipzig • Lunch included every day • Three dinners included • Direct scheduled flights from London Gatwick to Berlin • Executive coach in Germany • Audio headsets included on Days 2 to 6 WHAT WE WILL SEE • Guided walking tour of Weimar & the Herder Church • Private tour of Weimar Palace • Franz Liszt’s House • Arnstadt • Eisenach & the Bach Museum • Wartburg Castle restaurant • Mühlhausen & St Blasius (Bach’s church) • Heinrich Schütz Museum, Weissenfels • St Wenzel’s Church, Naumburg - guided tour & organ recital • Naumburg Cathedral - guided tour • Köthen Palace • Wörlitz Palace & Gardens • Grassi Museum • Leipzig • Bach Museum in Thomaskirchhof • St Thomas’s Church • Mendelssohn House & the Robert Schumann apartments • Halle museum & musical instrument collection • Halle Cathedral ACCOMMODATION Three nights at the 4* Grand Hotel Russischer Hof in Weimar (www.russischerhof.com), wonderfully located in the heart of historical Weimar, and another three nights at the 5* Steigenberger Grand Hotel in Leipzig (www.steigenberger.com), just a moment’s walk from St Nicholas’ Church. Facilities at both Bach's statue outside St Thomas' Church, Leipzig Bach's statue outside St Thomas' Church, hotels include a restaurant and bar and all rooms are en suite and feature a television and a mini bar. FOR FURTHER ITINERARY INFORMATION CONTACT: Tailored Travel EXTRAS TO YOUR TOUR • Insurance £44 Tel: 020 7064 4970 • Single room supplement £299 • Local accommodation tax to be paid directly to the Email: [email protected] Any air holidays and flights in this hotel (approximately €3.50 per person per night) Further Information relating to the tour can be found online at brochure are ATOL protected by the Civil Aviation Authority. Tailored Flight details may be subject to change. Price based on twin share. http://petermedhurst.com/tours Travel’s ATOL number is 5605 Minimum numbers required. Normal booking conditions apply. JS Bach in Weimar & Leipzig Tour to Weimar, Köthen, Eisenach, Mühlhausen & Leipzig with Peter Medhurst & Thomas Abbott 7 days from £2,769 • Departing 29 March 2019 Day 1 Day 4 We make our own way to London Gatwick Airport Today we leave Weimar for Leipzig and, subject to for our direct scheduled Easyjet flight to Berlin. opening, we plan to visit the Heinrich Schütz Speedy Boarding has been arranged in order to Museum in Weissenfels (Schütz is regarded as the streamline the journey for everyone. On arrival at most important German composer before Bach). Berlin Schönefeld Airport, we are met by Peter We then make our way to Naumburg. Following a Medhurst, our music lecturer, and Thomas Abbott, guided tour of St Wenzel’s Church in Naumburg, the our art historian, and transfer by coach to Weimar. resident organist will give a recital on the 52 stop En route, we enjoy the first of our lunches together organ built by Zacharias Hildebrand in 1746. Bach and then continue on to check in to the Grand Hotel helped to design the instrument. After an included Russischer Hof, a superb 4* hotel which opened its light lunch, we continue on foot to Naumburg doors for the first time in 1805. The hotel is next to Cathedral for a guided tour of this renowned the theatre of Weimar and is situated in the historical landmark of the German late Romanesque. We then centre of Weimar. We stay here for three nights. In continue on to Leipzig and check in for a three night the evening we have a private drinks reception stay at the 5* Steigenberger Grand Hotel, which is followed by dinner at the hotel with wine included. just a moment’s walk from St Nicholas’ Church Bach's statue outside St Thomas' where Bach gave the premiere of his St John Church, Leipzig Day 2 Passion. After checking in to the hotel there will be It was at the Weimar Court that JS Bach spent the some free time to do a little exploring of the city. (subject to opening). Schumann – along with Liszt first third of his career (1708-18) and our lecture Before our included dinner this evening, we re- – was a founder of the Bach-Gesellschaft in 1850, this morning introduces the events of this important convene for a lecture on Bach and his Leipzig period who furthered his fascination for Bach by part of Bach’s life. Afterwards, we go on a guided (1723-50). performing and making arrangements of Bach’s walking tour of Weimar, during which we visit the music. In the evening we enjoy a farewell dinner at Herder Church – where Peter will play the organ – Day 5 the hotel. and then take a private tour of Weimar Palace, After a morning lecture on Bach’s Brandenburg visiting its state rooms and art collection. A light Concertos, we travel by coach to Köthen and visit Day 7 lunch is included and followed in the afternoon with the Palace where Bach spent the middle period of After checking out of the Steigenberger Grand Hotel, a visit to Franz Liszt’s House in Marienstraße. The his working life (1716-23) and where he wrote the we travel back to Berlin for our flight home. En route pianist-composer Liszt was a Bach enthusiast and concertos that we studied this morning. We then we will travel to Halle to visit the museum and not only performed Bach’s keyboard pieces in his travel to Wörlitz and after an included lunch, we visit musical instrument collection dedicated to the life concerts, but made numerous transcriptions of the famous palace and gardens. Wörlitz Palace, of Handel – JS Bach’s exact contemporary. We then Bach’s music for the piano. This evening is at finished in 1773, was the residence of Duke Leopold make our way to Halle Cathedral where GF Handel – leisure. and his wife Louise of Brandenburg-Schwedt, and and Bach’s eldest son, Wilhelm Friedemann Bach – was the first Neoclassical building in present-day played the organ, and where Peter will give the last Day 3 Germany. We return to Leipzig, but with time of his organ recitals. We also enjoy a final included Prior to his musical appointment at the Weimar permitting, we visit the Grassi Museum containing lunch together, after which we continue to Court, Bach spent his formative years in Eisenach, an excellent musical instrument collection. The Schönefeld Airport in good time for our early and held organist posts at nearby Mühlhausen and evening is at leisure. evening flight back to London Gatwick. Arnstadt. These places are on our agenda today. So, after breakfast we make our way to Arnstadt for a All the while you are reading this brochure, two brief visit to the church after which we travel by Nasa Voyager probes are whizzing through coach to Eisenach (where Bach was born in 1685) space and are at this moment way beyond the to visit the Bach Museum. There will be plenty of boundaries of our solar system. They have time to explore and enjoy this magnificent testament been on the go since 1977. To represent man’s to Bach’s life. We follow this with lunch at the achievements in the field of music, the probes Wartburg Castle restaurant at the Romantik Hotel. contain recordings of Johann Sebastian Bach’s In the afternoon we make our way by coach to Mass in B Minor, one of his violin partitas, and Mühlhausen for a walk around the old town and a the first prelude and fugue from his famous visit to St Blasius (Bach’s church) where Peter will play the organ. On our return to Weimar the evening ‘48’. The biologist who suggested that Bach be will be at leisure. Organ console in Mühlhausen Church a musical ambassador to alien life said that to have included the complete works of the Day 6 composer "would just be boasting." This morning’s lecture examines some of the Our tour to Weimar and Leipzig celebrates the highlights of Bach’s church cantatas. The rest of the life and achievements of this greatest of day is spent in Leipzig. We start with a visit to the Baroque composers. It does so by visiting the Bach Museum in Thomaskirchhof and take a tour of places and localities where Bach lived and the adjacent St Thomas’s Church where Bach spent worked, by exploring his music, and by the last 27 years of his life as director of the choir.
Recommended publications
  • Art 258: Ancient and Medieval Art Spring 2016 Sched#20203
    Art 258: Ancient and Medieval Art Spring 2016 Sched#20203 Dr. Woods: Office: Art 559; e-mail: [email protected] Office Hours: Monday and Friday 8:00-8:50 am Course Time and Location: MWF 10:00 – 10:50 HH221 Course Overview Art 258 is an introduction to western art from the earliest cave paintings through the age of Gothic Cathedrals. Sculpture, painting, architecture and crafts will be analyzed from an interdisciplinary perspective, for what they reveal about the religion, mythology, history, politics and social context of the periods in which they were created. Student Learning Outcomes Students will learn to recognize and identify all monuments on the syllabus, and to contextualize and interpret art as the product of specific historical, political, social and economic circumstances. Students will understand the general characteristics of each historical or stylistic period, and the differences and similarities between cultures and periods. The paper assignment will develop students’ skills in visual analysis, critical thinking and written communication. This is an Explorations course in the Humanities and Fine Arts. Completing this course will help you to do the following in greater depth: 1) analyze written, visual, or performed texts in the humanities and fine arts with sensitivity to their diverse cultural contexts and historical moments; 2) describe various aesthetic and other value systems and the ways they are communicated across time and cultures; 3) identify issues in the humanities that have personal and global relevance; 4) demonstrate the ability to approach complex problems and ask complex questions drawing upon knowledge of the humanities. Course Materials Text: F.
    [Show full text]
  • The Restoration of Medieval Stained Glass*
    The Restoration of Medieval Stained Glass* Gottfried Frenzel The victim ofits own composition and ofmodem air tiny particles. The particles fall out of each panel: thus pollution, Europe's most radiant art is now threat- the window disintegrates. ln England stained-glass windows are exposed to ened ~'ith destruction. The efforts at preservation heavy smog. Canterbury Cathedral displays the re- depend on knowledge of the glass. sults. The cathedral includes the Trinity chapel and its Light bas long served religion as a :symbol. It has ambulatory , or processional aisle, which incorporates signified creation (" Let there be lighlt" was the first the chapel called the Corona, constructed between 1174 and 1220. ln both chapels some of the stained command of the Creator) as weIl as salvation (John glasshas been attacked. Pits have formed, which have the Evangelist saw the Heavenly Jerusalem illumi- nated as if made " of jasper" and its walls " like clear now perforated the panels, leaving them quite porous, so that acid raiD cao reach the ioDer surface of the glass") The earthly reflections of such visions, glass and eat into the paintwork there. achieved throughout the Middle Ages by means of France is the classic repository of stained glass. A light, were the period' s most brilliant works of art: the single cathedral, the one in Chartres, is decorated with stained glass windows of Romanesque and Gothic more than 2,000 square meters of stained glass from chapels, churches, minsters and cathedrals. For al- the 12th and 13th centuries, the period when the art most a millennium, in the caseof the earliest stained- reachedits peak in France.
    [Show full text]
  • A Symbol of Global Protec- 7 1 5 4 5 10 10 17 5 4 8 4 7 1 1213 6 JAPAN 3 14 1 6 16 CHINA 33 2 6 18 AF Tion for the Heritage of All Humankind
    4 T rom the vast plains of the Serengeti to historic cities such T 7 ICELAND as Vienna, Lima and Kyoto; from the prehistoric rock art 1 5 on the Iberian Peninsula to the Statue of Liberty; from the 2 8 Kasbah of Algiers to the Imperial Palace in Beijing — all 5 2 of these places, as varied as they are, have one thing in common. FINLAND O 3 All are World Heritage sites of outstanding cultural or natural 3 T 15 6 SWEDEN 13 4 value to humanity and are worthy of protection for future 1 5 1 1 14 T 24 NORWAY 11 2 20 generations to know and enjoy. 2 RUSSIAN 23 NIO M O UN IM D 1 R I 3 4 T A FEDERATION A L T • P 7 • W L 1 O 17 A 2 I 5 ESTONIA 6 R D L D N 7 O 7 H E M R 4 I E 3 T IN AG O 18 E • IM 8 PATR Key LATVIA 6 United Nations World 1 Cultural property The designations employed and the presentation 1 T Educational, Scientific and Heritage of material on this map do not imply the expres- 12 Cultural Organization Convention 1 Natural property 28 T sion of any opinion whatsoever on the part of 14 10 1 1 22 DENMARK 9 LITHUANIA Mixed property (cultural and natural) 7 3 N UNESCO and National Geographic Society con- G 1 A UNITED 2 2 Transnational property cerning the legal status of any country, territory, 2 6 5 1 30 X BELARUS 1 city or area or of its authorities, or concerning 1 Property currently inscribed on the KINGDOM 4 1 the delimitation of its frontiers or boundaries.
    [Show full text]
  • Heartland of German History
    Travel DesTinaTion saxony-anhalT HEARTLAND OF GERMAN HISTORY The sky paThs MAGICAL MOMENTS OF THE MILLENNIA UNESCo WORLD HERITAGE AS FAR AS THE EYE CAN SEE www.saxony-anhalt-tourism.eu 6 good reasons to visit Saxony-Anhalt! for fans of Romanesque art and Romance for treasure hunters naumburg Cathedral The nebra sky Disk for lateral thinkers for strollers luther sites in lutherstadt Wittenberg Garden kingdom Dessau-Wörlitz for knights of the pedal for lovers of fresh air elbe Cycle route Bode Gorge in the harz mountains The Luisium park in www.saxony-anhalt-tourism.eu the Garden Kingdom Dessau-Wörlitz Heartland of German History 1 contents Saxony-Anhalt concise 6 Fascination Middle Ages: “Romanesque Road” The Nabra Original venues of medieval life Sky Disk 31 A romantic journey with the Harz 7 Pomp and Myth narrow-gauge railway is a must for everyone. Showpieces of the Romanesque Road 10 “Mona Lisa” of Saxony-Anhalt walks “Sky Path” INForMaTive Saxony-Anhalt’s contribution to the history of innovation of mankind holiday destination saxony- anhalt. Find out what’s on 14 Treasures of garden art offer here. On the way to paradise - Garden Dreams Saxony-Anhalt Of course, these aren’t the only interesting towns and destinations in Saxony-Anhalt! It’s worth taking a look 18 Baroque music is Central German at www.saxony-anhalt-tourism.eu. 8 800 years of music history is worth lending an ear to We would be happy to help you with any questions or requests regarding Until the discovery of planning your trip. Just call, fax or the Nebra Sky Disk in 22 On the road in the land of Luther send an e-mail and we will be ready to the south of Saxony- provide any assistance you need.
    [Show full text]
  • World Heritage in Saxony-Anhalt
    PRESS RELEASE Date: March 2021 6 SPECTACULAR SITES – 1 SHARED IDENTITY UNESCO WORLD HERITAGE IN SAXONY-ANHALT BAUHAUS AND ITS SITES IN DESSAU This statement of confidence is a recognition that our past has THE GARDEN KINGDOM OF DESSAU-WÖRLITZ a future – just a handful of words that span the arch of the 7,000 THE NEBRA SKY DISC years of history built on modern-day Saxony-Anhalt’s ground, a (LISTED ON THE MEMORY OF THE link between our historic roots and our forward-looking perspec- WORLD REGSITER) tive. This helps drive the state’s #moderndenken campaign and realize future-oriented projects. THE LUTHER MEMORIALS IN WITTENBERG AND EISLEBEN Saxony-Anhalt’s World Heritage Sites are well worth a NAUMBURG CATHEDRAL visit and are easily accessible. They offer experiences QUEDLINBURG’S COLLEGIATE CHURCH, that will stay with you for years to come. CASTLE AND OLD TOWN Three enticing UNESCO World Heritage Sites can be found in Dessau-Roßlau and Wittenberg alone: situated over an area of around 35 km, the sites are combined under the title Luther – Bauhaus – Garden Kingdom. Visitors can enjoy the economic Cultural abundance, quality and benefits of the WelterbeCard to explore the art, culture, diversity to make you marvel countryside and leisure opportunities that the World Heritage Region has to offer. The three sites are nestled in the Middle Modern-day Saxony-Anhalt has a unique wealth of Elbe Biosphere Reserve, which is part of the UNESCO Elbe River cultural landmarks from German and European history dating Landscape Biosphere Reserve. World Heritage Sites sit on the back 7,000 years.
    [Show full text]
  • German Beech Forests – UNESCO World Natural Heritage
    German Beech Forests – UNESCO World Natural Heritage Protecting a unique ecosystem German Beech Forests – UNESCO World Natural Heritage Publication details Published by Federal Ministry for the Environment, Nature Conservation and Nuclear Safety (BMU) Division P II 2 · 11055 Berlin · Germany Email: [email protected] · Website: www.bmu.de/english Edited by BMU, Division N I 4 Design PROFORMA GmbH & Co. KG, Berlin Printed by Druck- und Verlagshaus Zarbock GmbH & Co. KG, Frankfurt am Main Picture credits See page 39. Date August 2019 First print run 2.000 copies (printed on recycled paper) Where to order this publication Publikationsversand der Bundesregierung Postfach 48 10 09 · 18132 Rostock · Germany Telephone: +49 30 / 18 272 272 1 · Fax: +49 30 / 18 10 272 272 1 Email: [email protected] Website: www.bmu.de/en/publications Notice This publication of the Federal Ministry for the Environment, Nature Conservation and Nuclear Safety is distributed free of charge. It is not intended for sale and may not be used to canvass support for political parties or groups. Further information can be found at www.bmu.de/en/publications 2 German Beech Forests – UNESCO World Natural Heritage German Beech Forests – UNESCO World Natural Heritage Protecting a unique ecosystem 3 German Beech Forests – UNESCO World Natural Heritage Table of contents The Ancient Beech Forests of Germany 6 Jasmund National Park (Mecklenburg-Western Pomerania) 8 Müritz National Park (Mecklenburg-Western Pomerania) 11 Grumsin in the Schorfheide-Chorin Biosphere
    [Show full text]
  • Patrimoine Mondial 23 COM
    Patrimoine Mondial 23 COM Distribution limitée WHC-99/CONF.209/10 Paris, le 5 octobre 1999 Original : anglais / français ORGANISATION DES NATIONS UNIES POUR L'EDUCATION, LA SCIENCE ET LA CULTURE CONVENTION CONCERNANT LA PROTECTION DU PATRIMOINE MONDIAL, CULTUREL ET NATUREL COMITE DU PATRIMOINE MONDIAL Vingt-troisième session Marrakech, Maroc 29 novembre – 4 décembre 1999 Point 8 de l’ordre du jour provisoire : Informations sur les listes indicatives et examen de propositions d’inscription de biens culturels et naturels sur la Liste du patrimoine mondial en péril et la Liste du patrimoine mondial RESUME 1. A sa dix-septième session à Carthagène, en décembre 1993, le Comité a exprimé sa préoccupation quant au petit nombre de listes indicatives qui répondaient aux exigences stipulées aux paragraphes 7 et 8 des Orientations, et il a confirmé l'importance de ces listes pour la planification, l'analyse comparative des propositions d'inscription et la réalisation des études globales et thématiques. Ces listes constituent en outre un inventaire des biens situés sur le territoire de chaque Etat partie que ce dernier considère comme susceptibles d'être inscrits sur la Liste du patrimoine mondial. Le Comité a également confirmé que les listes indicatives sont obligatoires pour les biens culturels pour lesquels les Etats parties ont l'intention de soumettre des propositions d'inscription sur la Liste du patrimoine mondial dans les cinq à dix prochaines années. 2. En conséquence, le Comité a invité les Etats parties qui ne l'avaient pas encore fait, à soumettre leurs listes indicatives conformément aux Orientations, étant entendu qu’ "une assistance préparatoire sera fournie si nécessaire et à la demande de l'Etat partie concerné".
    [Show full text]
  • Nominations to the World Heritage List
    World Heritage 41 COM WHC/17/41.COM/8B Paris, 19 May 2017 Original: English / French UNITED NATIONS EDUCATIONAL, SCIENTIFIC AND CULTURAL ORGANIZATION CONVENTION CONCERNING THE PROTECTION OF THE WORLD CULTURAL AND NATURAL HERITAGE WORLD HERITAGE COMMITTEE Forty-first session Krakow, Poland 2-12 July 2017 Item 8 of the Provisional Agenda: Establishment of the World Heritage List and of the List of World Heritage in Danger 8B. Nominations to the World Heritage List SUMMARY This document presents the nominations to be examined by the Committee at its 41st session (Krakow, 2017). It is divided into two sections: Part I Examination of nominations of natural, mixed and cultural sites to the World Heritage List Part II Record of the physical attributes of each site being discussed at the 41st session The document presents for each nomination the proposed Draft Decision based on the recommendations of the appropriate Advisory Body(ies) as included in WHC/17/41.COM/INF.8B1 and WHC/17/41.COM/INF.8B2, and it provides a record of the physical attributes of each site being discussed at the 41st session. The information is presented in two parts: • a table of the total surface area of each site and any buffer zone proposed, together with the geographic coordinates of each site's approximate centre point; and • a set of separate tables presenting the component parts of each of the 15 proposed serial sites. Decisions required: The Committee is requested to examine the recommendations and Draft Decisions presented in this Document, and, in accordance with paragraph 153 of the Operational Guidelines, take its Decisions concerning inscription on the World Heritage List in the following four categories: (a) properties which it inscribes on the World Heritage List; (b) properties which it decides not to inscribe on the World Heritage List; (c) properties whose consideration is referred; (d) properties whose consideration is deferred.
    [Show full text]
  • Germans and Poles in the Middle Ages
    Germans and Poles in the Middle Ages - 9789004466555 Downloaded from Brill.com10/01/2021 11:00:05AM via free access Explorations in Medieval Culture General Editor Larissa Tracy (Longwood University) Editorial Board Tina Boyer (Wake Forest University) Emma Campbell (University of Warwick) Kelly DeVries (Loyola University Maryland) David F. Johnson (Florida State University) Asa Simon Mittman (CSU, Chico) Thea Tomaini (USC, Los Angeles) Wendy J. Turner (Augusta University) David Wacks (University of Oregon) Renée Ward (University of Lincoln) volume 16 The titles published in this series are listed at brill.com/emc - 9789004466555 Downloaded from Brill.com10/01/2021 11:00:05AM via free access Germans and Poles in the Middle Ages The Perception of the ‘Other’ and the Presence of Mutual Ethnic Stereotypes in Medieval Narrative Sources Edited by Andrzej Pleszczyński and Grischa Vercamer LEIDEN | BOSTON - 9789004466555 Downloaded from Brill.com10/01/2021 11:00:05AM via free access The research for this conference volume has been supported by the National Science Centre, Poland, under Polonez fellowship reg. no 2016/21/P/HS3/04107 funded by the European Union’s Horizon 2020 research and innovation program under the Marie Skłodowska-Curie grant agreement No 665778. Cover illustration: Statues of Margrave Hermann and his wife Reglindis at Naumburg Cathedral. ©Vereinigte Domstifter zu Merseburg und Naumburg und des Kollegiatstifts Zeitz, Bildarchiv Naumburg. ©Photograph: Matthias Rutkowski. The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov LC record available at http://lccn.loc.gov/2021019188 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface.
    [Show full text]
  • Stone Setting Practiced by the Masons of the Naumburg and Meissen Cathedrals— a Comparative Look at Stone Setting Techniques1
    Stone Setting Practiced by the Masons of the Naumburg and Meissen Cathedrals— a Comparative Look at Stone Setting Techniques1 Katja Schröck If one aims to take a closer look at a medieval building site, it is inevitable to pay careful attention to the traces that were left on the stones set and built. This article presents a detailed study of the stone setting techniques applied during the construction of the Naumburg west choir and a comparison with the techniques applied by the masons who built Meissen Cathedral. The question of how building stones were moved to their final positions is of particular relevance, specifically as the solution of the logistic and technical challenges, which were connected with it, and the available machines were of major importance for the realisation of a construction project of this dimension. For this reason it is necessary to clarify the details of the various setting techniques that were used on the building site. The basic categories here are vertical transport and horizontal transport. It was above all the physical power of the workers that was decisive for the horizontal movement not only of the stones but also of all other building materials across the building site, using e.g. barrows or baskets. What is even more interesting is the vertical movement of the stones since it was far more complex in terms of organisation and the available technology. It was only by vertical movement that the building stones were hoisted into place. Tools were used to move the stones, e.g. so-called lifting gears and fastening means.
    [Show full text]
  • What the Middle Ages Knew Gothic Art Piero Scaruffi Copyright 2018
    What the Middle Ages knew Gothic Art Piero Scaruffi Copyright 2018 http://www.scaruffi.com/know 1 What the Middle Ages knew • Gothic architecture – Economic prosperity – Growing independence of towns from feudal lords – Intellectual fervor of cathedral schools and scholastics – Birth of the French nation-state 2 What the Middle Ages knew • Gothic architecture – Pointed arch (creative freedom in designing bays) – Rib vault (St Denis, Paris) – Flying buttress (Chartres, France) 3 (Suger’s choir, St Denis, Paris) What the Middle Ages knew • Gothic architecture – Consequences: • High naves • Campaniles, towers, spires: vertical ascent • Large windows (walls not needed for support) • Stained glass windows • Light 4 What the Middle Ages knew • Gothic architecture – Consequences: • The painting (and its biblical iconography) moves from the church walls to the glass windows 5 What the Middle Ages knew • Architectural styles of the Middle Ages 6 Lyon-Rowen- Hameroff: A History of the Western World What the Middle Ages knew • Gothic architecture – Consequences: • Stained glass windows (Chartres, France) 7 What the Middle Ages knew • Gothic – 1130: the most royal church is a monastery (St Denis), not a cathedral – Suger redesigns it on thelogical bases (St Denis preserved the mystical manuscript attributed to Dionysus the Aeropagite) – St Denis built at the peak of excitement for the conquest of Jerusalem (focus on Jesus, the one of the three persons that most mattered to the crusaders) – St Denis built on geometry and arithmetics (influence of Arab
    [Show full text]
  • Romanesque Architecture and Its Artistry in Central Europe, 900-1300
    Romanesque Architecture and its Artistry in Central Europe, 900-1300 Romanesque Architecture and its Artistry in Central Europe, 900-1300: A Descriptive, Illustrated Analysis of the Style as it Pertains to Castle and Church Architecture By Herbert Schutz Romanesque Architecture and its Artistry in Central Europe, 900-1300: A Descriptive, Illustrated Analysis of the Style as it Pertains to Castle and Church Architecture, by Herbert Schutz This book first published 2011 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2011 by Herbert Schutz All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-2658-8, ISBN (13): 978-1-4438-2658-7 To Barbara TABLE OF CONTENTS List of Illustrations ..................................................................................... ix List of Maps........................................................................................... xxxv Acknowledgements ............................................................................. xxxvii Introduction ................................................................................................. 1 Chapter One................................................................................................
    [Show full text]