Spring 2018 Vol. 32
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
June 2016 Events
Events June 2016 Index Ljubljana European Green Capital 2016 Festivals 4 Exhibitions 8 Music 11 Opera, theatre, dance 16 Miscellaneous 18 Sports 19 Cover photo: D. Wedam Edited and published by: Ljubljana Tourism, Krekov trg 10, SI-1000 Ljubljana, T: +386 1 306 45 83, www.visitljubljana.com E: [email protected], W: www.visitljubljana.com Get to know Ljubljana, the European Green Capital 2016, on a special city tour run as Photography: Archives of Ljubljana part of a series of green, sustainability-themed tours of Ljubljana. Tourism and individual event organisers The tours will take visitors to Tivoli Park or the Ljubljana Botanic Garden, two of the Prepress: Prajs d.o.o. city’s major green attractions. On each tour, a Ljubljana Tourism guide will introduce Printed by: Partner Graf d.o.o., Ljubljana, visitors to the sustainability projects while taking them around the city’s green nooks June 2016 and crannies. Ljubljana Tourism is not liable for any inaccurate information appearing in the 18 June calendar. Ljubljana’s fountains, including drinking fountains Departure point: at 10:00 from Ljubljana Tourist Information Centre - TIC, Committed to caring for the next to the Triple Bridge. Language options: Slovenian, English environment, we print on recycled paper. Price: adults € 10.00 €, children from 4 to 12 years € 5.00 € Share our commitment by Information: Ljubljana Tourist Information Centre - TIC, Tel. 306 12 35, sharing this publication with [email protected], www.visitljubljana.com your friends. Highlights in June Sebastião -
Freedom, Sex & Power
W RECK: graduate journal of art history, visual art, and theory Volume 2, number 1 (2008) Freedom, Sex & Power:1 Film/Video Regulation in Ontario By Taryn Sirove, Ph.D. Candidate, Queen’s University P h o t o c o u r t e s y o f J o h n P o r t e r . Fig. 1. The Ontario Film and Video Appreciation Society (OFVAS) presenting its brief at public hearings on a new film classification law held at Queen’s Park, Toronto, Ontario, December 4-5, 1984. L-R: David Poole (CFMDC), Anna Gronau (The Funnel), Cyndra MacDowell (CARO). Photo by John Porter. “Ontario is getting out of the film censorship business,” announced the headline of the December 10, 2004 Toronto Star.2 This, after Glad Day Bookshop, a small retailer specializing in queer literature and videotapes, won a decisive legal battle against the Ontario Film Review Board (OFRB).3 Glad Day Bookshop appealed its previous conviction for illegally distributing the sexually-explicit video, Descent, by “renowned” American filmmaker, Steven Scarborough.4 The bookshop called upon the federal Charter of Rights and Freedoms to overturn a provincial regulation—the Theatres Act—which required that all videos and films be either approved by the OFRB, be partially censored, or altogether banned. Despite Glad Day Bookshop’s successful legal challenge to the Act and the OFRB, the Star headline was totally erroneous; as of today, the OFRB has retained its powers for the prior restraint and banning of film and video in Ontario. In this essay, I map a number of interventions and contests around the regulation of video and film from the 1980s until the present. -
Vancouver by Tina Gianoulis
Vancouver by Tina Gianoulis Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2006 glbtq, Inc. Reprinted from http://www.glbtq.com Cosmopolitan Vancouver, nestled on Canada's west coast in a picturesque triangle between English Bay, Burrard Inlet, and the Fraser River, has developed in less than 200 years from a frontier outpost in an untamed land to one of the fastest-growing cities in North America. With a constant influx of immigrants and a vigorous and adaptable economy, Vancouver is a progressive city with a large and active queer community. That community began organizing in the 1960s, with the founding of Canada's first homophile organization, and has continued into the 2000s, as activists work to protect queer rights and develop queer culture. With its sheltered location, fertile farmland, and rich inland waterways, the southwestern corner of British Columbia's mainland attracted settlers from a variety of native cultures for over three thousand years. More than twenty tribes, including the Tsawwassen and Musqueam, comprised the Stó:lo Nation, the "People of the Water," who farmed and fished the Fraser River Valley before the arrival of European explorers in the late eighteenth century. From the first European trading post, established by the Hudson Bay Company in 1827, the small community soon grew into a boomtown with a thriving economy based on its lumber and mining industries, fisheries, and agriculture. By the late 1800s, the settlement had become a hub for a newly developing railroad network, and in 1886, the City of Vancouver was incorporated. The city grew rapidly, tripling its population within a few decades and spawning a construction boom in the early 1900s. -
Summer 2019 Vol.21, No.3 Screenwriter Film | Television | Radio | Digital Media
CANADIAN CANADA $7 SUMMER 2019 VOL.21, NO.3 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA A Rock Star in the Writers’ Room: Bringing Jann Arden to the small screen Crafting Canadian Horror Stories — and why we’re so good at it Celebrating the 23rd annual WGC Screenwriting Awards Emily Andras How she turned PM40011669 Wynonna Earp into a fan phenomenon Congratulations to Emily Andras of SPACE’s Wynonna Earp, Sarah Dodd of CTV’s Cardinal, and all of the other 2019 WGC Screenwriting Award winners. Proud to support Canada’s creative community. CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 21 No. 3 Summer 2019 ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Publisher Maureen Parker Editor Tom Villemaire [email protected] Contents Director of Communications Lana Castleman Cover Editorial Advisory Board There’s #NoChill When it Comes Michael Amo to Emily Andras’s Wynonna Earp 6 Michael MacLennan How 2019’s WGC Showrunner Award winner Emily Susin Nielsen Andras and her room built a fan and social media Simon Racioppa phenomenon — and why they’re itching to get back in Rachel Langer the saddle for Wynonna’s fourth season. President Dennis Heaton (Pacific) By Li Robbins Councillors Michael Amo (Atlantic) Features Mark Ellis (Central) What Would Jann Do? 12 Marsha Greene (Central) That’s exactly the question co-creators Leah Gauthier Alex Levine (Central) and Jennica Harper asked when it came time to craft a Anne-Marie Perrotta (Quebec) heightened (and hilarious) fictional version of Canadian Andrew Wreggitt (Western) icon Jann Arden’s life for the small screen. -
Knowledge Reifying Force-Intention-Harm K(F+I+H): the Nature and Structure of Crime
Fall 08 Journal of Theoretical and Philosophical Criminology Nature and Structure of Crime 2011, Vol. 3 9(1):110-132 Boyanowsky & Yasayko Knowledge Reifying Force-Intention-Harm K(F+I+H): The Nature and Structure of Crime A Multidimensional Theoretical Model Ehor Boyanowsky & Jonathan Yasayko Simon Fraser University Abstract Violence is regarded as a negative phenomenon and confused with aggression in social science to the detriment of analysis of their causes. We argue that violence is a natural phenomenon occupying a meaningfully different ecological space from aggression which involves elements of intention and harm and propose an eclectic multidimensional model encompassing both social construction and physical observation of violence for comparison and analysis of the structure of crime. A 70 year old pensioner awakens to find an intruder, a big, young, shaggy haired man, carrying an object, wandering through his house. In a panic he reaches into a drawer and grabbing his revolver, fires repeatedly, killing the unknown assailant. Still shaking, he calls the police. The old man is charged with murder. Why? Where does he live? In the play, Mother Courage and Her Children (Brecht, 1994) a sturdy matriarch halts her caravan at an execution site in the French countryside, realizing with horror that the man bound at the stake is her son. He explains, bemusedly, that he doesn‟t understand what is going on. Last week he had been raiding villages, raping and killing and pillaging and been commended by his commanding officers. This week he did the same thing and has been condemned to death. What is going on? In the 1980s the Special Committee on Pornography and Prostitution (the Fraser Commission) held hearings across Canada regarding the public‟s attitude toward pornography. -
PLAYS, the Drama Magazine for Young People, 897 Washington St., #600160, Newton, MA 02460
T H E D R A M A M A G A Z I N E F O R Y O U N G P E O P L E ar! Play8s0th ye ur rating o Celeb MARCH 2021 UPPER GRADES Incident Before Troy. E. M. Nightingale 2 The End of the Road . Graham DuBois 7 DRAMATIZED CLASSICS (FOR UPPER AND MIDDLE GRADES) The Wolves of Winter (from White Fang, by Jack London) 15 Adapted by Kathy Applebee The Three Questions. Leo Tolstoy 23 Adapted by Craig Sodaro MIDDLE AND LOWER GRADES Are We There Yet?. Craig Sodaro 31 Down on the Farm . Jerry Miller 37 Hornswoggled. .Pamela Love 42 Terms of Use • Vol. 80, No. 5 Subscribers. Persons and entities with subscriptions in force at the time of the performance may produce the plays in any issue of this magazine royalty-free, provided the performance is part of a regular school or dramatic club activity. Such persons and entities may also reproduce copies of the individual play being produced for members of the cast, and may videotape or record rehearsals or performances of the play, for use by such members in connection with preparation for a performance of the play. Subscribers may not videotape or record the production of the play for any other reason, and may not reproduce or transmit the production via television or radio, or via the internet or other electronic methods, without the written permission of, and the payment of any required royalties to, Plays/Sterling Partners, Inc. Non-subscribers. Persons and entities that are not current subscribers to this magazine must apply in writing to Plays/Sterling Partners, Inc. -
Habermas, Legal Legitimacy, and Creative Cost Awards in Recent Canadian Jurisprudence
Dalhousie Law Journal Volume 30 Issue 1 Article 5 4-1-2007 Habermas, Legal Legitimacy, and Creative Cost Awards in Recent Canadian Jurisprudence Michael Fenrick Dalhousie University Follow this and additional works at: https://digitalcommons.schulichlaw.dal.ca/dlj Part of the Courts Commons Recommended Citation Michael Fenrick, "Habermas, Legal Legitimacy, and Creative Cost Awards in Recent Canadian Jurisprudence" (2007) 30:1 Dal LJ 165. This Article is brought to you for free and open access by the Journals at Schulich Law Scholars. It has been accepted for inclusion in Dalhousie Law Journal by an authorized editor of Schulich Law Scholars. For more information, please contact [email protected]. Michael Fenrick* Habermas, Legal Legitimacy, and Creative Cost Awards in Recent Canadian Jurisprudence- Access to justice continues to be a live issue in Canadian courtrooms. While state-sponsored initiatives that promote access continue to flounder in Canada or in some cases, are cancelled altogether, the pressure is mounting to find creative solutions that facilitate greater participation in formal dispute resolution processes. The price of failing in this regard is very high. To truly flourish, both social cohesion and individual liberties require a more participatory and inclusive legal system than the one that currently precludes all but the wealthiest from accessing our courts. Drawing on the legal philosophy of Jargen Habermas, the author examines access problems from the perspective of the civil litigant who is facing the unmanageable financial burden of having her legal rights recognized and adjudicated in a Canadian courtroom. Specifically, this paper considers the role which creative costs orders can play in advancing the goal of fuller legal participation. -
Caffè 05 Del 10 Febbraio 2017.Pub
Anno XX n. 5 (861) 10 febbraio 2017 Anno XX n. 5 (861) Il Caffè n. 5 del 10 febbraio10 febbraio 2017 (XX, 861)2017 tale D.L. 353- D.L. tale 1. DCB Caserta DCB 1. 1,50 € Poste Italiane S.p.A. Spedizione in Abbonamento Pos Abbonamento in Spedizione S.p.A. Italiane Poste /2003 (conv. in L. 27/02/2004 n. 46) art. 1, comma comma 1, art. 46) n. 27/02/2004 L. in (conv. /2003 XX anno SETTIMANALE INDIPENDENTE La democrazia personale dei 5 Stelle e l’aperitivo categorico Ficarra & Picone e il “caso” Caserta Ri FARMACIAFARMACIA ichiedi pre eventivo per iill n PIZZUTPIZZUTII nolleggiio FONDATA NEL 1796 PREPARATI F ITOTERAPICI Centro Servizio Flotte Noleggio Lungo Termin e COSMETICA - OMEOPATIA Vendita e Assistenza Multibrand ALD Automotiv e - Lease Plan CONSEGNA A DOMICILIO Via Recalone, 16 - Casagiove (uscita A1 Caserta Nord) Caserta, Via San Carlo, 15 - Tel. 0823 322182 Tel.: 0823 494130 www.ideautomobili.it 2 Il Caffè n. 5 del 10 febbraio 2017 (XX, 861) Il Paese Questo è solo La democrazia personale dei 5 Stelle La democrazia all’interno risponde: «Euro, la rapina del dei partiti è un requisito secolo: non è irrevocabile, co- l’inizio costituzionalmente garan- me ha deciso Mario Draghi. tito, così l’art. 49 che statui- Rompere la gabbia, riappro- Io Sanremo non lo guardo. Non è questione d’- sce il diritto di tutti i cittadi- priarsi della sovranità sven- essere radical chic: radicale forse qualche volta ni ad «associarsi liberamen- duta a cleptocrati, tecnocrati, lo sarò, chic credo di no. -
April 6-14 at the Waterfront Theatre on Granville Island
lmon Sa Illustrations by Kari Rust by Illustrations Girl April 6-14 at the Waterfront Theatre on Granville Island A Raven Spirit Dance production Created by Michelle Olson and Quelemia Sparrow carouseltheatre.ca|604 685 6217 carouseltheatre.ca Our Mission, Vision and Values Carousel Theatre for Young People empowers young people and families through playful, imaginative and accessible theatre experiences that develop emotional literacy. Our values are playfulness, accessibility, artistic integrity, empathy, mentorship and community Our Story Carousel Theatre for Young People (CTYP) has been creating theatre for young people since 1976. Located on Granville Island in the heart of Vancouver, CTYP is Vancouver’s professional mainstage TYA Company. We are a gathering place for artists, young people and families to embark on a journey where imagination, a dash of magic, and an abundance of play are the recipe for a theatrical adventure that has lasting impact. Our vision: to empower young people through the magic of theatre. Under the vision of Artistic Director Carole Higgins, CTYP stages vibrant stories that engage young people from the beginning of their development and continues to share stories that challenge young people through their formative years, empowering young people to become agents of positive change. Carole’s vision Stages of Play encompasses a full season that celebrates stories that explore rites of passage through our Family Stage at the Waterfront Theatre, explores Shakespeare’s canon through a contemporary lens every summer with our Teen Shakespeare Stage, and explores original Canadian creations for our BEE Stage. Young People are not simply audience members at CTYP; they are active participants at the very centre of all that we do. -
Annual Report 2007-2008
Annual Report 2007-2008 OrganizatiOnal Overview Chief Financial Office Manages financial and related functions including strategic budget Summary DeScriptiOn anD primary BuSineSS development, financial management, information technology, policy The Royal BC Museum Corporation, located on Victoria’s Inner development, business planning, risk management, legal services, Harbour, consists of the Royal BC Museum, British Columbia Archives, and financial analysis. Chief Financial Officer: Faye Zinck Helmcken House, Thunderbird Park, Mungo Martin Big House (Wa’waditla), St. Ann’s Schoolhouse, and the Netherlands Carillon. Curatorial Services The primary purpose of the RBCM is to collect, preserve, and interpret Develops, preserves and manages the collections, and ensures the safety the artifacts, specimens and documents that tell the story of British and longevity of all artifacts, specimens and archival records in the Columbia, and to share that story with the world. care of the RBCM. Conducts research and ensures the collections and knowledge resident in the collections is available to other researchers Benefit tO puBlic and the public. Director: Grant Hughes The work of the RBCM benefits the public by: • Developing and preserving collections for current and future Exhibits and Visitor Experience Interprets the collections and the knowledge resident in the collections generations; through the design, construction, installation and maintenance of • Sharing the natural history and human story of British Columbia exhibitions and through the development and delivery of public with the world through the physical environs of the RBCM site, programs. Director: Tim Willis regional programs and internet access to the collections and archives; • Supporting education through the provision of materials, programs Development and complimentary student admissions; Responsible for raising funds that support the strategic objectives of • Supporting research through projects and by providing access to the organization. -
Newsletter 01/09 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 01/09 DIGITAL EDITION Nr. 243 - Januar 2009 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 01/09 (Nr. 243) Januar 2009 editorial Hallo Laserdisc- und DVD-Fans, zwischen zwei Double Features (ein Hallo Laser Hotline Team, liebe Filmfreunde! Film vor Mitternacht, der zweite da- aus Eurem letzten Editorial (Newsletter Nr. 242) meine ich herauszuhören ;-) , dass der Herzlich willkommen zur ersten Ausga- nach) oder dem überlangen gewöhnliche Sammler von Filmen, Musik und be unseres Newsletters im Jahre 2009! AUSTRALIA, den Theo fachmännisch was auch immer, irgendwann auf den Down- Allen unseren guten Vorsätzen für das so aufbereitete, dass es kurz vor Mit- load via Internet angewiesen sein wird. Ich neue Jahr zum Trotz leider wieder mit ternacht eine Pause gab. Immerhin fan- denke (hoffe), nein! Ich verstehe alle Be- fürchtungen, dennoch, solange unsere Gene- etwas Verspätung. Alte Gewohnheiten den sich für alle Filmpakete auch Zu- ration lebt, wird es runde Scheiben geben! los zu werden ist eben nicht so einfach. schauer – wenn auch nicht sehr viele. Glaubt mir! Aber es gilt natürlich wie immer unser Doch aller Anfang ist schwer. Hier wird Das Internet ist im Access-Bereich bei der Leitspruch: “Wir arbeiten daran!” Ein sicherlich bei der nächsten Silvester- doppelten Maximalrate von DVD angelangt, dennoch tun sich alle VOD (video on Gutes hat die kleine Verspätung je- Film-Party die Mundpropaganda zu demand)- Dienste extrem schwer.