zwan mary star of the sea full album download Mary Star of the Sea (album) Mary Star of the Sea is the only studio album by American band . It was released on January 28, 2003. "Honestly" and "Lyric" were released as singles. Contents. Critical reception Track listing Deluxe edition Personnel Charts Album Singles References. The album is named both for the Blessed Virgin Mary, from whom bandleader claimed to find comfort and guidance, and for the Catholic Church in Key West, Florida where he spent time during Zwan's early rehearsals. [1] Seven months after the album's release Corgan announced the band's dissolution, which he attributed to conflicts between the band's members. [2] Critical reception. ,"params": >">,"rev1": ,"rev1score": > >">,"rev2": ,"rev2Score": The album received mostly positive reviews. David Browne of Entertainment Weekly named Mary Star of the Sea the sixth best album of 2003. [14] The Alternative Press called the album a "return to form" for Corgan. [15] The album debuted at number 3 in the US, selling 90,000 copies in its first week, but quickly descended the charts, and fell short of the sales of any Smashing Pumpkins album. [16] Track listing. All songs were written by Billy Corgan, except where noted. "Lyric" – 3:17 "Settle Down" (Corgan, ) – 5:25 "Declarations of Faith" – 4:17 "Honestly" – 3:45 "El Sol" (Corgan, traditional) – 3:38 "Of a Broken Heart" – 3:54 "Ride a Black Swan" (Corgan, traditional) – 4:53 "Heartsong" – 3:08 "Endless Summer" – 4:22 "Baby Let's Rock!" – 3:41 "Yeah!" – 3:06 "Desire" – 4:14 "Jesus, I"/"Mary Star of the Sea" (Traditional/Zwan) – 14:04 "Come with Me" – 4:01. Deluxe edition. A deluxe edition of the album was also released, which included a bonus DVD entitled For Your Love , a 40-minute collage of interviews, studio performances, and miscellaneous footage, some of which comes from the aborted Djali Zwan album/film. The songs listed on the DVD are "My Life and Times", "Rivers We Can't Cross", "Mary Star of the Sea", "Love Lies in Ruin", "For Your Love", "Down, Down, Down", "A New Poetry", "W.P.", "Jesus, I", "God's Gonna Set This World on Fire", "To Love You", "Consumed", a different rendition of "My Life and Times", "Danger Boy", and "Spilled Milk", but they are not clips of the full songs. Personnel. – drums Billy Corgan (as Billy Burke) – guitar, vocals, producer, additional mixing Paz Lenchantin – bass, vocals David Pajo – guitar Matt Sweeney – guitar, vocals. Additional musicians. Ana Lenchantin – cello on "Of a Broken Heart" Bjorn Thorsrud – producer, additional mixing Alan Moulder – mixer Ron Lowe – engineer Manny A. Sanchez – engineer Mathieu LeJeune – engineer Greg Norman – engineer Rob Bochnik – engineer Azuolas Sinkevicius – assistant engineer Lionel Darenne – assistant engineer Mark Twitchell – second assistant engineer Jarod Kluemper – second assistant engineer Russ Arbuthnot – second assistant engineer Tim Harrington – guitar sound re-enforcer Linda Strawberry – assistant to Mr. Thorsrud Howie Weinberg – mastering Roger Lian – digital editing Geoff McFetridge – design. For Your Love DVD personnel. Lester Cohn – director Greg Sylvester, Damon Ranger, Lester Cohn, and Brian Churchwell – cameras Tony "Tadpole" Mysliwiec – audio mastering David May – DVD producer Penny Marciano – DVD production director Raena Winscott – DVD graphics coordinator Davi Russo – DVD graphics design Jim Atkins – authoring. Charts. Album. Singles. Chart performance of singles from Mary Star of the Sea Title Year Chart positions US Modern Rock [35] US Mainstream Rock [36] AUS [17] GER [37] UK [38] "Honestly" 2002 7 21 26 86 28 "Lyric" 2003 — — — — 44. Related Research Articles. Zwan was an American alternative rock supergroup that was formed by Billy Corgan and Jimmy Chamberlin, lead singer/guitarist and drummer of respectively, after they disbanded in December 2000. Other members included bassist Paz Lenchantin, of A Perfect Circle, and guitarists David Pajo and Matt Sweeney of various prior bands and projects. The band released only one album, Mary Star of the Sea , in 2003, before breaking up acrimoniously that same year during their world tour to promote the album. Following the disbanding, Corgan released a solo album, TheFutureEmbrace before reforming the Smashing Pumpkins in 2005, with Chamberlin in 2006. Despite allusions to multiple album's worth of material written by band members, no further material has surfaced beyond their only studio album, and none of the material has ever been revisited in performances by any of the members outside of a brief 2017 tour by Corgan. In his solo shows in the summer of 2019, Corgan played "Honestly" and "Endless Summer" on his European summer tour at some dates. William Patrick Corgan is an American musician, singer, songwriter, and professional wrestling promoter. He is best known as the lead singer, primary songwriter, guitarist, and only permanent member of the rock band the Smashing Pumpkins. He is currently the owner and promoter of the National Wrestling Alliance (NWA). Thirteenth Step is the second studio album by American rock band A Perfect Circle, released on September 16, 2003. The album sold well, charting at the number 2 position on the Billboard 200 in its premiere week, selling over 231,000 copies and staying on the charts for 78 weeks. The album went on to be certified as gold on November 4, 2003 and as platinum on March 24, 2006 by the RIAA. Three singles were released from the album, "Weak and Powerless", which topped both the Mainstream Rock Tracks and Modern Rock Tracks, followed by "The Outsider" and "Blue", which also charted on the respective charts. This is their last album until 2018's Eat the Elephant to featured all-new material, as their next album, 2004's Emotive featured the cover songs, despite two new songs introduced on the album. Machina/The Machines of God is the fifth studio album by the American alternative rock band The Smashing Pumpkins, released on February 29, 2000, by Virgin Records. A concept album, it marked the return of drummer Jimmy Chamberlin and was intended to be the band's final official LP release prior to their first break up in 2000. A sequel album— Machina II/The Friends & Enemies of Modern Music —was later released independently via the Internet, and limited quantities for the physical version. Adore is the fourth studio album by the American alternative rock band the Smashing Pumpkins, released on June 2, 1998 by Virgin Records. After the multi-platinum success of Mellon Collie and the Infinite Sadness and a subsequent yearlong world tour, follow-up Adore was considered "one of the most anticipated albums of 1998" by MTV. Recording the album proved to be a challenge as the band members struggled with lingering interpersonal problems and musical uncertainty in the wake of three increasingly successful rock albums and the departure of drummer Jimmy Chamberlin. Frontman Billy Corgan would later characterize Adore as made by "a band falling apart". Corgan has also mentioned he was going through a divorce while recording the album. Birds of Pray is the sixth studio album by Live, released in 2003. The first single, "Heaven" became the band's most successful single in several years, reaching number 59 on the Billboard Hot 100 . Birds of Pray was Live's final release on Radioactive/MCA. They signed with Epic in 2005. Paz Lenchantin is an Argentine-American musician. She has been the bass guitarist, vocalist and violinist of the alternative rock band Pixies since 2014. She is known for playing bass or strings with various bands, including Entrance, A Perfect Circle, Silver Jews, Zwan, and Queens of the Stone Age. TheFutureEmbrace is the debut solo album by American musician Billy Corgan, frontman of the alternative rock band The Smashing Pumpkins. Released in June 2005, the album's sound was markedly different from most of Corgan's earlier work, eschewing his characteristic "drums, bass, (and) big-guitars sound" in favor of an electronic sound punctuated with heavily distorted guitar parts reminiscent of shoegazing. Out of Exile is the second studio album by American rock supergroup Audioslave. It was released on May 23, 2005 internationally and a day later in the United States, by Epic Records and Interscope Records. It is the band's only album to chart at number one on the Billboard 200 chart. Four singles were released from the album, which were "Be Yourself", "Your Time Has Come", "Doesn't Remind Me", and "Out of Exile". "Doesn't Remind Me" was nominated for a Grammy Award for Best Hard Rock Performance at the 48th Grammy Awards in 2006. Linda Strawberry is the American artist, director, editor and musician, best known as Billy Corgan's creative partner, and Creative Director for Smashing Pumpkins, including Shiny And Oh So Bright Tour in 2018. The Breakthrough is the seventh studio album by American R&B singer Mary J. Blige. It was released on December 20, 2005, by Geffen Records. Blige recorded the album with a host of songwriters and record producers, including 9th Wonder, Rodney Jerkins, Jimmy Jam and Terry Lewis, Bryan-Michael Cox, J.U.S.T.I.C.E. League, Raphael Saadiq, Chucky Thompson, Cool & Dre, Ron Fair, and will.i.am. " Honestly " is a song by American alternative rock group Zwan. It was the first single from their album, Mary Star of the Sea . The song was written by Billy Corgan. Ana Lenchantin is an Argentine-American cellist of French ancestry, known for frequent appearances with American rock bands such as Train, Into the Presence, The Eels, Gnarls Barkley, No Doubt, Arthur Lee and Love, A Perfect Circle, Nine Inch Nails, Queens of the Stone Age, Thirty Seconds to Mars, Brian Wilson, Billy Corgan, Billy Howerdel, Glenn Hughes, Jenny Lewis, Melissa Auf der Maur, Damien Rice, Kerli, Lenka, and many more. Oceania is the eighth studio album by American alternative rock band the Smashing Pumpkins, released on June 19, 2012, through Martha's Music. Produced by Billy Corgan and Bjorn Thorsrud, the album forms part of the band's 34-track project album, Teargarden by Kaleidyscope , and being the first studio album to featured guitarist . By September 2012, Oceania had sold over 102,000 copies in the US. Under the Mistletoe is the first Christmas album and second studio album by Canadian singer Justin Bieber. It was released on November 1, 2011, by Island Records. The Truth About Love is the sixth studio album by American singer Pink. It was released on September 18, 2012, by RCA Records. The Truth About Love samples rock music influences and is generally themed about relationships, breakups and the different stages and cases of love, while tackling issues of feminism, sexual prowess and social exclusion. It features guest artists Eminem, Lily Allen, and Nate Ruess of American band Fun. Monuments to an Elegy is the ninth studio album by American alternative rock band The Smashing Pumpkins, released on December 9, 2014 on Martha's Music. Band leader Billy Corgan noted that—similar to the band's previous release, Oceania —the album was part of the 44-song project, Teargarden by Kaleidyscope . It is considered the last part in the series due to cancellation of the project in 2018. The album was recorded as a duo by Corgan and guitarist Jeff Schroeder, with drumming contributions from Mötley Crüe's Tommy Lee. Ogilala is the second solo album by American musician Billy Corgan, frontman of alternative rock band The Smashing Pumpkins. The album was released on October 13, 2017, in the United States. It marks Corgan's first solo album since his 2005 debut, TheFutureEmbrace . The album was co-produced by Corgan with Rick Rubin, and does not feature Corgan's longtime collaborator Bjorn Thorsrud. "Aeronaut" preceded the record as its lead single, with a US tour beginning the day after the record's release. What Is Love? is the second studio album by British electronic music group Clean Bandit. It was released on 30 November 2018 by Atlantic Records. It includes the singles "Tears", "Rockabye", "Symphony", "I Miss You", "Solo", "Baby" and "Mama". In addition, the album also features collaborations with Rita Ora, Charli XCX and Tove Styrke. It is the band's first album as a trio, following the departure of multi-instrumentalist Neil Amin-Smith in 2016. Cyr is the eleventh studio album by American alternative rock band the Smashing Pumpkins, released on November 27, 2020, on Sumerian Records. Produced by band leader Billy Corgan, the album was preceded by the release of ten of its songs as singles, and features a synth-pop aesthetic, with Corgan actively seeking out a "contemporary" sound during the recording process. Mary Star of the Sea. It was generally acknowledged that Billy Corgan wasn't just the heart of Smashing Pumpkins, he was their architect, their musical director, and dictator, responsible for every sonic detail of their records and sometimes creating it all on his own. So, when he ended the band in 2000, it seemed a little baffling because he could have carried on with the group forever, since it was his band, and he was responsible for not just their densely layered sound, but also for how the Pumpkins painted themselves into a dark, murky corner with their final album, MACHINA. Remarkably, by breaking up the band, Corgan revitalized himself with Zwan, a supergroup conglomerate that functions more like a band than Smashing Pumpkins, as their superb debut, Mary Star of the Sea, illustrates. Usually, a supergroup winds up as a lumbering, ad-hoc creation that never sounds as good as it reads on paper, but Zwan clicks, partially because Corgan lets his bandmates function as equal partners. As well they should -- by cherry-picking guitarist David Pajo from Slint, guitarist Matt Sweeney from Chavez, and bassist Paz Lenchantin from A Perfect Circle, while retaining Pumpkins drummer Jimmy Chamberlin, he's assembled a nimble, muscular, adventurous group who don't flash their virtuosity, but can take his musical ideas further than his past group. And, yes, Zwan does recall Smashing Pumpkins, primarily because Corgan's voice and his favored method of layering guitars is so distinctive, but he has never sounded this bright, colorful, or free; he has never sounded like he's having so much fun making music. This joyful spirit surges throughout Mary Star of the Sea, even during its many intricate instrumental sections, and it's hard not to get swept up in the momentum, especially since it's married to his best set of songs since . More than any album since that, it suggests the expansiveness of Corgan's musical vision (Mellon Collie sometimes sagged in its messiness), but there's a generosity here never heard in the Pumpkins, something that comes both from Corgan's writing and his interaction with his new band, which makes Mary Star of the Sea a delight to hear. Mary Star of the Sea. Zwan is Billy Corgan's new band. The ex-Smashing Pumpkin has produced an album full of bright and breezy pop songs that are full of the joys of life. This is a back to basics record that will satisfy Pumpkin heads and should bring on board a whole new legion of fans. Billy Corgan finally brought The Smashing Pumpkins to an end in 2000. The final couple of years of their illustrious career had been fraught with death, drug abuse and, with their last studio album Machina / The Machines Of God, critical and commercial failure. To form Zwan Corgan called upon old friends Slint / Tortoise guitarist Dave Pajo, Skunk guitarist Matt Sweeney, A Perfect Circle bassist Paz Lenchantin and fellow Pumpkin drummer Jimmy Chamberlain. Together they've got the enthusiasm, excitement and vitality that all new bands possess. Combine that with years of experience and the invaluable ability to produce radio friendly pop songs and you have a winning team. The 14 tracks on Mary Star of the Sea do sound like Smashing Pumpkins songs. Corgans nasal voice is instantly recognisable but it is the guitars that sound most familiar; sonic noises and guitar riffs that soar. As with classic Pumpkins albums, this record features heavy rock anthems ("Ride A Black Swan"), followed by more peaceful ballads ("Heartsong"). The album is jam packed full of great songs. "El Sol" is a beautiful indie track, "Yeah" is just plain cool and "Jesus I / Mary of the Sea" is a fantastic 14 minute epic roller coaster ride! If you disliked the doom and gloom that was so characteristic of the Pumpkins later albums you have nothing to fear. Mary Star of the Sea is full of fun and simple happiness, even love. 'There is no place I could be without you. I feel love' sings Corgan in the superb "Honestly". You can sense the enjoyment the band had in making these bouncy pop songs. Beware; you won't be able to wipe the smile of your face. Is it better or worse than The Smashing Pumpkins? Who cares, it sounds great and that's good enough for me. Zwan mary star of the sea full album download. Zwan - Mary Star Of The Sea (2003) Artist: Zwan Country: USA Album: Mary Star Of The Sea Genre: Alternative Rock Year Of Release: 2003 Quality: mp3 320kbps | FLAC (image+.cue) Size: 204,15Mb | 611,18Mb. Tracklist: 01 - Lyric (3:17) 02 - Settle Down (5:25) 03 - Declarations Of Faith (4:17) 04 - Honestly (3:45) 05 - El Sol (3:38) 06 - Of A Broken Heart (3:54) 07 - Ride A Black Swan (4:53) 08 - Heartsong (3:08) 09 - Endless Summer (4:22) 10 - Baby Let's Rock! (3:41) 11 - Yeah! (3:06) 12 - Desire (4:14) 13 - Jesus, I / Mary Star Of The Sea (14:04) 14 - Come With Me (4:00) Time: 01:05:44. Line-up / Musicians Billy Burke (Billy Corgan) (guitar, vocals) immy Chamberlin (drums) Paz Lenchantin (bass, vocals) Matt Sweeney (guitar, vocals) Pajo (guitar) Zwan: Mary Star of the Sea. We lost Billy Corgan long ago and he’s never coming back. Give it up. The day he donned his black frock, the Smashing Pumpkins were officially over. Sure, there were a few noteworthy singles, but the albums were nothing more than mediocrity dashed with a few tossed-off moments of genius. And we were all left wondering what could have been. Of all the bands to come and go, few would argue that the Smashing Pumpkins stretched the genre to its creative limits — incorporating neat atmospheric touches and a distinctly British penchant for effects pedals. American rock radio was a better and more adventurous place when Corgan was at his Siamese Dream -era peak. But then one day Corgan put down the bowl and decided to trade it all in for a shot at pop-rock glory. The neo-hippie traded in his slacker cool for a goth wardrobe and pristine studio polish. Few could accuse Corgan of selling out, since he always made unabashedly commercial music, but there was something desperate about his new approach. His songwriting became increasingly self-conscious. Whereas songs like “Today” and “Rocket” sounded almost like accidental hits, the Pumpkins’ later work was coldly calculated. Singles like “” and “Bullet with Butterfly Wings” seemed genetically engineered to reap maximum profit. Perhaps not so coincidentally, Corgan himself looked increasingly soulless — highlighted by the shaved head and ghostly complexion. In interviews, he took to blaming his slumping sales on a fickle, imagined audience, who traded their rock ‘n’ roll for pop icons like Britney Spears. He also seemed plagued by delusions of grandeur, making his final major label-released effort a thoroughly convoluted concept album entitled Machina/the machines of god . Good lord, what happened? Where had the head-in-the-clouds daydreamer with the big guitars gone? In 2000, the Pumpkins finally ended their run with a couple of farewell dates in their hometown of Chicago. I could have gone and most certainly would have jumped at the chance a few years earlier, but the thought of seeing Corgan whining his way through the deeper Machina and Adore cuts was all the convincing I needed to stay home and watch Simpsons reruns. Besides, how long could such an egomaniac like Billy Corgan really stay out of the spotlight? Surely this wasn’t going to be the last opportunity to see Billy Corgan onstage. Of course, I was right. In the three years since Corgan exited stage left, we’ve been inundated with Pumpkins nostalgia pieces and reminders of his existence. First we got a double-album of self-released material entitled Machina II , then a cameo on the new studio album from New Order, followed by a greatest hits package and a collection of live cuts from the Pumpkins ’88-’93 heyday. Not too bad for a man on hiatus. As if that weren’t enough, Corgan was busy assembling a new chapter, a band now simply known simply as Zwan. This indie supergroup of sorts included the former Pumpkins drummer, Jimmy Chamberlin, and added former Chavez guitarist Matt Sweeney, former Slint and Papa M guitarist Dave Pajo, and A Perfect Circle bassist Paz Lenchantin. Corgan spent the better part of ’02 introducing the star-studded collective to the world with a series of short regional tours. Most who attended were awed by the thunderous three-guitar attack and Corgan’s epic new songs — songs that reportedly favored brawn and volume over the Machina Pumpkins pop-leaning template. Finally, after a short bidding war (won by Reprise), we have the proper debut album from Corgan’s new incarnation, entitled Mary Star of the Sea . And the real shocker here is how little has changed with all the upheaval of the past three years. The candied pop that characterized much of the Pumpkins later work is still out in full force. And Corgan’s nasal timbre floats high above the guitars — in sharp contrast to and Siamese Dream , where his voice was barely audible beneath the jet-engine hum of feedback. In fact, if anything (and much to the chagrin of this writer), Corgan has swung closer to mainstream pop rock than ever before. The instrumental sections are almost never more than punctuation marks. The solos never stray far from the choruses, and Corgan himself seems downright subdued. The album gets off an auspicious enough start with “Lyric” — a bouncy cut that plays nicely off of the vocal contributions of Lenchantin. But it’s hard not to note the passing similarity to the opener from Machina — “The Everlasting Gaze”. However, “Lyric” wisely takes the rhythm down a notch and turns the chorus into a fun romp rather than a claustrophobic wash of guitars. Unfortunately, it’s a feat that proves to be the exception rather than the rule. While the songs are brighter than before, there’s an unmistakable familiarity to the proceedings. Corgan reverts back to Machina territory, as if his publicist forgot to forward him the negative press that followed the Pumpkins’ 2000 flop. The songs labor beneath layers and layers of studio gloss. See exhibits A and B: the misnomer, “Baby, Let’s Rock!” and the overstuffed turkey “Jesus I / Mary Star of the Sea”. At over 14 minutes, the latter recalls Corgan at the height of Machina self-indulgence, specifically the bloated, proggy epic, “Glass and the Ghost Children”. When Corgan isn’t summoning the ghosts of Machina past, he’s busy riding the pithiest hooks of his career. The acoustic-based “Of a Broken Heart” and “Heartsong” are the worst offenders, mainly because the spare arrangements make their flimsiness frighteningly apparent. There are fleeting moments that serve as reminders of Corgan’s skillful juxtaposition of melody and abstraction. “Endless Summer” wonderfully brings its title to life — evoking warm summer afternoons in the shade. The light, breezy mood also suits “El Sol”, which allows Corgan to flex his guitar chops and lets Chamberlin run wild with the rhythm. Yet there’s still something vaguely artificial about it all. Some of that feeling is certainly due to the slick production, but there’s a strange undercurrent of bitterness as well, as if Corgan hasn’t quite forgiven the fans for turning their collective back on his former band. Perhaps that’s why he so resolutely sticks to an aesthetic that should have been discarded with the breakup of the Pumpkins. It’s as if he’s out to prove that he was right and we were wrong. But by belaboring his point, Mary Star of the Sea suffers an unfortunate fate. Corgan may have fashioned a new identity, but he can’t — or refuses — to wipe away the memories.