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Provided by the author(s) and University College Dublin Library in accordance with publisher policies. Please cite the published version when available. Title Working and Weeping: Women's Oral Poetry in Irish and Scottish Gaelic Authors(s) Bourke, Angela Publication date 1988 Series Women and Gender Studies Series Publisher University College Dublin. School of Social Justice. Women's Studies Item record/more information http://hdl.handle.net/10197/5715 Downloaded 2021-10-04T15:48:41Z The UCD community has made this article openly available. Please share how this access benefits you. Your story matters! (@ucd_oa) © Some rights reserved. For more information, please see the item record link above. Angela Bourke ~ AND WEEPING \'DtmN 1 S OOAL OOEIRY IN IRISH AND SCDI'l'ISH GAELIC Angela Bourke lectures in the Department of Mcx::lern Irish at University College, I:Xlblin page 2 ----------------------------------------------------------------------------------- Irish and Scottish Gaelic are both rich in oral tradition and there exists in each a lari'e body of anonymous oral literature, mostly stories and poetry. A considerable amount of this poetry is known to have been composed by women and is associated with aspects of traditional culture which were always women's particular responsibility. It is the purpose of this paper to compare the women's poetry of Ireland and Scotland and to examine the integration of 'literary' creativity with traditional life in both cultures. Until the seventeenth century, Ireland and Scotland shared a common language and a common social structure. There was a privileged elite of male poets whose power and prestige were fundamentally linked to political stability. -
Flann Mainistrech's Götterdämmerung As a Junction Within Lebor Gabála Érenn
Edinburgh Research Explorer Flann Mainistrech's Götterdämmerung as a Junction within Lebor Gabála Érenn Citation for published version: Thanisch, E 2013, Flann Mainistrech's Götterdämmerung as a Junction within Lebor Gabála Érenn. in Quaestio Insularis: Selected Proceedings of the Cambridge Colloquium in Anglo-Saxon Norse and Celtic. vol. 13, pp. 69-93. <http://www.asnc.cam.ac.uk/publications/quaestio/Quaestio2012.html> Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Quaestio Insularis General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 Flann Mainistrech's Götterdämmerung as a Junction within Lebor 1 Gabála Érenn INTRODUCTION Lebor Gabála Érenn: Content Lebor Gabála Érenn (‘the Book of the Invasion of Ireland’) is the conventional title for a lengthy Irish pseudo-historical text extant in multiple recensions probably compiled during the eleventh and twelfth centuries.2 The text comprises a history of the Gaídil (‘Gaels’) within the context of a universal history derived from the Bible and from Classical historiography.3 Lebor Gabála traces the ancestry of the Gaídil back to Noah and follows their tortuous migrations, spanning many generations, from the Tower of Babel to Ireland via Spain. -
ON LEBOR GABALA. I. the Text
ON LEBOR GABALA. I. The text. § 1. The manuscripts. The text commonly known as Lebor Gabala or the Book of Invasions, has come down to us in several MSS. which, apart from the Latin relation given by Nennius in his Historia Brittomim, all belong either to the Middle-Irish or the Early Modern-Irish period. The various MSS. may be reduced to four versions, the mutual relations of which I shall endeavour to establish. The versions will be distinguished as follows: A. Book of Leinster (LL) fol. la—26b; Book of Fermoy (F), p. 1 —16; B. Royal Irish Academy DVI (S)1); Royal Irish Academy DIV1 (S)1); Rawlinson B 512 (R), fol. 76 Av— 97v; Book of Lecan (Lee I), fol. 10r—22v; Royal Irish Academy DIV3 (s); C. Book of Ballymote (LB), p. 15a—51 a; Book of Lecan (Lee H), fol. 264r—302v; D. OOlery version. One copy is in the possession of Pro- fessor Kuno Meyer2), while the R.I. A. has two other MSS. in the handwriting of O'Clerys. *) See p. 99 for my reason for indicating these two MSS. by the same character. 2) I wish to express here my sincere thanks to Professor Meyer not only for the loan of this important MS., but also formany valuable hints and suggestions as well as for the general interest he has taken in my work. Zeitschrift f. celt. Philologie X. 7 Brought to you by | UCL - University College London Authenticated Download Date | 3/3/16 11:57 AM OS A. G. VAN HAMEL, § 2. -
Eoghán Rua Ó Suilleabháin: a True Exponent of the Bardic Legacy
134 Eoghán Rua Ó Suilleabháin: A True Exponent of the Bardic Legacy endowed university. The Bardic schools and the monastic schools were the universities of their day; they bestowed privileges and Barra Ó Donnabháin Symposium: status on their students and teachers, much as the modern university awards degrees and titles to recipients to practice certain professions. There are few descriptions of the structure and operation of Eoghán Rua Ó Suilleabháin: A the Bardic schools, but an account contained in the early eighteenth century Memoirs of the Marquis of Clanricarde claims that admission True Exponent of the Bardic WR %DUGLF VFKRROV ZDV FRQÀQHG WR WKRVH ZKR ZHUH GHVFHQGHG from poets and had within their tribe “The Reputation” for poetic Legacy OHDUQLQJ DQG WDOHQW ´7KH TXDOLÀFDWLRQV ÀUVW UHTXLUHG VLF ZHUH Pádraig Ó Cearúill reading well, writing the Mother-tongue, and a strong memory,” according to Clanricarde. With regard to the location of the schools, he asserts that it was necessary that the place should “be in the solitary access of a garden” or “within a set or enclosure far out of the reach of any noise.” The structure containing the Bardic school, we are told, “was snug, low, hot and beds in it at convenient distances, each within a small apartment without much furniture of any kind, save only a table, some seats and a conveniency for he poetry of Eoghan Rua Ó Súilleabháin (1748-1784)— cloaths (sic) to hang upon. No windows to let in the day, nor any Tregarded as one of Ireland’s great eighteenth century light at all used but that of candles” according to Clanricarde,2 poets—has endured because of it’s extraordinary metrical whose account is given credence by Bergin3 and Corkery. -
Irish Anthologies and Literary History
UvA-DARE (Digital Academic Repository) A commodious vicus of recirculation: Irish anthologies and literary history Leerssen, J. Publication date 2010 Document Version Submitted manuscript Link to publication Citation for published version (APA): Leerssen, J. (2010). A commodious vicus of recirculation: Irish anthologies and literary history. (Working papers European Studies Amsterdam; No. 10). Opleiding Europese Studies, Universiteit van Amsterdam. http://www.uva.nl/disciplines/europese- studies/onderzoek/working-papers.html General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:27 Sep 2021 WORKING PAPERS EUROPEAN STUDIES AMSTERDAM 10 Joep Leerssen A Commodious Vicus of Recirculation: Irish Anthologies and Literary History Opleiding Europese Studies, Universiteit van Amsterdam 2010 Joep Leerssen is professor of Modern European Literature at the University of Amsterdam and Royal Netherlands Academy of Arts and Sciences Professor. -
List of Manuscript and Printed Sources Current Marks and Abreviations
1 1 LIST OF MANUSCRIPT AND PRINTED SOURCES CURRENT MARKS AND ABREVIATIONS * * surrounds insertions by me * * variant forms of the lemmata for finding ** (trailing at end of article) wholly new article inserted by me + + surrounds insertion from the addenda ++ (trailing at end of article) wholly new article inserted from addenda † † marks what is (I believe) certainly wrong !? marks an unidentified source reference [ro] Hogan’s Ro [=reference omitted] {1} etc. different places but within a single entry are thus marked Identical lemmata are numbered. This is merely to separate the lemmata for reference and cross- reference. It does not imply that the lemmata always refer to separate names SOURCES Unidentified sources are listed here and marked in the text (!?). Most are not important but they are nuisance. Identifications please. 23 N 10 Dublin, RIA, 967 olim 23 N 10, antea Betham, 145; vellum and paper; s. xvi (AD 1575); see now R. I. Best (ed), MS. 23 N 10 (formerly Betham 145) in the Library of the RIA, Facsimiles in Collotype of Irish Manuscript, 6 (Dublin 1954) 23 P 3 Dublin, RIA, 1242 olim 23 P 3; s. xv [little excerption] AASS Acta Sanctorum … a Sociis Bollandianis (Antwerp, Paris, & Brussels, 1643—) [Onomasticon volume numbers belong uniquely to the binding of the Jesuits’ copy of AASS in their house in Leeson St, Dublin, and do not appear in the series]; see introduction Ac. unidentified source Acallam (ed. Stokes) Whitley Stokes (ed. & tr.), Acallam na senórach, in Whitley Stokes & Ernst Windisch (ed), Irische Texte, 4th ser., 1 (Leipzig, 1900) [index]; see also Standish H. -
The Descent Into Hell in the Poetry of Eavan Boland
Ghent University Faculty of Arts and Philosophy The Descent into Hell in the Poetry of Eavan Boland Paper submitted in partial Supervisor: fulfillment of the requirements for Prof. dr. S. Craps the degree of ―Bachelor in de Co-supervisor: Taal- en Letterkunde: Engels- Prof. dr. B. Vervaeck August 2011 Nederlands‖ by Alexandra Cousy TABLE OF CONTENTS 0. Introduction ......................................................................................................................... 1 1. The Irish literary tradition ................................................................................................... 4 2. Eavan Boland: a threshold poet .......................................................................................... 5 3. The Famine poems .............................................................................................................. 6 3.1. Journey with the Muse ............................................................................................ 7 3.2. Re-making Myth ................................................................................................... 13 4. The domestic poems ......................................................................................................... 17 4.1. A Daughter lost in Hell ......................................................................................... 18 4.2. Lost Love ............................................................................................................... 21 5. Conclusion ....................................................................................................................... -
"The Given Note": Traditional Music and Modern Irish Poetry
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title "The Given Note": traditional music and modern Irish poetry Author(s) Crosson, Seán Publication Date 2008 Publication Crosson, Seán. (2008). "The Given Note": Traditional Music Information and Modern Irish Poetry, by Seán Crosson. Newcastle: Cambridge Scholars Publishing. Publisher Cambridge Scholars Publishing Link to publisher's http://www.cambridgescholars.com/the-given-note-25 version Item record http://hdl.handle.net/10379/6060 Downloaded 2021-09-26T13:34:31Z Some rights reserved. For more information, please see the item record link above. "The Given Note" "The Given Note": Traditional Music and Modern Irish Poetry By Seán Crosson Cambridge Scholars Publishing "The Given Note": Traditional Music and Modern Irish Poetry, by Seán Crosson This book first published 2008 by Cambridge Scholars Publishing 15 Angerton Gardens, Newcastle, NE5 2JA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2008 by Seán Crosson All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-84718-569-X, ISBN (13): 9781847185693 Do m’Athair agus mo Mháthair TABLE OF CONTENTS Acknowledgements ................................................................................. -
Irish National Imagination Through Mythology and Materiality
College of the Holy Cross CrossWorks English Honors Theses English Department 5-11-2020 The Poetry of History: Irish National Imagination Through Mythology and Materiality Ryan Fay College of the Holy Cross, [email protected] Follow this and additional works at: https://crossworks.holycross.edu/engl_honor Part of the Celtic Studies Commons, European History Commons, Folklore Commons, and the Literature in English, British Isles Commons Recommended Citation Fay, Ryan, "The Poetry of History: Irish National Imagination Through Mythology and Materiality" (2020). English Honors Theses. 1. https://crossworks.holycross.edu/engl_honor/1 This Departmental Honors Thesis is brought to you for free and open access by the English Department at CrossWorks. It has been accepted for inclusion in English Honors Theses by an authorized administrator of CrossWorks. The Poetry of History: Irish National Imagination Through Mythology and Materiality Ryan Fay English Honors Program Adviser: Professor Melissa Schoenberger Reader: Professor Paige Reynolds Fay 2 Table of Contents Abstract………………………………………………………………………………………………………………………….4 Preface…………………………………………………………………………………………………………………………...7 Chapter 1—Gendered Modalities of Power: Historico-Poetics Through Medieval Irish Poetry…………………………………………………………………………………………………………………………...9 - Introduction - Part One—Traditional Bardic Poetry: A Contested Culture - Part Two—An Táin Bó Cúailnge: Queen Medb - Part Three—An Táin Bó Cúailnge: Sétanta, Cúchulainn - Conclusion: History, Land, Narrative, and Viscera Chapter -
Contributors
CONTRIBUTORS T. B. Barry Aidan Breen Trinity College Dublin National University of Ireland, Maynooth Black Death; Manorialism; Motte-and-Baileys; Adomnán; Áed Mac Crimthainn; Blathmac; Classical Waterford Influence; Cogitosus; Dícuil; Grammatical Treatises; Literature, Hiberno-Latin; Marriage; Muirchú; Poetry, Rolf Baumgarten Hiberno-Latin Literature; Records, Ecclesiastical; Dublin Institute for Advanced Studies Rhetoric; Sciences Etymology Stephen Brown Jacqueline Borsje University of Wisconsin-Madison Universiteit Utrecht Education Witchcraft and Magic Paul Byrne Cormac Bourke Department of Finance, Dublin Ulster Museum, Belfast Diarmait mac Cerbaill; Lóegaire Mac Neill; Mide; Reliquaries Niall Noígiallach; Uí Néill; Uí Néill, Northern; Uí Néill, Southern John Bradley National University of Ireland, Maynooth Michael Byrnes Bridges; Carolingian; Kildare; Kilkenny; Dun Laoghaire, Co. Dublin, Ireland Mills and Milling; Tara; Trim; Villages; Céli Dé; Feis; Máel-Ruain; Tribes; Tuarastal; Walled Towns Túath Paul Brand Letitia Campbell All Souls College, Oxford Trinity College Dublin Common Law; Courts; Local Government; March Cormac mac Cuilennáin; Éoganachta; Fedelmid mac Law; Modus Tenendi Parliamentum; Records, Crimthainn; Mac Carthaig, Cormac Administrative; Wills and Testaments Howard Clarke Dorothy-Ann Bray University College Dublin McGill University, Montreal Dublin; Fraternities and Guilds; Population; Urban Brigit; Íte; Mo-Ninne Administration Anne Connon Caoimhín Breatnach National University of Ireland, Galway University College -
The Cathach of Colum Cille
The Cathach οτ Colum Cille An introduction ky Micnael Herity ana Aiaan Breen '*V> lat . [ ^Ονάνάτ» e»<JTTriTrer«oTvetTnef O sfefrcinobp^obTviomOaTiCiÄccuTcerTne- ö?<xfo TnTflrc«arTnirrerwOOT\2>i am-fùcCTT« Äoeruw* eemfîj «tun >-*~ flirt otm numtfertœr^Tvumct^v^cUSir^TX^tiCLe-— TncnTinemcer«^nT»^torwtcüu«u,- __ƒ__ ^ |m>»nt>taurauuenuntr ta Oüfi&srTmorr J Folio 21r of the Caihach showing initial M and beginning of Psalm 56. Tne Cathach of Colum Cille An introduction h Micnael Herity and Aidan Breen Royal Irisn Academy 2002 First published in 2002 by the Royal Irish Academy 19 Dawson Street Dublin 2 Ireland www.ria.ie © Royal Irish Academy All rights reserved. No part of this publication may be reprinted, reproduced, stored in a retrieval system or transmitted, by any means now known or hereafter invented, including photocopying and recording, without either the prior written consent of the Royal Irish Academy or a license permitting restricted copying in Ireland issued by the Irish Copyright Licensing Agency Ltd, Irish Writers' Centre, 19 Parnell Square, Dublin 1. Every effort has been made to contact and obtain permission from holders of copyright. If any involuntary infringement of copyright has occurred, sincere apologies are offered, and the owner of such copyright is requested to contact the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this publication is available from the British Library. ISBN 1-874045-92-5 (with CD-ROM) 1-874045-97-6 (without CD-ROM) Design and layout by Martello Media Ltd, Dublin -
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**PLEASE NOTE THAT SOME MINOR CHANGES WERE MADE AT PROOF-STAGE AND THAT THE LINE-NUMBERS HERE ARE NOT THOSE OF THE PUBLISHED VERSION** The assassination of Mág Raghnaill and the capture of his ship in 1502 5 Mícheál Hoyne (Dublin Institute for Advanced Studies)1 INTRODUCTION On the evening of 27 March 1502, Easter Sunday, the chief of the small lordship of 10 Muintear Eólais (in modern-day Co. Leitrim), Maol Eachlainn Mág Raghnaill, was murdered. The assassination was carried out by rival members of his own family, but the driving force behind it was the Mac Diarmada family, rulers of the neighbouring lordship of Magh Luirg (in modern-day Co. Roscommon). The assassination of the reigning Mág Raghnaill was only one blow struck by the Meic Dhiarmada against Muintear Eólais in the course of a co- 15 ordinated multi-pronged assault on Easter Sunday 1502: on the same day, they confiscated Leitrim Castle and seized Mág Raghnaill’s ship, sailing it from Mág Raghnaill territory on Lough Ree to Lough Key, the centre of Mac Diarmada power. These events are not recorded in any annalistic collection known to me. They are related in a memorandum written the day after these events took place, of which we have a copy in RIA MS 23 N 29 (Cat. 467). 1 I am grateful to the late Professor Richard Sharpe for drawing my attention to the text edited here and for generously suggesting important improvements to this paper. My thanks to Dr Aoibheann Nic Dhonnchadha for helpful comments and corrections. A manuscript spelling as opposed to that used in my edition is indicated by ‘MS’.