“Race,” Animals, and the Feral Child in Kipling's Mowgli

Total Page:16

File Type:pdf, Size:1020Kb

“Race,” Animals, and the Feral Child in Kipling's Mowgli “TO ABANDON THE COLONIAL ANIMAL”: “RACE,” ANIMALS, AND THE FERAL CHILD IN KIPLING’S MOWGLI STORIES Dipika Nath How little! How naked, and—how bold! [. .] And so this is a man’s cub. Now was there ever a wolf that could boast of a man’s cub among her children? [. .] I have heard now and again of such a thing, but never in our Pack or in my time. [. .] I could kill him with a touch of my foot. But see, he looks up and is not afraid. [. .] Th e man’s cub . shall not be killed. He shall live to run with the Pack; and in the end, look you, hunter of little naked cubs [Shere Khan] . he shall hunt thee! [. .] He came naked, by night, alone and very hungry; yet he is not afraid! Look, he has pushed one of my babes to one side already. Rudyard Kipling1 While the stories [in Th e Jungle Books] appear to nar- rate an Indian space, the images and constructions of nation produced stem from an understanding of Englishness as a site of colonial authority. [. .] Kipling’s colonial animals map a racialized contras- tive space where national identity is inseparable from racial identity, leading Kipling fi nally to abandon the colonial animal in order to be able to represent proper Englishness. [. .] Indeed, all animals are not equal but they too are represented in racialized and nationed terms, which points to the fl exibility of the animal trope in colonial discourse. Jopi Nyman2 1 Rudyard Kipling, Th e Jungle Books, I & II (New York: Doubleday, 1948), I, 7–10. All page numbers for the Mowgli stories in Th e Jungle Books are taken from this edi- tion and appear in the text. 2 Jopi Nyman, “Re-Reading Rudyard Kipling’s ‘English’ Heroism: Narrating Nation in Th e Jungle Book,” Orbis Litterarum 56 (2001): 205. 252 dipika nath Th e idea of imperial ascendancy had implications for human relations with animals, no less than for relations between people. While some animals were to be sheltered from danger, others were classifi ed as vermin. Th ey were compared to human outlaws. eTh parallel was not merely a metaphorical one, given the energy and money expended on the eff orts to wipe out such vermin. Mahesh Rangarajan3 Th e term “feral children” refers to three kinds of individuals, oft en discovered in childhood, living in isolation from human society: one, individuals found living in the wild by themselves; two, those found living among animals,4 considered to have been raised by them and exhibiting “animal-like” cognitive, sensory, and physiological traits and behaviours;5 and, three, individuals raised in extreme isolation by their human caretakers. First recorded in Europe in the sixteenth century, feral children are enigmatic fi gures that have raised questions about what is natural or human in human nature and about the place of culture and education in craft ing “the human.” Th e absence of speech and self-identifi cation, in combination with such characteristics as four- footedness, asociality, and a preference for raw food, including fl esh, has traditionally resulted in philosophical, scientifi c, and cultural anxiety about the traffi c between “animal” and “human” in the feral child.6 3 Rangarajan, Fencing the Forest: Conservation and Ecological Change in India’s Central Provinces, 1860–1914 (New Delhi: Oxford University Press, 1996). 4 I use the term “animals” to refer exclusively to nonhuman animals. Th is is primarily for linguistic convenience. 5 Whether individuals were found in animal company or in isolation, their “animal- ity” was oft en little more than their deviance from normative humanity. Th is animal- ness lay in what they were incapable of doing (speaking, walking on two legs), in the development of extraordinary sensory and physiological capacities, such as a keen sense of smell and their ability to run on all fours, as well as in their “wild” appearance and “uncivilised” mannerisms. A preference for raw fl esh, although not universally found, is a common trait and one that rendered them most viscerally animal-like. Absence of language may, however, be the most disturbing trait of feral children. While dietary preferences and four-footedness could be forcibly changed or at least restricted, feral children’s reticence about their past—and with it perhaps the past or origin of human- ity—could not be broken. Even in cases where they acquired language, as in the case of Memmie Le Blanc (1731), they were unable to provide an insight into their earlier non-linguistic selves. 6 All these characteristics are not found uniformly or universally in all feral children but they are common enough that they may be used to develop a provisional type. For detailed descriptions of feral children, see Michael Newton, Savage Girls and Wild Boys: A History of Feral Children (London: Faber and Faber, 2002); Douglas Candland, .
Recommended publications
  • Steve Jackson Games Contents Introduction
    Want to create a superhero? A wuxia fighter? An earth-shattering psi? A wizard or shaman with abilities beyond spells and rituals? A god? With the GURPS Basic Set and Powers, you have POWERS everything you need to create superhuman heroes: 5 Case-by-case advice on how to turn over 100 advantages from the Basic Set into superhuman abilities – with new modifiers, variant traits, optional rules, and plenty of examples. 5 Five flexible new advantages: Control, Create, Illusion, Leech, and Static. 5 Dozens of new enhancements and limitations to fine-tune your abilities. 5 Energy Reserves to fuel abilities, “alternative abilities” that don’t all work at once, and ways to substitute abilities you have for those you don’t. 5 Hundreds of sample abilities – energy blasts, curses, defenses, mental gifts, and more. 5 Rules for powers – groups of abilities linked by origin – with over 40 ready-to-use examples. 5 Guidelines on biological, chi, divine, elemental, magical, moral, nature, psionic, spirit, and super powers – even godlike cosmic powers – and their interactions. 5 Advice to GMs on how to keep it fun and prevent high-powered heroes from taking over! GURPS Powers requires the GURPS Basic Set, Fourth Edition, and replaces the Third Edition books GURPS Supers and GURPS Psionics. The advice on abilities and powers can be used with any game that features superhuman characters. By Sean Punch and Phil Masters Edited by Andrew Hackard Cover Art by Romas Kukalis, Bob Stevlic, Eva Widermann, and John Zeleznik Illustrated by Abrar Ajmal, Alex Fernandez,
    [Show full text]
  • The Wild Child: Children Are Freaks in Antebellum Novels
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2013 The Wild Child: Children are Freaks in Antebellum Novels Heathe Bernadette Heim Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1711 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The Wild Child: Children are Freaks in Antebellum Novels by Heather Bernadette Heim A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2013 Heim ii Heim © 2013 HEATHER BERNADETTE HEIM All Rights Reserved iii Heim This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy Hildegard Hoeller_______________________ __________ ______________________________________ Date Chair of Examining Committee Mario DiGangi__________________________ ___________ ______________________________________ Date Executive Officer Hildegard Hoeller______________________________ William P. Kelly_______________________________ Marc Dolan___________________________________ Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv Heim Abstract The Wild Child: Children are Freaks in Antebellum Novels by Heather Bernadette Heim Advisor: Professor Hildegard Hoeller This dissertation investigates the spectacle of antebellum freak shows and focuses on how Phineas Taylor Barnum’s influence permeates five antebellum novels. The study concerns itself with wild children staged as freaks in Margaret by Sylvester Judd, City Crimes by George Thompson, The Scarlet Letter by Nathaniel Hawthorne, Uncle Tom’s Cabin by Harriet Beecher Stowe and Our Nig by Harriet Wilson.
    [Show full text]
  • Feral’ Humans Under the Light of the Human Self-Domestication Hypothesis
    Full title: Revisiting the case for ‘feral’ humans under the light of the human self-domestication hypothesis Running title: ‘Feral’ humans, self-domestication, and language Authors: Amy Niego1 and Antonio Benítez-Burraco2 1. PhD Program, Faculty of Philology, University of Seville, Seville, Spain 2. Department of Spanish, Linguistics, and Theory of Literature (Linguistics), Faculty of Philology, University of Seville, Seville, Spain Corresponding author: Antonio Benítez Burraco Antonio Benítez Burraco orcid.org/0000-0003-4574-5666 Email: [email protected] Telephone: +34 955 420 225 Correspondence: Dr. Antonio Benítez Burraco Área de Lingüística. Departamento de Lengua Española, Lingüística y Teoría de la Literatura. Facultad de Filología. Universidad de Sevilla. C/ Palos de la Frontera s/n. 41004-Sevilla (España/Spain) 1 Acknowledgments This research was funded by the Spanish Ministry of Science and Innovation (grant PID2020- 114516GB-I00 [AEI/FEDER, UE] to ABB). Statement of Ethics The research conducted for the paper relied on previously published data by others and available datasets, hence no ethics approval was required. Disclosure Statement The authors have no conflicts of interest to declare. Author Contributions ABB and AN conceived the paper, reviewed the literature, performed the data analyses and wrote and approved the final manuscript. Data availability The data that supports the findings of this study are available in the supplementary material of this article. 2 Abstract Historically, some cases of ‘feral’ children have been reported. Contemporary descriptions generally preclude any insightful inference about the nature and the extent of the language deficits exhibited by these children, as well as the ultimate causes of their problems with language.
    [Show full text]
  • GURPS Powers.Qxp
    SAVE THE WORLD . OR DESTROY IT! GURPS Powers is the ultimate book for the ultimate characters in the new Fourth Edition of GURPS! Here’s everything you need to cre- ate every kind of amazing, off-the-chart super- hero you can imagine . as well as amazing wizards, wuxia fighters, shamans who com- mand spirits . even gods! Written by GURPS Line Editor and Fourth Edition co-author Sean Punch, GURPS Powers introduces some new rules, but it is mostly about using the rules that are already in the GURPS Basic Set to cover superpowered characters, megawizards, and earth-shattering psionics. GURPS Powers also includes guide- lines for “special effects” and several different ways to vary a power on the fly – two crucial concepts for comic-book superheroics. If you’ve got a high-powered campaign . or high-powered players . you want GURPS Powers! This PDF is an electronic copy of the recently released printed edition of GURPS Powers. All known errata from that edition have been corrected, as of the publication date, listed below. GURPS, Warehouse 23, and the all-seeing pyramid are registered trademarks DOWNLOAD. of Steve Jackson Games Incorporated. Pyramid, GURPS Powers, and the PRINT. names of all products published by Steve Jackson Games Incorporated are reg- PLAY. istered trademarks or trademarks of Steve Jackson Games Incorporated, or used under license. All rights reserved. GURPS Powers is copyright © 2005, 2006 by Steve Jackson Games Incorporated. The scanning, uploading, and distribution of this material via the Internet or e23 via any other means without the permission of the publisher is illegal, and pun- ishable by law.
    [Show full text]
  • The Charlotte Zolotow Award Observations About Publishing in 1998
    CCBC Choices Kathleen T. Horning Ginny Moore Kruse Megan Schliesman Cooperative Children's Book Center School of Education University of Wisconsin-Madison Copyright 01999, Friends of the CCBC, Inc. (ISBN 0-931641-98-5) CCBC Choices was produced by University Publications, University of Wisconsin-Madison. Cover design: Lois Ehlert For information about other CCBC publications, send a self- addressed, stamped envelope to: Cooperative Children's Book Cenrer, 4290 Helen C. White Hall, School of Education, University of Wisconsin-Madison, 600 N. Park St., Madison, WI 53706-1403 USA. Inquiries may also be made via fax (6081262-4933) or e-mail ([email protected]).See the World Wide Web (http://www.soemadison.wisc.edu/ccbc/)for information about CCBC publications and the Cooperative Children's Book Center. Contents Acknowledgments Introduction Results of the CCBC Award Discussions The Charlotte Zolotow Award Observations about Publishing in 1998 The Choices The Natural World Seasons and Celebrations Folklore, Mythology and Traditional Literature Historical People, Places and Events Biography 1 Autobiography Contemporary People, Places and Events Issues in Today's World Understanding Oneself and Others The Arts Poetry Concept Books Board Books Picture Books for Younger Children Picture Books for Older Children Easy Fiction Fiction for Children Fiction for Teenagers New Editions of Old Favorites Appendices Appendix I: How to Obtain the Books in CCBC Choices and CCBC Publications Appendix 11: The Cooperative Children's Book Center (CCBC) Appendix 111: CCBC Book Discussion Guidelines Appendix IV: The Compilers of CCBC Choices 1998 Appendix V:The Friends of the CCBC, Inc. Index CCBC Choices 1778 5 Acknowledgments Thank you to Friends of the CCBC member Tana Elias for creating the index for this edition of CCBC Choices.
    [Show full text]
  • Presskit Band Info
    WILD EVEL & THE TRASHBONES PRESSKIT BAND INFO Being a feral child lost in an era of music, delivering their own ideas and the drums you might be tempted to Wild Evel & the Trashbones already uninspiring music, the frontman of The ideals through tight and catchy lyrics look for the reincarnation of Keith performed at Staggers, Wild Evel, decided to team telling the conservative society, “Here Moon seated at the drum stool! The up with members of former teenbeat- we are!” overdriven fuzz guitars will blaring. • Cosmic Trip Festival (FR / 2013) ers the Roadrunners to form a super- And the recent addition of Fernando group, with the intention of providing The sound that those ’60s proto-punks Terror taking over keyboard duties will • Gutterball Festival (NOR / 2013) serious garage punk at its best. created is the same sound the four fully unleash Evel to higher levels of Austrian freaks play – succinct fuzz- on-stage insanity. • Sauzipf Rocks (A / 2012) Take some of Billy Childish’s trashy gui- guitars, farfisa organ, furious drum- tar solos, some of the Miracle Workers’ ming, and wild, howling vocals that Since their formation in February 2009, • Le Beat Bespoke (UK / 2012) and The Stomachmouths’ catchy melo- represent a one hundred per cent the Trashbones have toured all across dies, add some “three-finger organ”, high-voltage rock’n’roll attitude. Europe, from England to Russia and • FM4 Frequency Festival (A / 2011) combine them with invisible monsters from Norway to Spain, where their and cavemen, in the spirit of the late Apart from the actual sound that they distinctive sound, look, and furious live with bands like Monster Magnet, The great Screaming Lord Sutch, and you’ll create, Wild Evel & the Trashbones performances continue to astonish Masonics, King Salami & the Cumber- have the gist of what these guys are stand out with their untamed live people at club gigs and major festivals land Three, The Trashmen, up to.
    [Show full text]
  • An Investigation of Feral Children and Original Sin
    Verbum Volume 8 Issue 1 Article 9 December 2010 An Investigation of Feral Children and Original Sin Christina Regelsberger St. John Fisher College Follow this and additional works at: https://fisherpub.sjfc.edu/verbum Part of the Religion Commons How has open access to Fisher Digital Publications benefited ou?y Recommended Citation Regelsberger, Christina (2010) "An Investigation of Feral Children and Original Sin," Verbum: Vol. 8 : Iss. 1 , Article 9. Available at: https://fisherpub.sjfc.edu/verbum/vol8/iss1/9 This document is posted at https://fisherpub.sjfc.edu/verbum/vol8/iss1/9 and is brought to you for free and open access by Fisher Digital Publications at St. John Fisher College. For more information, please contact [email protected]. An Investigation of Feral Children and Original Sin Abstract In lieu of an abstract, below is the essay's first paragraph. "The subject of feral children has often been explored from a variety of viewpoints and angles. Frequently, such topics as education, language acquisition, emotional stability, mental stability and behavioral patterns are reviewed. However, the motive of actions or the inherent tendency of feral children to behave one way or another is often overlooked. The question remains whether feral children (prior to their integration into society), are in possession of original sin. Many maintain that all humans are born with an inherent desire to do evil. However, is it the result of social stimulation or merely an innate propensity to sin? Before such a question can be answered, a short discourse on original sin is necessary. Thus, I intend to explore and discuss the theories of original sin presented by both St.
    [Show full text]
  • Clown Ebook, Epub
    CLOWN PDF, EPUB, EBOOK Quentin Blake | 32 pages | 15 Apr 1998 | Random House Children's Publishers UK | 9780099493617 | English | London, United Kingdom Clown PDF Book Popular Theatre: A Sourcebook. Retrieved January 12, There have more recent reports of Wasco Clown inspired sightings from as far away as Fishers, Indiana. His elaborate melancholy resembled that of Emmett Kelly , the American vagabond clown. After cutting through the demon's neck, Meg knocks his head off with a hammer and apologizes to Jack for everything. The Heyoka plays the role of a backwards clown, doing everything in reverse. Its first screening? The Auguste has a hard time performing a given task, which leads to funny situations. Full Cast and Crew. Running time. It was here that Clown came into use as the given name of a stock character. Karlsson drugs Kent with tea, revealing that the only way to prevent the metamorphosis is to sever the wearer's head. Deadline Hollywood. In the next scene, when Kent gets out of the car after it crashes and opens the back door to take Karlsson out, there's a quick shot of his shoes and they're intact. Rotten Tomatoes. What Does 'Eighty- Six' Mean? She also learns that many years ago, Karlsson put on the costume to entertain the children at an oncology clinic where his brother Martin worked. The Clown sneaks into the house and kills Meg's father, Walt, ripping off his jaw. The McDonald's trademark application for the character dates to Based on the Bozo template, the US custom of birthday clown, private contractors who offer to perform as clowns at children's parties, developed in the s to s.
    [Show full text]
  • Ebook Download Zombie
    ZOMBIE PDF, EPUB, EBOOK Joyce Carol Oates | 192 pages | 15 Sep 2009 | HarperCollins | 9780061778919 | English | New York, NY, United Kingdom Zombie PDF Book Movies List [Update Part 2]. Double agent Evil twin. The Serpent and the Rainbow. Zed and Addison work together to show Seabrook what they can achieve when they embrace their differences and celebrate what makes them a community. Log out. In the s and early s, the American horror author H. The kids in the audience were stunned. Retrieved 27 February Retrieved 31 October Save Word. Such stories are often squarely focused on the way their characters react to such an extreme catastrophe, and how their personalities are changed by the stress, often acting on more primal motivations fear, self-preservation than they would display in normal life. Retrieved 10 May These games were followed by a wave of low-budget Asian zombie films such as the zombie comedy Bio Zombie and action film Versus , and then a new wave of Western zombie films in the early s, including films featuring fast-running zombies such as 28 Days Later , the Resident Evil and House of the Dead films, and the Dawn of the Dead remake , while the British film Shaun of the Dead was in the zombie comedy subgenre. All Family,disney movies that I saw. Its first sequel, Dawn of the Dead , was released in There has been a growth in the number of zombie manga in the last decade, and in a list of "10 Great Zombie Manga", Anime News Network 's Jason Thompson placed I Am a Hero at number 1, considering it "probably the greatest zombie manga ever".
    [Show full text]
  • Final Master's Portfolio
    Bowling Green State University ScholarWorks@BGSU Master of Arts in English Plan II Graduate Projects English Spring 5-13-2019 Final Master's Portfolio Heather M. Stephenson Bowling Green State University, [email protected] Follow this and additional works at: https://scholarworks.bgsu.edu/ms_english Part of the Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, and the History Commons Repository Citation Stephenson, Heather M., "Final Master's Portfolio" (2019). Master of Arts in English Plan II Graduate Projects. 36. https://scholarworks.bgsu.edu/ms_english/36 This Dissertation/Thesis is brought to you for free and open access by the English at ScholarWorks@BGSU. It has been accepted for inclusion in Master of Arts in English Plan II Graduate Projects by an authorized administrator of ScholarWorks@BGSU. FINAL MASTER’S PORTFOLIO Heather M. Stephenson [email protected] A Final Portfolio Submitted to the English Department of Bowling Green State University in partial fulfillment of the requirements for the degree of Master of Arts in the Field of English with a specialization in Literary & Textual Studies May 13, 2019 Dr. William Albertini, first reader Ms. Kimberly Spallinger, second reader Table of Contents I. Introduction / Analytical Narrative ......................................................................................1 II. Cultural Anxieties, Apocalyptic Masculinity, and the “Taming” of the Other in 1950s Film Noir: The Case of Kiss Me Deadly (1955) ................................................................13 III. “Robbed!”: Masculine Anxiety and the Taming of the Non-Normative Female Other in Hitchcock’s Marnie (1964) ................................................................................................32 IV. Gender, Sexual Abuse, and the Redemption of King Lear’s Daughters in Jane Smiley’s A Thousand Acres ..................................................................................................................58 V.
    [Show full text]
  • Akash Belsare Dissertation Prospectus English and African American Studies
    Akash Belsare Dissertation Prospectus English and African American Studies Humanimal Narratives: Genre and Animality in Contemporary Ethnic Literatures Argumentative Overview This project asks why authors of color engage with animals in contemporary literature—despite (or due to) a deep history in which nonhuman animals and raced bodies have been primitivized, animalized, or otherwise marginalized alongside each other—and what results from this engagement. What types, or genres, of narratives do ethnic writers utilize when taking up animal spaces, themes, and subjects? How do these authors, given their own individual positionalities, navigate what appears to be an utterly damaging association? How do such texts challenge primarily western epistemological assumptions regarding the relationship between the human animal and the nonhuman animal? Finally, what are the implications—not just for our understanding of race, but also gender, sexuality, and nation—that emerge as a result of works that ultimately destabilize the very conditions for human-animal distinction? Before proceeding, I would like to explain the function of the term “humanimal” as the titular guiding force for this study. For Kalpana Seshadri, the term “humAnimal” perfectly encapsulates the human condition of the feral, or “ferality.” Here, the feral child produces a “hole,” or gap, in our epistemological understanding of taxonomic classification, and the “humAnimal” functions as the “cross-stitching” necessary to “open and close the weave of power that separates and unseparates human and animal” (22). Similarly, Dipika Nath has argued that the “feral person throws into disorder the taxonomic status of the human as animale rationale because it shows up the arbitrary and nonessential nature of the ontological and ethical hierarchy between nonhuman and human animals” (253).
    [Show full text]
  • Malice in Wonderland: the Perverse Pleasure of the Revolting Child
    The Dissertation Committee for Andrew David Scahill certifies that this is the approved version of the following dissertation: Malice in Wonderland: The Perverse Pleasure of the Revolting Child Committee: ____________________________________ Janet Staiger, Supervisor ____________________________________ Mary Celeste Kearney ____________________________________ Jennifer Fuller ____________________________________ Julia Mickenberg ____________________________________ Harry Benshoff Malice in Wonderland: The Perverse Pleasure of the Revolting Child by Andrew David Scahill, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2010 Acknowledgements I extend my deepest thanks to all of the individuals who have provided me support during this phase of my life. Thank you to Dennis and François, who were present at different stages in this process, but who both patiently served as sources of positive reinforcement and never let me give in to self-doubt. Thank you to my excellent interns who worked with me through the Intellectual Entrepreneurship program. My deepest appreciation goes out to Charlotte, Chris, Jeffrey, Sarah, Aaron and Elizabeth, who performed many of the tedious tasks of finding films, cataloguing texts, and scouring message boards for anti-queer rhetoric. Also, thank you to the excellent scholars who were willing to read different versions of this dissertation and offer up their suggestions for revision and further reading, especially Linda Mizejewski and Kathryn Bond Stockton. Thank you as well to my dissertation committee—Julia Mickenberg, Jennifer Fuller, Harry Benshoff, Mary Celeste Kearney, and Janet Staiger. They each provided guidance and insight, and managed to make both my prospectus and my dissertation defenses feel like a conversation between scholars rather than a test of my academic meddle.
    [Show full text]