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Metaphor and Metanoia: Linguistic Transfer and Cognitive Transformation in British and Irish Modernism
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-20-2013 12:00 AM Metaphor and Metanoia: Linguistic Transfer and Cognitive Transformation in British and Irish Modernism Andrew C. Wenaus The University of Western Ontario Supervisor Dr. Jonathan Boulter The University of Western Ontario Graduate Program in English A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Andrew C. Wenaus 2013 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Continental Philosophy Commons, Literature in English, British Isles Commons, Modern Languages Commons, Modern Literature Commons, Other Arts and Humanities Commons, and the Philosophy of Mind Commons Recommended Citation Wenaus, Andrew C., "Metaphor and Metanoia: Linguistic Transfer and Cognitive Transformation in British and Irish Modernism" (2013). Electronic Thesis and Dissertation Repository. 1512. https://ir.lib.uwo.ca/etd/1512 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Metaphor and Metanoia: Linguistic Transfer and Cognitive Transformation in British and Irish Modernism (Thesis Format: Monograph) by Andrew C. Wenaus Graduate Program in English A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Andrew C. Wenaus 2013 ABSTRACT This dissertation contributes to the critical expansions now occurring in what Douglas Mao and Rebecca L. -
AYUNTAMIENTO De OJEN (Málaga) Camino De Marbella, 3 29610 OJEN (Málaga) Telef
AYUNTAMIENTO de OJEN (Málaga) Camino de Marbella, 3 29610 OJEN (Málaga) Telef. 952881003 – 952881100 Fax. 952881216 email: [email protected] / [email protected] C.I.F. P-2907600G Reg. Ent. Local nº. 01290764 INFO Y BIO GRUPOS OJEANDO Festival 2011 ESCENARIO PATIO NACHO VEGAS Ignacio González Vegas, más conocido como Nacho Vegas (Gijón, 9 de diciembre de 1974) es un cantautor español que estilísticamente oscila entre la música folk y el rock. Suele cantar en solitario o con el grupo Las Esferas Invisibles. Nacho Vegas comenzó estudios de Filología Hispánica en la Universidad de Oviedo y participó de pleno en la primera hornada de la edad del indie español. Los últimos trabajos bajo su nombre han sido: en 2005 el single El hombre que casi conoció a Michi Panero (con 3 temas inéditos) con eleoclip de su carrera, el LP Desaparezca aquí(frase recurrente de uno de sus escritores preferidos Bret Easton Ellis), y el EP en vinilo Esto no es una salida (al que acompañaban el texto de un relato inédito hasta la fecha y el mismo audio en formato CD); en 2006 el doble CD El tiempo de las cerezas, disco que comparte con el aragonés Enrique Bunbury ex cantante de Héroes del Silencio y que le llevó a pisar por primera vez tierras aztecas, y en 2007 el mini-CD Verano fatal con el que vuelve a compartir protagonismo con una figura conocida por el mainstream: Christina Rosenvinge. El 1 de diciembre de 2008 Nacho Vegas publicó "El manifiesto desastre", un long play con 11 temas. -
Fundamentalist Journal, Volume 2, Number 7
Liberty University DigitalCommons@Liberty University 1983 The undF amentalist Journal 7-1983 Fundamentalist Journal, Volume 2, Number 7 Follow this and additional works at: http://digitalcommons.liberty.edu/fun_83 Recommended Citation "Fundamentalist Journal, Volume 2, Number 7" (1983). 1983. Paper 1. http://digitalcommons.liberty.edu/fun_83/1 This Article is brought to you for free and open access by the The undF amentalist Journal at DigitalCommons@Liberty University. It has been accepted for inclusion in 1983 by an authorized administrator of DigitalCommons@Liberty University. For more information, please contact [email protected]. TUNDAI"IENTALI.ET One Dollqr & Ninety-Five Cents JOUPNAL Jtrly/August 1983 OneNation underGod on the Rebound The Churchand Her Rights The Christian Churchunder Communism America WakeUp! I .r'-, v |<(,*,, ! {, ()L/ ( I {! t1 v *'e ';;il l-,rl llL. (; c:h:r{r "rj Fr It U, j/ e/ +- -<-r-o z,o 3,;S L <-l Fj (^l o3 i" t' f.l cm ::r !^-.,.. a^ uci r! tJ , -o aq; -a ,i >! iJ.l vm a*j Nt- 5T T Have you ever wondered why Christians are usually portrayed unsympatheticallyon TV and in movies? . Why our childrenare learning anti- Christiarrmoral valuesin public schools? . Why so few Christianbooks.rre in your localbookstore and library-even when they are bestsellers? V,lhy? Bacnusethcrc's {t ttcTLtlt)ltltc of cettsorshilt sTLteepifigArtrcrica. No, it's not the obvious kind that actuallybr-rrns books. It's somethirrg much more subtle-and more effective. The real censorstodav are hard-coresecu- laristswhtl hold the p.,siti.,nsof influence in education,the media, and public life. -
A Word from Régine Chassagne at Montreal’S MTELUS*
Our Philosphy KANPE is a We give the poorest communities in the Central Plateau a voice so that they can express their own needs, priorities, and foundation that goals. Our role is to help these communities to be supported by Haitian organizations who bring the complementary skills, brings support to knowledge, tools, and training necessary to provide guidance some of the most on the path to autonomy. Our Approach vulnerable families Haiti is flled with people who have talents and skills in many areas. We work to fnd the best local Haitian organizations in Haiti to help them and talents who can support these communities in attaining their goals in health, nutrition, education, agriculture, entre- achieve fnancial preneurship, and leadership. As a foundation, we ensure that funds are properly distributed autonomy, so that and that projects are carried out with respect for the goals of the community and according to strict norms of good they can “stand up”. governance and transparency. 2 Where KANPE works Baille Tourible Port-au-Prince 3 Since 2011, using an integrated approach on a focused geographical area, KANPE and its partners in Haiti are able to obtain tangible, sustainable results. Health & Nutrition Agriculture • A medical clinic serving over 11,000 • Distribution of bean seeds to 250 residents. We recorded more than farmers. 43,800 visits since opening in 2011. • Distribution of nearly 3,300 farm • More than 1,700 cases of cholera animals. treated since 2011. • Production of 12,000 fruit and • More than 1,000 Malaria tests are forest seedlings (Reforestation performed each year. -
“Prospect 3: Notes for Now,” Or P.3, The
Bright Prospects Linda Yablonsky October 31, 2014 Artforum International THERE’S ALWAYS A GOOD REASON to be in New Orleans. Last weekend, the draw was “Prospect 3: Notes for Now,” or P.3, the resonant third edition of the international biennial that Dan Cameron created in 2007, two years after Hurricane Katrina doused city and spirit. Under artistic director Franklin Sirmans, P.3 opened with work by fi fty-eight artists from the Americas, Asia, Europe, and the Middle East planted in eighteen venues around town. On Thursday, October 23, a few visiting dealers and collectors joined a veritable congress of American museum curators to track them down. During a press conference at the Ashé Cultural Arts Center, where Sirmans and P.3 executive director Brooke Davis Ander- son introduced the biennial, the fi rst people I saw were the Mu- seum of Modern Art’s Stuart Comer and Thomas Lax. Spread across the room were the Whitney’s Christopher Lew, Andy Warhol Museum director Eric Shiner, Bronx Museum director Holly Block, and Carnegie Museum curator Dan Byers. The Artist Tavares Strachan Speed Museum curator Miranda Lash, ICA Philadelphia exhibi- tion director Ingrid Schaff ner, and Jewish Museum deputy director Jens Hoff mann would soon appear, along with both Rita Gonzalez and Christine Y. Kim of the Los Angeles County Museum of Art, where Sirmans heads the department of contemporary art. All gave the same reason for being there: “Franklin.” Despite the support, Sirmans seemed nervous when he spoke of the anchors for his citywide show: Walker Percy’s 1961 New Orleans novel of displacement, The Moviegoer; a Gaugin-in-Tahiti painting; and the cultural cannibalism of the early twentieth-century, Brazilian Antropofágico movement. -
Annual-Report-2016-2.Pdf
KANPE enables the Our Philosophy most vulnerable The Haitian population, identifying and expressing their own needs, is at the heart of our work. In our Haitian communities role as change agents serving this population, our to achieve financial role is to work with local partners and put in place autonomy so that plans to support their initiatives. they can “stand up”. Our Approach We work with Haitian partner organizations with complementary expertise, each of which brings knowledge, tools, and training necessary to help guide these communities on the path towards autonomy. These organizations have extensive track records and hold a very high level of credibility in their respective fields. Jean-Étienne Pierre and Isaac Pierre, two young members of the marching band, learning their lessons. 2 Since 2010, with the support of local partners, KANPE’s work has yielded significant results in the following fields: Health Education • Support for a medical clinic serving over • Financial support to 13 schools 11,000 residents. of Baille Tourible. • More than 1,500 cases of cholera treated. • Construction of 2 permanent shelters to accommodate 2 small schools. • More than 1,120 malaria tests performed. • Teacher training. Housing Leadership • 550 family homes received materials to conduct renovations and construct latrines. • Creation of a marching band for 45 young students from Baille Tourible. • Distribution of a basic water purification system to each family participating in the • Summer camp for 70 teenagers which Integrated Program. included 10 days of workshops and discussions on subjects like deforestation, Agriculture illiteracy, teenage pregnancy, and youth flight from rural areas. • Distribution of 7,500 pounds of bean seeds to 250 farmers. -
College Voice Vol. 31 No. 18
Connecticut College Digital Commons @ Connecticut College 2006-2007 Student Newspapers 4-6-2007 College Voice Vol. 31 No. 18 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_2006_2007 Recommended Citation Connecticut College, "College Voice Vol. 31 No. 18" (2007). 2006-2007. 20. https://digitalcommons.conncoll.edu/ccnews_2006_2007/20 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 2006-2007 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. First Class • U.S. Postage PAID Permit #35 <- o e e oice New London, CT:' PUBUSflED WEEKLY BY THE STUDENTS OF CONNECTICUT COLLEGE VOLUME XXXI· NUMBER 18 FRIDAY, APRIL 6, 2007 CONNECTICUT COLLEGE, NEW LONDON, CT SAC Unveils Floralia Lineup __ OK Go, Girl Talk To Perform BY PAUL DRYDEN ances with the band's signature "geek rock outfits," a&e associate editor The campus is also eagerly anticipating Girl Talk, the stage SAC announced this spring's nanne for Gregg Gillis, who first Floralia lineup during a presentation reached the eyes and ears of Cannels at dinner in Harris this past Sunday with bis electrifying performance on night. Corning more than a month the docks in downtown New London before the actual Floralia date, as part of I Am Festival last Saturday, May 5, the lineup's head- September. Ever since then, Girl liners are some of the most notewor- Talk has been exploding across cann- thy in recent memory. -
2019 年 12 7 放送分 1. Getting Ready for Christmas Day / Paul Simon
2019 年 12 ⽉ 7 ⽇ 放送分 1. Getting Ready for Christmas Day / Paul Simon // So Beautiful Or So What 2. #9 Dream / John Lennon // Power To The People: The Hits 3. Playing Along / Norah Jones & Tarriona Tank Ball 4. Kay Granpa / Lakou Mizik feat. Tank and The Bangas // HaitiaNola 5. Loumandja / Lakou Mizik feat. Jon Cleary // HaitiaNola 6. Iko Kreyòl / Lakou Mizik feat. 79rs Gang & Regine Chassagne & Win Butler & Preservation Hall Jazz Band // HaitiaNola 7. Let's Stay Together / Tina Turner 8. A Change Is Gonna Come / B.E.F. feat. Tina Turner // Music Of Quality And Distinction Volume 2 9. A Song For You / B.E.F. feat. Mavis Staples // Music Of Quality And Distinction Volume 2 10. Money Don't Grow On Trees / Prince // 1999 (Super Deluxe Edition) 11. How Come U Don't Call Me Anymore? (Take 2) / Prince // 1999 (Super Deluxe Edition) 12. Purple Music / Prince // 1999 (Super Deluxe Edition) 13. Wonderful Remark / Van Morrison // At The Movies 14. I Hear You Paint Houses / Robbie Robertson w. Van Morrison // Sinematic 15. Cavan Potholes / Sharon Shannon & Band // Live in Minneapolis 2019 年 12 ⽉ 14 ⽇ 放送分 1. Where The Streets Have No Name (live) / U2 // The Joshua Tree Singles - Remastered and Live 2. Questions / Echo In The Canyon Feat. Jakob Dylan & Eric Clapton // Echo In The Canyon: Original Motion Picture Soundtrack 3. I Just Wasn't Made For These Times / Echo In The Canyon Feat. Jakob Dylan & Neil Young // Echo In The Canyon: Original Motion Picture Soundtrack 4. Sweet Thing / Van Morrison // Astral Weeks 5. Truckin’ / Grateful Dead // American Beauty 6. -
Ver Que Tener Moviendo Y Que Puede Ser Cada Vez Más Impor- Más Grandes
prensario música & video | mayo 2015 prensario música & video | mayo 2015 prensario música & video | mayo 2015 prensario música & video | mayo 2015 editorial ARGENTINA / AGENDA Monsters of Rock, Camila, Fito Páez y Soledad Ya se anuncian los artistas que vienen del Rock in Rio Gardel en vinilo Camila Mucho lugar tiene el show business en además de Vicentico, Fito esta edición de PRENSARIO. Este mes, mientras Páez en el Luna Park el 22 sigue teniendo una agenda activa, ya se Monster of Rock con de mayo, Soledad el 29 y Ozzy, Judas Priest, Mothorhead ras el concurrido cóctel en Samsung Stu- en Chile, sin las restricciones aduaneras que sufren Ar- conocieron los primeros grandes nombres 30 de ese mes, los recitales dio, se vienen los Premios Gardel el 2 de gentina y otros mercados, el volumen también es su- de las visitas que vienen bajo el paraguas del lic el 15 de septiembre en el Luna Park; Muse solidarios de Abel Pintos y el show en el Malvi- Tjunio. Una sensación que tengo es que perlativo, muy por encima de lo artesanal. Así que hay Rock in Rio, y otras fechas trascendentes de los el 15 de octubre en el Orfeo de Córdoba y el 17 nas Argentinas de La Beriso. este año no hay una competencia cerrada por el ga- que avanzar como sea y tal vez la sorpresa sea mucho promotores líderes para el segundo semestre. en el complejo Al Río de Buenos Aires; y Pearl En lo latino, Myriam Hernández, produ- nador de la noche, como en otras entregas. -
Adventures in Film Music Redux Composer Profiles
Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017). -
Proyecto ISP La Música Española
ISP La música española Algunos comentarios sobre los años setenta, ochenta, noventa, y hoy en día Autor: Andrew Pace Profesor: María Isabel Rodríguez González Mayo de 2007 2 Índice 0) Índice 2 1) Introducción 3 2) Los Años Setenta 4 A) Camilo Sesto 4 B) Joan Manuel Serrat 5 C) Mari Trini 6 D) Nino Bravo 7 E) Julio Iglesias 8 3) Los Años Ochenta 11 F) Tino Casal 11 G) Siniestro Total 11 H) Radio Futura 12 I) Nacha Pop 13 J) Duncan Dhu 14 K) Los Secretos 14 L) Mecano 15 4) Los Años Noventa 18 M) Jarabe de Palo 18 N) Los Planetas 19 O) Ana Torroja 21 P) Mikel Erentxun 22 Q) Andrés Calamaro 22 R) La Oreja de Van Gogh 23 S) Bunbury 24 T) Alejandro Sanz 25 U) Miguel Bosé 25 5) Situación Actual 26 V) Violadores del Verso, Haze, La Estación 26 W) Calle 13 27 6) Conclusión 29 7) Apéndice A 30 8) Apéndice B 31 9) Apéndice C 32 10) Apéndice D 33 3 1) Introducción Este proyecto es algo que quise hacer todo el año. Yo nunca he escuchado la música española en EE.UU. y solamente he escuchado canciones nuevas en el gimnasio aquí. El proyecto consiste en un comentario sobre algunos grupos de la industria musical de cada década, y también hay menciones de sus canciones. Es más una reflexión personal de la industria total, de las canciones y sus diferencias con las de EE.UU. y similitudes entre artistas de aquí y allí. Estuve un buen tiempo escuchando a la música y ahora tengo más de 300 canciones en español (estoy excluyendo los de ahora porque estos no van a aparecer en el proyecto). -
The Sichuan Avant-Garde, 1982-1992
China’s Second World of Poetry: The Sichuan Avant-Garde, 1982-1992 by Michael Martin Day Digital Archive for Chinese Studies (DACHS) The Sinological Library, Leiden University 2005 2 Table of Contents Acknowledgements ............................................................................................................4 Preface …………………..………………………………………………………………..7 Chapter 1: Avant-Garde Poetry Nationwide – A Brief Overview ……………..……18 Chapter 2: Zhou Lunyou: Underground Poetry during the 1970s ………………… 35 Chapter 3: The Born-Again Forest : An Early Publication …………….…………….46 Chapter 4: Macho Men or Poets Errant? ……………………………………………..79 Poetry on University Campuses………………………………………….79 A Third Generation………………………………………………………82 Hu Dong, Wan Xia, and Macho Men……………………………………88 Li Yawei………………………………………………………………….99 Ma Song………………………………………………………………...103 Finishing with University………………………………………………107 Chapter 5: A Confluence of Interests: The Institution of the Anti-Institutional ….114 Setting the Scene………………………………………………………..114 The Establishment of the Sichuan Young Poets Association…………..123 The First Product of the Association: Modernists Federation………….130 Chapter 6: The Poetry of Modernists Federation ……………………………………136 Chapter 7: Make It New and Chinese Contemporary Experimental Poetry ….…..…169 Growing Ties and a Setback……………………………………………170 Day By Day Make It New and the Makings of an Unofficial Avant-Garde Polemic…………....180 Experimental Poetry : A Final Joint Action…………………………….195 Chapter 8: Moving into the Public Eye: A Grand Exhibition