General Election 8.06.2017
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Violence Against Kosovar Albanians, Nato's
VIOLENCE AGAINST KOSOVAR ALBANIANS, NATO’S INTERVENTION 1998-1999 MSF SPEAKS OUT MSF Speaks Out In the same collection, “MSF Speaking Out”: - “Salvadoran refugee camps in Honduras 1988” Laurence Binet - Médecins Sans Frontières [October 2003 - April 2004 - December 2013] - “Genocide of Rwandan Tutsis 1994” Laurence Binet - Médecins Sans Frontières [October 2003 - April 2004 - April 2014] - “Rwandan refugee camps Zaire and Tanzania 1994-1995” Laurence Binet - Médecins Sans Frontières [October 2003 - April 2004 - April 2014] - “The violence of the new Rwandan regime 1994-1995” Laurence Binet - Médecins Sans Frontières [October 2003 - April 2004 - April 2014] - “Hunting and killings of Rwandan Refugee in Zaire-Congo 1996-1997” Laurence Binet - Médecins Sans Frontières [August 2004 - April 2014] - ‘’Famine and forced relocations in Ethiopia 1984-1986” Laurence Binet - Médecins Sans Frontières [January 2005 - November 2013] - “MSF and North Korea 1995-1998” Laurence Binet - Médecins Sans Frontières [January 2008 - 2014] - “War Crimes and Politics of Terror in Chechnya 1994-2004” Laurence Binet - Médecins Sans Frontières [June 2010 -2014] -”Somalia 1991-1993: Civil war, famine alert and UN ‘military-humanitarian’ intervention” Laurence Binet - Médecins Sans Frontières [October 2013] Editorial Committee: Laurence Binet, Françoise Bouchet-Saulnier, Marine Buissonnière, Katharine Derderian, Rebecca Golden, Michiel Hofman, Theo Kreuzen, Jacqui Tong - Director of Studies (project coordination-research-interviews-editing): Laurence Binet - Assistant: Berengere Cescau - Transcription of interviews: Laurence Binet, Christelle Cabioch, Bérengère Cescau, Jonathan Hull, Mary Sexton - Typing: Cristelle Cabioch - Translation into English: Aaron Bull, Leah Brummer, Nina Friedman, Imogen Forst, Malcom Leader, Caroline Lopez-Serraf, Roger Leverdier, Jan Todd, Karen Tucker - Proof reading: Rebecca Golden, Jacqui Tong - Design/lay out: - Video edit- ing: Sara Mac Leod - Video research: Céline Zigo - Website designer and webmaster: Sean Brokenshire. -
Stanley Spencer's Eccentric Styles
Repellent Shapes and Bewildering ‘ illustrations ‘ : Stanley Spencer’s eccentric Styles Liliane Louvel To cite this version: Liliane Louvel. Repellent Shapes and Bewildering ‘ illustrations ‘ : Stanley Spencer’s eccentric Styles. Interfaces : image, texte, language, Université de Bourgogne ; College of the Holy Cross ; Université de Paris, 2016, Appropriation et réappropriation des récits, pp.117-128. 10.4000/interfaces.292. hal- 02524511 HAL Id: hal-02524511 https://hal.archives-ouvertes.fr/hal-02524511 Submitted on 28 May 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. 117 REPELLENT SHAPES AND BEWILDERING “ILLUSTRATIONS”: STANLEY SPENCER’S ECCENTRIC STYLES Liliane Louvel “The mystery and inscrutability of Stanley Spencer’s [‘illustrative’] art” (Causey 143). To appropriate something means to make it proper, to make it one’s own and thus to integrate it, to incorporate it, thereby giving it a new life. Because it becomes one’s property, one imparts it with one’s own being: what one knows, what one hates, what one likes, what one chooses, is. Then the appropriated is cut off from its former self and becomes other, transformed, re-created.1 Stanley Spencer constantly appropriated sacred texts (revealing the impossibility for him to cut off old links, to achieve a “rupture”) and incorporated them in his own world imposing distortions and other unusual plastic treatments to the forms, thereby shocking his contemporaries. -
{BREWERS} LMA/4453 Page 1 Reference Description Dates
LONDON METROPOLITAN ARCHIVES Page 1 WHITBREAD AND COMPANY LIMITED {BREWERS} LMA/4453 Reference Description Dates WHITBREAD AND COMPANY LIMITED: CORPORATE MINUTE BOOKS LMA/4453/A/01/001 Directors' Minute Book No 1 1889-1903 1 ^<<volume^>> Former reference: W/23/1 LMA/4453/A/01/002 Directors' Minute Book No 2 1903-1914 1 ^<<volume^>> Former reference: W/23/2 LMA/4453/A/01/003 Directors' Minute Book No 3 1914-1925 1^<<volume^>> Former reference: W/23/3 LMA/4453/A/01/004 Directors' Minute Book No 4 1925-1934 1 ^<<volume^>> Former reference: W/23/4 LMA/4453/A/01/005 Directors' Minute Book No 5 1934-1957 1 ^<<volume^>> Former reference: W/23/5 LMA/4453/A/01/006 Directors' Minute Book No 6 1958-1964 1 ^<<volume^>> Former reference: W/23/6 LMA/4453/A/01/007 Directors' Minute Book No 7 1964-1967 1 ^<<volume^>> Former reference: W/23/7 LMA/4453/A/01/008 Directors' Minute Book No 8 1968-1970 1 ^<<volume^>> Former reference: W/23/8 LMA/4453/A/01/009 AGM Minute Book No 1 1889-1929 1 ^<<volume^>> Former reference: W/23/9 LMA/4453/A/01/010 AGM Minute Book No 2 1929-1935 1 ^<<volume^>> Former reference: W/23/10 LONDON METROPOLITAN ARCHIVES Page 2 WHITBREAD AND COMPANY LIMITED {BREWERS} LMA/4453 Reference Description Dates LMA/4453/A/01/011 Managing Directors' Committee Minute Book 1937-1939 1 ^<<volume^>> Former reference: W/23/11 LMA/4453/A/01/012 Board Papers 1945-1947 1 ^<<volume^>> Former reference: W/23/12 LMA/4453/A/01/013 Policy Meetings Minute Book 1946 1 ^<<volume^>> Former reference: W/23/13 LMA/4453/A/01/014 Policy Meetings Minute Book 1947 -
The Differential Impact of War and Trauma on Kosovar Albanian Women Living in Post-War Kosova
The Differential Impact of War and Trauma on Kosovar Albanian Women Living in Post-War Kosova Hanna Kienzler Department of Anthropology McGill University, Montreal June 2010 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Doctor of Philosophy © 2010 Hanna Kienzler Abstract The war in Kosova had a profound impact on the lives of the civilian population and was a major cause of material destruction, disintegration of social fabrics and ill health. Throughout 1998 and 1999, the number of killings is estimated to be 10,000 with the majority of the victims being Kosovar Albanian killed by Serbian forces. An additional 863,000 civilians sought or were forced into refuge outside Kosova and 590,000 were internally displaced. Moreover, rape and torture, looting, pillaging and extortion were committed. The aim of my dissertation is to rewrite aspects of the recent belligerent history of Kosova with a focus on how history is created and transformed through bodily expressions of distress. The ethnographic study was conducted in two Kosovar villages that were hit especially hard during the war. In both villages, my research was based on participant observation which allowed me to immerse myself in Kosovar culture and the daily activities of the people under study. The dissertation is divided into four interrelated parts.The first part is based on published accounts describing how various external power regimes affected local Kosovar culture, and how the latter was continuously transformed by the local population throughout history. The second part focuses on collective memories and explores how villagers construct their community‟s past in order to give meaning to their everyday lives in a time of political and economic upheaval. -
Berkshire to Beijing Stanley Spencer, That Most English and Eccentric of Painters, Visited Chinal Just Before the Cultural Revolution
guardian.co.uk Berkshire to Beijing Stanley Spencer, that most English and eccentric of painters, visited Chinal just before the Cultural Revolution. Patrick Wright on a trip that mixed high art with low comedy and personal tragedy Patrick Wright The Guardian, Saturday 17 March 2001 He is one of the most original and accomplished painters of the 20th century, and yet he is also synonymous with a peculiarly English eccentricity. He is the artist who treated Cookham, the little Thameside village where he lived, as the measure of all experience. He is the prophet of divine sexuality who, at the second post, fell humiliated victim to a fortune-seeking lesbian. When Timothy Hyman and I set out to curate Tate Britain's new exhibition of Stanley Spencer's work, we realised that we would have to fight our way through the bizarre collection of fragmentary anecdotes that now shape his memory. Many concern Spencer's chaotic sex life, but the one that I found most enigmatic was different. It is recorded, in various memoirs, that in the autumn of 1954, this most English of painters left his home in Berkshire to visit Beijing, where he would inform Chou En-lai, the communist premier, that "I feel at home in China because I feel that Cookham is somewhere near, only just around the corner". The very idea of Spencer in China seems inherently unlikely. Indeed, it has been suggested that he was almost certainly invited by accident, after the authorities got him muddled up with the then radical poet, Stephen Spender. -
'The Son of Three Fathers Has No Hat on His Head'. Life and Social Representations in a Macedonian Village of Albania
’The son of three fathers has no hat on his head’. Life and social representations in a Macedonian village of Albania Gilles de Rapper To cite this version: Gilles de Rapper. ’The son of three fathers has no hat on his head’. Life and social representations in a Macedonian village of Albania. Macedonia, Macedonias, Jun 2001, London, United Kingdom. halshs-00291660 HAL Id: halshs-00291660 https://halshs.archives-ouvertes.fr/halshs-00291660 Submitted on 27 Jun 2008 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Paper presented at the international conference Macedonia, Macedonias, School of Slavonic and East-European Studies, University College London, 14-16 June 2001 ‘THE SON OF THREE FATHERS HAS NO HAT ON HIS HEAD’ Life and social representations in a Macedonian village of Albania Gilles de Rapper The village of Vrbnik/Vërnik (‘willow grove’) is located in South-eastern Albania, a few hundred metres from the Greek border. When I was conducting field research in that area, in 1995 and 1996, it had approximately 70 houses and 400 inhabitants. It is the only Macedonian-speaking village in that district. It does not belong to the group of Macedonian villages located on the Albanian shore of the Great Prespa Lake, who form the majority of the Macedonian minority in South-eastern Albania, and its inhabitants are willing to differentiate themselves from those of the Prespa villages. -
SUMMARY 1900-1950 Dr
SUMMARY 1900-1950 Dr. Laurence Shafe [email protected] www.shafe.uk British art pursues a different path to European art. The two overlap but following WWI the ‘return to order’ is stronger in Britain. Also, there is a stronger tradition of figurative art in all its forms. 1. New Ways of Seeing 2. Impressionism, Post-Impressionism and Fauvism 3. Cubism and Abstraction 4. Vorticism and WWI Art 5. Return to order and Stanley Spencer 6. Dada, Surrealism and Expressionism 7. British Sculpture 8. WW2 Art 9. British Figurative art • About three paintings from each week are shown as a summary and reminder. • British art divides into two periods, 1900 to 1950 and 1950 to the present day. In the first period the majority of British art, although not all, follows in the tradition of nineteenth-century art with some twentieth-century influences from the Continent. 1 • In the second period British art blossoms on the world stage starting with the development of Pop Art. From Pop Art onwards the majority of the art being promoted by the establishment continues to be significant on the world stage. In this case ‘the establishment’ is the Royal Academy and the Turner Prize, Tate Modern and the high prices commanded at the leading auctioneers. In parallel, the British tradition of figurative art continues and in photorealism the two briefly combine as a leading art movement demonstrates that technical proficiency is one aspect of the avant garde exploration of representation. 1 NEW WAYS OF SEEING: MODERN BRITISH ART 1. New Ways of Seeing 2. -
Newsletter Summer 2020
Newsletter Summer 2020 President: Dr James Fox Vice-president: Miss Shirin Spencer An organisation within the Stanley Spencer Memorial Fund, registered charity no 307989 Patron: Lord Richard Harries of Pentregarth, formerly Bishop of Oxford LOVE, ART, LOSS: The Wives of Stanley Spencer Summer 2020 exhibition extended through to October 2021 It was a real shame not to be able to open our new Detail: Self- summer exhibition as scheduled in late March. Portrait, However, the Trustees have agreed to extend the Hilda Carline exhibition through to the end of October 2021, so 1923, our visitors will not be disappointed. Tate Thanks to Peter Brown and undoubtedly difficult), but we’ve tried to look at Clare Mitchell, amongst the whole picture, discovering that his others, the Gallery has relationship with Hilda – Patricia aside – was been repainted a luscious fraught with problems. red, the loans have been received and the We’ve got three loans coming from Southampton exhibition is ready to open (Portrait of Patricia Preece), and Tate (The as soon as permissible. Woolshop and Hilda Carline’s Self-Portrait). I’m particularly looking forward to seeing Hilda’s I think many of us are very portrait paired with Stanley’s of the same date familiar with Stanley’s (1923) – an art historical conversation that will unconventional love life, work on many levels! Patricia at Cockmarsh Hill, but I hope that this show Amanda Bradley 1935 The Gallery’s reopening date will be confirmed might put a slightly different spin on the subject. when we have clear guidance from the Stanley’s life and work were dominated by his authorities. -
Hepworth, Dorothy (1898-1978), and Patricia Preece (1900-1971) by Tee A
Hepworth, Dorothy (1898-1978), and Patricia Preece (1900-1971) by Tee A. Corinne Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com British artist Dorothy Hepworth may have produced most of the art sold under the name of her partner and collaborator Patricia Preece, which received major attention between the World Wars. The two women met while they were students at the Slade School of Art in London in 1917. They shared a studio in London until 1921, when they moved to Paris to study, Hepworth at Colarossi's studio and Preece at the more experimental André L'hôte. The two women returned to England in 1925 and became part of the Bloomsbury circle. Hepworth was diffident, retiring, and mannish in her style of dress. In contrast, Preece was fashionable, attractive, and social. Although they signed all of their paintings with Patricia Preece's name, Hepworth may have produced most of the art. Because of Hepworth's diffidence, Preece dealt with the public and with art galleries and dealers. The couple had some fear of being known as lesbians and, at times, claimed to be sisters. Preece was known to refer to herself as "née Hepworth." In 1927, for Hepworth's health, they settled in Cookham on Thames, Berkshire, England, a country village where, with Hepworth's father's help, they purchased a house. Hepworth's father sent monthly checks to supplement the women's meager income; however, on his death in November 1930, it was learned that he had lost his fortune in the stock market crash of 1929. -
British Figurative Painters of the 20Th Century Whose Development Can Be Adequately Discussed Without Reference to Sickert's Subject-Matter Or Innovative Techniques
• Question from last week • Where is the Fry Art Gallery that has Eric Ravilious Tea at Furlongs (1939)? The Fry Art Gallery is an art gallery in Saffron Walden, Essex that is best known for its displays of work by the Great Bardfield Artists, including Edward Bawden and Eric Ravilious. The Great Bardfield Artists were a community of artists living in Great Bardfield, north west Essex. They were diverse in style but shared a love for figurative art, making the group distinct from the better known St Ives School of artists in St Ives, Cornwall, who, after the war, were chiefly dominated by abstractionists. • Figurative art runs as a theme through all British art. The extremes of modernism—Fauvism, Dada, Surrealism and even abstraction—never took hold in Britain but there was a continued interest in the human body, psychological insights and representing the full range of emotions. This means that most of the artists we have dealt with have been figurative, that is not abstract, artists. • This means it has been difficult to choose a small number of artists to represent the tradition and I have selected painters who stayed with the figurative tradition throughout their lives with the exception of Victor Pasmore as I use his work to create a link with British art of the 1950s and 60s. 1 Notes • Figurative art is a term used to describe paintings and sculptures that are derived from real objects. Figurative art is therefore representational. Note that human figures are often shown in figurative art but the term does not mean figures painting. -
London Metropolitan Archives Middlesex Sessions
LONDON METROPOLITAN ARCHIVES Page 1 MIDDLESEX SESSIONS: COUNTY ADMINISTRATION MA Reference Description Dates COUNTY ADMINISTRATION: LUNATIC ASYLUMS Maintenance of lunatics MA/A/C/001 Alphabetical register of lunatics, giving name, 1860 - 1888 date of admission, which asylum, 'how disposed of' MA/A/C/002 Register of lunatics Gives name, date of 1871 - 1877 maintenance order, to what asylum sent, 'how disposed of' MA/A/C/003/1853 Applications for maintenance of lunatics 1853 8 MA/A/C/003/1865 Applications for maintenance of lunatics 1865 53 MA/A/C/003/1866 Applications for maintenance of lunatics 1866 73 MA/A/C/003/1867 Applications for maintenance of lunatics 1867 46 MA/A/C/003/1868 Applications for maintenance of lunatics 1868 47 MA/A/C/003/1869 Applications for maintenance of lunatics 1869 64 MA/A/C/003/1870 Applications for maintenance of lunatics 1870 8 MA/A/C/003/1872 Applications for maintenance of lunatics: 1872 Criminal lunatics 8 MA/A/C/003/1873 Applications for maintenance of lunatics: 1873 Matilda or Louisa Lewis 1 MA/A/C/003/1874 Applications for maintenance of lunatics 1874 6 LONDON METROPOLITAN ARCHIVES Page 2 MIDDLESEX SESSIONS: COUNTY ADMINISTRATION MA Reference Description Dates MA/A/C/003/1875/001 Applications for maintenance of lunatics (B-E) 1875 (items numbered 1875/001-024) MA/A/C/003/1875/025 Applications for maintenance of lunatics (E-M) 1875 (items numbered 1875/025-047) MA/A/C/003/1875/048 Applications for maintenance of lunatics (M-R) 1875 (items numbered 1875/048-060) MA/A/C/003/1875/061 Applications for maintenance -
Revue Géographique De L'est, Vol. 45
Revue Géographique de l'Est vol. 45 / 1 | 2005 Nettoyage ethnique, violences politiques et peuplement Édition électronique URL : http://journals.openedition.org/rge/518 DOI : 10.4000/rge.518 ISSN : 2108-6478 Éditeur Association des géographes de l’Est Édition imprimée Date de publication : 1 janvier 2005 ISSN : 0035-3213 Référence électronique Revue Géographique de l'Est, vol. 45 / 1 | 2005, « Nettoyage ethnique, violences politiques et peuplement » [En ligne], mis en ligne le 01 janvier 2005, consulté le 08 novembre 2020. URL : http:// journals.openedition.org/rge/518 ; DOI : https://doi.org/10.4000/rge.518 Ce document a été généré automatiquement le 8 novembre 2020. Tous droits réservés 1 Ce numéro est disponible en version papier. Pour le commander : [email protected] Revue Géographique de l'Est, vol. 45 / 1 | 2005 2 SOMMAIRE Nettoyage ethnique, violences politiques et peuplement Stéphane Rosière Nettoyage ethnique, partition et réunification à Chypre André-Louis Sanguin Le Kosovo en voie d’homogénéisation : quelle est la part du « nettoyage ethnique » ? Michel Roux Le nettoyage ethnique en Bosnie-Herzégovine : buts atteints ? Laurence Robin-Hunter Le nettoyage ethnique en ex-Yougoslavie : le cas de la Krajina de Knin Nicolas Lejeau Comptes rendus Bussi M., Badariotti D. (2004). — Pour une nouvelle géographie du politique. Territoire – Démocratie – Élections Paris, Anthropos, collection « Villes-Géographie », 301 p. Stéphane Rosière Pierre G. (2004) — Agriculture dépendante et agriculture durable. La PAC et les plateaux du sud-est du Bassin parisien Paris, Publications de la Sorbonne, 328 p. Jean-Pierre Husson Mercier D., dir. (2004). — Le commentaire de paysages en géographie physique Paris, A.