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Raja Mohan 21M.775 Prof. Defrantz from Bronx's Hip-Hop To
Raja Mohan 21M.775 Prof. DeFrantz From Bronx’s Hip-Hop to Bristol’s Trip-Hop As Tricia Rose describes, the birth of hip-hop occurred in Bronx, a marginalized city, characterized by poverty and congestion, serving as a backdrop for an art form that flourished into an international phenomenon. The city inhabited a black culture suffering from post-war economic effects and was cordoned off from other regions of New York City due to modifications in the highway system, making the people victims of “urban renewal.” (30) Given the opportunity to form new identities in the realm of hip-hop and share their personal accounts and ideologies, similar to traditions in African oral history, these people conceived a movement whose worldwide appeal impacted major events such as the Million Man March. Hip-hop’s enormous influence on the world is undeniable. In the isolated city of Bristol located in England arose a style of music dubbed trip-hop. The origins of trip-hop clearly trace to hip-hop, probably explaining why artists categorized in this genre vehemently oppose to calling their music trip-hop. They argue their music is hip-hop, or perhaps a fresh and original offshoot of hip-hop. Mushroom, a member of the trip-hop band Massive Attack, said, "We called it lover's hip hop. Forget all that trip hop bullshit. There's no difference between what Puffy or Mary J Blige or Common Sense is doing now and what we were doing…” (Bristol Underground Website) Trip-hop can abstractly be defined as music employing hip-hop, soul, dub grooves, jazz samples, and break beat rhythms. -
Mike Hadreas Is Perfume Genius
ARTISTʼS PROFILE Mike Hadreas Is Perfume Genius COLIN CARMAN MH: Thanks. I remember buying Liz mood in mind for how things should look. Phair’s Whip-Smart with my babysitting For “Grid,” I had this idea of pulsating O FAMILY is safe when I money. Then I went back and bought her dancers around me. It ends up being more a sashay,” sings Mike Hadreas, [1993 debut] Exile in Guyville. collaboration with the director. With both of “Notherwise known as “Perfume those videos, everybody’s crazy ideas are Genius,” on “Queen,” the haunting first CC: What was the first openly gay song jumbled into a dream sequence. That’s how single on the new album Too Bright. The that you wrote? Has your sexuality always I like it. video for “Queen” is the deranged been part of your songwriting? lovechild of Fellini and Waters, a bizarre MH: When I first started writing, it was just CC: What about the song “I’m a Mother,” escapade in which the 32-year-old Hadreas writing for me. There were gay themes be- which sounds to me like the most gothic cruises an Elvis impersonator with a pros- cause I’m a gay person. So it wasn’t a delib- song on Too Bright? Where did that come thetic leg only to jump off a rooftop. De- erate statement, at first. With the new from? pending on your interpretation, Hadreas album, I knew more people were going to MH: My boyfriend and I have been to- either dies or metamorphoses into a cheer- hear it, so it was important to me to be spe- gether for five years and I want a house. -
Led Zeppelin R.E.M. Queen Feist the Cure Coldplay the Beatles The
Jay-Z and Linkin Park System of a Down Guano Apes Godsmack 30 Seconds to Mars My Chemical Romance From First to Last Disturbed Chevelle Ra Fall Out Boy Three Days Grace Sick Puppies Clawfinger 10 Years Seether Breaking Benjamin Hoobastank Lostprophets Funeral for a Friend Staind Trapt Clutch Papa Roach Sevendust Eddie Vedder Limp Bizkit Primus Gavin Rossdale Chris Cornell Soundgarden Blind Melon Linkin Park P.O.D. Thousand Foot Krutch The Afters Casting Crowns The Offspring Serj Tankian Steven Curtis Chapman Michael W. Smith Rage Against the Machine Evanescence Deftones Hawk Nelson Rebecca St. James Faith No More Skunk Anansie In Flames As I Lay Dying Bullet for My Valentine Incubus The Mars Volta Theory of a Deadman Hypocrisy Mr. Bungle The Dillinger Escape Plan Meshuggah Dark Tranquillity Opeth Red Hot Chili Peppers Ohio Players Beastie Boys Cypress Hill Dr. Dre The Haunted Bad Brains Dead Kennedys The Exploited Eminem Pearl Jam Minor Threat Snoop Dogg Makaveli Ja Rule Tool Porcupine Tree Riverside Satyricon Ulver Burzum Darkthrone Monty Python Foo Fighters Tenacious D Flight of the Conchords Amon Amarth Audioslave Raffi Dimmu Borgir Immortal Nickelback Puddle of Mudd Bloodhound Gang Emperor Gamma Ray Demons & Wizards Apocalyptica Velvet Revolver Manowar Slayer Megadeth Avantasia Metallica Paradise Lost Dream Theater Temple of the Dog Nightwish Cradle of Filth Edguy Ayreon Trans-Siberian Orchestra After Forever Edenbridge The Cramps Napalm Death Epica Kamelot Firewind At Vance Misfits Within Temptation The Gathering Danzig Sepultura Kreator -
Dark Night of the Soul
Danger Mouse And Sparklehorse - Dark Night Of The Soul Uncut has reviewed plenty of obscure albums in its time but this may be a first: an album that doesn’t officially exist. As a result of some undisclosed contractual snafu, EMI put the mockers on Dark Night Of The Soul just as it was being readied for release. Undeterred, Danger Mouse pressed ahead anyway, offering Dark Night… as a limited edition photo book featuring David Lynch ’s “visual narrative” for the project, accompanied by a blank, recordable CD and the not-so-cryptic instruction to “use it as you will”. Though careful not to say as much, Danger Mouse was essentially encouraging us to bootleg his own LP, which by this point had mysteriously surfaced on file-sharing networks. Danger Mouse has form in this area, of course. The Grey Album , his inventive mash-up of Jay-Z and The Beatles , also aroused the wrath of EMI, who held the rights to The White Album . It made his reputation, if not his fortune, so he knows the value of peer-to-peer propaganda. On the other hand, Danger Mouse’s clever feint here may just have succeeded in adding a layer of intrigue to a project which, despite its impressive cast list, is not as fascinating as its creators probably hoped. Take Gorillaz ’s Demon Days, substitute Sparklehorse ’s Mark Linkous for Damon Albarn , and David Lynch ’s murky snapshots of sinister smalltown America for Jamie Hewlett ’s anarchic cartoons, and you’ve got the basic idea of Dark Night… There are some big-name cameos – Iggy Pop , Frank Black , a surprisingly compelling Suzanne Vega – but it’s questionable whether a collaborative free-for-all was the best way to approach a concept album about loss of faith; dark nights of the soul, by their very nature, usually demand to be suffered in isolation. -
Orchestra in a Field
ORCHESTRA IN A FIELD Date 2012 Region South West Artform Music Audience numbers 3,461 Annabel Jackson Associates Ltd role We evaluated Orchestra in a Field Methodology Online audience survey Background Orchestra in a Field was a two-day classical music festival at Glastonbury Abbey in Somerset developed and hosted by British conductor, Charles Hazlewood. The festival was piloted in 2009 and then held on 30th June and 1st July 2012. Description The festival was a joyful mix of classical and contemporary music, talks and live performances, camping and children's entertainment. Performers included Adrian Utley (Portishead) and Will Gregory (Goldfrapp) the Scrapheap Orchestra, the British Paraorchestra, Prof Green and Labrinth, with a fully staged performance of Carmen by a cast of professionals and local choirs. There were 2,636 adults audience members and 825 children (who were free), plus 160 professional artists and 780 other performers. Audience views There was a good balance between people attending as part of a family group, with friends, in a couple, and some on their own. Audience members were attracted by the mix of music, the link to Charles Hazlewood, the insight into performance from live rehearsals, the reasonable cost, the informality and the novelty. Flying Seagulls parade, Oil Photograph by Shoshana More than 80% of 160 respondents said that Orchestra in a Field was probably or definitely memorable, welcoming, enjoyable, relevant to them and inspiring. 94% of respondents said that Orchestra in a Field was special/different ________________________________________________________________________ ©Annabel Jackson Associates Ltd October 2012 from other music events. All of the respondents said it was a good idea to have a festival to bring classical music to more people. -
Mark Linkous Sparkles: the Life (And Short Death) of a Legend | the Hook - Charlottes
Mark Linkous sparkles: The life (and short death) of a legend | The Hook - Charlottes ... Page 1 of 3 Mark Linkous sparkles: The life (and short death) of a legend By James Graham | [email protected] Published online 9:00am Thursday Feb 28th, 2002 and in print issue #0104 dated Thursday Feb 28th, 2002 Mark Linkous is somewhere in the darkened recording booth, but the only thing I can see in the blackness is my own shadow, cast by the light streaming in the entrance. “Could you shut the door?” Linkous pleads in a gravelly tone immediately recognizable from his albums. Acoustic foam must be hard to clean, as there’s a distinct dusty smell— although our whispers are sonically perfect. “I’ve been getting these awful migraines,” he continues, not so much in apology as from desperation. “I hope it goes away.” Essential Sparklehorse listening Vivadixiesubmarinetransmissionpl “By the way, can you get me my Levi’s jacket? It’s hanging up in the ot studio.” Released on Capitol Records, Maybe it’s the atmosphere. Maybe it’s the knowledge that the man 26 September 1995. I’m talking to has been (but is, of course, no longer) legally dead. One way or the other, Mark Linkous is creeping me out. This is the most erratic and least Photo by Jen Fariello focused of Linkous’ albums, but * * * * * that’s half the fun. There’s a little something for every mood, This is the story of a band called Sparklehorse and the remarkable man who fronts it, a tale as bipolar as the although it can take a bit of music it spawned. -
Billy Drummond U
Ravi Coltrane I EXCLUSIVE Marian McPartland Book Excerpt DOWNBEAT JACK DEJOHNETTE JACK // RAVI RAVI C OLT R ANE // Jack MA R IAN MCPA IAN DeJohnette’s R TLAN D BIG SOUND // JOEL JOEL Joel Harrison H A rr Endless Guitar ISON // BILLY D BILLY Drum School » Billy Drummond R U mm BLINDFOLD TEST ON D » Bill Stewart TRANSCRIPTION » Tommy Igoe MASTER CLASS » Dan Weiss PRO SESSION NOVEMBER 2012 U.K. £3.50 NOVE M B E R 2012 DOWNBEAT.COM NOVEMBER 2012 VOLUME 79 – NuMBER 11 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
The Passion of Joan of Arc with Adrian Utley, Will Gregory and Charles Hazlewood Supported by Hauser & Wirth Somerset
HAUSER & WIRTH Press Release The Passion of Joan of Arc With Adrian Utley, Will Gregory and Charles Hazlewood Supported by Hauser & Wirth Somerset Wells Cathedral, Somerset, England Friday 7 October 2016, 8 pm Hauser & Wirth Somerset, in collaboration with Adrian Utley (Portishead), Will Gregory (Goldfrapp) and award- winning conductor Charles Hazlewood, presents a special live orchestral performance and film screening in the magnificent medieval setting of Wells Cathedral. Adrian Utley and Will Gregory have devised a new score sound-tracking the dramatic and moving narrative of Danish film director Carl Theodor Dreyer’s ‘The Passion of Joan of Arc’ (1928), which chronicles Joan of Arc’s trial and execution during her captivity in France. Initially commissioned by the Colston Hall and supported by The Watershed, Bristol, the inventive new score will be performed live alongside a screening of the film, led by Charles Hazlewood with members of the Monteverdi Choir, percussion, horns, harp and synthesizers. Wells Cathedral is located at the heart of England’s smallest city, Wells in Somerset, situated 13 miles from Hauser & Wirth Somerset. Cited as one of the earliest English cathedrals to be constructed in Gothic style, the building is a treasured and significant architectural landmark in the south west of England. The distinguished setting will provide a unique opportunity to witness Hazlewood, Utley and Gregory’s breathtaking and inspired production. Located on the outskirts of Bruton, Hauser & Wirth Somerset is an innovative world-class gallery and arts centre that works in partnership with many local institutions, businesses and organisations to foster local creative talent and champion charities related to art, community, conservation and education. -
PALERMO SHOOTING a WIM WENDERS Film Starring CAMPINO GIOVANNA MEZZOGIORNO and DENNIS HOPPER
HanWay Films presents PALERMO SHOOTING A WIM WENDERS film Starring CAMPINO GIOVANNA MEZZOGIORNO and DENNIS HOPPER A Neue Road Movies production in coproduction with P.O.R. Sicilia – REGIONE SICILIANA, AAPIT - Provincia Regionale di Palermo ARTE France Cinéma, ZDF/ARTE in association with Pictorion Pictures, Rectangle, Reverse Angle and Deutscher Filmförderfonds, German Federal Film Board, Filmstiftung Nordrhein-Westfalen, Medienboard Berlin-Brandenburg, MEDIA Program Cast Finn Campino Flavia Giovanna Mezzogiorno Frank Dennis Hopper (in order of apperance) Carla Inga Busch Student Jana Pallaske Hans Axel Sichrovsky Gerhard Gerhard Gutberlet Manager Sebastian Blomberg Erwin Wolfgang Michael Lou Reed lui-même Banker Udo Samel Giovanni Sollima Giovanni Sollima Doctor Alessandro Dieli Crew Written, directed and Wim Wenders produced by Producer Gian-Piero Ringel Executive Producers Jeremy Thomas Peter Schwartzkopff Line Producers Marco Mehlitz Gianfranco Barbagallo Director of Photography Franz Lustig Production Designer Sebastian Soukup Editors Peter Przygodda Oli Weiss Costume Designer Sabina Maglia Original Filmscore by Irmin Schmidt Music Supervisors Milena Fessmann & Beckmann Screenplay co-written by Norman Ohler PALERMO SHOOTING is Wim Wenders most personal film for a long time. Intimate, adventurous and full of surprises. A road movie starring Campino, Giovanna Mezzogiorno and Dennis Hopper. A roman- tic thriller dealing with life and death and the ultimate salvation through love. After 12 years in which Wim Wenders made all his feature -
Activity & Achievements
Activity & Achievements Introduction ‘Watershed is one of the most culturally upbeat and lively venues in the UK.’ Mark Kermode, Journalist /Film Critic Watershed opened on 7th June 1982 in the first floor of two refurbished Grade II listed dockside sheds on Bristol’s historic harbourside - the same year saw the launch of Channel 4, the Commodore 64 and Sony’s first CD player. Watershed opened as Britain’s first Media Centre, championing independent media creativity and emergent art forms. It has held to the founding principles of open access, cultural diversity and innovation, forging an international reputation for developing audiences, ideas and talent. Stormy Shed. ‘ Watershed has been a beacon for film and the arts more generally. It has been Photography by Toby Farrow consistently ahead of the pack in the way it meets the needs of audiences and has delivered real benefit not just to Bristol and the South West but to the UK’s creative economy as a whole.’ Lord Puttnam of Queensgate, CBE Since 1999, the original focus on film and photography has developed to embrace cultural and technical change enabled by digital technologies. Working with Bristol based companies and individuals from the local creative cluster, and researchers from University of Bristol Computer Science and University of the West of England Arts & Creative Industries, Watershed has become a pioneer in producing digital creativity collaborations crossing cultural, commercial and academic sectors. ‘ Watershed is a prime example of a highly connected, flexible, porous piece of cultural and creative infrastructure. Watershed is more than just an arts cinema. It Electric December Ambassadors. -
Prospectus - Scotland
build your career in music PROSPECTUS - SCOTLAND www.academyofmusic.ac.uk Contents ABOUT THE ACADEMY 4-5 SHORT COURSES 8-9 HND MUSIC 12-13 BA (HONS) MUSIC & SOUND 14-15 M.MUS POPULAR MUSIC PERFORMANCE 16-17 ENRICHMENT PROGRAMME 18 STUDENT SUPPORT 19 MUSIC CAREERS 20 SKILLS 21 EDINBURGH 22 EXETER 22 GATESHEAD 23 GLASGOW 23 SOUTHAMPTON 24 ONLINE 24 HOW TO APPLY 26-27 FEES & FINANCE 28 ACCOMMODATION 29 CONTACT 30 2 - build your career in music 3 About Our students are at the heart of the Academy of Music and Sound, supported by our team of dedicated tutors. We offer specialist music performance and SPECIALISE IN: production education, preparing you for a career in the modern music industry. Founded in 1994, the Academy of Music and Sound offers music education by professional musicians for ages 16-19, through to undergraduate and postgraduate study in Edinburgh, Exeter, Gateshead, Glasgow, Southampton, PERFORMANCE and Online. With UK artists dominating the global music scene and the increasing popularity PRODUCTION of festivals and live music bringing £4bn into the UK economy, it is an exciting industry for those looking for a fulfilling vocation. There are a huge range of career paths for you to follow, from performance, songwriting and production through to BUSINESS stage management and sound engineering. AMS alumni are now successfully within the UK and global music industry. Notable alumni include: • Tristan Evans - Drummer in Virgin EMI-signed band The Vamps – He is also the producer on many of their songs. They have launched their own record label and played in stadiums across the world. -
Portishead Dummy Mp3, Flac, Wma
Portishead Dummy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Dummy Country: US Released: 1994 Style: Trip Hop, Abstract, Downtempo MP3 version RAR size: 1107 mb FLAC version RAR size: 1568 mb WMA version RAR size: 1144 mb Rating: 4.7 Votes: 572 Other Formats: MP2 ADX AA DMF AC3 MMF AU Tracklist Hide Credits Mysterons 1 Drums – Clive DeamerElectric Piano [Rhodes] – Geoff BarrowGuitar, Theremin – Adrian 5:02 UtleyWritten-By – A Utley*, B Gibbons*, G Barrow* Sour Times Electric Piano [Rhodes], Organ [Hammond] – Neil SolmanGuitar – Adrian 2 4:11 UtleyProgrammed By – Geoff BarrowWritten-By – A Utley*, B Gibbons*, G Barrow*, L Schifrin*, O Turner*, H Brooks* Strangers 3 Drums – Clive DeamerElectric Piano [Rhodes] – Geoff BarrowGuitar – Adrian UtleyWritten- 3:55 By – A Utley*, B Gibbons*, G Barrow*, W Shorter* It Could Be Sweet 4 Drum Programming – Richard Newell Electric Piano [Rhodes] – Geoff BarrowWritten-By – B 4:16 Gibbons*, G Barrow* Wandering Star Drums – Clive DeamerGuitar – Adrian UtleyOrgan [Hammond] – Gary BaldwinProgrammed 5 4:51 By – Geoff BarrowWritten-By – B B Dickerson*, B Gibbons*, C Miller*, G Barrow*, H Brown*, H Scott*, J Goldstein*, L Oskar*, L Jordan*, P D Allen* It's A Fire 6 Bass – Adrian UtleyDrums – Geoff BarrowOrgan [Hammond] – Gary BaldwinWritten-By – A 3:48 Utley*, B Gibbons*, G Barrow* Numb 7 Bass – Adrian UtleyDrums – Clive DeamerOrgan [Hammond] – Gary BaldwinProgrammed 3:54 By, Drums – Geoff BarrowWritten-By – A Utley*, B Gibbons*, G Barrow* Roads Drums – Clive DeamerElectric Piano [Rhodes]