Inside Lights on the Building of San Diego's Exposition: 1935
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1949 Chicago Railroad Fair Official Guide Book Wheels A-Rolling
2nd GREAT YEAR The Chicago Railroad Fair IS PRESENTED BY The Atchison, Topeka & Santa Fe Railway System Illinois Central Railroad The Baltimore and Ohio Railroad Company Lake Superior & Ishpeming Railroad Company The Boston and Maine Railroad Maine Central Railroad Company Durlington Lines Minneapolis & St. Louis Railway The Chesapeake and Ohio Railway Company The Monongahela Railway Company Chicago & Eastern Illinois Railroad New York Central System Chicago Great Western Railway Nickel Plate Road- The New York, Chicago and St. Louis Chicago & Illinois 1idland Railway Company Railroad Company Chicago, Indianapolis & Louisville Railway Company- Norfolk Southern Railway Company Monon Northern Pacific Railway Company Chicago, Milwaukee, St. Paul and Pacific Railroad Pennsylvania Railroad Company The Pittsburgh & West Virginia Railway Company Chicago And Nnrth Western Railway System The Pullman Company The Colorado & Wyoming Railway Company Rock Island Lines- Ch icago, Rock Island and Pacific Denver and Rio Grande Western Railroad Railroad Duluth, Missabe and Iron Range Railway Company Soo Line-Minneapolis, St. Paul & Saulte Ste. Marie Elgin, Joliet and Eastern Railway Company Railroad Erie Railroad Spokane, Portland and Seattle Railway Company Grand Trunk Railway ystem The Texas-Mexican Railway Company Great Northern Railway Company Union Pacific Railroad Green Bay & Western Lines Wabash Railroad Company Gulf, Mobile and Ohio Railroad- The Alton Route Western Pacific Railroad Company OFFICERS President LENOX R. LOHR President, Museum of Science and Industry Vice-President Treasurer Secretary R. L. WILL IAMS WAYNE A_ JOH STON G. M. CAMPBELL President, Chicago And President, Illinois Vice-Pres. and Exec. Rep. North Western Railway System Central Railroad The Baltimore and Ohio Railroad Company DIRECTORS ARTHUR K. -
1935 California Pacific International Exposition Excerpts from San Diego’S Balboa Park by David Marshall, AIA February 17, 2009
1935 California Pacific International Exposition Excerpts from San Diego’s Balboa Park by David Marshall, AIA February 17, 2009 ■ Summary Still feeling the effects from the Great Depression in 1933, San Diego’s civic boosters be lieved that another expo sition in Balboa Park would help the economy and promote the city as a business and tourist destination. The 1935 California Pacific International Exposition, also known as America’s Exposition, was born. The new buildings were paid for in part by the first WPA funds allocated to an American city. Balboa Park was re-configured by San Diego architect Richard S. Requa who also oversaw the design and construction of many new buildings. The second exposition left behind a legacy of colorful stories with its odd and controversial exhibits and sideshow entertainment. America’s Exposition also provided visitors with early glimpses of a walking silver robo t and a strange electrical device known as a “television.” Only two years after it was first conceived, the 1935 California Pacific International Exposition opened on May 29, 1935. Like the first exposition, the 1935 fair was so successful it was extended for a second year. Opening ceremonies for the second season began when President Franklin D. Roosevelt pressed a gold t elegraph ke y in the White House to turn on the exposition’s lights. When the final numbers were tallied, the 1935-1936 event counted 6.7 million visitors – almost double the total of the 1915-1916 exposition. ■ Buildings Constructed for the 1935 Exposition House of Hospitality Courtyard. For this popular patio, architect Richard Requa literally carved o ut the center of the hangar-like 1915 Foreign Arts Building and opened it to the sky. -
San Diego's Bygone Burlesque: the Famous
San Diego’s Bygone Burlesque: The Famous Hollywood Theatre1 Winner of the Joseph L. Howard Memorial Award by Jaye Furlonger Burlesque, one of America’s most significant contributions to popular entertainment in the pre-radio and television era, played an important role in San Diego’s social and cultural history. The legendary Hollywood Theatre put the city on the map as one of the best places in the entire country to find “big time” burlesque, often referred to as the “poor man’s musical comedy.”2 During the 1940s and 1950s, it became a major stopping point on the West Coast circuit for such big-name striptease artists as Tempest Storm, Betty Rowland, and Lili St. Cyr.3 The 1960s, however, brought an end to its “golden era,” and by 1970 the Hollywood was the last great burlesque palace to close on the West Coast. The construction of Horton Plaza in the 1980s eliminated any visible trace of the colorful, bygone world that existed at 314-316 F Street. People now park their cars where the Hollywood once stood and look to shopping and movies for entertainment, not musical comedy. The glamorous headlining striptease artists seductively advertised on the marquee and the droves of young sailors who crowded the sidewalk lining up to see pretty girls and comics have faded into the past. Early burlesque takes root in San Diego: 1880s – 1920s The first American burlesque shows developed in eastern metropolitan centers during the late nineteenth century. The shows played on people’s desires to laugh and lust, the key factors that helped spread its popularity to the far reaches of the country, despite its perceived threat to the social and moral order. -
Pioneertown Mane Street Historic District
NPS Form 10-900 OMB Control No. 1024-0018 expiration date 03/31/2022 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: _Pioneertown Mane Street Historic District DRAFT Other names/site number: N/A Name of related multiple property listing: N/A ___________________________________________________________ (Enter "N/A" if property is not part of a multiple property listing ____________________________________________________________________________ 2. Location Street & number: _Mane Street____________________________________________ City or town: _Pioneertown_ State: __California _County: _San Bernardino___________ Not For Publication: Vicinity: ____________________________________________________________________________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this nomination ___ request for determination of eligibility meets the documentation standards for registering properties -
DESCEND INTO the DEEP Adventure Into the Newly Opened Limestone Caves Mitchell Caverns
THIS AIRBNB DOUBLES AS A NEW TAKES FOR OUTPOST PROJECTS CONTEMPORARY ART GALLERY TAROT TRENDS MODERN READINGS March 2018 DESCEND INTO THE DEEP Adventure into the newly opened limestone caves Mitchell Caverns. MARCH 2018 $3.95 US desertsun.com/desertmagazine 0018_000_Cover_V3.indd 1 2/19/18 3:23 PM 0018_000_Cover_V3.indd 2 2/19/18 5:05 PM 0018_001-005_Contents_V3.indd 1 2/19/18 2:22 PM 2 | DESERT • March 2018 0018_001-005_Contents_V3.indd 2 2/19/18 2:22 PM 0018_001-005_Contents_V3.indd 3 2/19/18 2:22 PM CONTENTS MARCH 2018 6 A Letter from the Editor 8 Calendar March events 10 In the News Dispatches from the desert 12 Fashion Grab a graphic tee from local shops 14 Natural Beauty Sandee Ferman and Callie Milford, the mother-daughter duo behind vegan skin care line No Tox Life, give us the lowdown on an all-natural lifestyle 18 Sip Didn’t think Joshua Tree recording studio Rancho de la Luna could get any cooler? Meet its new mezcal 20 Wellness 30 JOURNEY TO THE CENTER Modern tarot readers turn to a centuries-old cartomancy technique to Words by Rick Marino facilitate personal growth and healing Photographs by Lance Gerber 24 Art Veteran band tour manager Rick Marino drives us to Essex to In Joshua Tree, artist Angel Chen is descend into the now-open Mitchell Caverns. cultivating a life and practice connected to nature 28 Looking Back The legend – and truth – of original desert rat, Harry Oliver 56 Final Thoughts One artist’s take on how we seek – and find – beauty in the desert VOLUME 17 ISSUE 3 EDITOR PRESIDENT/PUBLISHER KRISTIN SCHARKEY MARK J. -
Disneyland, 1955: the Place That Was Also a TV Show
Disneyland, 1955: The Place That Was Also a TV Show he opening-r openings-of the new amusement park in Southern California did not go well. On July 13, a Wednes 1- day, the day of a private thirtieth anniversary party for Walt and Lil, Mrs. Disney herself was discovered sweeping the deck of the riverboat Mark Twain as the first guests arrived for a twilight shake down cruise. On Thursday and Friday, during gala pre-opening trib utes to Disney film music at the Hollywood Bowl, workmen back in Anaheim, some twenty-three miles away, struggled to finish paving the streets that would soon lead to Fantasyland,Adventureland, Fron tierland, and Tomorrowland; last-minute strikes had compelled the builders to haul in asphalt all the way from San Diego.' The invitation-only press preview and dedication, broadcast over a coast-to-coast TV hookup on July 17, was a disaster from start to finish. At dawn, with carpenters and plumbers still working against the clock, traffic on the freeway was backed up for seven miles, and gridlock prevailed on the secondary roads surrounding the former orange grove along Harbor Boulevard. Studio publicists had issued twenty thousand tickets to reporters, local dignitaries, Disney em ployees, corporate investors, and Hollywood stars-including Eddie Fisher and Debbie Reynolds, Lana Turner, Danny Thomas (from the new television elite), and Frank Sinatra. But by mid-morning more than thirty thousand people were already packed inside the earthen 88 /izlSeenon TV Disneyland, 1955 89 berm that was supposed to seal off Disney’s domain from the cares The Dateline Disnqland special had “captured some fun and fantasy, of the outside world. -
The Globe Players in Balboa Park by Darlene Gould Davies
The Globe Players in Balboa Park By Darlene Gould Davies I acted in the first play at the Old Globe as a permanent theater in 1937 (after the closing of the Exposition of 1935-36). I was an actor in 1937-38, but I was also a stage manager, helped with sets and props—I lived at the theatre! Then when the Globe’s director was called up by the Navy, I was chosen to be producing director—a job which I did, basically, for the next 65 years…(though my title changed). Craig Noel in 20051 Seventy-five years have passed since the 1935 California Pacific International Exposi- tion in Balboa Park and the first appearance of the Globe Players in the newly built Old Globe Theatre.2 The Globe Players moved to San Diego from Chicago where they had performed edited versions of Shakespeare’s plays in an Elizabethan-themed “Merrie England” exhibit at the 1933-34 “Century of Progress Exposition” in Chicago. Word of their popularity reached San Diegans who were busily planning an exposition to open the next year. According to theatre critic Welton Jones, “the operators of the 1935 California Pacific International Exposition in San Diego lured them to Balboa Park The Globe Players performed edited versions of 3 Shakespeare’s plays at the 1935 California Pacific hoping to duplicate their success.” International Exposition in Balboa Park. This Abbreviated Shakespeare productions postcard, signed by Rhys Williams, was collected as fit nicely with a great array of attractions in a souvenir. Courtesy of Michael Kelly. Balboa Park. -
Trails and Tales of Balboa Park
Trails and Tales of Balboa Park Linda Bradley Dowdy and Anne Stephens Vafis “Wherever you live, wherever you grew up, wherever you first loved horses, the Balboa Park story will ring familiar bells for you. For those of us of ‘a certain age,’ this is how we learned to ride and love the Saddle Horse.”1 Until 1960, when a freeway interchange altered the southwest corner of Balboa Park, horse stables and 17 miles of bridle paths attracted equestrian enthusiasts, young and old. The county boasted an estimated 9,500 riding horses and 33 organized clubs.2 This article describes the people, events, and activities enjoyed by generations of San Diego horse lovers and their friends. Balboa Park’s first stable was located next to the San Diego Zoo, in the vicinity of the current Spanish Village. Dr. Harry M. Rachel Wegeforth, founder of the Silvergate Riding Club, Wegeforth, founding president on horseback, September 14, 1925. ©SDHC UT #8164. of the Zoological Society of San Diego, and his wife Rachel stabled their horses at the facility, known as Balboa Park Riding Academy. The Panama California Exposition (1915) had concluded while the California-Pacific International Exposition (1935) had yet to begin. In 1924, Rachel G. Wegeforth founded a private equestrian society, the Silvergate Linda Bradley Dowdy was born in La Jolla and spent most of her life on a horse, riding at Balboa Park Stables. After her own showing career, Linda trained many juvenile equitation riders. Linda currently lives in Rancho Santa Fe. Anne Stephens Vafis developed a passion for horses at an early age and spent much of her teens training at Balboa Park Stables. -
A History of Placer Mining in Arizona
Chapter Eight A History of Placer Mining in Arizona ©1987 by H. Mason Coggin A Few Observations technical expertise was carefully avoided. Staffing for the The technology for mining placer gold has been in use expedition consisted almost entirely of unlanded since civilization rooted itself over 3,500 years ago. The gentlemen, family members of political friends, a few tools are simple; a stick is used for digging and a scraper green soldiers and clergy. is used to transfer material to a calabash where it is The expedition failed to find even the first nugget. Cor washed and the gold recovered. These primitive methods onado was never paid for his efforts in the "Glory of God are still in use in some of the third world countries, un and the King of Spain". He was never given another ex changed by technological advancements. pedition and died a failure in the eyes of all Mexico. Recently, in West Africa, depression and a sharp Had his expedition been staffed with prospectors, drought, brought about a revival of placer gold mining. miners and technical types, who can say how many The combination of depression and placer mining are deposits he would have discovered as he passed through bringing major economic and political reforms to West these mineralized lands. Africa. This same combination has led to socio-economic His failure discouraged further exploration of the reform throughout history. Pimeria Alta for two centuries and this was probably one It is not the discovery of gold that sets .off a gold rush of the reasons why it was so poorly colonized before the but the conditions which make gold valuable. -
National Register Off Historic Places Inventory—Nomination Form 1
FHR-8-300 (11-78) United States Department of the Interior Heritage Conservation and Recreation Service National Register off Historic Places Inventory—Nomination Form See instructions in How to Complete National Register Forms Type all entries—complete applicable sections_______________ 1. Name * -*————~—-^ x \ historic Robert E. [Lee Hotel jfLyceum TheaterJ and/or common Commodore Hotel/Lyceum Theater 2. Location street & number 815 Third Ave. (Hotel) & 314 "F" Street (Theater) not for publication city, town San Diego vicinity of congressional district 41st (Rep. Wilson) state California code 06 county San Diego code 073 3. Classification Category Ownership Status Present Use district public X occupied agriculture museum x building(s) x private unoccupied x commercial park structure both work in progress educational private residence site Public Acquisition Accessible X entertainment religious object in process yes: restricted government scientific x being considered yes: unrestricted industrial transportation no military X other'r Hotel 4. Owner of Property name Margaret A. Alien street & number 1010 Second Avenue, Suite 1917 city, town San Diego vicinity of state California 92101 5. Location off Legal Description courthouse, registry of deeds, etc. County Administration Building, County Recorders Office street & number 1600 Pacific Highway city, town San Diego state California 92101 6. Representation in Existing Surveys None Known title has this property been determined elegible? __ yes __ no date federal __state __county __local depository for survey records city, town state 7. Description Condition Check one Check one excellent deteriorated unaltered original site x. good . ruins x altered moved date November 1979 fair gnexposed Describe the present and original (iff known) physical appearance General The Commodore/Lyceum occupies Lots E & F, Block 63, Horton's Addition in the City of San Diego, and measures 100' x 100'. -
Chinese Representation at San Diego's 1915 and 1935 Expositions in Balboa Park
CALIFORNIA STATE UNIVERSITY SAN MARCOS THESIS SIGNATURE PAGE THESIS SUBMITTED IN PARTIAL FULFILLMENT Or- THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS IN HISTORY THESIS TITLE: From Underground Chinatown to Hall of China: Chinese Representation at San Diego's 1915 and 1935 Expositions in Balboa Park AUTHOR: Michael Yee DATE OF SUCCESSFUL DEFENSE: May 13, 2020 THE THESIS HAS BEEN ACCEPTED BY THE THESIS COMMITTEE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN HISTORY. r.litt /1/affJ. Dr. Jill Watts Jill Watts (May 13, 2020) 05/13/2020 THESIS COMMITTEE CHAIR SIGNATURE DATE 05/13/2020 Dr. Jeff Charles �� Tl IESIS COMMITTEE MEMBER SIGNATURE DATE zfuwe-?Xuw- 05/13/2020 Dr. Zhiwei Xiao Zhiwei Xiao (May 13, 2020) THESIS COMMITTEE MEMBER SIGNATURE DATE From Underground Chinatown to Hall of China: Chinese Representation at San Diego’s 1915 and 1935 Expositions in Balboa Park A thesis presented by Michael Yee to The Department of History in partial fulfillment of the requirements for the degree of Master of Arts in the subject of History California State University, San Marcos San Diego, California Thesis Advisor: Dr. Jill Watts Committee Members: Dr. Jeffrey Charles and Dr. Zhiwei Xiao May 13, 2020 1 Advisor: Dr. Jill Watts Michael Yee From Underground Chinatown to Hall of China: Chinese Representation at San Diego’s 1915 and 1935 Expositions in Balboa Park Abstract “From Underground Chinatown to Hall of China” explores the representation of the Chinese and Chinese Americans in San Diego’s two expositions in Balboa Park. The first, the 1915-16 Panama-California Exposition (PCE), degraded the Chinese as the enigmatic “Celestials” and, at the time, the community that composed Chinatown had little agency. -
Balboa Park Remembered
San Diego Magazine December 1997 http://www.sandiegomagazine.com/media/San-Diego-Magazine/December- 1997/Balboa-Park-Remembered/ Balboa Park Remembered By Virginia Butterfield The life-size cow made of butter. Band concerts with Mr. Sousa conducting. Japanese tea gardens. Tasty scones filled with strawberry jam. “Ricksha” boys pushing visitors in two-seater wicker chairs on wheels. When the House of Hospitality’s Betty Peabody, a board member for 27 years, recently solicited comments from the citizenry on their memories of those early days, she was well rewarded. “My first memory of the California Building was in the year 1915,” says Dr. Spencer Rogers of Point Loma. “I was 10 years old. I recall the prehistoric-man busts in the Science of Man hall and the candy vending machine at the entrance. As I look back over the decades, I guess I was most impressed by the busts of Neanderthal man and Cro-Magnon man, still well preserved.” Hamilton Marston (a famous San Diego name—remember the Marston’s store?)—recalls being carried home over the Cabrillo Bridge as a sleepy 5-year-old “in the arms of a parent, under a night sky brightened by exploding fireworks and the lights of the bridge and the California Tower.” Ellen Revelle Eckis (the late Roger Revelle, the “father” of UCSD, was her husband) remembers a cow made of butter. She recalls the Midget Village and being picked up and deposited in the midst of the midgets to show that the adult woman was the size of a 5- year-old child.