Catalogue of Grainger Works for Brass instrumentation (with or without voices and/or other instruments)

Abbreviations used:

AMFS = American Folk-Music Setting BFMS = British Folk-Music Setting CGW = Chosen Gems for Winds DFMD = Danish Folk-Music Setting EGM = English Gothic Music KS = Kipling Setting OEPM = Old English Popular Music (William Chappell) RMTB = Room Music Tit Bits S = Sentimentals SCS = Sea Chanty Setting YT = Youthful Tonework

Publishers’ information may be found at the end of the catalogue Scoring information in italics indicates optional instruments

Original Works and Folk-Music Settings:

AFTERWORD [5’00”] BE Full scoring: 3 horns; 3 (or ); 3 ; ; ; women’s and men’s unison chorus

ARRIVAL PLATFORM HUMLET (RMTB 7) [ 2’30”] (arr. David Stanhope) n/a Full scoring: horn; 2 trumpets (or cornets); ; bass trombone

AS SALLY SAT A-WEEPING (BFMS) [1’00”] (arr. Joseph Kreines) Southern Full scoring: horn; 2 trumpets (or cornets); trombone; tuba

AUSTRALIAN UP-COUNTRY SONG [2’00”] (arr. Glenn Cliffe Bainum) Schirmer Full scoring: 2 horns; 2 trumpets (or cornets); 2 trombones; baritone; tuba

BLITHE BELLS (after J. S. Bach’s Sheep may safely graze) [3’30”] Schott Full scoring: horn (or E horn); 2 trumpets in B; trombone; 2 , 4 hands + ; harmonium (or pipe-Organ); metal (or vibraphone); wooden marimba; (or dulcitone or ); harp [with or without strings: 2.1.1.1.]

BRIGG FAIR (BFMS 7) [3’45”] (arr. Leroy Osmon) n/a Full scoring: brass sextet

CAMP, THE (BFMS – Welsh Fighting Song No. 1) [real. by Chalon Ragsdale] BE Full scoring: 4 horns; 3 trumpets; 3 trombones, euphonium; tuba; men’s unison chorus; satbb chorus; 2 guitars

CHILDREN’S MARCH “Over the Hills and Far Away” (RMTB 4) [6’30”] BE Full Scoring: 4 cornets; 4 horns; 3 trombones; euphonium; ; 2 pianos, 4 hands + ; chimes; side-drum; wood block; ; castanets; bells; bass-drum; (crash and suspended); gong; ; [with or without male voice quartet]

COLONIAL SONG (S1) [6’00”] Schott Full scoring: 4 horns; 3 trumpets (or cornets); 3 trombones; tuba; piano solo + timpani; cymbals; 1 or 2 harps; [with or without 2 voices (or ) and/or strings: 2.1.1.1.]

COUNTY DERRY AIR (BFMS 29) [6’00”] BE Full scoring: euphonium; baritone sarrusophone; contra-sarrusophone; 4 women’s single voice or women’s small chorus; men’s small chorus; harmonium (or pipe-organ) [with or without strings: 3.1.0.0.] or: 4 or more horns; 3 trombones; alto sarrusophone; baritone sarrusophone; tuba; contra-sarrusophone; ; women’s large chorus; men’s unison chorus; pipe-organ [with or without strings: 3.1.0.0.] or: 4 E horns; euphonium; baritone; trombones; alto sarrusophone; baritone sarrusophone; E and BB basses; contra-sarrusophone; trumpets; women’s large chorus; men’s unison chorus; pipe-organ or: for 6 or more brass instruments; pipe-organ (or harmonium) [without voices]

DOLLAR AND A HALF A DAY (SCS 2) [3’30”] (arr. Joseph Kreines) JK Full scoring: trombone choir

DUKE OF MARLBOROUGH FANFARE (BFMS 36) [2’15”] Schott Full scoring: 4 horns; 3 or 4 trumpets (or cornets); 3 trombones; euphonium (or baritone); Tuba; ; double bass

DUKE OF MARLBOROUGH FANFARE (BFMS 36) [2’15”] (edited Joseph Kreines) JK Full scoring: brass choir

EARLY ONE MORNING (BFMS) [3’30”] (arr. Joseph Kreines) JK Full scoring: trombone choir

GREEN BUSHES (BFMS 25) [8’30”] Schott Full scoring: 2 horns (or E horns); 2 trumpets in B; 2 pianos, 6 hands + timpani; side-drum; bass-drum; cymbals; xylophone; harmonium (or pipe-organ) [with or without strings]

HANDEL IN THE STRAND (RMTB 2) [4’00”] (arr. Joseph Kreines) JK Full scoring: trombone choir

HARVEST HYMN [3’30”] Schott Full scoring: [all instruments singly or massed] trumpet (or or fluegelhorn); horn (or E horn); trombone (or baritone or euphonium); harmonium (or pipe-organ); piano [with or without voices and/or strings: 2.1.2.1.]

HUNTER IN HIS CAREER, THE (OEPM 3) [2’30”] (arr. Chalon Ragsdale) n/a Full scoring: low brass choir

I’M (BFMS 8) [ 3’00”] Schott Full scoring: 4 horns (or tenor or baritone horns); 2 or 3 trumpets (or cornets); 3 trombones; 2 tubas (or euphonium and BB or E bass); timpani; side-drum; cymbals; sattbb chorus

I’M SEVENTEEN COME SUNDAY (BFMS 8) [3’00”] (arr. Paul Webster) BE Full scoring: 2 horns; 2 trumpets; 3 trombones; tuba; sattbb chorus

IRISH TUNE FROM COUNTY DERRY (BFMS) [4’00”] (arr. R. P. Block) Phil Full scoring: trumpet solo or fluegelhorn solo or horn solo or euphonium solo or tuba solo IRISH TUNE FROM COUNTY DERRY (BFMS) [4’00”] (arr. R. P. Block) Phil Full scoring: trumpet and trombone or trumpet and euphonium

IRISH TUNE FROM COUNTY DERRY (BFMS) [4’00”] (arr. R. P. Block) Phil Full scoring: 10 trumpets or 10 horns or 10 trombones

IRISH TUNE FROM COUNTY DERRY (BFMS) [4’00”] (arr. R. P. Block) Phil Full scoring: horn; 2 trumpets (or cornets); trombone; tuba

IRISH TUNE FROM COUNTY DERRY (BFMS) [4’00”] (arr. R. P. Block) Phil Full scoring: 10-part brass choir

IRISH TUNE FROM COUNTY DERRY (BFMS) [4’00”] (arr. B. Haynes) n/a Full scoring: low brass choir

IRISH TUNE FROM COUNTY DERRY (BFMS) [4’00”] (arr. Joseph Kreines) Southern Full scoring: brass choir

IRISH TUNE FROM COUNTY DERRY (BFMS) [4’00”] (arr. Andrew Rafalski) n/a Full scoring: brass quintet

IRISH TUNE FROM COUNTY DERRY (BFMS) [4’00”] (arr. Dennis Wright) Schott Full scoring: E soprano cornet; 3 solo B cornets; repiano B and fluegelhorn; 2nd and 3rd B cornets; solo E horn; 1st and 2nd E horns; 2 B baritones; 2 trombones; bass trombone; euphonium; 2 E basses; 2 BB basses; side-drum; bass-drum;

JUTISH MEDLEY (DFMS 9) [ 7’30”] Schott Full scoring: 4 horns (or E horns); 3 trumpets; 3 trombones; euphonium; tuba; 2 pianos, 6 hands + side-drum; bass-drum; cymbals; wood block; xylophone; glockenspiel; celesta (or dulcitone); wooden marimba; metal marimba (or vibraphone); tubular chimes; staff bells; harmonium (or pipe-organ); harp [with or without strings: 2.1.1.1.]

LINCOLNSHIRE POSY (FMS 34) [15’30”] (arr. Dennis Ferry) n/a Full scoring: horn; 2 trumpets (or cornets); trombone; tuba (or bass trombone)

LISBON (DUBLIN BAY) (BFMS 40) [1’15”] BE Full scoring: horn (or E horn); 2 trumpets (or cornets); baritone (or trombone I); Euphonium (or trombone II)

LISBON (DUBLIN BAY) (BFMS 40) [1’15”] (arr. Joseph Kreines) Southern Full scoring: horn; 2 trumpets (or cornets); trombone; tuba

LORD MAXWELL’S GOODNIGHT (BFMS) [3’30”] (arr. Joseph Kreines) JK Full scoring: trombone choir

MARCHING TUNE (BFMS 9) [4’30”] Schott Full scoring: 4 horns (or tenor or baritone horns); 3 cornets (or trumpets); 2 trombones; Bass trombone (or euphonium or E bass); tuba (or BB bass); satbb chorus

MOCK MORRIS (RMTB 1) [3’30”] Schott Full scoring: 1 or 2 horns; 1 or 2 cornets; trombone; piano solo; double-bass; side-drum; bass-drum; cymbals; xylophone (or bells or celesta) [with or without strings]

MOCK MORRIS (RMTB 1) [3’30”] (arr. Dennis Wright) Schott Full scoring: E soprano cornet; 3 solo B cornets; repiano B and fluegelhorn; 2nd and 3rd B cornets; solo E horn; 1st and 2nd E horns; 2 B baritones; 2 trombones; bass trombone; euphonium; 2 E basses; 2 BB basses; side-drum; bass-drum; (BFMS 1) [3’30”] Schott Full scoring: 4 horns; 1 or 2 trumpets (or cornets); 3 trombones; tuba; piano solo (or special pianola arrangement); timpani; glockenspiel; xylophone; side-drum; bass-drum; cymbals; celesta; resonaphone (or marimbaphone or bells) [with or without strings]

MO NIGHEAN DUBH (SON) [5’00”] (arr. Chalon Ragsdale) n/a Full scoring: low brass choir

PEACE (YT) [2’50”] (arr. David Stanhope) n/a Full scoring: horn; 2 trumpets (or cornets); trombone; bass trombone

POWER OF LOVE, THE (DFMS 2) [3’45”] (arr. Leroy Osmon) n/a Full scoring: brass sextet and

SEA-WIFE, THE (KS) [3’00”] BE Full scoring: 4 horns (or tenor or baritone horns); 3 cornets (or trumpets – 1st can be replaced with E soprano cornet); 3 trombones; 2 tubas; E bass; BB bass; timpani; satb chorus with divisi

SEA-WIFE, THE (KS 22) [3’00”] Schott Full scoring: 4 horns; 2 or 3 trumpets (or cornets); 3 trombones; tubas; baritone; euphonium; timpani; satb chorus with divisi [with or without strings: 2.2.2.1.]

SHEPHERD’S HEY! (BFMS) [2’00”] (arr. David Stanhope) CH Full scoring: horn; 2 trumpets (or cornets); trombone; bass trombone

SHEPHERD’S HEY! (BFMS) [2’00”] (arr. Denis Wick) n/a Full scoring: horn; piccolo trumpet; 2 trumpets (or cornets); fluegelhorn; 3 trombones; Bass trombone; tuba

SHEPHERD’S HEY! (BFMS) [2’00”] (arr. Dennis Wright) Schott Full scoring: E soprano cornet; 3 solo B cornets; repiano B and fluegelhorn; 2nd and 3rd B cornets; solo E horn; 1st and 2nd E horns; 2 B baritones; 2 trombones; bass trombone; euphonium; 2 E basses; 2 BB basses; side-drum; bass-drum; cymbals; triangle; xylophone; tubular bells

SIX DUKES WENT A-FISHIN’ (BFMS 11) [2’45”] (arr. Joseph Kreines) Southern Full scoring: horn; 2 trumpets (or cornets); trombone; tuba

SPOON RIVER (AMFS 1) [ 4’00”] Schott Full scoring: horn (or E horn); trumpet; 3 trombones; tuba; 2 pianos; harmonium (or pipe-organ); timpani; side-drum; bass-drum; cymbals; glockenspiel; staff bells; metal marimba; tubular chimes; xylophone; wooden marimba; harp [with or without strings: 3.1.2.1.]

SUSSEX MUMMERS’ XMAS CAROL (BFMS) [2’00”] (arr. R. P. Block) Phil Full scoring: horn; 2 trumpets (or cornets); trombone; tuba

SUSSEX MUMMERS’ XMAS CAROL (BFMS) [2’00”] (arr. Joseph Kreines) Southern Full scoring: horn; 2 trumpets; trombone; tuba

SUSSEX MUMMERS’ XMAS CAROL (BFMS) [2’00”] (arr. Joseph Kreines) JK Full scoring: brass choir

THERE WAS A PIG WENT OUT TO DIG (BFMS 18) [2’00”] (arr. Joseph Kreines) n/a Full scoring: horn, 2 trumpets; trombone

THERE WAS A PIG WENT OUT TO DIG (BFMS 18) [2’00”] (arr. David Stanhope) n/a Full scoring: horn; 2 trumpets; trombone; bass trombone

THERE WAS A PIG WENT OUT TO DIG (BFMS 18) [2’00”] (arr. ?) n/a Full scoring: trombone quartet

TIGER-TIGER (KS) [1’00”] BE Full scoring: 2 trumpets; 3 trombones; baritone; tuba

WALKING TUNE (RMTB 3) [4’00”] (arr. R. P. Block) Phil Full scoring: trumpet (or cornet) solo or euphonium solo or tuba solo

WALKING TUNE (RMTB 3) [4’00”] (arr. R. P. Block) Phil Full scoring: horn; 2 trumpets (or cornets); trombone; tuba

WE HAVE FED OUR SEA FOR A THOUSAND YEARS (KS 2) [3’00”] Schott Full scoring: 4 horns; 2 or 3 trumpets (or cornets); 3 trombones; euphonium; Tuba; satbbb chorus [with or without strings]

YE BANKS AND BRAES (BFMS 32) [2’30”] BE Full scoring: 3 cornets; 3 trumpets; 2 fluegelhorns; 4 horns (or E horns); 3 trombones; baritone; euphonium; tubas; basses (E and BB); harmonium (or pipe-organ) [with or without voices and or/strings: 4.2.4.1.]

Arrangements of other composers’ music:

ALLELUIA PSALLAT (Anonymous) [EGM] BE Full scoring: brass choir (3 or 6 parts)

ANGELUS AD VIRGINEM (Anonymous) [EGM] BE Full scoring: brass choir (3 or 6 parts)

BALLADE NO. 17 (Guillaume de Machaut) [CGW] BE Full scoring: brass choir

BEATA VISCERA (Anonymous) [EGM] BE Full scoring: brass choir (3 or 6 parts)

BERNARDINA, LA (Josquin des Prés) [CGW] BE Full scoring: brass choir

CAMP AT POMPEY, The “Fanfare from Antony and Cleopatra”(Florent Schmitt) BE Full scoring: 3 trumpets

DOWN LONGFORD WAY (Katherine Parker) BE Full scoring: 4 horns; 2 trumpets; 3 trombones; tuba; organ (or harmonium or piano); cymbals; side-drum [with or without strings]

FIVE-PART FANTASY (John Jenkins) [CGW] BE Full scoring: brass choir

FOUR NOTE PAVAN, THE (Alfonso Ferrabosco) [CGW] BE Full score: brass choir

FUNERARY CHANT (Gabriele Fauré) BE Full scoring: 2 trumpets; euphonium; tubas; double bass; 3

MARCH (J. S. Bach) [CGW] BE Full scoring: brass choir

O MENSCH, BEWEIN DEIN SÜNDE GROSS (J. S. Bach) [CGW] Brand Full scoring: brass choir

O SALUTARIS HOSTIA (Adrian Willaert) [CGW] BE Full scoring: brass quartet; alto and tenor voices or: brass quartet and 2 clarinets

PRELUDE IN THE DORIAN MODE (Antonio de Cabezón) [CGW] Brand Full scoring: brass choir

PRETTY SWALLOW “La Bel’Aronde” (Claude le Jeune) [CGW] BE Full scoring: brass choir

ROYAL FANFARE (Josquin des Prés) [CGW] BE Full scoring: brass choir

SIX-PART FANTASY AND AIR (William Lawes) [CGW] BE Full scoring: brass choir

Contact information:

In the first instance enquiries should be placed with the respective publishers as listed below:

Barnhouse = C. L. Barnhouse Company, 205 Cowan Avenue West, PO Box 680, Oskaloosa, Iowa 52577, USA Tel.: +1 515 673 8397/Fax: +1 515 673 4718 or through UK agent: Harlequin Music, 69 Eversden Road, HARLTON, Cambridge, CB3 7ET. Tel./Fax: 01223 263795

BD or BE = Bardic Edition, 2 George Street, Huntly, Aberdeenshire, Scotland, AB54 8BT Tel.: (0) 1466 799555 or e-mail: [email protected]

Brand = G & M Brand Publications Ltd., PO Box 367, Aylesbury, Bucks, HP22 4LJ Tel.: 01296 682220/Fax: 01296 681989 or e-mail: [email protected]

CH = Chester Music, 8-9 Frith Street, LONDON, W1V 5TZ Tel.: 020 7434 0066/Fax: 020 7439 2848 or e-mail: [email protected]

JK = Joseph Kreines, 635 Auburn Avenue, Melbourne, FL 32901, USA Tel.: +1 407 984 0754 n/a = no publisher information available. Manuscript copies may be obtainable direct from source or through the UK Grainger Society, 2 George Street, Huntly, Aberdeenshire, Scotland, AB54 8BT Tel.: (0) 1466 799555 or e-mail: [email protected]

Phil = Philharmusica Co., 250 W. 57th St., Suite 1431, New York, NY 10107 http://members.aol.com/philharmus or through recognised music dealer Schirmer = G. Schirmer Inc., 257 Park Avenue South, New York, NY10010, USA Tel.: +1 212 254 2100/Fax: +1 212 254 2013 or e-mail: [email protected]

Schott = Schott & Co. Ltd., 48 Great Marlborough Street, LONDON, W1F 7BB Tel.: 020 7437 1246/Fax: 020 7437 0263 or e-mail: [email protected]

Southern = Southern Music Company, PO Box 329, San Antonio, TX 78292, USA Tel.: +1 210 226 8167/Fax: +1 210 223 4537 or e-mail: [email protected] or through UK agent: Valentine Music Group Ltd., 7 Garrick Street, LONDON, WC2E 9AR Tel.: 020 7240 1628/Fax: 020 7497 9242 or e-mail: [email protected]