Catalogue of Grainger Works for Brass instrumentation (with or without voices and/or other instruments) Abbreviations used: AMFS = American Folk-Music Setting BFMS = British Folk-Music Setting CGW = Chosen Gems for Winds DFMD = Danish Folk-Music Setting EGM = English Gothic Music KS = Kipling Setting OEPM = Old English Popular Music (William Chappell) RMTB = Room Music Tit Bits S = Sentimentals SCS = Sea Chanty Setting YT = Youthful Tonework Publishers’ information may be found at the end of the catalogue Scoring information in italics indicates optional instruments Original Works and Folk-Music Settings: AFTERWORD [5’00”] BE Full scoring: 3 horns; 3 trumpets (or cornets); 3 trombones; euphonium; tuba; women’s and men’s unison chorus ARRIVAL PLATFORM HUMLET (RMTB 7) [ 2’30”] (arr. David Stanhope) n/a Full scoring: horn; 2 trumpets (or cornets); trombone; bass trombone AS SALLY SAT A-WEEPING (BFMS) [1’00”] (arr. Joseph Kreines) Southern Full scoring: horn; 2 trumpets (or cornets); trombone; tuba AUSTRALIAN UP-COUNTRY SONG [2’00”] (arr. Glenn Cliffe Bainum) Schirmer Full scoring: 2 horns; 2 trumpets (or cornets); 2 trombones; baritone; tuba BLITHE BELLS (after J. S. Bach’s Sheep may safely graze) [3’30”] Schott Full scoring: horn (or E horn); 2 trumpets in B; trombone; 2 pianos, 4 hands + glockenspiel; harmonium (or pipe-Organ); metal marimba (or vibraphone); wooden marimba; celesta (or dulcitone or piano); harp [with or without strings: 2.1.1.1.] BRIGG FAIR (BFMS 7) [3’45”] (arr. Leroy Osmon) n/a Full scoring: brass sextet CAMP, THE (BFMS – Welsh Fighting Song No. 1) [real. by Chalon Ragsdale] BE Full scoring: 4 horns; 3 trumpets; 3 trombones, euphonium; tuba; men’s unison chorus; satbb chorus; 2 guitars CHILDREN’S MARCH “Over the Hills and Far Away” (RMTB 4) [6’30”] BE Full Scoring: 4 cornets; 4 horns; 3 trombones; euphonium; tubas; 2 pianos, 4 hands + timpani; chimes; side-drum; wood block; tambourine; castanets; bells; bass-drum; cymbals (crash and suspended); gong; xylophone; double bass [with or without male voice quartet] COLONIAL SONG (S1) [6’00”] Schott Full scoring: 4 horns; 3 trumpets (or cornets); 3 trombones; tuba; piano solo + timpani; cymbals; 1 or 2 harps; [with or without 2 voices (or choir) and/or strings: 2.1.1.1.] COUNTY DERRY AIR (BFMS 29) [6’00”] BE Full scoring: euphonium; baritone sarrusophone; contra-sarrusophone; 4 women’s single voice or women’s small chorus; men’s small chorus; harmonium (or pipe-organ) [with or without strings: 3.1.0.0.] or: 4 or more horns; 3 trombones; alto sarrusophone; baritone sarrusophone; tuba; contra-sarrusophone; trumpet; women’s large chorus; men’s unison chorus; pipe-organ [with or without strings: 3.1.0.0.] or: 4 E horns; euphonium; baritone; trombones; alto sarrusophone; baritone sarrusophone; E and BB basses; contra-sarrusophone; trumpets; women’s large chorus; men’s unison chorus; pipe-organ or: for 6 or more brass instruments; pipe-organ (or harmonium) [without voices] DOLLAR AND A HALF A DAY (SCS 2) [3’30”] (arr. Joseph Kreines) JK Full scoring: trombone choir DUKE OF MARLBOROUGH FANFARE (BFMS 36) [2’15”] Schott Full scoring: 4 horns; 3 or 4 trumpets (or cornets); 3 trombones; euphonium (or baritone); Tuba; cymbal; double bass DUKE OF MARLBOROUGH FANFARE (BFMS 36) [2’15”] (edited Joseph Kreines) JK Full scoring: brass choir EARLY ONE MORNING (BFMS) [3’30”] (arr. Joseph Kreines) JK Full scoring: trombone choir GREEN BUSHES (BFMS 25) [8’30”] Schott Full scoring: 2 horns (or E horns); 2 trumpets in B; 2 pianos, 6 hands + timpani; side-drum; bass-drum; cymbals; xylophone; harmonium (or pipe-organ) [with or without strings] HANDEL IN THE STRAND (RMTB 2) [4’00”] (arr. Joseph Kreines) JK Full scoring: trombone choir HARVEST HYMN [3’30”] Schott Full scoring: [all instruments singly or massed] trumpet (or cornet or fluegelhorn); horn (or E horn); trombone (or baritone or euphonium); harmonium (or pipe-organ); piano [with or without voices and/or strings: 2.1.2.1.] HUNTER IN HIS CAREER, THE (OEPM 3) [2’30”] (arr. Chalon Ragsdale) n/a Full scoring: low brass choir I’M SEVENTEEN COME SUNDAY (BFMS 8) [ 3’00”] Schott Full scoring: 4 horns (or tenor or baritone horns); 2 or 3 trumpets (or cornets); 3 trombones; 2 tubas (or euphonium and BB or E bass); timpani; side-drum; cymbals; sattbb chorus I’M SEVENTEEN COME SUNDAY (BFMS 8) [3’00”] (arr. Paul Webster) BE Full scoring: 2 horns; 2 trumpets; 3 trombones; tuba; sattbb chorus IRISH TUNE FROM COUNTY DERRY (BFMS) [4’00”] (arr. R. P. Block) Phil Full scoring: trumpet solo or fluegelhorn solo or horn solo or euphonium solo or tuba solo IRISH TUNE FROM COUNTY DERRY (BFMS) [4’00”] (arr. R. P. Block) Phil Full scoring: trumpet and trombone or trumpet and euphonium IRISH TUNE FROM COUNTY DERRY (BFMS) [4’00”] (arr. R. P. Block) Phil Full scoring: 10 trumpets or 10 horns or 10 trombones IRISH TUNE FROM COUNTY DERRY (BFMS) [4’00”] (arr. R. P. Block) Phil Full scoring: horn; 2 trumpets (or cornets); trombone; tuba IRISH TUNE FROM COUNTY DERRY (BFMS) [4’00”] (arr. R. P. Block) Phil Full scoring: 10-part brass choir IRISH TUNE FROM COUNTY DERRY (BFMS) [4’00”] (arr. B. Haynes) n/a Full scoring: low brass choir IRISH TUNE FROM COUNTY DERRY (BFMS) [4’00”] (arr. Joseph Kreines) Southern Full scoring: brass choir IRISH TUNE FROM COUNTY DERRY (BFMS) [4’00”] (arr. Andrew Rafalski) n/a Full scoring: brass quintet IRISH TUNE FROM COUNTY DERRY (BFMS) [4’00”] (arr. Dennis Wright) Schott Full scoring: E soprano cornet; 3 solo B cornets; repiano B and fluegelhorn; 2nd and 3rd B cornets; solo E horn; 1st and 2nd E horns; 2 B baritones; 2 trombones; bass trombone; euphonium; 2 E basses; 2 BB basses; side-drum; bass-drum; JUTISH MEDLEY (DFMS 9) [ 7’30”] Schott Full scoring: 4 horns (or E horns); 3 trumpets; 3 trombones; euphonium; tuba; 2 pianos, 6 hands + side-drum; bass-drum; cymbals; wood block; xylophone; glockenspiel; celesta (or dulcitone); wooden marimba; metal marimba (or vibraphone); tubular chimes; staff bells; harmonium (or pipe-organ); harp [with or without strings: 2.1.1.1.] LINCOLNSHIRE POSY (FMS 34) [15’30”] (arr. Dennis Ferry) n/a Full scoring: horn; 2 trumpets (or cornets); trombone; tuba (or bass trombone) LISBON (DUBLIN BAY) (BFMS 40) [1’15”] BE Full scoring: horn (or E horn); 2 trumpets (or cornets); baritone (or trombone I); Euphonium (or trombone II) LISBON (DUBLIN BAY) (BFMS 40) [1’15”] (arr. Joseph Kreines) Southern Full scoring: horn; 2 trumpets (or cornets); trombone; tuba LORD MAXWELL’S GOODNIGHT (BFMS) [3’30”] (arr. Joseph Kreines) JK Full scoring: trombone choir MARCHING TUNE (BFMS 9) [4’30”] Schott Full scoring: 4 horns (or tenor or baritone horns); 3 cornets (or trumpets); 2 trombones; Bass trombone (or euphonium or E bass); tuba (or BB bass); satbb chorus MOCK MORRIS (RMTB 1) [3’30”] Schott Full scoring: 1 or 2 horns; 1 or 2 cornets; trombone; piano solo; double-bass; side-drum; bass-drum; cymbals; xylophone (or bells or celesta) [with or without strings] MOCK MORRIS (RMTB 1) [3’30”] (arr. Dennis Wright) Schott Full scoring: E soprano cornet; 3 solo B cornets; repiano B and fluegelhorn; 2nd and 3rd B cornets; solo E horn; 1st and 2nd E horns; 2 B baritones; 2 trombones; bass trombone; euphonium; 2 E basses; 2 BB basses; side-drum; bass-drum; MOLLY ON THE SHORE (BFMS 1) [3’30”] Schott Full scoring: 4 horns; 1 or 2 trumpets (or cornets); 3 trombones; tuba; piano solo (or special pianola arrangement); timpani; glockenspiel; xylophone; side-drum; bass-drum; cymbals; celesta; resonaphone (or marimbaphone or bells) [with or without strings] MO NIGHEAN DUBH (SON) [5’00”] (arr. Chalon Ragsdale) n/a Full scoring: low brass choir PEACE (YT) [2’50”] (arr. David Stanhope) n/a Full scoring: horn; 2 trumpets (or cornets); trombone; bass trombone POWER OF LOVE, THE (DFMS 2) [3’45”] (arr. Leroy Osmon) n/a Full scoring: brass sextet and soprano saxophone SEA-WIFE, THE (KS) [3’00”] BE Full scoring: 4 horns (or tenor or baritone horns); 3 cornets (or trumpets – 1st can be replaced with E soprano cornet); 3 trombones; 2 tubas; E bass; BB bass; timpani; satb chorus with divisi SEA-WIFE, THE (KS 22) [3’00”] Schott Full scoring: 4 horns; 2 or 3 trumpets (or cornets); 3 trombones; tubas; baritone; euphonium; timpani; satb chorus with divisi [with or without strings: 2.2.2.1.] SHEPHERD’S HEY! (BFMS) [2’00”] (arr. David Stanhope) CH Full scoring: horn; 2 trumpets (or cornets); trombone; bass trombone SHEPHERD’S HEY! (BFMS) [2’00”] (arr. Denis Wick) n/a Full scoring: horn; piccolo trumpet; 2 trumpets (or cornets); fluegelhorn; 3 trombones; Bass trombone; tuba SHEPHERD’S HEY! (BFMS) [2’00”] (arr. Dennis Wright) Schott Full scoring: E soprano cornet; 3 solo B cornets; repiano B and fluegelhorn; 2nd and 3rd B cornets; solo E horn; 1st and 2nd E horns; 2 B baritones; 2 trombones; bass trombone; euphonium; 2 E basses; 2 BB basses; side-drum; bass-drum; cymbals; triangle; xylophone; tubular bells SIX DUKES WENT A-FISHIN’ (BFMS 11) [2’45”] (arr. Joseph Kreines) Southern Full scoring: horn; 2 trumpets (or cornets); trombone; tuba SPOON RIVER (AMFS 1) [ 4’00”] Schott Full scoring: horn (or E horn); trumpet; 3 trombones; tuba; 2 pianos; harmonium (or pipe-organ); timpani; side-drum; bass-drum; cymbals; glockenspiel; staff bells; metal marimba; tubular chimes; xylophone; wooden marimba; harp [with or without strings: 3.1.2.1.] SUSSEX MUMMERS’ XMAS CAROL (BFMS) [2’00”] (arr. R. P. Block) Phil Full scoring: horn; 2 trumpets (or cornets); trombone; tuba SUSSEX MUMMERS’ XMAS CAROL (BFMS) [2’00”] (arr.