September 2014 Newsletter
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UNDERNEATH the MUSIC Ellington
ABSTRACT Title of Document: UNDERNEATH THE MUSIC Ellington Rudi Robinson, Master of Fine Arts, 2008 Directed By: Professor, Jefferson Pinder, and Department of Art I see my work as an expression of a young man growing up in a household of music, books, and highly influential people. During the crack era that becomes prevalent under the tenure of President Reagan. The influences of the past will be the guides to surviving in a time when many friends parish as victims from the abundance of violence. The influences and tragedies are translated into motifs that are metaphors combined to create forms of communication. The hardwood floors, record jackets, tape, and railroad tracks provide a catalyst. These motifs are combined and isolated to tell an intense story that is layered with the history of the Civil Rights Movement, hip hop culture, drugs and music. The work is a conduit to release years of pain dealing with loss and oppression. It is also a vehicle to celebrate the philosophy that joy and pain are synonymous with life. UNDERNEATH THE MUSIC By Ellington Rudi Robinson Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Fine Arts 2008 Advisory Committee: Professor Jefferson Pinder, Chair Professor Patrick Craig Professor Margo Humphries Professor Brandon Morse Rex Weil © Copyright by Ellington Robinson 2008 Preface The smell of the coffee bean aroma surrounded by the books and music, the phone rings. “Good afternoon, thank you for calling Borders Books and Music, how can I help you?” “El! What’s up man, I have some bad news.” This is an all too familiar greeting. -
You're Invited to Play Your Part!
ONLINE JAZZ PARTY & FUNDRAISER SPONSOR PACKAGES You’re Invited to Play your Part! The Nashville Jazz Workshop (NJW) is a nonprofit organization dedicated to enriching people’s lives through jazz education and performance. For 20 years the NJW has delivered world class performances and music education to Nashville audiences and jazz fans around the country and the world. 2020 has been a challenging year for cultural institutions everywhere as they seek to fulfill their missions and remain financially viable. Fortunately, the internet has enabled the NJW to continue serving audiences and students – over 20,000 people have subscribed to the NJW’s YouTube channel to view live and archived performances and hundreds have enrolled in virtual classes since social distancing restrictions began in March. Jazzmania is the NJW’s annual jazz party and fundraiser. As a live event it has been “the jazz party of the year” and one of the city’s most engaging and fun charity events. As with other charity events, the event is moving online this year as a virtual event. On October 24, 2020 the Workshop will host Jazzmania as an online jazz party and evening of world class jazz performances. We will share our love of jazz, celebrate the Workshop’s 20th anniversary and ask our devoted fans to open their hearts and wallets to support the Workshop. The streaming event will also be targeted to a global audience, to build awareness of the NJW and engagement with jazz fans around the world. Proceeds from the event will support the NJW’s Music Education, Performance Series and Community Outreach. -
D a R T M O U
A B C D E F G H I J Occom Corey Ford Rugby House, S Pond 1 Dartmouth Child Care Center, 9 To Hanover Country Club te a N t 1 J Lot To Rivercrest, CRREL, Storrs Pond, rs 9 d & e R t te Montgomery In a y Organic Farm, McLane Family Lodge, t rr Dartmouth Outing ClubG H Lotuse rs House e te F Dartmouth Skiway In e p H Lot o 1 R 1 Grounds Labor Building 11 Rope Ferry Rd 6 Rope Class of 1978 Ferry Rd 37 Dewey Field Vail Life Sciences Center Dewey Lot Dick's House Road Dana Biomedical Infirmary Library C le m F Lot Rd en e t 5 Rope Ferry Remsen m Rd Ly 1 Rope Ferry Road Kellogg Geisel School Road Medical Auditorium of Medicine 3 Rope Ferry Former Roth Center For Road Dana Biomedical 0 2 te 1 2 r Jewish Life Library Rou e Maynard Lot Delta LALACS v Gilman Life Ave i and Delta 13 Choate Rd ighl R M Thomas Hall Sciences Lab H Aquinas House Delta ay n N C a D t h r V o d a P u Catholic Student Center Cohen Hall te S e R t r d Goldstein Hall a 'Bissco' Sherman House o r c n i Rauner Hall k Chinese Language a Commons t S ay arkw A 'Brittle' House Moore Psychology t P c Byrne II v McLaughlin e Commons Brown Hall Native American Building e Bissell Hall Hall Cluster R Epsilon St n North Hall House Bildner Hall o iew u v Kappa Fair n Winifred-Raven Gillman t Little Hall t e Alpha Choate House Alpha Theta S o Theta 1 Cutter Shabazz Hall House e 2 Chi Sigma g Berry Hall e 0 C Ledyard ll Alpha Phi Kappa o C A Canoe rr Delta Webster Parker e Epsilon Club T Cottage Tom Dent r Epsilon Chi Phi Tau House Dragon te Phi s Gamma Gamma Sudikoff Cabin b Delta e Epsilon -
APRIL 2011 Newsletter DARTMOUTH COLLEGE CLASS of 1981
APRIL 2011 newsLetteR DARTMOUTH COLLEGE CLASS OF 1981 Newsletter Editors: Peter Oudheusden • [email protected] • Robert Goldbloom • [email protected] Bill Burgess Elected Trustee Voting for this year’s Alumni Trustee position took place from March 9th through April 6th. REVEL•REFLECT•RECONNECT As Bill was running unopposed - it came as no surprise that he won in a landslide. He will join our other trustee-classmate, Annette Gordon-Reed, who took her seat in February. DARTMOUTH CLASS OF 1981 If you haven’t met Bill, here is a nice write-up the College supplied for interested J u n e 1 6 - 1 9, 2 0 1 1 • Hanover, New Hampshir e alums: “At Dartmouth, Bill was respected Our 30th Reunion is just two months away. It’s time to make sure you are registered, your for leading with inclusivity, enthusiasm reunion housing is booked, your travel plans have been made, and you’ve contacted all of and dedication. He was president of Alpha your friends - this is a great long weekend filled with events, food and catching Delta fraternity, served as president of the up. You don’t want to miss it! Check out our free reunion dedicated smart Interfraternity Council was a member of phone app (found on the class website - www.alum.dartmouth.org/classes/81). Sphinx senior society, Green Key and of It gives you instant access to: registration, housing, weekend schedule, who’s the rugby, football and lacrosse teams. Bill attending (updated daily), a countdown till important weekend events, hotel earned his MBA degree at Harvard and links, local up-to-the-minute weather, a reunion map with the key locations for has nearly three decades of experience in our events, webcams to see the College and the area, and a Dartmouth College corporate finance and venture capital. -
Council of the District of Columbia Committee of The
C OUNCIL OF THE DISTRICT OF COLUMBIA C O MMITTEE OF THE WHOLE COMMITTEE REPORT 1350 Pennsylvania Avenue, NW, Washington, DC 20004 DRAFT TO: All Councilmembers FROM: Chairman Phil Mendelson Committee of the Whole DATE: December 17, 2019 SUBJECT: Report on Bill 23-317, the “Go-Go Official Music of the District of Columbia Designation Act of 2019” The Committee of the Whole, to which Bill 23-317, the “Go-Go Official Music of the District of Columbia Designation Act of 2019” was referred, reports favorably thereon, with amendments, and recommends approval by the Council. CONTENTS I. Background and Need .................................................................1 II. Legislative Chronology ...............................................................3 III. Position of The Executive ...........................................................4 IV. Comments of Advisory Neighborhood Commissions .................4 V. Summary of Testimony ...............................................................4 VI. Impact on Existing Law ..............................................................6 VII. Fiscal Impact ...............................................................................6 VIII. Section-by-Section Analysis .......................................................7 IX. Committee Action .......................................................................7 X. Attachments .................................................................................7 I. BACKGROUND AND NEED Bill 23-317, the “Go-Go Official Music of the District -
Go-Go, Yesterday and Today
Brown and the Soul Searchers, Trouble Funk, Lead Go-Go, Yesterday Head, Hot, Cold Sweat, Cro Magnum Funk, Stacy & the Soul Servers, Class Band & Show, Mouse and Today Trap, The Shadows, and go-go icons including Ice Berg Slim and Big Tony, began to add the "live" by Iley Brown II features of go-go to their shows or recordings: he early 1970s in Washington, D.C., choreography, smoke and fog machines, go-go marked the beginning of a new musical dances, and extended instrumental solos including T sound that was still untitled. Basements in the trademark cowbells, whistles, and drum and neighborhoods throughout the city were convert conga solos added to known radio songs popular ed into after-school stages and rehearsal halls for ized by local radio stations. Radio hits that became budding bands and musicians. In many parts of go-go hits were "Family Affair" by Experience the city, an organist would meet up with percus Unlimited, "Run joe" by Chuck Brown, and sionists and drummers, who "Trouble Funk Express" by in turn would know of a Trouble Funk, which is a horn player. Bands were cob take from "Trans Europe bled together, and bonds Express" by Kraftwerk. were formed. In live performances audi To satisfy audiences of ences engaged the bands in teenagers, young adults, and call-and-response segments grown-ups, local "funk" of songs, usually during bands would play the radio percussion breaks ranging hits of Mandrill, Kool & The from a three-minute teaser Gang, New Birth, Average - a short percussion solo White Band, or Herbie with strains of the radio Hancock, among others. -
PRINTABLE Pdfstargazer: Rachael Price
Rachael Price magine touring Europe with an international choir, singing solos in France and Spain—all at age 12! Rachael Price did I just that—with the Voices of Bahá, a Bahá’í choir directed “ by her dad, Tom Price. Today, she’s a much-acclaimed singer “ who tours widely. Rachael grew up in Tennessee, U.S. She recorded her first CD in high school. She worked as a jazz vocalist while attending the New England Conservatory of Music in Boston. Rachael and GAZER three classmates also started the soulful pop-rock band, Lake Street Dive. Rachael has performed around the world and made several CDs. She says, "My goal is to be playing shows . and to make records as long as I can." She lives in New York City, where she likes to do yoga, dance, and go out to hear live music. STAR Q: What’s your favorite childhood memory? A: Dancing around the kitchen with my sisters or singing in my house with my dad and my sisters. Q: How did you decide you wanted to be a singer? A: I’ve been singing since I was really little . I decided that I was not going to go to a college that offered anything but music classes . It’s all I did. The possibility of it was always a very encouraged thing in my house . I just decided . this is what I want to do, so this is what I should study, all the way. Q: You performed with the Voices of Bahá and toured internationally as a kid. -
Natalie Hopkinson Go-Go Live The Musical Life and Death of a Chocolate City Natalie Hopkinson
Go-Go Live ★ The Musical Life and Death of a Chocolate City ★ Natalie Hopkinson Go-Go Live The Musical Life and Death of a Chocolate City Natalie Hopkinson “Natalie Hopkinson knows the music, the heartbeat, and the people of Washington well, but Go-Go Live: The Musical Life and Death of a Chocolate City is much more than a book about D.C.’s indigenous sound. It is a vital, lively, and ultimately inspiring look at the evolution of an American city.”—George Pelecanos, writer and producer of The Wire and Treme “Taking us into the little-studied terrain of go-go, the cousin of hip-hop born and bred in Washington, D.C.¸ Natalie Hopkinson reveals go-go as a lens for seeing, in stark colors, how the economy, politics, and especially the drug trade have traduced black communities around the world.”—Henry Louis Gates Jr., Alphonse Fletcher University Professor, Harvard University Go-go is the conga drum–inflected black popular music that emerged in Washington, D.C., during the 1970s. The guitarist Chuck Brown, the “Godfather of Go-Go,” created the music by mixing sounds borrowed from church and the blues with the funk and flavor that he picked up playing for a local Latino band. Born in the inner city, amid the charred ruins of the 1968 race riots, go-go generated a distinct culture and an economy of independent, almost exclusively black-owned businesses that sold tickets to shows and recordings of live go-gos. At the peak of its popularity, in the 1980s, go-go could be heard around the capital every night of the week, on college campuses and in crumbling historic theaters, hole-in-the-wall nightclubs, backyards, and city parks. -
RFP for Design-Build Services
D.C. DEPARTMENT OF GENERAL SERVICES REQUEST FOR PROPOSALS DESIGN-BUILD SERVICES FOR THE CHUCK BROWN MEMORIAL September 24, 2013 Proposal Due Date: October 18, 2013 by 2:00 p.m. EDT Preproposal Conference: October 3, 2013 at 3:00 p.m. EDT to be held at: Frank D. Reeves Center 2nd Floor Community Room 2000 14th Street, NW Washington, DC 20009 Contact: Thomas D. Bridenbaugh Leftwich & Ludaway, LLC 1400 K Street, NW Suite 1000 Washington, D.C. 20005 Phone: (202) 434-9100 Solicitation Number: DCAM-14-CS-0059 Executive Summary The Department of General Services (“Department” or “DGS”) is issuing this Request for Proposals to engage a design-builder to provide design-build services for the Chuck Brown Memorial, to be located on the western side of Langdon Park which is located at 2901 20th Street, NE, Washington, DC. The District desires to create a lasting and meaningful memorial to Chuck Brown, and the Department has commissioned a concept design for the memorial which is attached hereto as Attachment A (the “Concept Design”). The design-builder engaged through this procurement will be required to further develop the Concept Design and to construct the memorial no later than May 1, 2014 (the “Project”). In general, the Project will include a memorial wall made from concrete with a metal screen with photo images of Chuck Brown, and which lists Chuck Brown’s discography in metal lettering; a minimum of five (5) large outdoor interactive instruments embedded in a concrete pad, to be located adjacent to the existing playground; lighting directed at the memorial wall and memorial entrance wall; signage with raised metal lettering; landscaping (including cherry trees) and sod; new sidewalks and pervious pavers; storm water management initiatives; and decorative treatment to the exterior of the existing electrical buildings on the site. -
June-Oct 2021
JUNE-OCT FREE & BENEFIT 2021 PERFORMANCES SUMMERSTAGE.ORG SUMMERSTAGE NYCSUMMERSTAGE SUMMERSTAGENYC SUMMERSTAGE IS BACK More than a year after the first lockdown order, SummerStage is back, ready to once again use our city’s parks as gathering spaces to bring diverse and thriving communities together to find common ground through world-class arts and culture. We are committed to presenting a festival fully representing the city we serve - a roster of diverse artists, focused on gender equity and presenting distinct New York genres. This year, more than ever before, our festival will focus on renewal and resilience, reflective of our city and its continued evolution, featuring artists that are NYC-born, based, or inextricably linked to the city itself. Performers like SummerStage veteran Patti Smith, an icon of the city’s resilient rebelliousness, Brooklyn’s Antibalas, who have married afrobeat with New York City’s Latin soul, and hip hop duo Armand Hammer, two of today’s most important leaders of New York’s rap underground. And, as a perfect symbol of rebirth, Sun Ra’s Arkestra returns to our stage in this year of reopening, 35 years after they performed our very first concert, bringing their ethereal afro-futurist cosmic jazz vibes back to remind us of our ongoing mission and purpose. Our festival art this year also reflects our outlook -- bold, bright, powerful -- and was created by New Yorker Lyne Lucien, an award-winning Haitian artist based in Brooklyn. Lucien is an American Illustration Award Winner and a finalist for the Artbridge - Not a Monolith Residency. She has worked as a photo editor and art director at various publications including New York Magazine, The Daily Beast and Architectural Digest. -
THE TUFTS DAILY Est
Where You Sunny Read It First 57/46 THE TUFTS DAILY Est. 1980 VOLUME LXVII, NUMBER 50 THURSDAY, APRIL 10, 2014 TUFTSDAILY.COM Tufts develops coding app for children by Yan Zhao several years ago, according Daily Staff Writer to Resnick, the LEGO Papert Professor of Learning Research The Development Technologies and head of the Lifelong (DevTech) Research Group at Kindergarten group at the MIT Tufts is working to develop an Media Lab. iPad and Android application that "My research group at the MIT teaches young children coding Media Lab developed Scratch to basics. enable young people, ages eight DevTech is working in con- and up, to program their own junction with the MIT Media interactive stories, games and Lab and the Playful Invention animations — and, in the pro- Company (PICO) to create cess, learn to think creatively, the app, ScratchJr, which is reason systematically and work expected to be released in 2014, collaboratively," he said. according to PICO Co-Founder After experiencing success Paula Bonta. with the initial app, Resnick's "We have a long relation- group decided to develop a new ship with the MIT Media Lab, app that would reach an even with Mitchel Resnick's group, younger age. In order to do so, and we have spent many years his lab and PICO teamed up developing digital construction with Marina Bers, the direc- tools for ... very young kids," tor of Tufts' DevTech Research CAROLINE GEILING / THE TUFTS DAILY Bonta said. Group. Senior Anna Troein encourages the audience to only engage in activities in which they are genuinely inter- The idea for ScratchJr came "We believe that learning ested during the annual Tufts Idea Exchange. -
Vibrator 2.0.3
VIBRATOR 2.0.3 This could well be the third issue of the new-look VIBRATOR (“The new focal point fanzine” – Andy Hooper). Dive into its murky waters, thrash about a bit, come to the surface and gulp for air, then go down again, investigate that small piece of kelp being nibbled by a fish that strangely resembles your Aunt Peg. Adjust your goggles, give a kick with your flippers, groan as your chest tightens with an imminent heart attack, head for the sandy shore, and lay prostrate under the noon-day sun. Don’t wait for a sultry maid to come up and rub you all over with sun-tan lotion. It won’t happen. Look up at the seagulls wheeling overhead. Splat! Ooops, sorry about that, borrow this tissue. Soon a man will come along and try to sell you real estate or at least a new pair of swimming trunks and a snorkel, or perhaps a piece of metal formed by sintering. He will be called Peter Weston and you should listen carefully to everything he says, for he is truly a God who moves amongst us, albeit in a strange shambling way because his plimsolls don’t fit. Should you recover sufficiently from all this trauma to want to write a letter to the editor you could try contacting him at [email protected]. This issue was produced sometime in April 2014. THAT’S WHAT ROBERT LICHTMAN DID, SO WE’LL KICK OFF WITH HIS LOC Thanks for sending Vibrator 2.0.2, which was much harder to read than the previous one because the copying is Very Faint.