Wavpack 5 Library Documentation
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Lossless Audio Codec Comparison
Contents Introduction 3 1 CD-audio test 4 1.1 CD's used . .4 1.2 Results all CD's together . .4 1.3 Interesting quirks . .7 1.3.1 Mono encoded as stereo (Dan Browns Angels and Demons) . .7 1.3.2 Compressibility . .9 1.4 Convergence of the results . 10 2 High-resolution audio 13 2.1 Nine Inch Nails' The Slip . 13 2.2 Howard Shore's soundtrack for The Lord of the Rings: The Return of the King . 16 2.3 Wasted bits . 18 3 Multichannel audio 20 3.1 Howard Shore's soundtrack for The Lord of the Rings: The Return of the King . 20 A Motivation for choosing these CDs 23 B Test setup 27 B.1 Scripting and graphing . 27 B.2 Codecs and parameters used . 27 B.3 MD5 checksumming . 28 C Revision history 30 Bibliography 31 2 Introduction While testing the efficiency of lossy codecs can be quite cumbersome (as results differ for each person), comparing lossless codecs is much easier. As the last well documented and comprehensive test available on the internet has been a few years ago, I thought it would be a good idea to update. Beside comparing with CD-audio (which is often done to assess codec performance) and spitting out a grand total, this comparison also looks at extremes that occurred during the test and takes a look at 'high-resolution audio' and multichannel/surround audio. While the comparison was made to update the comparison-page on the FLAC website, it aims to be fair and unbiased. -
Cluster-Based Delta Compression of a Collection of Files Department of Computer and Information Science
Cluster-Based Delta Compression of a Collection of Files Zan Ouyang Nasir Memon Torsten Suel Dimitre Trendafilov Department of Computer and Information Science Technical Report TR-CIS-2002-05 12/27/2002 Cluster-Based Delta Compression of a Collection of Files Zan Ouyang Nasir Memon Torsten Suel Dimitre Trendafilov CIS Department Polytechnic University Brooklyn, NY 11201 Abstract Delta compression techniques are commonly used to succinctly represent an updated ver- sion of a file with respect to an earlier one. In this paper, we study the use of delta compression in a somewhat different scenario, where we wish to compress a large collection of (more or less) related files by performing a sequence of pairwise delta compressions. The problem of finding an optimal delta encoding for a collection of files by taking pairwise deltas can be re- duced to the problem of computing a branching of maximum weight in a weighted directed graph, but this solution is inefficient and thus does not scale to larger file collections. This motivates us to propose a framework for cluster-based delta compression that uses text clus- tering techniques to prune the graph of possible pairwise delta encodings. To demonstrate the efficacy of our approach, we present experimental results on collections of web pages. Our experiments show that cluster-based delta compression of collections provides significant im- provements in compression ratio as compared to individually compressing each file or using tar+gzip, at a moderate cost in efficiency. A shorter version of this paper appears in the Proceedings of the 3rd International Con- ference on Web Information Systems Engineering (WISE), December 2002. -
Ardour Export Redesign
Ardour Export Redesign Thorsten Wilms [email protected] Revision 2 2007-07-17 Table of Contents 1 Introduction 4 4.5 Endianness 8 2 Insights From a Survey 4 4.6 Channel Count 8 2.1 Export When? 4 4.7 Mapping Channels 8 2.2 Channel Count 4 4.8 CD Marker Files 9 2.3 Requested File Types 5 4.9 Trimming 9 2.4 Sample Formats and Rates in Use 5 4.10 Filename Conflicts 9 2.5 Wish List 5 4.11 Peaks 10 2.5.1 More than one format at once 5 4.12 Blocking JACK 10 2.5.2 Files per Track / Bus 5 4.13 Does it have to be a dialog? 10 2.5.3 Optionally store timestamps 5 5 Track Export 11 2.6 General Problems 6 6 MIDI 12 3 Feature Requests 6 7 Steps After Exporting 12 3.1 Multichannel 6 7.1 Normalize 12 3.2 Individual Files 6 7.2 Trim silence 13 3.3 Realtime Export 6 7.3 Encode 13 3.4 Range ad File Export History 7 7.4 Tag 13 3.5 Running a Script 7 7.5 Upload 13 3.6 Export Markers as Text 7 7.6 Burn CD / DVD 13 4 The Current Dialog 7 7.7 Backup / Archiving 14 4.1 Time Span Selection 7 7.8 Authoring 14 4.2 Ranges 7 8 Container Formats 14 4.3 File vs Directory Selection 8 8.1 libsndfile, currently offered for Export 14 4.4 Container Types 8 8.2 libsndfile, also interesting 14 8.3 libsndfile, rather exotic 15 12 Specification 18 8.4 Interesting 15 12.1 Core 18 8.4.1 BWF – Broadcast Wave Format 15 12.2 Layout 18 8.4.2 Matroska 15 12.3 Presets 18 8.5 Problematic 15 12.4 Speed 18 8.6 Not of further interest 15 12.5 Time span 19 8.7 Check (Todo) 15 12.6 CD Marker Files 19 9 Encodings 16 12.7 Mapping 19 9.1 Libsndfile supported 16 12.8 Processing 19 9.2 Interesting 16 12.9 Container and Encodings 19 9.3 Problematic 16 12.10 Target Folder 20 9.4 Not of further interest 16 12.11 Filenames 20 10 Container / Encoding Combinations 17 12.12 Multiplication 20 11 Elements 17 12.13 Left out 21 11.1 Input 17 13 Credits 21 11.2 Output 17 14 Todo 22 1 Introduction 4 1 Introduction 2 Insights From a Survey The basic purpose of Ardour's export functionality is I conducted a quick survey on the Linux Audio Users to create mixdowns of multitrack arrangements. -
Ffmpeg Documentation Table of Contents
ffmpeg Documentation Table of Contents 1 Synopsis 2 Description 3 Detailed description 3.1 Filtering 3.1.1 Simple filtergraphs 3.1.2 Complex filtergraphs 3.2 Stream copy 4 Stream selection 5 Options 5.1 Stream specifiers 5.2 Generic options 5.3 AVOptions 5.4 Main options 5.5 Video Options 5.6 Advanced Video options 5.7 Audio Options 5.8 Advanced Audio options 5.9 Subtitle options 5.10 Advanced Subtitle options 5.11 Advanced options 5.12 Preset files 6 Tips 7 Examples 7.1 Preset files 7.2 Video and Audio grabbing 7.3 X11 grabbing 7.4 Video and Audio file format conversion 8 Syntax 8.1 Quoting and escaping 8.1.1 Examples 8.2 Date 8.3 Time duration 8.3.1 Examples 8.4 Video size 8.5 Video rate 8.6 Ratio 8.7 Color 8.8 Channel Layout 9 Expression Evaluation 10 OpenCL Options 11 Codec Options 12 Decoders 13 Video Decoders 13.1 rawvideo 13.1.1 Options 14 Audio Decoders 14.1 ac3 14.1.1 AC-3 Decoder Options 14.2 ffwavesynth 14.3 libcelt 14.4 libgsm 14.5 libilbc 14.5.1 Options 14.6 libopencore-amrnb 14.7 libopencore-amrwb 14.8 libopus 15 Subtitles Decoders 15.1 dvdsub 15.1.1 Options 15.2 libzvbi-teletext 15.2.1 Options 16 Encoders 17 Audio Encoders 17.1 aac 17.1.1 Options 17.2 ac3 and ac3_fixed 17.2.1 AC-3 Metadata 17.2.1.1 Metadata Control Options 17.2.1.2 Downmix Levels 17.2.1.3 Audio Production Information 17.2.1.4 Other Metadata Options 17.2.2 Extended Bitstream Information 17.2.2.1 Extended Bitstream Information - Part 1 17.2.2.2 Extended Bitstream Information - Part 2 17.2.3 Other AC-3 Encoding Options 17.2.4 Floating-Point-Only AC-3 Encoding -
Dspic DSC Speex Speech Encoding/Decoding Library As a Development Tool to Emulate and Debug Firmware on a Target Board
dsPIC® DSC Speex Speech Encoding/Decoding Library User’s Guide © 2008-2011 Microchip Technology Inc. DS70328C Note the following details of the code protection feature on Microchip devices: • Microchip products meet the specification contained in their particular Microchip Data Sheet. • Microchip believes that its family of products is one of the most secure families of its kind on the market today, when used in the intended manner and under normal conditions. • There are dishonest and possibly illegal methods used to breach the code protection feature. All of these methods, to our knowledge, require using the Microchip products in a manner outside the operating specifications contained in Microchip’s Data Sheets. Most likely, the person doing so is engaged in theft of intellectual property. • Microchip is willing to work with the customer who is concerned about the integrity of their code. • Neither Microchip nor any other semiconductor manufacturer can guarantee the security of their code. Code protection does not mean that we are guaranteeing the product as “unbreakable.” Code protection is constantly evolving. We at Microchip are committed to continuously improving the code protection features of our products. Attempts to break Microchip’s code protection feature may be a violation of the Digital Millennium Copyright Act. If such acts allow unauthorized access to your software or other copyrighted work, you may have a right to sue for relief under that Act. Information contained in this publication regarding device Trademarks applications and the like is provided only for your convenience The Microchip name and logo, the Microchip logo, dsPIC, and may be superseded by updates. -
Multimedia Compression Techniques for Streaming
International Journal of Innovative Technology and Exploring Engineering (IJITEE) ISSN: 2278-3075, Volume-8 Issue-12, October 2019 Multimedia Compression Techniques for Streaming Preethal Rao, Krishna Prakasha K, Vasundhara Acharya most of the audio codes like MP3, AAC etc., are lossy as Abstract: With the growing popularity of streaming content, audio files are originally small in size and thus need not have streaming platforms have emerged that offer content in more compression. In lossless technique, the file size will be resolutions of 4k, 2k, HD etc. Some regions of the world face a reduced to the maximum possibility and thus quality might be terrible network reception. Delivering content and a pleasant compromised more when compared to lossless technique. viewing experience to the users of such locations becomes a The popular codecs like MPEG-2, H.264, H.265 etc., make challenge. audio/video streaming at available network speeds is just not feasible for people at those locations. The only way is to use of this. FLAC, ALAC are some audio codecs which use reduce the data footprint of the concerned audio/video without lossy technique for compression of large audio files. The goal compromising the quality. For this purpose, there exists of this paper is to identify existing techniques in audio-video algorithms and techniques that attempt to realize the same. compression for transmission and carry out a comparative Fortunately, the field of compression is an active one when it analysis of the techniques based on certain parameters. The comes to content delivering. With a lot of algorithms in the play, side outcome would be a program that would stream the which one actually delivers content while putting less strain on the audio/video file of our choice while the main outcome is users' network bandwidth? This paper carries out an extensive finding out the compression technique that performs the best analysis of present popular algorithms to come to the conclusion of the best algorithm for streaming data. -
User Commands GZIP ( 1 ) Gzip, Gunzip, Gzcat – Compress Or Expand Files Gzip [ –Acdfhllnnrtvv19 ] [–S Suffix] [ Name ... ]
User Commands GZIP ( 1 ) NAME gzip, gunzip, gzcat – compress or expand files SYNOPSIS gzip [–acdfhlLnNrtvV19 ] [– S suffix] [ name ... ] gunzip [–acfhlLnNrtvV ] [– S suffix] [ name ... ] gzcat [–fhLV ] [ name ... ] DESCRIPTION Gzip reduces the size of the named files using Lempel-Ziv coding (LZ77). Whenever possible, each file is replaced by one with the extension .gz, while keeping the same ownership modes, access and modification times. (The default extension is – gz for VMS, z for MSDOS, OS/2 FAT, Windows NT FAT and Atari.) If no files are specified, or if a file name is "-", the standard input is compressed to the standard output. Gzip will only attempt to compress regular files. In particular, it will ignore symbolic links. If the compressed file name is too long for its file system, gzip truncates it. Gzip attempts to truncate only the parts of the file name longer than 3 characters. (A part is delimited by dots.) If the name con- sists of small parts only, the longest parts are truncated. For example, if file names are limited to 14 characters, gzip.msdos.exe is compressed to gzi.msd.exe.gz. Names are not truncated on systems which do not have a limit on file name length. By default, gzip keeps the original file name and timestamp in the compressed file. These are used when decompressing the file with the – N option. This is useful when the compressed file name was truncated or when the time stamp was not preserved after a file transfer. Compressed files can be restored to their original form using gzip -d or gunzip or gzcat. -
Codec Is a Portmanteau of Either
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
Input Formats & Codecs
Input Formats & Codecs Pivotshare offers upload support to over 99.9% of codecs and container formats. Please note that video container formats are independent codec support. Input Video Container Formats (Independent of codec) 3GP/3GP2 ASF (Windows Media) AVI DNxHD (SMPTE VC-3) DV video Flash Video Matroska MOV (Quicktime) MP4 MPEG-2 TS, MPEG-2 PS, MPEG-1 Ogg PCM VOB (Video Object) WebM Many more... Unsupported Video Codecs Apple Intermediate ProRes 4444 (ProRes 422 Supported) HDV 720p60 Go2Meeting3 (G2M3) Go2Meeting4 (G2M4) ER AAC LD (Error Resiliant, Low-Delay variant of AAC) REDCODE Supported Video Codecs 3ivx 4X Movie Alaris VideoGramPiX Alparysoft lossless codec American Laser Games MM Video AMV Video Apple QuickDraw ASUS V1 ASUS V2 ATI VCR-2 ATI VCR1 Auravision AURA Auravision Aura 2 Autodesk Animator Flic video Autodesk RLE Avid Meridien Uncompressed AVImszh AVIzlib AVS (Audio Video Standard) video Beam Software VB Bethesda VID video Bink video Blackmagic 10-bit Broadway MPEG Capture Codec Brooktree 411 codec Brute Force & Ignorance CamStudio Camtasia Screen Codec Canopus HQ Codec Canopus Lossless Codec CD Graphics video Chinese AVS video (AVS1-P2, JiZhun profile) Cinepak Cirrus Logic AccuPak Creative Labs Video Blaster Webcam Creative YUV (CYUV) Delphine Software International CIN video Deluxe Paint Animation DivX ;-) (MPEG-4) DNxHD (VC3) DV (Digital Video) Feeble Files/ScummVM DXA FFmpeg video codec #1 Flash Screen Video Flash Video (FLV) / Sorenson Spark / Sorenson H.263 Forward Uncompressed Video Codec fox motion video FRAPS: -
Software Development Kits Comparison Matrix
Software Development Kits > Comparison Matrix Software Development Kits Comparison Matrix DATA COMPRESSION TOOLKIT FOR TOOLKIT FOR TOOLKIT FOR LIBRARY (DCL) WINDOWS WINDOWS JAVA Compression Method DEFLATE DEFLATE64 DCL Implode BZIP2 LZMA PPMd Extraction Method DEFLATE DEFLATE64 DCL Implode BZIP2 LZMA PPMd Wavpack Creation Formats Supported ZIP BZIP2 GZIP TAR UUENCODE, XXENCODE Large Archive Creation Support (ZIP64) Archive Extraction Formats Supported ZIP BZIP2 GZIP, TAR, AND .Z (UNIX COMPRESS) UUENCODE, XXENCODE CAB, BinHex, ARJ, LZH, RAR, 7z, and ISO/DVD Integration Format Static Dynamic Link Libraries (DLL) Pure Java Class Library (JAR) Programming Interface C C/C++ Objects C#, .NET interface Java Support for X.509-Compliant Digital Certificates Apply digital signatures Verify digital signatures Encrypt archives www.pkware.com Software Development Kits > Comparison Matrix DATA COMPRESSION TOOLKIT FOR TOOLKIT FOR TOOLKIT FOR LIBRARY (DCL) WINDOWS WINDOWS JAVA Signing Methods SHA-1 MD5 SHA-256, SHA-384 and SHA-512 Message Digest Timestamp .ZIP file signatures ENTERPRISE ONLY Encryption Formats ZIP OpenPGP ENTERPRISE ONLY Encryption Methods AES (256, 192, 128-bit) 3DES (168, 112-bit) 168 ONLY DES (56-bit) RC4 (128, 64, 40-bit), RC2 (128, 64, 40-bit) CAST5 and IDEA Decryption Methods AES (256, 192, 128-bit) 3DES (168, 112-bit) 168 ONLY DES (56-bit) RC4 (128, 64, 40-bit), RC2 (128, 64, 40-bit) CAST5 and IDEA Additional Features Supports file, memory and streaming operations Immediate archive operation Deferred archive operation Multi-Thread -
Name Description Synopsis Options
xcfa_cli(1) Manual: 0.0.6 xcfa_cli(1) NAME xcfa_cli −This program is an implementation of xcfaincommand line. DESCRIPTION xcfa_cli is an application for conversion, normalization, reconfiguring wav files and cut audio files ... What xcfa_cli can do: -replaygain on files: flac, mp3, ogg, wavpack -conversions: -from files: wav, flac, ape, wavpack, ogg, m4a, mpc, mp3, wma, shorten, rm, dts, aif, ac3 -tofiles: wav, flac, ape, wavpack, ogg, m4a, mpc, mp3, aac -conversion settings for file management: flac, ape, wavpack, ogg, m4a, aac, mpc, mp3 -management tags -management cue wav file -manipulation of the frequency, track and bit wav files -standardization on files: wav,mp3, ogg -cuts (split) wav files -displaying information on files SYNOPSIS xcfa_cli [ −i "file.*" ][ −d wav,mpc,... ][ OPTIONS ] OPTIONS −−verbose Verbose mode −h −−help Print help mode and quit −i <"file.type"> −−input <"file.type"> Input name file to convert in inverted commas: −−input "*.flac" Type input files: wav,flac, ape, wavpack, ogg, m4a, mpc, mp3, wma, shorten, rm, dts, aif, ac3 −o <path_dest/> −−output <path_dest/> Destination folder.Bydefault in the source file folder. −d <wav,flac,ape,...> −−dest <wav,flac,ape,...> Destination file: wav,flac, ape, wavpack, ogg, m4a, mpc, mp3, aac −r −−recursion Recursive search −e −−ext2src Extract in the source folder.This option is useful with ’−−recursion’ −−nice <priority> Change the priority of running processes in the interval: 0 .. 20 Management options with default parameters: −−op_flac <"−5"> −−op_ape <"c2000"> −−op_wavpack <"−y −j1"> 0.0.6 Thu, 06 -
Backing up Data
Backing up data On LINUX and UNIX Logical backup • Why? Job security • For user data. • Remember endian order, character set issues. • Full backup + incremental = backup set No differential (see find command). • Backup without a restore test is just a tape • mt or rmt used for generic tape management. See mt, rmt manpage. See /dev/rmt0 • See text for CD/DVD procedures • Use commercial products for business. Why? Tape catalog management. Backup Commands • cp (duh) • ftp (eh) • rcp (no, no, no) • scp • rsync • tar • cpio • pax (see cpio, tar) • dump/restore – the standard The usual suspects • cp –rp source destination • ftp hostname user name cd source or destination lcd destination/source put/get filename quit • scp source user@destination:/pathtofile scp user@source:/pathtofile /destination • rcp source user@destination:/pathtofile rcp user@ source:/pathtofile /destination uses .rhosts see manpage on hosts.equiv rsync • Support from rsync.samba.org • rsync copies files either to or from a remote host, or locally on the current host but does not support copying files between two remote hosts. • rsync can reduce the amount of data sent over the network by sending only the differences between the source files and the existing files in the destination. • There are two different ways for rsync to contact a remote system: using a remote- shell program as the transport (such as ssh or rsh) or contacting an rsync daemon directly via TCP. See the manpage on rsyncd.conf. • rsync –avh /source /destination • rsync -avze ssh /home/user/directory/ user@remotehost:home/user/directory/ • Other Options -a, --archive archive mode; equals -r, --recursive recurse into directories -u, --update skip files that are newer on the receiver Tape ARchive • Most portable backup utility between systems.