Jonathan Castanien

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JONATHAN CASTANIEN www.jonathancastanien.com [email protected] (714) 609-7414 AEA Member Production Stage Manager Full Productions Cannibal Galaxy: a love story* Dir. Jenn Haltman The New Ohio (Between Two Boroughs) Black Inscription: A Multi-Media Concert Dir. Mark DeChiazza HERE Arts Center Bright Colors and Bold Patterns Dir. Michael Urie Soho Playhouse (Form Theatricals) Uncle Vanya Dir. Anya Saffir The Atlantic Acting School The Weekend Will End * Dir. Hondo Weiss-Richmond Hudson Guild Theater (NY Winterfest) The Two Kids That Blow Shit Up* Dir. Jeremy Lelliott Artists at Play 57 Chevy* Dir. Valerie Dunlap Los Angeles Theatre Center (Premiere); San Jose, San Francisco, Houston, Denver (Tour) In Love and Warcraft Dir. Alejandra Cisneros Artists at Play, Los Angeles Theatre Center She Loves Me Dir. Sarah Figoten Wilson The Chance Theater I Live in Your World* Dir. Maria Cominis National Alliance on Mental Illness All Shook Up Dir. Patrick Pearson California State University, Fullerton New Play Workshops Bald Sisters by Vichet Chum Dir. Lisa Rothe 2g Second Generation Productions & Readings Looking At You Dir. Kristin Marting BRIC House Assembled Identity Dir. Kristin Marting North American Culture Lab (Residency) God Said This by Leah Nanako Winkler Dir. Victor Maog 2g Second Generation Productions Have Sari. Will Travel by Deepa Purohit Dir. Awoye Timpo Rising Circle Theater Collective * denotes World Premiere Assistant Stage Manager Full Productions Roberto Zucco Dir. Joey Rizzolo The New School for Drama No Baby (New Voices Rep.) Dir. Peter Kuo The New School for Drama Carnal (New Voices Rep.) Dir. Nicky Maggio The New School for Drama Generation Me Dir. Ryan Warren New York Musical Festival 99 Histories Dir. Leslie Ishii Artists at Play Production Assistant Full Production The Cake Dir. Lynn Meadows Manhattan Theatre Club New Play Workshops Untitled MJ Project; book by Lynn Nottage Dir. Christopher Wheeldon Bespoke Theatricals & Readings Tootsie; book by Robert Horn, Music by David Yazbek Dir. Scott Ellis Bespoke Theatricals The Brothers Paranormal by Prince Gomolvilas Dir. Jeff Liu Pan Asian Repertory Theatre Cambodian Rock Band by Lauren Yee Dir. Joshua Brody South Coast Repertory Two Mile Hollow by Leah Nanako Winkler Dir. Mei Ann Teo Artists at Play, 2g Special Events Crossing Borders Festival 2017 Two River Theater Company & Festivals Education California State University, Fullerton & Awards B.A. in Theatre, Technical Design and Production Emphasis Cum Laude; Dean’s List 2009-13 Kennedy Center American College Theatre Festival National Stage Management Fellowship College of the Arts Distinguished Commencement Speaker 2013 artEquity 2018 Cohort Facilitator Training Skills Music literacy Piano Microsoft Office Suite Board Op Experience: lights, sound, projections Adobe Creative Suite Qlab: programming, troubleshooting, and op.

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South Coast Repertory Is a Professional Resident Theatre Founded in 1964 by David Emmes and Martin Benson
IN BRIEF FOUNDING South Coast Repertory is a professional resident theatre founded in 1964 by David Emmes and Martin Benson. VISION Creating the finest theatre in America. LEADERSHIP SCR is led by Artistic Director David Ivers and Managing Director Paula Tomei. Its 33-member Board of Trustees is made up of community leaders from business, civic and arts backgrounds. In addition, hundreds of volunteers assist the theatre in reaching its goals, and about 2,000 individuals and businesses contribute each year to SCR’s annual and endowment funds. MISSION South Coast Repertory was founded in the belief that theatre is an art form with a unique power to illuminate the human experience. We commit ourselves to exploring urgent human and social issues of our time, and to merging literature, design, and performance in ways that test the bounds of theatre’s artistic possibilities. We undertake to advance the art of theatre in the service of our community, and aim to extend that service through educational, intercultural, and community engagement programs that harmonize with our artistic mission. FACILITY/ The David Emmes/Martin Benson Theatre Center is a three-theatre complex. Prior to the pandemic, there were six SEASON annual productions on the 507-seat Segerstrom Stage, four on the 336-seat Julianne Argyros Stage, with numerous workshops and theatre conservatory performances held in the 94-seat Nicholas Studio. In addition, the three-play family series, “Theatre for Young Audiences,” produced on the Julianne Argyros Stage. The 20-21 season includes two virtual offerings and a new outdoors initiative, OUTSIDE SCR, which will feature two productions in rotating rep at the Mission San Juan Capistrano in July 2021.
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At the Mission San Juan Capistrano
AT THE MISSION SAN JUAN CAPISTRANO by José Cruz González based on the comic strip “Peanuts” by Charles M. Schulz directed by Christopher Acebo book, music and lyrics by Clark Gesner additional dialogue by Michael Mayer additional music and lyrics by Andrew Lippa directed and choreographed by Kari Hayter OUTSIDE SCR 2021 • SOUTH COAST REPERTORY • 1 THE THEATRE Tony Award-winning South Coast Repertory, founded in 1964 by David Emmes and Martin Benson, is led by Artistic Director David Ivers and SPRING/SUMMER 2021 SEASON Managing Director Paula Tomei. SCR is recog- nized as one of the leading professional theatres IN THIS ISSUE Get to know, or get reacquainted with, South Coast Repertory in the United States. It is committed to theatre through the stories featured in this magazine. You’ll find information about both that illuminates the compelling personal and Outside SCR productions: American Mariachi and You’re a Good Man, Charlie social issues of our time, not only on its stages but Brown, as well as the Mission San Juan Capistrano, acting classes for all ages and a through its wide array of education and engage- host of other useful information. ment programs. 6 Letter From the Artistic Director While its productions represent a balance of clas- That Essential Ingredient of the Theatre: YOU sic and modern theatre, SCR is renowned for The Lab@SCR, its extensive new-play development program, which includes one of the nation’s larg- 7 Letter From the Managing Director est commissioning programs for emerging, mid- A Heartfelt Embrace career and established writers and composers.
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East West Players' 45Th Season Shakes It up with Powerful Drama
For Immediate Release Contact: Christine Huynh August 9, 2010 (213) 625-7000 ext. 12 Los Angeles, CA [email protected] East West Players’ 45th Season Shakes It Up With Powerful Drama, MYSTERIOUS SKIN East West Players (EWP), the nation’s premier Asian American theatre, opens its 45th Anniversary season, themed Shake It Up, with the Los Angeles premiere of MYSTERIOUS SKIN by Prince Gomolvilas, based on the novel by Scott Heim. This production will be directed by EWP’s Producing Artistic Director, Tim Dang. The cast of the production will feature artists with diverse backgrounds: David Huynh, Scott Keiji Takeda, Marcus Choi, Christine Corpuz, Ruffy Landayan, and Elizabeth Liang. MYSTERIOUS SKIN is a searing drama that follows the story of a boy who believes he was once abducted by aliens. All roads lead back to a childhood classmate, now a hustler, who holds the key to the terrifying and heart-breaking truth. Due to its subject matter, graphic language and nudity, MYSTERIOUS SKIN is intended for mature audiences. “We’re definitely shaking it up this season with MYSTERIOUS SKIN. The novel by Scott Heim was adapted for the screen by Asian American writer/director Gregg Araki. The play was adapted by Thai-American playwright Prince Gomolvilas. And we’re going one step further by casting Asian American performers,” says Producing Artistic Director Tim Dang. Writer Prince Gomolvilas is a Thai-American playwright. His plays include BIG HUNK OF BURNIN’ LOVE and THE THEORY OF EVERYTHING, which received their world premieres at East West Players. He writes BAMBOO NATION, an arts and entertainment blog.
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On the Purple Circuit with Bill Kaiser Volume 10, Number 2 the VILLAGE at ED GOULD PLAZA ISSUE
On The Purple Circuit With Bill Kaiser Volume 10, Number 2 THE VILLAGE AT ED GOULD PLAZA ISSUE WELCOME TO ON THE PURPLE CIRCUIT! honor to this important patron of the arts and Wildean. Bravo Kevin and Playwrights Arena! I wish everyone a Happy Pride to all! The Purple Circuit exists to encourage and promote GLQBT Our friends at Out North in Anchorage continue to theatre and performance throughout the world. To present cutting edge culture there despite continued achieve that mission we highlight the creative adversity. Their efforts at publicity for THE VAGINA achievements of individuals and organizations to MONOLOGUES have encountered prudishness from our reading audience. the US Postal Service as well as billboard locations in the city. We at The Purple Circuit commend Out North This issue has a lengthy title but The Village at Ed and are reminded that censorship, cultural bigotry and Gould Plaza has become a center for creativity in Los homophobia and the like, can happen all over and we Angeles and in a short time has become a premier need to be vigilant and supportive. venue for performance and social and educational th gathering. The late Ed Gould, I understand, was a I am also moved by the somber 20 anniversary of the major mover and contributor to this wonderful project. first reported cases of AIDS and the devastation that still occurs in Africa and in communities in the US too. I salute the staff of the Village, which includes Cultural Arts Director Jon Imparato, Producing Artistic Director There should be a story on gay and lesbian theatre Sue Hamilton, and Cultural Arts Coordinator Matt companies in the June 24, 2001 issue of BackStage by Walker among many more.
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Read an Excerpt
THE THEORY OF EVERYTHING A Play by PRINCE GOMOLVILAS Dramatic Publishing Woodstock. nlinois • England • Australia • New Zealand © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by TIlE DRAMATIC PUBLISHING COMPANY without whose pennission in writing no performance of it may be given. Royalty fees are given in our current catalog and are subject to change without notice. Royalty must be paid every time a play is perfonned whether or not it is presented for profit and whether or not admission is charged. A play is perfonned any time it is acted before an audience. All inquiries concerning amateur and stock rights should be addressed to: DRAMATIC PUBLISHING P. O. Box 129, Woodstock, nlinois 60098 COPYRIGHT LA W GIVES THE A UTHOR OR THE AUTHOR'S AGENT THE EXCLUSIVE RIGHTTO MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the perfonnance of their work. Conscientiouc; obiervance of copyright law is not only ethical, it encourages authors to continue their creative work. This work is fully protected by copyright No alterations, dele tions or subititutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any fonn or by any means, electronic or mechanical, including photocopy, recording, video tape, film, or any infonnation storage and retrieval system, without pennission in writing from the publisher. It may not be perfonned either by professionals or amateurs without payment of royalty.
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[email protected] FOR
Press Contact: Tim Etheridge, Director of Public Relations 510 647-2917; [email protected] FOR IMMEDIATE RELEASE BERKELEY REP’S THE GROUND FLOOR RETURNS THIS MONTH WITH INNOVATIVE THEATRE PROJECTS FROM 29 BAY AREA ARTISTS Research and development facility for theatre invites artists for ninth Summer Residency Lab August 9, 2021 – This morning, Berkeley Rep’s Artistic Director Johanna Pfaelzer announced the return of The Ground Floor: Berkeley Rep’s Center for the Creation and Development of New Work. Thirteen projects from 29 talented artists across the Bay Area have been selected for its Summer Residency Lab. As part of an extraordinary laboratory for collaboration, some of the Bay Area’s most prominent and promising theatre makers will unite at the Theatre’s Harrison Street campus and virtually over an intense four-week period to exchange ideas, incubate new theatrical work, and build artistic community. Residencies have been awarded to Debórah Eliezer in collaboration with Vidhu Singh, Noor Adabachi, and Cynthia Ling Lee (Burning Wild); Bennett Fisher (Cry Havoc); Denmo Ibrahim and Kate Bergstrom (Beyond the Ocean’s Edge); Josh Kornbluth (The Bottomless Bowl); Jeffrey Lo (Delano Love Song); Leigh M. Marshall (The Rosaline Play); Ashley Smiley, Margo Hall, Sean San José, and Joan Osato (Dirty White Teslas Make Me Sad); Ari’el Stachel and Tony Taccone (Untitled); Madison Wetzell and Ciera Eis (Untitled: Faust on 4Chan); Dawn L. Troupe, Jeff Liu, and Adrienne Shamszad (Riding the Light); Erika Chong Shuch, Ryan Tacata, and Rowena Richie (The Welcoming); Chris Steele, Sean Owens, NJ Bice, and Nic Candito (Gaslit: A Trans Drag Parody); and Molly Van Der Molen (Never Sink River).
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On the Purple Circuit with Bill Kaiser Volume 9, Number 4 the LINDA EISENSTEIN ISSUE
On The Purple Circuit With Bill Kaiser Volume 9, Number 4 THE LINDA EISENSTEIN ISSUE WELCOME TO ON THE PURPLE CIRCUIT! We exist to promote GLQBT theatre and performance On World AIDS Day, Dec 1, Michael Kearns and I produced throughout the world and invite you to join in that AfterWords: Honoring Writers We Miss. It was an endeavor! emotional 15-hour marathon of readings by many celebrities from the arts and public life at Skylight Books in Los Angeles. This last issue of 2000 honors Playwright Linda Eisenstein We hope to continue this as a yearly event. I thank all the whose works are mentioned in this and many other issues of participants and Skylight Books' Kerry Slattery and staff, OTPC. I finally got to see a production of some of her plays Michael Kearns, Highways, Broadway Cares/Equity Fights in Burbank recently and they were sensational. Linda is a AIDS, Ferd Eggan and staff at LA City AIDS Coordinator's strong voice in lesbian, women, and feminist theatre. In Office, The Arch and Bruce Brown Foundation, The Robert addition to promoting her own work which incidentally has Chesley Foundation and PEN West. I miss all the honored been produced all over in cities and in small college towns, writers as well as James Carroll Pickett, Vincent Barron, she demonstrates a willingness to help others get their work Michael Stuart Shere, Bill Oxendine, Scott Giantvalley, and out there. I wish Linda Eisenstein continued success at the so many more friends and artists. Red Hen in Cleveland and elsewhere and salute her talent and generosity.
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Performing Arts Collection Coll2007.016
http://oac.cdlib.org/findaid/ark:/13030/kt609nd56d No online items Inventory of the Performing Arts Collection Coll2007.016 Staff Processing this collection has been funded by a generous grant from the National Historical Publications and Records Commission. ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California 909 West Adams Boulevard Los Angeles, California 90007 (213) 821-2771 [email protected] Inventory of the Performing Arts Coll2007.016 1 Collection Coll2007.016 Language of Material: English Contributing Institution: ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California Title: Performing Arts collection creator: ONE National Gay & Lesbian Archives Identifier/Call Number: Coll2007.016 Physical Description: 81 Linear Feet78 archive cartons, 2 flat boxes Date (inclusive): 1937-2012 Date (bulk): bulk Abstract: Programs, flyers, press kits, photographs, correspondence, newspaper clippings including reviews, and periodicals primarily documenting gay and lesbian actors and theater 1980-2000. The core of this artificial collection was formed from performing arts materials from the collection of Ken Dickmann, supplemented with materials from the Purple Circuit collection, an information clearinghouse for gay and lesbian theater, founded by Bill Kaiser. Access The collection is open to researchers. There are no access restrictions. Conditions Governing Use All requests for permission to publish or quote from manuscripts must be submitted in writing to the ONE Archivist. Permission for publication is given on behalf of ONE National Gay and Lesbian Archives at USC Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained.
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She Loves Me Program
SC 56th Season • 533rd Production SEGERSTROM STAGE / JANUARY 25 - FEBRUARY 22, 2020 David Ivers Paula Tomei ARTISTIC DIRECTOR MANAGING DIRECTOR David Emmes & Martin Benson FOUNDING ARTISTIC DIRECTORS presents SHE LOVES ME book by music by lyrics by Joe Masteroff Jerry Bock Sheldon Harnick based on the play by Miklós László originally directed on Broadway by Harold Prince originally produced on Broadway by Harold Prince in association with Lawrence N. Kasha and Philip C. McKenna original orchestrations by Don Walker adapted by Frank Matosich Jr. Jo Winiarski Alex Jaeger Jaymi Lee Smith Jeff Polunas SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Joanne DeNaut, CSa Music Director Jamie A. Tucker* CASTING Gregg Coffin STAGE MANAGER Choreography Jaclyn Miller Directed by David Ivers Steve & Laurie Duncan • Michael Ray Honorary Producers BNY Mellon Wealth Management • Haskell & White LLP Corporate Honorary Associate Producers SHE LOVES ME is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com She Loves Me • South CoaSt RepeRtoRy • P1 CAST OF CHARACTERS Arpad Laszlo ............................................................................................................... Ricky Abilez* Ensemble .................................................................................................................... Alicia Coca* Ladislov Sipos ................................................................................................
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NEXT BIG BANG: the EXPLOSION of ASIAN AMERICAN THEATRE Would Not Have Been Possible Without the Generous Support Of
NEXT BIG BANG: THE EXPLOSION OF ASIAN AMERICAN THEATRE would not have been possible without the generous support of: The Nathan Cummings Foundation The Doris Duke Charitable Trust The Ford Foundation The California Community Foundation The James Irvine Foundation Anheuser-Busch Companies, Inc. The contents of this report were collected to represent diverse perspectives expressed and brought about by the framework of the conference. The transcribing of the time line and conference survey comments is unaudited, and the dates and accuracy of the timeline have not been verified. The conference survey comments should not be inferred as a reflection of opinions of all attending as a whole but those of individuals who provided feedback in the surveys. These comments are meant to present a transparent reflection of the conference so that we may learn from this experience in preparation for the next conference. 1 Introduction After three years of planning, the first-ever National Asian American Theatre Conference convened in Los Angeles, California at East West Players in June 2006, marking the first time that leaders of Asian American theatres, Asian Pacific performing arts programs and groups, individual artists and academics had the opportunity to assemble with the primary mission of bringing Asian American theatre and performance to the forefront of the genre. The momentum from this event has created a movement to ensure that Asian American theatre and performance continues to grow, thrive, educate, enlighten and even lead the American theatre scene. The outcome of this conference was one of positive inspiration and the realization that, despite the challenges that affect all arts groups across the country, the concept of Asian American theatre continues to grow and expand.
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Oneminuteplay Press Release
FOR IMMEDIATE RELEASE Contact: Jill MacLean: [email protected] 415-626-2176 One-Minute Play Festival Contact: Dominic D’Andrea [email protected] 646-354-8347 The New York One-Minute Play Festival & The Playwrights Foundation PRESENTS The 1st Annual San Francisco One-Minute Play Festival 80+Plays. 30+Actors. 5 Directors. 1-Minute. Saturday, December 18th @ 8pm Sunday, December 19th @ 7pm Thick House 1695 18th Street, San Francisco, 94107 It's theater boiled down to its essence. Sixty Seconds from lights up to lights down. The much- anticipated short-form theatre festival comes to San Francisco in partnership with new play development center Playwrights Foundation! Curated by Dominic D'Andrea, the program will present over 80 plays all under sixty seconds by some of the most exciting emerging and established writers in the American Theatre. The 2010 San Francisco One-Minute Play Festival Playwrights Are: Crish Barth, Tim Bauer, Tom Swift, Erin M. Bregman, Michelle Carter, Claire Chafee, Christopher Chen, Anthony Clarvoe, Erik Ehn, Elizabeth Gjelten, Prince Gomolvilas, Garrett Jon Groenveld, Lauren Gunderson, Robert Henry Johnson, Aaron Loeb, John O’Keefe, Marisela Treviño Orta, Geetha Reddy, Steven M. Salzman, Tanya Shaffer, Brian Thorstenson, Enrique Urueta, Lauren D. Yee, Evelyn Jean Pine, Steve Yockey, Brooke Berman, Julia Jarcho, Eugenie Chan, and our national alumni writers: Rachel Axler, Joshua Conkel, Tanya Saracho, Kristoffer Diaz, Qui Nguyen, David Simpatico, Caridad Svich, Mando Alvarado, and others! And Alumni Playwrights: Rachel Axler, Qui Nguyen, Andrea Thome, David Simpatico, Mando Alvarado, Tanya Saracho, Kristoffer Diaz, Caridad Svich, Joshua Conkel, Matthew Paul Olmos, J. Julian Christopher, & Rose Martula.
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DHHWI Summer 2014 Class Enrollment Form
ENROLL NOW FOR THE DAVID HENRY HWANG WRITERS INSTITUTE SUMMER 2014 SESSION BEGINS June 17, 2014 Playwriting 101: Back to Basics Name: _______________________________________ June 17, 2014 – July 22, 2014 Address: ______________________________________ Tuesdays, 7:00PM–10:00PM City, State/Zip: _________________________________ Instruction by Prince Gomolvilas Maryknoll Japanese Catholic Center Home Phone: __________________________________ 222 S. Hewitt St., Los Angeles, CA 90012 Fee: $350 (ACTS members $325) Work Phone: __________________________________ Designed for playwrights of any experience level—from novices to longtime dramatists—this six-week course explores the basic building Email: _______________________________________ blocks of playwriting. Students will learn how to write engaging monologues and dialogue, build compelling characters, construct effective ____________________________________________ Parent or Guardian Name (if applicant is under 18 years of age) scenes, and create sound structure. Writing exercises will help playwrights generate new text and gain a deeper understanding of their own work, and ____________________________________________ weekly reading assignments of relevant plays and group outings to Signature of Parent/Guardian Contact Phone productions around town will round out the workshop experience. By the FEE* end of the course, students will have developed the premise, the characters, Playwriting $350 (ACTS members $325) $ _______ the outline, and the first ten pages of a full-length play, as well
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