257 West 52Nd Street, New York, NY 10019

Total Page:16

File Type:pdf, Size:1020Kb

257 West 52Nd Street, New York, NY 10019 Press Contacts: Richard Hillman | [email protected] | (646) 234-5716 Philip Carrubba | [email protected] | (917) 523-8849 Pan Asian Rep | [email protected] | (212) 868-4030 FOR IMMEDIATE RELEASE, PLEASE NOW ON STAGE WORLD PREMIERE PAN ASIAN REPERTORY THEATRE PRESENTS THE BROTHERS PARANORMAL BY PRINCE GOMOLVILAS DIRECTED BY JEFF LIU FEATURING BRIAN D. COATS, NATSUKO HIRANO, VIN KRIDAKORN, EMILY KURODA, DAWN L. TROUPE, ROY VONGTAMA LIMITED ENGAGEMENT THROUGH MAY 19, 2019 AT THE BECKETT THEATRE AT THEATRE ROW (410 WEST 42ND STREET) OPENING NIGHT IS WEDNESDAY, MAY 1, 2019 AT 7:00PM New York, NY (April 29, 2019) - Pan Asian Repertory Theatre (Tisa Chang, Founding Artistic Producing Director), with a prestigious grant and support from the National Endowment for the Arts, continues the 2018- 2019 season with the World Premiere of the play The Brothers Paranormal, by Prince Gomolvilas. Directed by Jeff Liu, the six-member cast features Brian D. Coats as Felix, Natsuko Hirano as Noi, Vin Kridakorn as Max, Emily Kuroda as Tasanee, Dawn L. Troupe as Delia, and Roy Vongtama as Visarut. Performances began April 28, 2019 for a limited engagement through May 19, 2019 in The Beckett Theatre at Theatre Row (410 West 42nd Street). Opening Night is Wednesday evening, May 1, 2019 at 7:00 p.m. A ghost story, The Brothers Paranormal by Prince Gomolvilas, directed by Jeff Liu, follows two Thai brothers who investigate paranormal activities in the Midwest. When the siblings visit the home of an African-American couple, who have been displaced by Hurricane Katrina, their notions of reality, and spiritual beliefs are pushed to a breaking point. Pan Asian Rep explores—for the first time—Thai-American and African-American intersection, spiritual displacement, and the taboo subject of mental health. May is recognized as Asian Pacific American Heritage Month and Mental Health Awareness Month. 257 West 52nd Street, New York, NY 10019 www.richardhillmanpr.com "The play's intersection of genre and race, as well as the exploration of the spirit realm in a country that’s doing some deep soul-searching, is what drives my passion for this project” state Prince Gomolvilas. “While I interviewed and shadowed actual paranormal investigators, I also spoke to one of the world’s leading experts on dying, death, and grief—all in an effort to explore the play’s disparate themes: the trauma of displacement (from one’s country of origin, from post-Katrina New Orleans, from the corporeal world); the high incidence of mental health issues among Asian immigrants; and the different ways in which people cope with incredible loss." Director Jeff Liu had this to share, “The Brothers Paranormal is a ghost story, and as such, it has many of the elements that people find so entertaining about the genre: a supernatural, possibly deadly force, a mystery as to its nature, the banding together of ordinary humans to face it; moments of terror, of surprise, of humor, of genuine human connection.” He went on to say, “It is also a drama about how we deal with grief, complicated by family legacies of mental illness and depression. It‘s about two unlikely heroes, both members of embattled minorities in this country, who find a way to connect and support each other through the worst that life has to offer. Over the course of the play, our protagonists Max and Delia, a Thai-American man and an African-American woman, respectively, form a connection, and I can’t remember seeing the intersection between these cultures dramatized so gracefully.” He ended by stating, “These connections across differences are exactly what we need more of in these anxious, polarizing times.” The creative team includes Set Design by Sheryl Liu (Daybreak), Costume Design by Hyun Sook Kim (Dream of Red Pavilions), Lights by Victor En Yu Tan (Shogun Macbeth), and Sound Design by Ian Wherle (Sayonara). The Stage Management team is Kristine Schlachter and Sabrina Morabito. Tickets for The Brothers Paranormal are priced at $62.25, plus $2.25 theater restoration fee, and will play the following performance schedule: Tuesday - Friday at 7:30pm, Saturday at 2:30 p.m. & 7:30 p.m., and Sunday at 2:30 p.m. Opening Night tickets on May 1 at 7:00 p.m. are priced at $102.25 and include the post-show reception. Tickets may be purchased at www.telecharge.com, (212) 239-6200, or by visiting the box office. Group, senior and college discounts are available at www.TelechargeOffers.com There will be Special Student Matinee performances on selected weekdays at 11:00 a.m. To bring your school to a performance and more information, please email [email protected] or call (212) 868-4030. If you would like to coordinate a post-show meet & greet with the artists, please call Pan Asian Rep at (212) 868- 4030 or email [email protected] For more information about Pan Asian Rep, visit www.panasianrep.org. For information about Theatre Row, visit www.theatrerow.org ABOUT THE ARTISTS Prince Gomolvilas (Playwright) is a Thai-American playwright whose work includes Big Hunk o’ Burnin’ Love, The Theory of Everything (PEN Center USA Literary Award for Drama), and Mysterious Skin (based on the novel by Scott Heim). His plays have been produced at The Drill Hall (London), East West Players (Los Angeles), Lorraine Hansberry Theatre (San Francisco), and Singapore Repertory Theatre. His work has also been developed at the Alley Theatre, Center Theatre Group, Geva Theatre Center, La Jolla Playhouse, The Lark, Ma-Yi Theater Company, South Coast Repertory, and TheatreWorks Silicon Valley. His TEDx talk, "Mind the Gap," is available at www.princegomolvilas.com. Jeff Liu (Director) adapted the Pulitzer nominated play Yellow Face by David Henry Hwang for the YOMYOMF Network on YouTube. His productions include: Two Mile Hollow (Artists at Play), Mexican Day (Rogue Machine, LA Times Critics Choice), Tiger Style! (Philadelphia Asian Performing Artists), Chinglish (LA Premiere, LA Times Critics Choice), Texas, Terminus Americana, The Golden Hour (Lodestone Theatre Ensemble), The Chinese Massacre Annotated (Circle X), Ixnay, Wrinkles, Christmas in Hanoi (East West Players), Slice (Fremont Centre Theatre), and three years with Sci-Fest, the LA Science Fiction One Act Play Festival. He is a member of the O’Neill National Directing Fellowship cohort of 2016. Tisa Chang (Pan Asian Rep Founding Artistic Producing Director) has led the company since inception, promoting stories seldom told and voices seldom heard. She is a theatre professional with five decades of experience as an actor, dancer, and director. Highlights include: Sayonara; The Joy Luck Club; the epic play-with-music Cambodia Agonistes, which toured nationally and to Cairo and Johannesburg; Kwatz! The Tibetan Project; and Rashomon, which was invited to Havana Theatre Festival in 2003. She innovated premieres, in English and Mandarin Chinese of the Peking opera, Return of the Phoenix, and A Midsummer Night’s Dream at La Mama ETC. Pan Asian Repertory Theatre, celebrating its 42nd Milestone Season, is the most veteran Asian American theatre company on the East Coast. With the help of the late Ellen Stewart and core Asian American artists at La Mama ETC, Tisa Chang founded Pan Asian Rep in 1977 with the vision that Asian American artists can equally follow their artistic aspirations to reach the zenith of American Theatre. Its mission is to provide professional theatre opportunities for Asian American artists to work under the highest standards of excellence and create new works that dignify Asian Americans and dispel stereotypes, focusing on stories of probing social justice issues with distinctive Off-Broadway Productions, Tours, National Outreach, and Community Service. Mel Gussow of The New York Times described it as "A Stage for All the World of Asian –Americans” and wrote that “Before Pan Asian Rep, Asian Americans had severely limited opportunities in the theater....” The company has nurtured thousands of artists and is a “who-is-who” of Asian American theatre history, with notable alumni/ae: June Angela, Tina Chen, Philip Gotanda, Wai Ching Ho, David Henry Hwang, Daniel Dae Kim, Lucy Liu, Ron Nakahara, Qui Nguyen, R.A. Shiomi, Lauren Yee, and Henry Yuk. Pan Asian Rep Programs are made possible, in part, by the National Endowment for the Arts; the New York State Council on the Arts, with the support of Governor Andrew Cuomo and the New York State Legislature; the New York City Department of Cultural Affairs, in partnership with the City Council; City Council member Margaret Chin; and major support from the Shubert, NY Community Trust, Howard Gilman, Fan Fox & Leslie R. Samuels, Lucille Lortel Foundations; and generous individuals. # # # www.panasianrep.org Twitter: @PanAsianRep www.facebook.com/panasianrep/ www.theatrerow.org www.richardhillmanpr.com .
Recommended publications
  • Pg. 03 Women Pg
    The NATIONAL NeWSPAPeR Of The JACL Pg. 04 tamlyn tomita presents the 2012 v3 voice Award to Jocelyn Wang. Pg. 05 frances Kai-Hwa Wang on going to temple. MADPg. 03 WOMeN Pg. 06 HOW JeANNe KONisHi AND Her JACL board approves the 2013-14 budget. frieNDs reWrOte ADvertisiNg # 3196 / VOL. 155, NO. 5 ISSN: 0030-8579 WWW.PACIFICCITIZEN.ORG SEPT. 7 - 20, 2012 2 Sept. 7-20, 2012 LETTERS HOW to REACH US E-mail: [email protected] Letters To THE MISSING DOCUMENT FROM THE Online: www.pacificcitizen.org Tel: (213) 620-1767 ‘POWER OF WORDS’ HANDBOOK Fax: (213) 620-1768 The Editor Mail: 250 E. First Street, Suite 301 { { Los Angeles, CA 90012 In the Rafu Shimpo (July 17, 2012), Andy Noguchi, a leading member The question then arises: how many people in America since 1942 read STAFF of the Power of Words II Committee, gave an excellent report and review or even know of this exclusion order? Upon reading it the people will Executive Editor of the “Power of Words” handbook. The handbook was unanimously realize that this injustice did happen to us in this country and perhaps voted for and approved by the National JACL Council during the recent to resolve that it never again happen to any other people. A companion Assistant Editor national convention. question is then: how many Nikkei have read or even know of this his- Reporter I have read both drafts of the handbook and highly recommended that it toric document? Can one imagine back in April 1942 the Nisei reading Nalea J.
    [Show full text]
  • Snehal Desai
    East West Players and Japanese American Cultural & Community Center (JACCC) By Special Arrangement with Sing Out, Louise! Productions & ATA PRESENT BOOK BY Marc Acito, Jay Kuo, and Lorenzo Thione MUSIC AND LYRICS BY Jay Kuo STARRING George Takei Eymard Cabling, Cesar Cipriano, Janelle Dote, Jordan Goodsell, Ethan Le Phong, Sharline Liu, Natalie Holt MacDonald, Miyuki Miyagi, Glenn Shiroma, Chad Takeda, Elena Wang, Greg Watanabe, Scott Watanabe, and Grace Yoo. SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN PROJECTION DESIGN PROPERTY DESIGN Se Hyun Halei Karyn Cricket S Adam Glenn Michael Oh Parker Lawrence Myers Flemming Baker FIGHT ALLEGIANCE ARATANI THEATRE PRODUCTION CHOREOGRAPHY PRODUCTION MANAGER PRODUCTION MANAGER STAGE MANAGER Cesar Cipriano Andy Lowe Bobby DeLuca Morgan Zupanski COMPANY MANAGER GENERAL MANAGER ARATANI THEATRE GENERAL MANAGER Jade Cagalawan Nora DeVeau-Rosen Carol Onaga PRESS REPRESENTATIVE MARKETING GRAPHIC DESIGN Davidson & Jim Royce, Nishita Doshi Choy Publicity Anticipation Marketing EXECUTIVE PRODUCER MUSIC DIRECTOR ORCHESTRATIONS AND CHOREOGRAPHER ARRANGEMENTS Alison M. Marc Rumi Lynne Shankel De La Cruz Macalintal Oyama DIRECTED BY Snehal Desai The original Broadway production of Allegiance opened on November 8th, 2015 at the Longacre Theatre in NYC and was produced by Sing Out, Louise! Productions and ATA with Mark Mugiishi/Hawaii HUI, Hunter Arnold, Ken Davenport, Elliott Masie, Sandi Moran, Mabuhay Productions, Barbara Freitag/Eric & Marsi Gardiner, Valiant Ventures, Wendy Gillespie, David Hiatt Kraft, Norm & Diane Blumenthal, M. Bradley Calobrace, Karen Tanz, Gregory Rae/Mike Karns in association with Jas Grewal, Peter Landin, and Ron Polson. World Premiere at the Old Globe Theater, San Diego, California. Barry Edelstein, Artistic Director; Michael G.
    [Show full text]
  • Putting It Together
    46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager .............................................................
    [Show full text]
  • South Coast Repertory Is a Professional Resident Theatre Founded in 1964 by David Emmes and Martin Benson
    IN BRIEF FOUNDING South Coast Repertory is a professional resident theatre founded in 1964 by David Emmes and Martin Benson. VISION Creating the finest theatre in America. LEADERSHIP SCR is led by Artistic Director David Ivers and Managing Director Paula Tomei. Its 33-member Board of Trustees is made up of community leaders from business, civic and arts backgrounds. In addition, hundreds of volunteers assist the theatre in reaching its goals, and about 2,000 individuals and businesses contribute each year to SCR’s annual and endowment funds. MISSION South Coast Repertory was founded in the belief that theatre is an art form with a unique power to illuminate the human experience. We commit ourselves to exploring urgent human and social issues of our time, and to merging literature, design, and performance in ways that test the bounds of theatre’s artistic possibilities. We undertake to advance the art of theatre in the service of our community, and aim to extend that service through educational, intercultural, and community engagement programs that harmonize with our artistic mission. FACILITY/ The David Emmes/Martin Benson Theatre Center is a three-theatre complex. Prior to the pandemic, there were six SEASON annual productions on the 507-seat Segerstrom Stage, four on the 336-seat Julianne Argyros Stage, with numerous workshops and theatre conservatory performances held in the 94-seat Nicholas Studio. In addition, the three-play family series, “Theatre for Young Audiences,” produced on the Julianne Argyros Stage. The 20-21 season includes two virtual offerings and a new outdoors initiative, OUTSIDE SCR, which will feature two productions in rotating rep at the Mission San Juan Capistrano in July 2021.
    [Show full text]
  • In Kindergarten with the Author of WIT
    re p resenting the american theatre DRAMATISTS by publishing and licensing the works PLAY SERVICE, INC. of new and established playwrights. atpIssuel 4,aFall 1999 y In Kindergarten with the Author of WIT aggie Edson — the celebrated playwright who is so far Off- Broadway, she’s below the Mason-Dixon line — is performing a Mdaily ritual known as Wiggle Down. " Tapping my toe, just tapping my toe" she sings, to the tune of "Singin' in the Rain," before a crowd of kindergarteners at a downtown elementary school in Atlanta. "What a glorious feeling, I'm — nodding my head!" The kids gleefully tap their toes and nod themselves silly as they sing along. "Give yourselves a standing O!" Ms. Edson cries, when the song ends. Her charges scramble to their feet and clap their hands, sending their arms arcing overhead in a giant "O." This willowy 37-year-old woman with tousled brown hair and a big grin couldn't seem more different from Dr. Vivian Bearing, the brilliant, emotionally remote English professor who is the heroine of her play WIT — which has won such unanimous critical acclaim in its small Off- Broadway production. Vivian is a 50-year-old scholar who has devoted her life to the study of John Donne's "Holy Sonnets." When we meet her, she is dying of very placement of a comma crystallizing mysteries of life and death for ovarian cancer. Bald from chemotherapy, she makes her entrance clad Vivian and her audience. For this feat, one critic demanded that Ms. Edson in a hospital gown, dragging an IV pole.
    [Show full text]
  • At the Mission San Juan Capistrano
    AT THE MISSION SAN JUAN CAPISTRANO by José Cruz González based on the comic strip “Peanuts” by Charles M. Schulz directed by Christopher Acebo book, music and lyrics by Clark Gesner additional dialogue by Michael Mayer additional music and lyrics by Andrew Lippa directed and choreographed by Kari Hayter OUTSIDE SCR 2021 • SOUTH COAST REPERTORY • 1 THE THEATRE Tony Award-winning South Coast Repertory, founded in 1964 by David Emmes and Martin Benson, is led by Artistic Director David Ivers and SPRING/SUMMER 2021 SEASON Managing Director Paula Tomei. SCR is recog- nized as one of the leading professional theatres IN THIS ISSUE Get to know, or get reacquainted with, South Coast Repertory in the United States. It is committed to theatre through the stories featured in this magazine. You’ll find information about both that illuminates the compelling personal and Outside SCR productions: American Mariachi and You’re a Good Man, Charlie social issues of our time, not only on its stages but Brown, as well as the Mission San Juan Capistrano, acting classes for all ages and a through its wide array of education and engage- host of other useful information. ment programs. 6 Letter From the Artistic Director While its productions represent a balance of clas- That Essential Ingredient of the Theatre: YOU sic and modern theatre, SCR is renowned for The Lab@SCR, its extensive new-play development program, which includes one of the nation’s larg- 7 Letter From the Managing Director est commissioning programs for emerging, mid- A Heartfelt Embrace career and established writers and composers.
    [Show full text]
  • Keystonetheatricalcv.Pdf
    N A N C Y K E Y S T O N E director • playwright • designer • visual artist founding artistic director : critical mass performance group [with critical mass performance group] Ameryka written, directed, scenic design by Nancy Keystone, 2010-2018 Created in collaboration with CMPG. Premiered at Shakespeare Center of Los Angeles, 2016; remounted at Kirk Douglas Theatre, 2018 Named Production Of The Year and Best Ensemble by Stage Raw; Nominated for 7 Ovation Awards, 3 Stage Raw Awards, LA Drama Critics Circle Award . Untitled Communion conceived, directed, scenic design by Nancy Keystone, 2017 Performed as part of REDCAT's New Original Works Festival, Los Angeles Parataxes From The Near Side Of The Heart written & directed by Nancy Keystone, 2015 Created in collaboration with CMPG. Commissioned by Stage Raw Digital Play Festival/Polish Edition, performed at Theatre @ Boston Court. Bad Medicine written & directed by Nancy Keystone, 2014 Created in collaboration with CMPG. Commissioned by Heretick Theatre Lab, live-streamed with the Noir Project at Schkapf Performance Space. Alcestis written, directed, scenic design by Nancy Keystone, 2012-2013 Created in collaboration with CMPG. Developed in part, and performed as work-in-progress at Getty Villa Theatre Lab 2012. Premiere at Theatre @ Boston Court, Pasadena, CA, June 2013. LA Drama Critics Circle Best Adaptation award (and nominated for Best Director); Arts in LA Sage Award for Best Adaptation; named one of "10 Best Plays" by LA Weekly (nominated for 5 LA Weekly awards); one of 2013's "Theatre Highlights" by LA Stage Times Bread, 2011 & 2017 Created in collaboration with CMPG. Site specific interactive performance-salon, Cornerstone Theater commission.
    [Show full text]
  • Musical Theatre in the Mountains: an Examination of West Virginia Public Theatre’S History, Mission, Practices, and Community Impact
    MUSICAL THEATRE IN THE MOUNTAINS: AN EXAMINATION OF WEST VIRGINIA PUBLIC THEATRE’S HISTORY, MISSION, PRACTICES, AND COMMUNITY IMPACT. David S. Sollish A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Committee: Michael B. Ellison, Advisor Elaine J. Colprit Graduate Faculty Representative Jonathan L. Chambers Ronald E. Shields ii ABSTRACT Michael B. Ellison, Advisor The purpose of this study was to examine the ways in which a professional theatre can impact its community and to provide useful suggestions for young producers hoping to start their own theatre. By using the West Virginia Public Theatre as a case study and by examining its three-part mission (to entertain, to educate, and to improve the quality of life), this study highlights both effective and ineffectual practices conducted by the theatre, its administration, and its staff to ascertain the efficacy of that mission. Furthermore, the numerous voices stemming from my personal interviews with a cross-section of the community have served as a principal source of data from which to analyze the theatre’s impact on the blue-collar, sports- focused society of North Central West Virginia. West Virginia Public Theatre was established in 1985 and since has grown to be a reputable summer stock company. Modeled on the Pittsburgh Civic Light Opera, West Virginia Public Theatre has developed from a small, unknown theatre performing in a parking lot tent to a well-respected summer stock theatre with aspirations of further developing into a regional company.
    [Show full text]
  • Got Musical Program 2015
    presents got musical! an evening showcasing new musicals in development at NMI at The Colony Theatre Thursday, June 4, 2015 7:30 PM got musical! presented by the Academy Repertory Company (ARC) Members of the Academy Repertory Company Elise Dewsberry, Scott Guy, David Holmes, Christopher Maikish, Andrea Press, Tedd Szeto, Christina Valo, Peter Welkin Guest Artists: Chris Bunyi, Allie Costa, Sara Gonzales, Randy Guiaya, Amanda Kruger, Paul Marchegiani, Shannon Martinous, Conchita Belisle Newman, Curtis Rhodes, Rehyan Rivera At the Piano: Ron Barnett Tell Me How It Feels Lyrics by David Rackoff, Music by Morgan Hollingsworth the Ensemble “As for Bagels” from BAGELS THE MUSCIAL Book and Lyrics by Chana Wise, Music by Carl Johnson David, Andrea, Peter, and the Ensemble “One Small Step” from INVISIBLE Book by David Hollingsworth, Lyrics and Music by David Orris Christopher and Randy “Goodtime Girl” from THE ANARCHIST GIRL Book and Lyrics by J. Linn Allen, Music by Cris Wo Christina “Something Only You Can See” from OFF THE WALL Book and Lyrics by Sarah Rebell, Music by Danny Abosch Amanda and Randy “The Tingling ” from SPARK Book & Lyrics by Bill Nelson, Music by Joseph Trefler Curtis and Christina “The Girl I Need To Be" from INVINCIBLE Music and Lyrics by Mark Sonnenblick, Book by Charlie Polinger Conchita "Better" from LOBSTERS LIVE FOREVER Book and Lyrics by Sam Chanse, Music by Bob Kelly Andrea "My True Love" from SPELLBOUND by Ben Boecker Allie "Swim Forever" from REPORTING LIVE by Michael Finke Elise "I'm Tired Of That" by Andre Catrini
    [Show full text]
  • Theatre Conservatory Presents the Summer Players
    Theatre Conservatory Presents The Summer Players in The cast of Peter Pan Top row: Sean Kato, Nick Trafton, Vincent Logan, Preston Veravanich, Marcello Bui 2nd row: Pierce Harvey, Ben Susskind, PJ Giglia, Halia Lindauer, Grady Farman 3rd row: Zoe Hebbard, Charlie Goubran, Chloe Thompson, Katie Lee, Sarah Sparks 4th row: Sienna Patel, ChloeLux Phan, Mia Ciuni, Libby Rue, Tess Fox, Natalie Bright 5th row: Sofia Mendez, Caitlyn Yu, Maggie Moland, Brooke Berberian, Jaden Linares Bottom row: Quinn Garcia, Tessany Azizi, Leah Kaplan, Isaac Person, Presley Coogan PETER PAN is presented through special arrangement with Music Theatre International (MTI) All authorized performance materials are also supplied by MTI. www.mtishows.com Segerstrom Stage • August 7, 8, 14 & 15, 2021 DAVID IVERS PAULA TOMEI Artistic Director Managing Director DAVID EMMES & MARTIN BENSON Founding Artistic Directors Theatre Conservatory presents A musical based on the play by Sir J.M. Barrie Lyrics by Music by Carolyn Leigh Morris (Moose) Charlap Additional Lyrics by Additional Music by Betty Comden & Adolf Green Jule Styne Originally Directed, Choreographed and Adapted by Jerome Robbins Music direction by Directed by ERIN MCNALLY HISA TAKAKUWA SET DESIGNER COSTUME DESIGNER LIGHTING DESIGNER LEAH RAMILLANO KATE POPPEN KARYN D. LAWRENCE SOUND DESIGNER CHOREOGRAPHER STAGE MANAGER JEFF POLUNAS SJAAN TROWBRIDGE ANNA KLEVIT In 1929 Sir J.M. Barrie bequeathed PETER PAN to GREAT ORMOND STREET HOSPITAL FOR CHILDREN IN LONDON, which as benefited thousands of children since then. The producers are proud and happy that everyone who has bought a ticket for today's performance of PETER PAN is helping towards making the hospital the incredible center of hope it is today.
    [Show full text]
  • Program Participant Bios
    National Playwright Residency Program PROGRAM PARTICIPANT BIOS PLAYWRIGHTS Murielle Borst-Tarrant Murielle Borst-Tarrant (Kuna/Rappahannock Nations) is an author, playwright, director, producer, cultural artist, educator, and human rights activist. Murielle began working as an artist early in her life with Spiderwoman Theatre. After attending Long Island University, she began combining Native American myth and creation stories to help compose a subgenre of literature referred to as Indigenous Fantasy. She is the author of the book series The Star Medicine and short stories published by Miami University Press. She is the Artist Director of Safe Harbor Indigenous Collective. She has produced, wrote, and directed Don’t Feed the Indians- A Divine Comedy Pageant! which premiered at La MaMa in 2017. She works on the deconstructing the pedagogy of the arts within Native communities in the NYC education system. Nominated for the Rockefeller grant in 2001, she won a Native Heart Award. She served as the Special Assistant to the North American Regional representative to the United Nations Permanent Forum on Indigenous Issues. Global Indigenous Woman’s Caucus Chair (North America) in 2013 to May of 2014. She has spoken at the Indigenous Women’s Symposium at Trent University, at the International Conference at the Muthesius Academy of Art in Kiel Germany, and the Norwegian Theater Academy. J. Nicole Brooks J. Nicole Brooks (she/they) is an actor, author, director, gremlin, educator, and social justice warrior based in Chicago with roots in Los Angeles and Brooklyn. Brooks is an ensemble member at the Tony Award winning Lookingglass Theatre Company and serves as Associate Artistic Director for Collaboration Theatre.
    [Show full text]
  • A Chorus Line Book by Music by Lyrics by James Kirkwood Marvin Hamlisch Edward Kleban Nicholas Dante
    Chance Theater proudly presents A Chorus Line Book by Music by Lyrics by James Kirkwood Marvin Hamlisch Edward Kleban Nicholas Dante Directed by Oanh Nguyen* Choreographed by Hazel Clarke Music Direction by Ryan O’Connell Scenic Design by Fred Kinney Stage Manager Nicole Schlitt* Lighting Design by Martha Carter Dramaturg Sophie Cripe Sound Design by Ryan Brodkin Assistant Choreographer Christine Hinchee Costume Design by Bradley Lock Zach ............................................Ben Green Cassie .........................................Tatiana Alvarez Bebe ...........................................Ashley Arlene Nelson Maggie ........................................Kristen Daniels Val ...............................................Victoria Rafael Sheila ..........................................Camryn Zelinger Kristine ........................................Emily Abeles Judy ............................................Dannielle Green Diana ..........................................Angeline Mirenda Connie ........................................Tina Nguyen Bobby .........................................Ben Heustess Richie ..........................................Christopher Mosley Paul ............................................Xavier Castaneda Al ................................................Joseph Ott Mike ............................................John Wells III Mark ............................................Brandon Carter Greg ............................................Robbie Lundegard Don .............................................Garrett
    [Show full text]