On the Purple Circuit with Bill Kaiser Volume 9, Number 3 the WEBSITE ISSUE
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Supplementary Information For
1 2 Supplementary Information for 3 Dissecting landscape art history with information theory 4 Byunghwee Lee, Min Kyung Seo, Daniel Kim, In-seob Shin, Maximilian Schich, Hawoong Jeong, Seung Kee Han 5 Hawoong Jeong 6 E-mail:[email protected] 7 Seung Kee Han 8 E-mail:[email protected] 9 This PDF file includes: 10 Supplementary text 11 Figs. S1 to S20 12 Tables S1 to S2 13 References for SI reference citations www.pnas.org/cgi/doi/10.1073/pnas.2011927117 Byunghwee Lee, Min Kyung Seo, Daniel Kim, In-seob Shin, Maximilian Schich, Hawoong Jeong, Seung Kee Han 1 of 28 14 Supporting Information Text 15 I. Datasets 16 A. Data curation. Digital scans of landscape paintings were collected from the two major online sources: Wiki Art (WA) (1) 17 and the Web Gallery of Art (WGA) (2). For our purpose, we collected 12,431 landscape paintings by 1,071 artists assigned to 18 61 nationalities from WA, and 3,610 landscape paintings by 816 artists assigned with 20 nationalities from WGA. While the 19 overall number of paintings from WGA is relatively smaller than from WA, the WGA dataset has a larger volume of paintings 20 produced before 1800 CE. Therefore, we utilize both datasets in a complementary way. 21 As same paintings can be included in both datasets, we carefully constructed a unified dataset by filtering out the duplicate 22 paintings from both datasets by using meta-information of paintings (title, painter, completion date, etc.) to construct a unified 23 set of painting images. The filtering process is as follows. -
2020 Submissions
2020 Submissions FEMALE VOCALIST CORINNA SOWERS ADLER Second Stories; Songs from the Heart; Winter Song The Triad, Laurie Beechman, Oakeside Bloomfield Cultural Center LUCILLE CARR-KAFFASHAN How the Light Gets In Don’t Tell Mama CYNTHIA CRANE This Is a Changing World, My Dear Don’t Tell Mama SALLY DARLING And Kurt Weill Begat Kander & Ebb Don’t Tell Mama, Urban Stages DAWN DEROW The House That Built Me Laurie Beechman GOLDIE DVER Back in Mama’s Arms Don’t Tell Mama RENEE KATZ When It Happens to You: Renee Katz Sings Jule Styne; How Can I Keep From Singing Don't Tell Mama, Laurie Beechman ANN KITTREDGE Fancy Meeting You Here; Movie Nite Feinstein’s/54 Below, Urban Stages, Feinstein’s at Vitello's, Beach Cafe ANGELA LEONE Mathis and More Don’t Tell Mama SUSANNE MACK Where I Belong Pangea, Don’t Tell Mama NICCI NICHOLAS Nothin’ Can Be Done Don’t Tell Mama LESLIE OROFINO Shine Don’t Tell Mama, BJ Ryan's Magnolia Room YAEL RASOOLY Glamour in the Dark; Love Must Have an End Laurie Beechman, Don’t Tell Mama WENDY SCHERL Town & Country; You’ll See Laurie Beechman, Davenport’s, BJ Ryan's Magnolia Room JILL SENTER Celebrate the Moment Laurie Beechman - 1 - MAUREEN KELLEY STEWART There Will Never Be Another You: The Songs of Harry Warren; A Gershwin Sampler; Everything’s Coming Up Roses: The Music of Jule Styne Laurie Beechman, Mohonk Mountain House, Sharon Country Club, Spencertown Academy Art Center MAUREEN TAYLOR Cosmic Connections: The Lyrics of Michael Colby Don’t Tell Mama STEPHANIE TRUDEAU Chavela: Think of Me Don’t Tell Mama LISA VIGGIANO From Lady Day to The Boss Pangea, Don’t Tell Mama ROBIN WESTLE In the Summer of ‘69 Don’t Tell Mama AMY BETH WILLIAMS Meet Me at the Bar Don’t Tell Mama MALE VOCALIST ARI AXELROD A Celebration of Jewish Broadway Birdland Theater, The Kranzberg (St. -
Pressrelease
P R E S S R E L E A S E www.genderoffenders.com FOR IMMEDIATE RELEASE May 8, 2008 For further information: Otto Parlo Management 917-747-9750 [email protected] Gender Offenders’ Porn in the USA: Red, White & Boobs premieres in NYC! 5/8/2008 (New York) -- Gender Offenders, the city’s queer/alternative performance troupe, comprised of drag queens Candy Samples, Chic and Sassy, pay their homage to this great land of ours in Porn in the USA: Red, White & Boobs, a potpourri of sketch comedy and song, all based on the traditions and cultural customs of this great land of ours! Directed by Brian Maschka, Porn in the USA: Red, White and Boobs, will play at The Duplex Cabaret Theatre: Friday, May 24th, at 10PM; Saturday, May 25th at 7PM; and June 7th, at 10PM. Porn in the USA: Red, White & Boobs, takes a look at American society through the eyes of its citizens, media and cultures. From their kooky political satire to their flashy show stopping musical numbers, Gender Offenders will once again restore your faith in this country of ours! God Bless America! Gender Offenders have been busy this year, working and performing with Marriage Equality New York, writing their new show and preparing to perform at this year’s Manhattan Gay Pride Rally ’08 at Bryant Park on June 22nd, 2-6PM. Gender Offenders was formed in 2006 by a group of radical, queer artists seeking to break traditional ideas of gender and sexuality as well as address ideological constraints imposed onto individuals by mainstream society, government and religious dogma. -
April Strelinger AEA
April Strelinger AEA Represented by: Weight: 130 lbs. TalentPlus, Inc. Height: 5’4” 314.421.9400 Eyes: Blue 275 Union Blvd. PH 1700 Hair: Blonde St. Louis, MO 63108 www.talentpl.us THEATRE The Full Monty Jonie/Georgie U.S. Stages St. Louis Oklahoma! Ensemble The MUNY Into the Woods Lucinda The MUNY The Aristocats Duchess Stages St. Louis The Little Prince The Fox COCA Hello Dolly! Ernestina Money/Mrs. Rose The MUNY Seussical the Musical Mrs. Mayor The MUNY Disney’s Sleeping Beauty Merryweather Stages St. Louis Les Miserables First Whore/Ensemble The MUNY Disney’s Cinderella Perla Stages St. Louis The Wizard of Oz Wicked Witch Ozark Actor’s Theatre Promises Promises Sylvia Gilhooley Stages St. Louis The Last Five Years Kathy Hyatt New Jewish Theatre Enchanted April Rose Arnott Act Inc. Bat Boy Shelley Parker New Line Theatre Man of LaMancha Aldonza New Line Theatre Sunday in the Park with George Dot New Line Theatre The Rocky Horror Show Janet New Line Theatre Fast Break…Sweet Valley High Jessica Arts & Artists at St. Paul (J. Znidarsic) Best Foot Forward Ethel JWT at Kaufmann Hall (P.H. Simon) EDUCATION B.A. in Theatre, Marymount Manhattan College TRAINING Voice : Debby Lennon, Pat Hoag Simon, Vicki Smith Acting/Musical Theatre : Ginger Prince, Jeffrey Dunn, Pat Simon, Adrienne Williams Dance : Jazz, Ballet, Modern (Nancy Lushington, Delores Wein) SPECIAL SKILLS Musical Instruments : Piano, Guitar Dialects : British, Cockney, Irish, French, New York, and Disney Other : Rollerskating, Wiggling Ears http://talentplus-commercial.com/on-camera-print/women/april-strelinger . -
The Decline of New York City Nightlife Culture Since the Late 1980S
1 Clubbed to Death: The Decline of New York City Nightlife Culture Since the Late 1980s Senior Thesis by Whitney Wei Fulfillment of the Requirements For the Degree of BA Economic and Social History Barnard College of Columbia University New York, New York 2015 2 ii. Contents iii. Acknowledgement iv. Abstract v. List of Tables vi. List of Figures I. Introduction……………………………………………………………………7 II. The Limelight…………………………………………………………………12 III. After Dark…………………………………………………………………….21 a. AIDS Epidemic Strikes Clubland……………………..13 b. Gentrification: Early and Late………………………….27 c. The Impact of Gentrification to Industry Livelihood…32 IV. Clubbed to Death …………………………………………………………….35 a. 1989 Zoning Changes to Entertainment Venues…………………………36 b. Scandal, Vilification, and Disorder……………………………………….45 c. Rudy Giuliani and Criminalization of Nightlife………………………….53 V. Conclusion ……………………………………………………………………60 VI. Bibliography………………………………………………………………..…61 3 Acknowledgement I would like to take this opportunity to thank Professor Alan Dye for his wise guidance during this thesis process. Having such a supportive advisor has proven indispensable to the quality of this work. A special thank you to Ian Sinclair of NYC Planning for providing key zoning documents and patient explanations. Finally, I would like to thank the support and contributions of my peers in the Economic and Social History Senior Thesis class. 4 Abstract The purpose of this thesis is to investigate the impact of city policy changes and the processes of gentrification on 1980s nightlife subculture in New York City. What are important to this work are the contributions and influence of nightlife subculture to greater New York City history through fashion, music, and art. I intend to prove that, in combination with the city’s gradual revanchism of neighborhood properties, the self-destructive nature of this after-hours sector has led to its own demise. -
The Caffe Cino
DESIGNATION REPORT The Caffe Cino Landmarks Preservation Designation Report Designation List 513 Commission The Caffe Cino LP-2635 June 18, 2019 DESIGNATION REPORT The Caffe Cino LOCATION Borough of Manhattan 31 Cornelia Street LANDMARK TYPE Individual SIGNIFICANCE No. 31 Cornelia Street in the Greenwich Village neighborhood of Manhattan is culturally significant for its association with the Caffe Cino, which occupied the building’s ground floor commercial space from 1958 to 1968. During those ten years, the coffee shop served as an experimental theater venue, becoming the birthplace of Off-Off-Broadway and New York City’s first gay theater. Landmarks Preservation Designation Report Designation List 513 Commission The Caffe Cino LP-2635 June 18, 2019 Former location of the Caffe Cino, 31 Cornelia Street 2019 LANDMARKS PRESERVATION COMMISSION COMMISSIONERS Lisa Kersavage, Executive Director Sarah Carroll, Chair Mark Silberman, Counsel Frederick Bland, Vice Chair Kate Lemos McHale, Director of Research Diana Chapin Cory Herrala, Director of Preservation Wellington Chen Michael Devonshire REPORT BY Michael Goldblum MaryNell Nolan-Wheatley, Research Department John Gustafsson Anne Holford-Smith Jeanne Lutfy EDITED BY Adi Shamir-Baron Kate Lemos McHale and Margaret Herman PHOTOGRAPHS BY LPC Staff Landmarks Preservation Designation Report Designation List 513 Commission The Caffe Cino LP-2635 June 18, 2019 3 of 24 The Caffe Cino the National Parks Conservation Association, Village 31 Cornelia Street, Manhattan Preservation, Save Chelsea, and the Bowery Alliance of Neighbors, and 19 individuals. No one spoke in opposition to the proposed designation. The Commission also received 124 written submissions in favor of the proposed designation, including from Bronx Borough President Reuben Diaz, New York Designation List 513 City Council Member Adrienne Adams, the LP-2635 Preservation League of New York State, and 121 individuals. -
Fauvism (Henri Matisse) Non-Realistic Colours Are Used but the Paintings Are Seemingly Realistic
Non-Photorealistic Rendering of Images Work Division This project has been dealt with in three phases- Phase 1 Identifying explicit features Phase 2 Verification using viewers Phase 3 Technology(Coding) Phase 1 In this phase we tried to identify the explicit features in a group of paintings belonging to the same period and/or to the same artist. Following are the styles we implemented using image processing tools Fauvism Pointillism Cubism Divisionism Post Impressionism(Van Gogh) Phase 1 Fauvism The subject matter is simple. The paintings are made up of non-realistic and strident colours and are characterized by wild brush work. Phase 1 Pointillism We noticed that the paintings had a lot of noise in them and it looked like they were made by grouping many dots together in a proper way. There’s no focus on the separation of colours. Phase 1 Cubism It looked as if the painting was looked through a shattered glass which makes it look distorted. Phase 1 Divisionism The paintings are made up of small rectangles with curved edges each with a single colour which interact visually. Phase 1 Post Impressionism (Van Gogh) These paintings have small, thin yet visible brush strokes. They have a bright, bold palette. Unnatural and arbitrary colours are used. Phase 2 In this phase we verified the features we identified in phase 1 with other people We showed them a group of paintings belonging to a certain era and/or an artist and asked them to write down the most striking features common to all those paintings. Phase 2 Here are the inferences we made from the statistics collected Fauvism (Henri Matisse) Non-realistic colours are used but the paintings are seemingly realistic. -
BOY by Diana Son
BOY by Diana Son Directed by Walt Jones Set Design by Alex Zenk Costume Design by Abigail Jordan Makeup/Hair Design by Mason Weiss Lighting Design by Tristan LeMaster Sound & Projection Design by Cooper Adams Stage Managed by Molly Langeberg CAST Boy Kelsey Lorraine Richards Charlotte Isabella Huff Papa Uber Alles Ben Kulka Mama Uber Alles Cailinanne Johnson Shermie Zach Rickert Mr Stickey Sam Otter Charlotte Heather Adams Vuiva Uber Alles Rocky Eisentraut Hymen Uber Alles Stephanie Olson Labia Uber Alles Kaya Rudolph Woody Stephen Mackey Dickie Logan Smith Weiner Ernan Torrez CHOOSE THE SEX Of YOUR CHILD Boy or girl — which would you choose? Historically, boy children have been more highly prized than girl children. We hear horror stories from foreign lands about the killing of girl babies, in order for the family to have a boy child. Even in the United States, our society is geared to privilege boys over girls. We see it in schools, employment, the courts. These issues were on the mind of playwright Diana Son while writing Boy. Diana, a first — generation American of Korean descent, was born in Delaware. She has been writing for theater since 1983 and shared some thoughts about the creation of Boy. Where did the idea for Boy come from? One day I was thinking about my mom and how she was one of six daughters because my grandparents kept trying to have a boy They never did, so they eventually adopted a nephew, which was the custom in Korea, in those days My mother always spoke about her adopted brother in reverential and affectionate -
Landmarks Preservation Commission November 17, 2009, Designation List 423 LP-2328
Landmarks Preservation Commission November 17, 2009, Designation List 423 LP-2328 ASCHENBROEDEL VEREIN (later GESANGVEREIN SCHILLERBUND/ now LA MAMA EXPERIMENTAL THEATRE CLUB) BUILDING, 74 East 4th Street, Manhattan Built 1873, August H. Blankenstein, architect; facade altered 1892, [Frederick William] Kurtzer & [Richard O.L.] Rohl, architects Landmark Site: Borough of Manhattan Tax Map Block 459, Lot 23 On March 24, 2009, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Aschenbroedel Verein (later Gesangverein Schillerbund/ now La Mama Experimental Theatre Club) Building and the proposed designation of the related Landmark Site (Item No. 11). The hearing had been duly advertised in accordance with the provisions of law. Four people spoke in favor of designation, including representatives of the Municipal Art Society of New York, Greenwich Village Society for Historic Preservation, and Historic Districts Council. In addition, the Commission received a communication in support of designation from the Metropolitan Chapter of the Victorian Society in America. Summary The four-story, red brick-clad Aschenbroedel Verein Building, in today’s East Village neighborhood of Manhattan, was constructed in 1873 to the design of German-born architect August H. Blankenstein for this German-American professional orchestral musicians’ social and benevolent association. Founded informally in 1860, it had grown large enough by 1866 for the society to purchase this site and eventually construct the purpose-built structure. The Aschenbroedel Verein became one of the leading German organizations in Kleindeutschland on the Lower East Side. It counted as members many of the most important musicians in the city, at a time when German-Americans dominated the orchestral scene. -
History and Background
History and Background Book by Lisa Kron, music by Jeanine Tesori Based on the graphic novel by Alison Bechdel SYNOPSIS Both refreshingly honest and wildly innovative, Fun Home is based on Vermont author Alison Bechdel’s acclaimed graphic memoir. As the show unfolds, meet Bechdel at three different life stages as she grows and grapples with her uniquely dysfunctional family, her sexuality, and her father’s secrets. ABOUT THE WRITERS LISA KRON was born and raised in Michigan. She is the daughter of Ann, a former community activist, and Walter, a German-born lawyer and Holocaust survivor. Kron spent much of her childhood feeling like an outsider because of her religion and sexuality. She attended Kalamazoo College before moving to New York in 1984, where she found success as both an actress and playwright. Many of Kron’s plays draw upon her childhood experiences. She earned early praise for her autobiographical plays 2.5 Minute Ride and 101 Humiliating Stories. In 1989, Kron co-founded the OBIE Award-winning theater company The Five Lesbian Brothers, a troupe that used humor to produce work from a feminist and lesbian perspective. Her play Well, which she both wrote and starred in, opened on Broadway in 2006. Kron was nominated for the Best Actress in a Play Tony Award for her work. JEANINE TESORI is the most honored female composer in musical theatre history. Upon receiving her degree in music from Barnard College, she worked as a musical theatre conductor before venturing into the art of composing in her 30s. She made her Broadway debut in 1995 when she composed the dance music for How to Succeed in Business Without Really Trying, and found her first major success with the off- Broadway musical Violet (Obie Award, Lucille Lortel Award), which was later produced on Broadway in 2014. -
WE COULD GIVE Program
Target Margin Theater 232 52nd Street Brooklyn, NY 11220 718-398-3095 Targetmargin.org @targetmargin Founding Artistic Director: David Herskovits Associate Artistic Director: Moe Yousuf General Manager: Liz English Space Manager: Kelly Lamanna Arts Management Fellow: Frank Nicholas Poon Box Office Manager: Lorna I. Pérez Financial Consultants: Michael Levinton, Patty Taylor Graphic Designer: Maggie Hoffman Interns: Sarah McEneaney, Matt Hunter Press Representation: John Wyszniewski/Everyman Agency BOARD OF DIRECTORS NEWS OF THE Hilary Alger, Matt Boyer, David Herskovits, Dana Kirchman, Kate Levin, Matt McFarlane, Jennifer Nadeau, Adam Weinstein, Amy Wilson. STRANGE LAB ABOUT US Target Margin is an OBIE Award-winning theater company that creates innovative productions of classic plays, and new plays inspired by history, literature, and other art forms. In our new home in Sunset Park we energetically expand the possibilities of live performance, and engage our community at all levels through partnerships and programs. TMT PROGRAMS INSTITUTE The Institute is a year-long fellowship (January – December) that provides five diverse artists space, support and a $1,000 stipend to challenge themselves and their art-making practice. 2019 Fellows: Sarah Dahnke, Mashuq Mushtaq Deen, Yoni Oppenheim, Gabrielle Revlock, and Sarah K. Williams. ARTISTS-IN-RESIDENCE The Artist Residency Program provides established, mid-career and emerging artists up to 100 hours of dedicated rehearsal and developmental space. Each residency is shaped to meet the specific needs of each artist and will include a work-in-progress free to the public. 2019 Artists-in-Residence: Tanisha Christie, Jesse Freedman, Sugar Vendil, Deepali Gupta, Sarah Hughes, and Chana Porter. SPACE RENTALS THE DOXSEE THEATER Our SPACE program provides long term / short term studio nd space for all artists to gather and engage in their creative / 232 52 Street, BK 11220 cultural practices. -
LPC Designation Report for South Village Historic District
South Village Historic District Designation Report December 17, 2013 Cover Photographs: 200 and 202 Bleecker Street (c. 1825-26); streetscape along LaGuardia Place with 510 LaGuardia Place in the foreground (1871-72, Henry Fernbach); 149 Bleecker Street (c. 1831); Mills House No. 1, 156 Bleecker Street (1896-97, Ernest Flagg); 508 LaGuardia Place (1891, Brunner & Tryon); 177 to 171 Bleecker Street (1887-88, Alexander I. Finkle); 500 LaGuardia Place (1870, Samuel Lynch). Christopher D. Brazee, December 2013 South Village Historic District Designation Report Essay prepared by Christopher D. Brazee, Cynthia Danza, Gale Harris, Virginia Kurshan. Jennifer L. Most, Theresa C. Noonan, Matthew A. Postal, Donald G. Presa, and Jay Shockley Architects’ and Builders’ Appendix prepared by Marianne S. Percival Building Profiles prepared by Christopher D. Brazee, Jennifer L. Most, and Marianne S. Percival, with additional research by Jay Shockley Mary Beth Betts, Director of Research Photographs by Christopher D. Brazee Map by Jennifer L. Most Commissioners Robert B. Tierney, Chair Frederick Bland Christopher Moore Diana Chapin Margery Perlmutter Michael Devonshire Elizabeth Ryan Joan Gerner Roberta Washington Michael Goldblum Kate Daly, Executive Director Mark Silberman, Counsel Sarah Carroll, Director of Preservation TABLE OF CONTENTS SOUTH VILLAGE HISTORIC DISTRICT MAP .............................................. FACING PAGE 1 TESTIMONY AT THE PUBLIC HEARING ................................................................................ 1 SOUTH