DOCSLIB.ORG

Editorial Board

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Editorial Board Phasis 10 (II), 2007 Editorial Board: Rismag Gordeziani – Editor-in-Chief (Tbilisi) Dimitris Angelatos (Nicosia) Valeri Asatiani (Tbilisi) Irine Darchia (Tbilisi) Riccardo Di Donato (Pisa) Tina Dolidze (Tbilisi) Levan Gordeziani (Tbilisi) Sophie Shamanidi (Tbilisi) Nana Tonia (Tbilisi) Jürgen Werner (Berlin) Tamara Tcheishvili – Executive Secretary (Tbilisi) fazisi 10 (II), 2007 ivane javaxiSvilis saxelobis Tbilisis saxelmwifo universitetis klasikuri filologiis, bizantinistikisa da neogrecistikis institutis berZnuli da romauli Studiebi © programa "logosi", 2007 ISSN 1512-1046 Phasis 10 (II), 2007 EDITORIAL NOTE Those who wish to contribute to Phasis are requested to submit electronic and hard copy versions of their paper (in Microsoft Word for Windows format, font Times New Roman, with no more than 60 000 characters). If a paper requires special characters, please give them on the left margin next to the respective line. Notes must be continuously numbered in 1, 2, 3 … format and appear as footnotes to the respective text. The following way of citing bibliography is suggested: In case of a periodical or of a collection of papers: the name of the author (initials and full surname), the title of the paper, the title of the periodical, number, year, pages (without p.); In case of monographs: the name of the author (initials and full surname), the title of the work, publisher (name and city), year, pages (without p.). Papers must be submitted in the following languages: English, French, German, Italian and Modern Greek. Accepted papers will be published in the next volume without any editorial, stylistic or orthographic changes to the original text. Each contributor will receive one copy of the volume. Please send us your exact whereabouts: address, telephone number, fax number, e-mail. Our address: Institute of Classical, Byzantine and Modern Greek Studies Ivane Javakhishvili Tbilisi State University 13 Chavchavadze ave. 0179 Tbilisi, Georgia Tel.: (+ 995 32) 22 11 81 Fax: (+ 995 32) 22 11 81 E-mail: [email protected] Website: www.greekstudies-tsu.ge Phasis 10 (II), 2007 CONTENS Phasis 10 (II), 2007 Phasis 10 (II), 2007 CONTENTS VOLUME II THE ARGONAUTICA IN POST-ANCIENT EPOCH Valeri Asatiani (Tbilisi) THE ARGONAUT MYTH IN THE BYZANTINE LITERATURE 9 Michael V. Bibikov (Moscow) A LA RECHERCHE… D’ARGONAUTIQUE BYZANTINE PERDUE 14 Tudor Dinu (Bucharest) THE LEGEND OF THE ARGONAUTS IN PROCOPIUS’ OF CAESAREA GOTHIC WARS 20 Tea Dularidze (Tbilisi) THE ARGONAUTS’ VOYAGE IN THE TRANSITIONAL PERIOD OF GEORGIAN LITERATURE TH TH (THE 18 -19 CENTURIES) 27 Alexandra Evdokimova (Moscow) ΔΛΛΖΝΗΚΑ ΥΑΡΑΓΜΑΣΑ Χ΢ ΢ΖΜΔΗΑ ΣΧΝ ΒΤΕΑΝΣΗΝΧΝ ΟΓΟΗΠΟΡΧΝ 32 Maia Kakashvili (Tbilisi) FORMS OF REFLECTION OF THE ARGONAUT THEME IN THE BYZANTINE ROMANCE NOVEL 41 Zaza Khintibidze (Tbilisi) COMPOSITIONAL FUNCTION OF THE CIRCE-MYTH IN GREEK-ROMAN, MEDIEVAL EUROPEAN AND GEORGIAN EPIC TRADITIONS: TYPOLOGICAL SIMILARITY OR LITERARY RECEPTION? 48 Beate Kobusch (Essen) IASON – HELD ODER ANTIHELD? 57 Gvantsa Koplatadze (Tbilisi) CHRISTIAN TROPOLOGY OF THE ARGONAUT MYTH 69 Claudio Moreschini (Pisa) MEDEA IN ITALIAN LITERATURE 76 Chiara O. Tommasi (Pisa) MEDEA IN ITALIAN CULTURE: MUSIC, ICONOGRAPHY, AND CINEMA 83 Natalya Orlovskaya (Tbilisi) THE IMAGE OF MEDEA IN THE WORK OF A FOURTEENTH-CENTURY ENGLISH AUTHOR 93 Tamar Tarkhnishvili (Tbilisi) THE ARGONAUTICA AND ANCIENT MYTHOLOGY IN MEDIEVAL GEORGIA 98 Contents 7 THE ARGONAUTICA AND CONTEMPORARY WORLD Medea Abulashvili (Tbilisi) THE PHENOMENON OF RITUAL IN PIER PAOLO PASOLINI’S MEDEA AND LARS VON TRIER’S MEDEA 103 Fragiski Abatzopoulou (Thessaloniki) TΑ AΡΓΟΝΑΤΣΗΚΑ ΣΧΝ EΛΛΖΝΧΝ YΠΔΡΡΔΑΛΗ΢ΣΧΝ 107 Svetlana Berikashvili (Tbilisi) THE AUDIO-AESTHETIC EFFECT OF READING THE TEXT OF THE ARGONAUTICA 115 Gia Bughadze (Tbilisi) THE ARGONAUTS AND MEDEA IN MODERN GEORGIAN FINE ARTS 125 Ann Chikovani (Tbilisi) GRIGOL ROBAKIDZE’S NOVEL, MEGI - A GEORGIAN MAIDEN, AND THE INTERPRETATION OF MEDEA’S IMAGE IN MODERN GREEK LITERATURE 130 Mary Childs (Seattle) A THOROUGHLY GEORGIAN MEDEA?: CLASSICAL MOTIFS IN OTAR CHILADZE’S A MAN WENT DOWN THE ROAD 137 James J. Clauss (Seattle) WHEN NATURE BECOMES NATURAL: SPIRITUAL CATASTROPHE IN PASOLINI'S MEDEA 147 Irine Darchia (Tbilisi) SOME ARTISTIC PECULIARITIES OF BOST’S MEDEA 153 Tedo Dundua (Tbilisi) GOLDEN FLEECE IS BACK – RUSSIAN FICTION 161 Euripidis Garantoudis (Athens) ΢ΣΑΘΜΟΗ ΣΟΤ TΑΞΗΓΗΟΤ ΣΖ΢ MΤΘΗΚΖ΢ ΑΡΓΧ΢ ΢ΣΖΝ EΛΛΖΝΗΚΖ ΟΤ ΠΟΗΖ΢Ζ ΣΟΤ 20 AΗΧΝΑ 163 Ketevan Gardapkhadze (Tbilisi) THE ARGONAUTICA IN THE WORKS OF GEORGIAN SYMBOLISTS 185 Nikolai Gochev (Sofia) APOLLONIUS RHODIUS IN THE MODERN LITERATURE: THE INTERPRETATION OF ROBERT GRAVES 190 Maka Kamushadze (Tbilisi) MEDEA IN A. EMBIRIKOS’ ARGO OR AEROSTAT FLIGHT 196 Nani Khelaia, Ramaz Shengelia, Revaz Gagnidze, Nino Chikhladze (Tbilisi) NEW INFORMATION ABOUT THE PLANTS FROM MEDEA’S GARDEN AND THEIR USE FOR MEDICAL PURPOSES IN TRADITIONAL AND MODERN MEDICINE 201 8 Contents Innes Merabishvili (Tbilisi) THE RECEPTION OF THE ARGONAUTS BY LORD BYRON 208 Medea Metreveli (Tbilisi) THE TENDENCIES TO REHABILITATE MEDEA’S IMAGE TH IN THE 20 CENTURY EUROPEAN LITERATURE (CH. WOLF, M. KARAGATSIS) 215 Ketevan Nadareishvili (Tbilisi) MEDEA IN THE CONTEXT OF MODERN GEORGIAN CULTURE 222 Walter Puchner (Athens) Η ΜHΓΔΙΑ ΣΟΤ FRANZ GRILLPARZER (1821) ΢ΣΖ MΔΣΑΦΡΑ΢Ζ ΣΟΤ ΚΧΝ΢ΣΑΝΣΊΝΟΤ ΥΑΣΕΟΠΟΤΛΟΤ (1915, 1927) 230 Volker Riedel (Jena) STEPHAN HERMLINS NACHERZÄHLUNG DER ARGONAUTENSAGE VON 1974 241 Sophie Shamanidi (Tbilisi) THE ETHNIC ASPECT OF PERCEPTION OF MEDEA AND HELEN 248 Erasmia-Louiza Stavropoulou (Athens) O AΡΓΟΝΑΤΣΗΚΟ΢ ΜΤΘΟ΢ ΢ΣΖΝ ΠΟΗΖ΢Ζ ΣΟΤ ΓΗAΝΝΖ PΗΣ΢ΟΤ 255 Dorothea Tabakova (Sofia) MEDEE D’EURIPIDE SUR LES SCENES BULGARES 266 Tamara Tcheishvili (Tbilisi) MEDEA BY THEO VAN GOGH 271 Ketevan Tsintsadze (Tbilisi) MEDEA IN MODERN GREEK DRAMATURGY 275 Phasis 10 (II), 2007 THE ARGONAUTICA IN POST-ANCIENT EPOCH Valeri Asatiani (Tbilisi) THE ARGONAUT MYTH IN THE BYZANTINE LITERATURE The Argonaut myth was well-known in the Byzantine Greek literature, in prose as well as in poetry. The elements of antiquity were still strong in the literature of the 4th-6th centuries. The motifs and themes of the Hellenistic period frequently repeated in poems. Byzantine poets continued to treat ancient myths and legends in their epic works (A. Urushadze, The Ancient Land of Colchis in the Argonaut Myth, Tbilisi, 1964, 82). In the epic poem "Dionysiaca", Nonnos of Panopolis (the 4th-6th cc.) relates a fantastic legend about Dionysus’ journey to India aimed to disseminate the culture of vine. Special attention is paid to Phrixus, who is a prominent figure in the story of Jason and the Argonauts. He arrived in Colchis on a flying golden ram. The poet also mentions Circe: "I heard that the exiled lad, who held the reins of the miraculous ram carrying him through the air to the land of Colchis, is still alive" (X, 99-101) (... ); "Circe – sister of Aietes, having magic power" ( XIII, 331). It is worth mentioning that the poet Marianus, known by his metaphrastic works (the 5th-6th cc.), elaborated and extended the "Argonautica" by Apollonius Rhodius (5 608 iambic trimeter). Clement of Alexandria (the 2nd-3rd cc.), one of the Church fathers, refers to the Argonaut myth in the "Stromata" ("Miscellanies"): - "Medea, the daughter of Aietes, was the first to use dyes to change the colour of hair" ("Georgica", I, 24). - "Theseus, a rival of Heracles, lived one generation prior to the Trojan War... There was a period of 63 years from Dionysius to Heracles, Jason and other heroes of the Argonautic expedition. According to Apollonius’ "Argonautica", Asclepius and the Dioscuri also accompanied them." 10 Valeri Asatiani Methodius of Patara writes in his work "Symposium, or on Virginity" (the 3rd - 4th cc.) that the zodiac of Aries (the Ram) was exactly the ram that carried Phrixus and Helle, Athamas’ daughter, away from the Scythians. Among other writers who referred to the Argonaut legend were rhetoricians Libanius (314-393) and Themistius (317-388)1, the sophist philosopher Eunapius (345-420) and the historian of the Christian Church, Salminius Hermias Sozomenus (400-450). Procopius of Caesarea regards the Argonauts’ expedition as a historical fact and mentions such names as Aietes, Apsyrtus, Jason and Medea. According to Procopius, there was a fortress of Aietes in the ancient land of Colchis, Lazica, near the bank of the river Phasis (Rioni). ... In the work "On the Reign of Justinian", Agathias Scholasticus (536-582) mentions Jason, the ship "Argo", the city of Apsorunt (derived from the name of Apsyrtus) and talks about the glorious past of the land of Colchis. "The Laz people are a strong and brave tribe, and even dominate over other strong tribes. They are proud of their historical glory and are excessively arrogant, which, probably, is not groundless. Among the tribes subordinated to another state, I can not recall any other tribe thus renowned and splendid owing to the profusion of wealth and the multitude of its subjects, to the abundance and rich harvest as well as to the loveliness of their character and agility" ("Georgica", III). The kingdom of Aietes is mentioned in the history of Menander Protector (5th c.) – "A Truce between the Byzantines and the Persians": "When the Midians occupied the disputable territory of Colchis, intending to make them subjects of theirs, they failed to achieve anything for a long period, even after so many a struggle … Thus, if a man does not recall brazen-footed bulls and giants sprung from the ground, as well as many other wonders and unbelievable stories included in the myth about Aietes, he will be certain that the present state is even better" (Agathia, "Georgica", III, 50-51). So, the fragment refers to the well- known episode of the Argonaut myth. Stephanus of Byzantium (the 6th c.) offers several remarkable explanations. Here are the notes included in the "Ethnica": Aia – the capital of Colchis, built by Aietes, 300 stadia away from the sea; with two rivers, Hippus and Cyaneus , which make it a peninsula. In my opinion, it is the opposite, "Aietes" must have been derived from it, Aia Aietes in the same way as Asia Asiate.
Load more

Recommended publications
  • Crusaders and Georgia: a Critical Approach to Georgian Historiography1
    David Tinikashvili Ilia State University Ioane Kazaryan Unaffiliated researcher Crusaders and Georgia: A Critical Approach to Georgian Historiography1 Keywords: Georgia, Iberia, Crusades, David the Builder (King of Georgia), Jerusalem, Antioch, Roman Church, Pope I. Introduction In the present article we consider military relations between Latins and Georgians (Iberians) in the period of the Crusades. The research draws on Georgian and non-Georgian medieval sources as well as relevant secondary historical publications and reassesses some of the opinions expressed in the works by Georgian researchers. One of the first mentions of Georgians (Iberians2) in the Medieval Latin sources is a letter of a 12th century Latin clergyman, Ansellus, the Cantor of the Holy Sepulchre, addressed to Gallon the Bishop of Paris [Ansellus 1902: 729-732]. However, the major source of information about the Georgians is Historia Orientalis by Jacques de Vitry, bishop of Acre (†1240) [Jacques de Vitry 2008]. The chronicle was written at the time of the Fifth Crusade. Since then Georgians become widely known to Latin authors, who portrayed them 1 The authors are grateful to Dr Peter Halfter for his helpful comments on the article. 2 In this period “Iberia” and “Georgia” were synonyms [Skylitzae 1973: 339, 74-80; 340]. It should be mentioned that when Emperor Basilius arrived in Georgia, it was not eastern but south-western Georgia, which Skylitzae likewise calls Iberia. Besides, under the reign of David the Builder and King Thamar, Georgia (Saqartvelo) was a single kingdom called by the Latins Iberia in the 12th-13th centuries; e.g. crusader G. De Boys writes: “quodde Hiberia quidam Christiani” (“Christians from Iberia”).
    [Show full text]
  • CHAN 3000 FRONT.Qxd
    CHAN 3000 FRONT.qxd 22/8/07 1:07 pm Page 1 CHAN 3000(2) CHANDOS O PERA IN ENGLISH David Parry PETE MOOES FOUNDATION Puccini TOSCA CHAN 3000(2) BOOK.qxd 22/8/07 1:14 pm Page 2 Giacomo Puccini (1858–1924) Tosca AKG An opera in three acts Libretto by Giuseppe Giacosa and Luigi Illica after the play La Tosca by Victorien Sardou English version by Edmund Tracey Floria Tosca, celebrated opera singer ..............................................................Jane Eaglen soprano Mario Cavaradossi, painter ..........................................................................Dennis O’Neill tenor Baron Scarpia, Chief of Police................................................................Gregory Yurisich baritone Cesare Angelotti, resistance fighter ........................................................................Peter Rose bass Sacristan ....................................................................................................Andrew Shore baritone Spoletta, police agent ........................................................................................John Daszak tenor Sciarrone, Baron Scarpia’s orderly ..............................................Christopher Booth-Jones baritone Jailor ........................................................................................................Ashley Holland baritone A Shepherd Boy ............................................................................................Charbel Michael alto Geoffrey Mitchell Choir The Peter Kay Children’s Choir Giacomo Puccini, c. 1900
    [Show full text]
  • Istanbul Bids Final Farewell to Mesrob II
    MARCH 23, 2019 Mirror-SpeTHE ARMENIAN ctator Volume LXXXIX, NO. 35, Issue 4579 $ 2.00 NEWS The First English Language Armenian Weekly in the United States Since 1932 INBRIEF Guns Used by New Zealand Terrorist Had Armenian, Georgian Writing YEREVAN (Armenpress) — Armenia’s Foreign Ministry was in contact with the authorities of New Zealand regarding the note in Armenian and other languages found on one of the weapons used for the attack on the two mosques in the city of Christchurch, on Friday, March 15, MFA spokesper- son Anna Naghdalyan noted. “We are in contact with New Zealand’s relevant authorities on all issues linked with the incident,” Naghdalyan said. Brenton Tarrant, a 28-year-old Australian, was charged with the deadly attacks on two mosques in the city, which killed 50 and injured as many. One of the weapons used for the attack on the two mosques in New Zealand was covered with notes in different languages, including Armenian and Georgian, the videos released from the incident show. The Georgian state security service has already The funeral of Armenian Patriarch Mesrob II reacted to these reports, stating that it is cooperat- ing with its partners. The gun covered in white lettering featured the names of King Davit Agmashenebeli and Prince Istanbul Bids Final Farewell to Mesrob II David Soslan, the second husband of Queen Tamar, in Georgian, the Battle of Kagul 1770 (Russian- ISTANBUL (Public Radio of Armenia) referred to the Sisli Armenian cemetery in Zeytinburnu district on March 8 where he Turkish war) and the Battle of Bulair 1913 were — Archbishop Mesrob II Mutafyan, the 84th an area designated for patriarchs for burial.
    [Show full text]
  • May 22–23, 2020 Trieste, Italy
    May 22–23, 2020 Trieste, Italy A bridge between private and hospital based management of melanoma and non-melanoma skin cancers PRELIMINARY PROGRAM Official proESOF2020 Meeting Location Savoia Excelsior Palace Hotel Riva del Mandracchio 4 34124 Trieste TS Italy MIRAMARE CASTLE Congress President Iris Zalaudek, MD Azienda Ospedaliero – Universitaria “Ospedali Riuniti” Trieste, Italy TRIESTE CHANNEL AND PONTE ROSSO daily-dermato-oncology.org RossHelen/shutterstock.com xbrchx/shutterstock.com Photos: Photos: 3 | Program Preliminary Program May 22, 2020 08:30-08:40 Welcome and Introduction Iris Zalaudek and Claus Garbe SESSION 1 DIAGNOSIS AND FOLLOW UP OF SKIN CANCER 08:40–09:00 No one should die of skin cancer: vision or impossible mission? Iris Zalaudek 09:00–09:20 Nevus-associated melanomas: risk factors, diagnosis and management in the daily practice Susana Puig 09:20–09:40 Keratinocyte skin cancer: risk factors, diagnosis and management in the daily routine Zoe Apalla 09:40–10:00 How to manage skin cancers when surgical margins are involved John Paoli 10:00–10:30 Dermoscopy cases for the audience Maria Bulijan 10:30–11:00 Essentials in the follow up of melanoma and non-melanoma skin cancers – a practical guide Claus Garbe 11:00-11:30 Coffee Break SESSION 2 TREATMENT OF NON-MELANOMA SKIN CANCERS: 11:30–11:50 High-risk squamous cell carcinomas: role of sentinel node biopsy and radiotherapy in the treatment Paolo Bossi 11:50–12:10 Treatment of locally advanced and metastatic squamous cell carcinoma Iris Zalaudek 12:10–12:30 Hedgehog inhibitors
    [Show full text]
  • Museum of Far Eastern Art Trieste
    Images front cover, one of the symbols of the museum Katsushika Hokusai, The Great Wave off Kanagawa 1830-1832 ca. polychrome woodblock print back cover Budai China, Qing dinasty (1644-1911), 18th century MUSEUM porcelain, white-glazed 1. OF FAR Celadon vase China, Yuan dinasty (1279-1368), 14th century EASTERN stoneware with carved decoration under green glaze 2. ART Skirt China, Qing dinasty (1644-1911), end of the 19th century embroidered silk satin TRIESTE 3. Export Kraak “blue-and-white” dish China, Ming dinasty, Wanli period (1573-1619) porcelain, painted in underglaze cobalt blue 4. Netsuke featuring Daikoku Japan, Edo Period (1615-1868), 19th century Museum of carved ivory Far Eastern Art 5. Utagawa Hiroshige (1797-1858) Civico Museo d’Arte Orientale Bow-shaped crescent moon 1832 ca. polychrome woodblock print Via San Sebastiano, 1 Trieste +39 040 3220736 | +39 040 6754068 [email protected] www.museoarteorientaletrieste.it 5. The Museum of Far Eastern Art is in the heart of of European and Italian pottery and porcelain Trieste, very close to Piazza Unità d’Italia, and it situated in orientalist style, showing one of the many aspects in a mid-eighteenth century patrician house called the assumed by the European engagement with Far Eastern palazzetto Leo after the eponymous Trieste family. cultures from the seventeenth century onwards. The last owner, the Countess Margherita Nugent, The second and the third floors feature objects from Japan bequeathed the house to the city of Trieste in 1954. belonging largely to the Edo or Tokugawa (1615-1868) and Since 2001, the building has been housing the Asian art Meiji (1868-1912) eras.
    [Show full text]
  • Packet 4.Pdf
    Pre-ICT and Nationals Open/Minnesota Open 2019 (PIANO/MO): “What about bad subject matter? Or a bad title drop, even? That could kill a tournament pretty good.” Written and edited by Jacob Reed, Adam Silverman, Sam Bailey, Michael Borecki, Stephen Eltinge, Adam S. Fine, Jason Golfinos, Matt Jackson, Wonyoung Jang, Michael Kearney, Moses Kitakule, Shan Kothari, Chloe Levine, John Marvin, and Derek So, with Joey Goldman and Will Holub-Moorman. Packet 4 Tossups 1. The original designs for a highway in this city involved the destruction of its namesake Life Insurance ​ Company, its largest black-owned business. Bill Dedman won the 1989 Pulitzer Prize for the series “The Color of Money” about redlining in this city. Its redlining was also described in Kevin Kruse’s White Flight. ​ ​ This city tripled in size under its 1952 “Plan of Improvement,” though it never annexed Sandy Springs, a community founded during the “cityhood” movement in its suburbs. This city was supposedly “too (*) busy to ​ hate” while its white majority was being maintained by Mayor William Hartsfield. In a 1964 Supreme Court case, the use of the Commerce Clause to implement the Civil Rights Act was upheld after a motel in this city refused to take black customers. In the ‘60s and 70s, many whites moved to Fulton, Gwinnett, and DeKalb counties from—for 10 points—what Georgia city? ANSWER: Atlanta [accept Heart of Atlanta Motel v. United States] <MB> ​ ​ ​ ​ ​ 2. At the end of a story by this author, the narrator says that he considers another man’s confusion to be ​ “quite my revenge,” following a disappointing conversation with Drayton Deane.
    [Show full text]
  • Regio Sisi-Strafle Flyer 12Stg 2017 E Sisi-Strafle 2016
    Regio Sisi-Straße Flyer 12stg 2017 E_Sisi-Straße 2016 29.11.17 09:14 Seite 1 The Hotels Travel destinations on Sisi’s Road Accommodations in locations on Sisi’s Road In Bavaria, Austria, Hungary, Italy, on Corfu and in Switzerland Hotel recommendations on Sisi’s Road Elisabeth’s footsteps in six European countries Tourism Association Bad Ischl Sisi Museum & Lazàr Equestrian Park Promo Trieste Auböckplatz 5, A-4820 Bad Ischl Imperial Apartments & H-2182 Domonyvölgy Molo dei Bersaglieri, 3 The following hotels are partners: They welcome guests Hungary A path from old Bavaria through Austria and as far as Hunga- Tel.: +43 6132 27757 Silver Collections Tel.: +36 28 576-510 I-34124 Trieste at the various locations connected with the history of the ry, from the Adriatic Sea all the way to Lake Geneva, the Sisi www.badischl.at Michaelerkuppel www.lazarteam.hu Tel.: +39 040 304888 Hotel Sissi A-1010 Wien www.promotrieste.it beautiful lady from Wittelsbach. Route leads to magnificent places where Elisabeth the Empress Angyal utca 31 City Museum Bad Ischl Tel.: +43 1 5337570 Herend AG of Austria and Queen of Hungary lived and traveled. Following Correr Museum H-1094 Budapest Esplanade 10 www.hofburg-wien.at Porcelain Manufacturer Bavaria Piazza San Marco Tel.: +36 121 50082 the footsteps of the beautiful lady from Wittelsbach guides A-4820 Bad Ischl Kossuth L.u. 140 I-30124 Venice Golfhotel Kaiserin Elisabeth www.hotelsissi.hu travelers to experience these destinations: Laxenburg Castle H-8440 Herend Tel.: +43 6132 25476 Tel.: +39 041 2405211 Tutzinger Straße 2 Betriebsgesellschaft m.b.H.
    [Show full text]
  • The Waterfront of Trieste
    City of Trieste - ITALY “Not only cruising” 2011 July URBACTII Plan Action Local - of Trieste City Trieste: aerial view of the city IndEX Introduction ............................................................................................................................................................................................................. 2 1.1 Synopsis........................................................................................................................................................................................................................................ 3 1.2 The URBACT II Programme ......................................................................................................................................................................................................... 4 The city of Trieste .................................................................................................................................................................................................... 6 Trieste as port city in a nutshell .......................................................................................................................................................................................................... 7 Local economy .................................................................................................................................................................................................................................... 8 Infrastructural system
    [Show full text]
  • Jason Et Les Argonautes – Don Chaffey – 1963
    Jason et les argonautes – Don Chaffey – 1963 1963 Grande-Bretagne, 1963. Réalisation : Don Chaffey. Scénario : Jan Read, Beverley Cross. Image : Wilkie Cooper. Musique : Bernard Hermann. Montage : Maurice Rootes. Décors : Geoffrey Drake. Effets spéciaux : Ray Harryhausen. Producteur : Charles H. Schneer. Producteur associé : Ray Harryhausen. Production : Columbia Pictures, Morningside Productions. Interprétation : Todd Armstrong (Jason), Gary Raymond (Acastus), Nial McGinnis (Zeus), Nancy Kovack (Médée), Nigel Green (Hercule), Laurence Naismith (Argos), Michael Gwynn (Hermes), Douglas Wilmer (Pélias), Jack Gwillim (Aétès), Honor Blackman (Hera), John Cairney (Hylas), Patrick Troughton (Phinéas), Andrew Faulds (Phalerus). L'histoire : Invoquant Zeus, Hermès fait à Pélias une double prédiction : si l'invasion du royaume de Thessalie qu'il s'apprête à lancer à la nuit tombée sera couronnée de succès, l'un des enfants du roi assassiné lui reprendra bientôt le trône. S'il tue les deux filles, Philomèle et Briséis, Jason lui a déjà échappé et reviendra pour reprendre par la force le royaume de son père, chaussé d'une seule sandale selon Héra. Lorsque Jason secourt Pélias vingt ans plus tard d'une noyade, ce dernier le reconnaît ainsi aussitôt, mais pas le jeune homme qui lui avoue ses intentions avec imprudence. Afin de se débarrasser de lui, Pélias l'envoie d'abord chercher la Toison d'Or – une peau de bélier capable de guérir les maux de son peuple – et charge son fils Acaste d'intégrer l'équipage. Bien qu'une déesse ne puisse habituellement aider que des femmes, Zeus autorise exceptionnellement Héra à porter cinq fois secours à Jason dans sa quête. Emmené sur l'Olympe par Hermès, Jason reçoit les conseils d'Héra qui lui indique qu'il trouvera la Toison d'Or en Colchide, mais il refuse l'aide de Zeus qui lui proposait un équipage et un navire.
    [Show full text]
  • SYMPHONY #1, “A S (1903-9) Ralph Vaughan Williams (1872-1958)
    presents SYMPHONY #1, “A SEA SYMPHONY” (1903-9) Ralph Vaughan Williams (1872-1958) Performed by the UNIVERSITY SYMPHONY & COMBINED CHORUS Peter Erös, conductor 7:30 PM March 14, 2008 Meany Theater PROGRAM A Song for All Seas, All Ships On the Beach at night, Alone The Waves The Explorers A SEA SYMPHONY is a remarkably evocative piece of music by Ralph Vaughan Williams for a large choir, soprano and baritone soloists and orchestra. The text is from Walt Whitman’s collection “Leaves of Grass.” This is perfect for Vaughan Williams, encompassing everything from descrip– tions of ships at sea, daring explorers and innovators, introspection on the meaning of progress, the Second Coming, and a transcendent final voyage to the afterlife. Bertrand Russell introduced Vaughan Williams to the poet’s work while they were both undergraduates at Cambridge. The piece is a true choral symphony, where the choir leads the themes and drives the action, rather than merely intoning the words and pro– viding a bit of vocal color; it is more like an oratorio than a symphony. It is Vaughan Williams’ first symphonic work, and such was his lack of confidence in the area that he returned to study under Ravel in Paris for three months before he felt able to complete it. It was premiered in 1910 at the Leeds Festival. There are four movements: “A Song for all Seas, all Ships,” “On the Beach at night, Alone,” “The Waves,” and “The Explorers.” The first is an introduction, dealing with the sea, sailing ships and steamers, sailors and flags.
    [Show full text]
  • "Casta Diva" from Bellini's
    “Casta Diva” from Bellini's “Norma”--Rosa Ponselle; accompanied by the Metropolitan Opera Orchestra and Chorus, conducted by Giulio Setti (December 31, 1928 and January 30, 1929) Added to the National Registry: 2007 Essay by Judy Tsou (guest post)* Rosa Ponselle “Casta Diva” is the most famous aria of Vincenzo Bellini’s “Norma” (1831). It is sung by the title character, a Druidess or priestess of the Gauls, in the first act. The opera takes place in Gaul between 100 and 50 BCE when the Romans were occupiers. The Gauls want Norma to declare war on the Romans, who have been oppressing them. Norma is hesitant to do so because she is secretly in love with Pollione, the Roman proconsul, and with whom she has borne two children. She assuages the people’s anger and convinces them that this is not the right time to revolt. She asserts that the Romans will eventually fall by their own doing, and the Gauls do not need to rise up now. It is at this point that Norma sings “Casta Diva,” a prayer to the moon goddess for peace, and eventually, conquering the Romans. When things between her and Pollione go sour, Norma tries to kill their children but ultimately cannot bring herself to do so. Eventually, she confesses her relationship with Pollione and sacrifices herself on the funeral pyre of her lover. “Norma” was the first of two operas commissioned in 1830 for which Bellini was paid an unprecedented 12,000 lire. “Norma” premiered on December 26, 1831 at La Scala, and the second opera, “Beatrice di Tenda,” premiered in 1833, but in Venice (La Fenice).
    [Show full text]
  • The Ossets in Georgia
    ANZOR TOTADZE THE OSSETS IN GEORGIA: MYTH AND REALITY Publishing House “Universal” Tbilisi 2008 The present book highlights the anatomy of the Georgian-Ossetian conflict and on the basis of analysis of Georgian and foreign literary sources and official demographic data it discusses the issues of Ossets migration to Georgia in the XVII-XIX centuries and of the aboriginal population of Tskhinvali. It also displays the absurd consideration of the Ossetian dilettante scholars on “South Ossetia” joining Russia in 1774, the unprecedented facts of distorting the history of Georgia and their efforts to misappropriate the Georgian cultural heritage. By the offcial statistical data living standard of Ossets in Georgia is the highest in the former Soviet Union. editor: Academician Mariam Lordkipanidze review: Professor Anzor Sakhvadze Professor Vazha Gurgenidze © A. Totadze, 2008 Publishing House “UNIVERSAL” 19, I. Chavchavadze Ave., 0179, Tbilisi,Georgia : 22 36 09, 8(99) 17 22 30, E-mail: [email protected] ISBN 99940-61-90-9 2 ANATOMY OF THE CONFLICT “I would like to be unbiased and clear up whether there were some hasty, senseless activities of Ossets, who intensified the contradictions through provocation. I would also like to say such events took place then. I mean declaration of sovereignty, which was fully orientated to Moscow with the prospect of uniting South and North Ossetia in the future. Aspirations of South Ossetians to join their Northern tribesmen can be understood from the human viewpoint. However, from the geopolitical viewpoint it is a mistake. The main Caucasus Ridge is a natural border between Georgia and Ossetia and any efforts of removing this border will cause permanent conflicting situation between Georgians and Ossets.
    [Show full text]