Year Exhibition Number Exhibition Title Dates 1941 A1941.06A Painting Today and Yesterday in the U.S
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The Catalogue Announcing the Spanning from 1960 to the Present Work’S Sale
Sponsored by: ART TORONTO 2008 Toronto International Art Fair (TIAF) TIAF 2008 Advisory Committee René Blouin, Galerie René Blouin 602-1788 West Broadway Jane Corkin, Corkin Gallery Vancouver BC V6J 1Y1 Michael Gibson, Michael Gibson Gallery Tel: 604 730 2065 Grita Insam, Fax: 604 730 2049 Galerie Grita Insam Toll Free: 1 800 663 4173 Olga Korper, Olga Korper Gallery Bernd Lausberg, Lausberg Contemporary 10 Alcorn Ave, Suite 100 Begoña Malone, Galería Begoña Malone Toronto ON M4V 3A9 Tel: 416 960 4525 Nicholas Metivier, Nicholas Metivier Gallery Johann Nowak, DNA Email: [email protected] Miriam Shiell, Miriam Shiell Fine Art Website: www.tiafair.com President Christopher G. Kennedy Senior Vice-President Steven Levy Director Linel Rebenchuk Director of Marketing and Communications Victoria Miachika Production Coordinator Rachel Boguski Administration and Marketing Assistant Sarah Close Graphic Design Brady Dahmer Design Sponsorship Arts & Communications Public Relations Applause Communications Construction Manager Bob Mitchell Printing Friesens Corporation, Altona Huber Printing, North Vancouver Foreword The recognition of culture and art as an integral component in creating livable and sustainable communities is well established. They are primary vehicles for public dialogue about emotional, intellectual and aesthetic values, providing a subjective platform for human connection in our global society. An International art fair plays an important role in the building and sharing of cultural values. It creates opportunities for global connections and highlights the diverse interests of artists, collectors, dealers, museums, scholars and the public. It is with great excitement and pride that I am presenting the 9th annual Toronto International Art Fair - Art Toronto 2008. With an impressive line up of national and international galleries alongside an exciting roster of cultural partners and participants, TIAF has become an important and vital event on the Canadian cultural calendar. -
CONTEMPORARY AMERICAN PAINTING and SCULPTURE 1969 University of Illinois at Urbana-Champaign Js'i----».--:R'f--=
Arch, :'>f^- *."r7| M'i'^ •'^^ .'it'/^''^.:^*" ^' ;'.'>•'- c^. CONTEMPORARY AMERICAN PAINTING AND SCULPTURE 1969 University of Illinois at Urbana-Champaign jS'i----».--:r'f--= 'ik':J^^^^ Contemporary American Painting and Sculpture 1969 Contemporary American Painting and Sculpture DAVID DODD5 HENRY President of the University JACK W. PELTASON Chancellor of the University of Illinois, Urbano-Champaign ALLEN S. WELLER Dean of the College of Fine and Applied Arts Director of Krannert Art Museum JURY OF SELECTION Allen S. Weller, Chairman Frank E. Gunter James R. Shipley MUSEUM STAFF Allen S. Weller, Director Muriel B. Christlson, Associate Director Lois S. Frazee, Registrar Marie M. Cenkner, Graduate Assistant Kenneth C. Garber, Graduate Assistant Deborah A. Jones, Graduate Assistant Suzanne S. Stromberg, Graduate Assistant James O. Sowers, Preparator James L. Ducey, Assistant Preparator Mary B. DeLong, Secretary Tamasine L. Wiley, Secretary Catalogue and cover design: Raymond Perlman © 1969 by tha Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A48-340 Cloth: 252 00000 5 Paper: 252 00001 3 Acknowledgments h.r\ ^. f -r^Xo The College of Fine and Applied Arts and Esther-Robles Gallery, Los Angeles, Royal Marks Gallery, New York, New York California the Krannert Art Museum are grateful to Marlborough-Gerson Gallery, Inc., New those who have lent paintings and sculp- Fairweother Hardin Gallery, Chicago, York, New York ture to this exhibition and acknowledge Illinois Dr. Thomas A. Mathews, Washington, the of the artists, Richard Gallery, Illinois cooperation following Feigen Chicago, D.C. collectors, museums, and galleries: Richard Feigen Gallery, New York, Midtown Galleries, New York, New York New York ACA Golleries, New York, New York Mr. -
A Finding Aid to the Arnold Rönnebeck and Louise Emerson Ronnebeck Papers, 1884-2002, in the Archives of American Art
A Finding Aid to the Arnold Rönnebeck and Louise Emerson Ronnebeck Papers, 1884-2002, in the Archives of American Art Stephanie Ashley and Trina Yeckley Funding for the digitization of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee. August 2003 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical Note............................................................................................................. 2 Scope and Content Note................................................................................................. 2 Arrangement..................................................................................................................... 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Biographical Materials, 1926-2002.......................................................... -
California and Western Paintings & Sculpture
CALIFORNIA AND WESTERN PAINTINGS & SCULPTURE Tuesday April 24, 2018 Los Angeles and San Francisco CALIFORNIA AND WESTERN PAINTINGS & SCULPTURE Tuesday April 24, 2018 at 6pm Los Angeles and San Francisco BONHAMS BIDS INQUIRIES ILLUSTRATIONS 220 San Bruno Avenue +1 (323) 850 7500 Los Angeles Front cover: Lot 66 San Francisco, California 94103 +1 (323) 850 6090 fax Scot Levitt Inside front cover: Lot 35 [email protected] Director, Fine Arts Opposite page: Lot 23 7601 W. Sunset Boulevard Vice President Inside back cover: Lot 27 Los Angeles, California 90046 To bid via the internet please visit +1 (323) 436 5425 Back cover: Lot 157 bonhams.com www.bonhams.com/24770 [email protected] PROPERTY COLLECTION PREVIEW Please note that bids should be Kathy Wong NOTICE San Francisco submitted no later than 24hrs Specialist, Fine Arts This sale previews in multiple cities. Friday April 13, prior to the sale. New bidders +1 (323) 436 5415 Please note the property will be 12pm to 5pm must also provide proof of [email protected] available for collection at our Los Saturday April 14, identity when submitting bids. Angeles gallery at the time of the 12pm to 5pm Failure to do this may result in San Francisco auction. Local, out-of-state and Sunday April 15, your bid not being processed. Aaron Bastian international buyer property will 12pm to 5pm Specialist, Fine Arts remain available for collection in LIVE ONLINE BIDDING IS +1 (415) 503 3241 our Los Angeles gallery after the Los Angeles AVAILABLE FOR THIS SALE [email protected] auction. -
Rise of Modernism
AP History of Art Unit Ten: RISE OF MODERNISM Prepared by: D. Darracott Plano West Senior High School 1 Unit TEN: Rise of Modernism STUDENT NOTES IMPRESSIONISM Edouard Manet. Luncheon on the Grass, 1863, oil on canvas Edouard Manet shocking display of Realism rejection of academic principles development of the avant garde at the Salon des Refuses inclusion of a still life a “vulgar” nude for the bourgeois public Edouard Manet. Olympia, 1863, oil on canvas Victorine Meurent Manet’s ties to tradition attributes of a prostitute Emile Zola a servant with flowers strong, emphatic outlines Manet’s use of black Edouard Manet. Bar at the Folies Bergere, 1882, oil on canvas a barmaid named Suzon Gaston Latouche Folies Bergere love of illusion and reflections champagne and beer Gustave Caillebotte. A Rainy Day, 1877, oil on canvas Gustave Caillebotte great avenues of a modern Paris 2 Unit TEN: Rise of Modernism STUDENT NOTES informal and asymmetrical composition with cropped figures Edgar Degas. The Bellelli Family, 1858-60, oil on canvas Edgar Degas admiration for Ingres cold, austere atmosphere beheaded dog vertical line as a physical and psychological division Edgar Degas. Rehearsal in the Foyer of the Opera, 1872, oil on canvas Degas’ fascination with the ballet use of empty (negative) space informal poses along diagonal lines influence of Japanese woodblock prints strong verticals of the architecture and the dancing master chair in the foreground Edgar Degas. The Morning Bath, c. 1883, pastel on paper advantages of pastels voyeurism Mary Cassatt. The Bath, c. 1892, oil on canvas Mary Cassatt mother and child in flattened space genre scene lacking sentimentality 3 Unit TEN: Rise of Modernism STUDENT NOTES Claude Monet. -
Arshile Gorky
MARSDEN HARTLEY (1877-1943) Still Life with Lemons (Fruit and Tumbler), 1928 oil on composition board 23 7/8 x 19 5/8 inches signed, dated and inscribed on verso "Marsden Hartley /Conway Mass /1928" Provenance The Artist George Alexander Carden, Sr., Baystore, New York, 1928-1949 (gift of the artist) Dr. George Alexander Carden, Jr., (his son) and Constance Carden, New York, NY and Far Hills, NJ, 1949-1996 Private Collection, 1996-2006 (by descent from the above) Private Collection, New York, NY, 2006-Present Exhibited The Heart of the Matter: The Still Lifes of Marsden Hartley, Berry-Hill Galleries, Inc., New York, NY, May 6 - June 27, 2003 (as Fruit and Tumbler) Landmarks of 20th Century American Art, Forum Gallery, New York, NY November 8, 2018 – January 5, 2019 Literature Weber, Bruce. The Heart of the Matter: The Still Lifes of Marsden Hartley, Berry-Hill Galleries, Inc., New York, 2003, frontispiece, Illustrated (detail), p. 106, pl. 26, Illustrated, pp: 56-57, Reference, and p. 160, Listed. Brooker, Niccolo. Landmarks of 20th Century American Art, Forum Gallery, New York, NY, 2018, pp. 56-59 and p. 57, Illustrated. Essay In January of 1928 Marsden Hartley returned to New York from France, where he had been since the Summer of 1925. In March, he traveled to Chicago to attend an exhibition of his work at the Arts Club, then on to Colorado to see another show of his work organized by his old friend Arnold Rönnebeck, the director of the Denver Art Museum. Before heading back to France on August 20th, Hartley spent the month of July at the Summer home of William Bullitt and Louise Bryant in Conway, Massachusetts. -
Student Handbook 2021 2022
Student Handbook 2021 2022 @RCCSocialmedia @RiversideCityCollege @RiversideCityCollege Riverside City College President’s Message Welcome to Riverside City College, where you will experience a distinguished faculty and highly-skilled staff who are committed to helping you achieve your goals. Whether your plans include transferring to a four-year college or university, training for a career, or gaining new President's Message President's skills that will prepare you for more success, Riverside City College is your ideal choice. At Riverside City College, you will find eight instructional pathways, each with an academic engagement center that offers resources and a dedicated success team designed to guide you toward completing a degree or certificate. That team--and everyone else throughout the College--will help prepare you for the next steps in your education or career. Your opportunities for engagement include 18 high- performing Athletic Teams, nearly 50 clubs, a highly-decorated Model United Nations program, world-class arts, state-of-the-art Career Technical Education programs, and an award-winning Urban Farm. Specialized efforts like the Veteran Resource Center and our Guardian Scholars Foster Youth Support Program welcome and support every student’s success. Our collaborations with high schools provide opportunities for high schoolers to advance their knowledge and strengthen their competitive position among their peers. In addition, you’ll find programs and resources designed to overcome financial and academic challenges, including our Promise Program, scholarships, a network of integrated academic support, and advising. We are committed to supporting the region through the development of partnerships with businesses and organizations that are dedicated to your success. -
Jional Mjl1ryofart
JIONAL MJL1RYOFART SIXTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 • REpublic 7-4215 extension 248 HOLD FOR RELEASE: MONDAY, December 2, 1964 Washington, D»C., December 2, 1964, John Walker, Director of the National Gallery of Art, announced today that a ceremony marking the first day of issue of a U.S. commemorative postage stamp honoring the fine arts will be held at 11:00 a.m. Wednesday, December 2, in the National Gallery auditorium. The stamp, based on a design by Stuart Davis, reproduces the first piece of abstract art ever to appear on a U.S. stamp. The ceremony will be open to invited guests and to the general public A temporary post office will be set up in the Gallery to post mark first day covers. The National Gallery and the main post office in Washington will be the only two locations cancelling covers on that day. The Gallery will exhibit four original prints by Stuart Davis related to the stamp design, on loan from Mrs. Edith Gregor Halpert of the Downtown Gallery, New York. Also on view will be compet1 r 5 designs, by leading artists, together with illustrations of the evolution of the stampo Speakers at the ceremony will be the Hon. John A. Gronouski, Postmaster General; Mr. Lloyd Goodrich, Director of the Whitney Museum of American Art in New York; and Mr. Harold Weston, Chairman of the United States Committee ofthe International Association of Art. Mrs. Stuart Davis, widow of the artist who died on June 24 of this year, will also attend, together with her son, 12, a stamp collector. -
Year of Exhib. Dates of Exhibition Title Of
File Cab.- Drawer File #1: File #2: File #3a: File #4: Year of Exhib. Dates of Exhibition Title of Exhibition or Row/Shelf Objects/Installation Publications Press Background 1941 June 5-September 1 Painting Today and Yesterday in the U.S 19-1 ? Yes Yes ? Masterpieces of Ancient China from Jan 1941 October 19-November 23 Kleijkamp Collection 19-1 ? Yes ? ? Arts of America Before Columbus: 500 B.C. - AD 1942 April 18-June 1500 (Ancient American Art) 19-1 ? Yes Yes ? United Nations Festival and Free France Exhibit Lent by Mr. & Mrs. Walter Arensberg and Edward 1942 May G. Robinson. 19-1 ? ? Yes ? Yes 1942 July 1-July 31 Modern Mexican Painters 19-1 Yes ? ? Five Centuries of Painting lent by Jacob 1943 March 7-April 11 Heimann 19-1 ? No ? ? Paintings, Sculpture, and Lithographs by Arnold 1943 June Ronnebeck 19-1 No No Yes 1943 October 3 - ? America in the War. 19-1 No Yes 1943 November 16-December 7 Paintings by Agnes Pelton 19-1 ? No ? ? 1944 February 9-March 12 Paintings and Drawings by Jack Gage Stark 19-1 ? Yes ? ? Annual Exhibition of the California Watercolor 1944 March 15-April 7 Society 19-1 Yes ? ? ? 1944 April 8-April 30 Paintings by Hilaire Hiler 19-1 Yes ? ? ? 1944 July 8-July 23 Abstract and Surrealist Art in the United States 19-1 ? Yes ? ? 1944 September 5-October 5 First Annual National Competitive Exhibition 19-1 ? Yes ? ? Chinese Sculpture from the I to XII Centuries A.D. from the collection of Jan Kleijkamp and Ellis Monro. (“12 Centuries of Sculpture from Yes (Call# China”) Rare NB 1944 October-November 26 Row 21, Shelf 3 ? 1043.S3) ? ? Charlotte Berend: Exhibition of Paintings in Oil 1944 November 9-December 10 and Watercolor 19-1 ? Yes ? ? 1945 March 11- The Debt to Nature of Art and Education 19-1 ? Yes ? ? Memorial Exhibition: "Philosophical & Allegorical" 1945 March 15-April 11 Paintings by Spencer Kellogg, Jr. -
For Immediate Release
FOR IMMEDIATE RELEASE SUNDARAM TAGORE CHELSEA/NEW YORK PRESENTS NEW PORTRAITS BY AMERICAN PAINTER LEE WAISLER Exhibition dates: October 17–November 16, 2013 Opening cocktail reception: Thursday, October 17, 6–8 pm Double Einstein, 2013, acrylic and wood on canvas, 40 x 60 inches New York, September 23, 2013—Sundaram Tagore Gallery is pleased to present new works by Lee Waisler. Lee Waisler is a Los Angeles-based artist who paints arresting portraits of iconic figures using a rich variety of materials. For this exhibition, Waisler presents a global group of individuals from diverse disciplines, eras and origins. Among his subjects are renowned artists, literary giants and Hollywood luminaries such as Frida Kahlo, Gertrude Stein and Charlie Chaplin, alongside influential figures of social change, including Israeli leader Moshe Dayan and teenage Pakistani education advocate Malala Yousafzai. Each of these portraits is a reminder of how a single individual can change the way society thinks. (continued) This new series marks a stylistic departure, as Waisler tests the boundaries of recognition and explores new perspectives by elongating his subjects’ features to shadow-like proportions. Stretched to near distortion, his portrait of Vincent Van Gogh is still immediately recognizable thanks to the familiar red beard and deep-set eyes. This skillfully plays to Waisler’s idea of “re-membering,” his practice of deconstructing, remembering and then reconstructing his subjects’ likenesses. Some of the works are rendered in a restrained palette of black and white. Distilled, linear, almost gestural in nature, these portraits possess a haunting quality that transcends the subjects’ iconic status, revealing the person behind the persona. -
John Edward Walker
654 He was listed by the New York Times in 1914 as one of the dozen “notable” artists of Carmel.4 That fall his work was included in the Exhibition of Carmel and Southern California Artists at the Rabjohn & Morcom Gallery in San Francisco.5 A year later the Carmel Pine Cone reported that his paintings were selling well in that city.6 During the summer of 1916 he advertised his studio “by appointment only” at the “Schlingman Cottage” on Casanova Street between Seventh and Eighth Avenues.7 He taught art to select students in Carmel, but there is no evidence that he was an instructor at the Arts and Crafts Club Summer School. In 1913 he contributed the painting Coast View to the Seventh Annual Exhibition of that Club.8 As a Carmel resident his canvas was allowed into the award competition for that year. For the Club’s Tenth Annual in 1916 he submitted four pieces: Glow at Evening, Oaks in Spring, Happy Valley and Sand Dune-Carmel. Of these Blanche Marie d’Harcourt, art critic for The Wasp of San Francisco, declared that he “interprets Nature in her most poetical moods.”9 That December she reported that this “modest young Englishman” was hard at work “painting many scenes up the Carmel Valley.”10 In May of 1917 Walker assembled fifteen of his “small and modest” Carmel seascapes for exhibition at the Kanst Gallery in Los Angeles.11 The art critic for the Los Angeles Times, Antony Anderson, found the painter to be “a trifle over-conscientious” in depicting detail, too wordy in his titles and lacking in California’s bright colors, but he praised his drawing skills and genuine emotion.12 In a similar assessment of his “oil sketches” that June at the Schussler Brothers Gallery of San Francisco Anna Cora Winchell, the art critic of the San Francisco Chronicle, observed that the British painter depicted:13 . -
DOCUMENT RESUME ED 088 518 IR 000 359 TITLE Film Catalog of The
DOCUMENT RESUME ED 088 518 IR 000 359 TITLE Film Catalog of the New York State Library. 1973 Supplement. INSTITUTION New York State Education Dept., Albany. Div. of Library Development. PUB DATE 73 NOTE 228p. EDRS PRICE MF-$0.75 HC-$11.40 DESCRIPTORS *Catalogs; Community Organizations; *Film Libraries; *Films; *Library Collections; Public Libraries; *State Libraries; State Programs IDENTIFIERS New York State; New York State Division of Library Development; *New York State Library ABSTRACT Several hundred films contained in the New York State Division of Library Development's collection are listed in this reference work. The majority of these have only become available since the issuance of the 1970 edition of the "Catalog," although a few are older. The collection covers a wide spectrum of subjects and is intended for nonschcol use by local community groups; distribution is accomplished through local public libraries. Both alphabetical and subject listings are provided and each"citation includes information about the film's running time, whether it is in color, its source, and its date. Brief annotations are also given which describe the content of the film and the type of audience for which it is appropriate. A directory of sources is appended. (PB) em. I/ I dal 411 114 i MI1 SUPPLEMENT gilL""-iTiF "Ii" Alm k I I II 11111_M11IN mu CO r-i Le, co co FILM CATALOG ca OF THE '1-1-1 NEW YORK STATE LIBRARY 1973 SUPPLEMENT THE UNIVERSITY OF THE STATE OF NEW YORK THE STATE EDUCATION DEPARTMENT ALBANY, 1973 THE UNIVERSITY OF THE STATE OF NEW YORK Regents of the University ( with years when terms expire) 1984 JOSEPH W.