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UPA : Redesigning Animation
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. UPA : redesigning animation Bottini, Cinzia 2016 Bottini, C. (2016). UPA : redesigning animation. Doctoral thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/69065 https://doi.org/10.32657/10356/69065 Downloaded on 05 Oct 2021 20:18:45 SGT UPA: REDESIGNING ANIMATION CINZIA BOTTINI SCHOOL OF ART, DESIGN AND MEDIA 2016 UPA: REDESIGNING ANIMATION CINZIA BOTTINI School of Art, Design and Media A thesis submitted to the Nanyang Technological University in partial fulfillment of the requirement for the degree of Doctor of Philosophy 2016 “Art does not reproduce the visible; rather, it makes visible.” Paul Klee, “Creative Credo” Acknowledgments When I started my doctoral studies, I could never have imagined what a formative learning experience it would be, both professionally and personally. I owe many people a debt of gratitude for all their help throughout this long journey. I deeply thank my supervisor, Professor Heitor Capuzzo; my cosupervisor, Giannalberto Bendazzi; and Professor Vibeke Sorensen, chair of the School of Art, Design and Media at Nanyang Technological University, Singapore for showing sincere compassion and offering unwavering moral support during a personally difficult stage of this Ph.D. I am also grateful for all their suggestions, critiques and observations that guided me in this research project, as well as their dedication and patience. My gratitude goes to Tee Bosustow, who graciously -
2020 OQ Winter
QUARTERLY WINTER 2020 | VOL. 63 NO. 1 Collecting, Preserving, and Celebrating Ohio Literature Winter 2020 1 Contents QUARTERLY WINTER 2020 FEATURES BOARD OF TRUSTEES HONORARY CHAIR Fran DeWine, Columbus 4 Toni Morrison: A Tribute ELECTED 8 A Conversation with Oge Mora President: Daniel Shuey, Westerville Vice-President: John Sullivan, Plain City Secretary: Geoffrey Smith, Columbus Treasurer: Jay Yurkiw, Columbus BOOK REVIEWS Gillian Berchowitz, Athens Daniel M. Best, Columbus 10 Nonfiction Rudine Sims Bishop, Columbus Helen F. Bolte, Columbus 12 Fiction Katie Brandt, Columbus Lisa Evans, Johnstown 16 Poetry Bryan Loar, Columbus Ellen McDevitt-Stredney, Columbus Mary Heather Munger, Ph.D., Perrysburg 18 Young Adult & Middle Grade Louise Musser, Delaware Claudia Plumley, Dublin 20 Children’s Cynthia Puckett, Columbus David Siders, Cincinnati Yolanda Danyi Szuch, Perrysburg BOOKS AND EVENTS Jacquelyn L. Vaughan, Dublin Elizabeth A. “Betty” Weibel, Chagrin Falls APPOINTED BY THE GOVERNOR OF OHIO 22 Book List Carl Denbow, Ph.D., Athens Carol Garner, Mount Vernon 45 Coming Soon Brian M. Perera, Columbus TRUSTEES EMERITUS Francis Ott Allen, Cincinnati Ann Bowers, Bowling Green Christina Butler, Ph.D., Columbus James Hughes, Ph.D., Dayton Robert Webner, Columbus OHIOANA STAFF Executive Director..............David Weaver Office Manager...............Kathryn Powers Library Specialist............Courtney Brown Program Coordinator........Morgan Peters The Ohioana Quarterly (ISSN 0030-1248) is currently published four times a year by the Ohioana Library Association, 274 East First Avenue, Suite 300, Columbus, Ohio 43201. Individual subscriptions to the Ohioana Quarterly are available through membership in the Association; $35 of membership dues pays the required subscription. Single copy $6.50. U.S. postage paid at Columbus, Ohio. -
Texts of Old Blog Posts
!1 of !77 Ruined Books Blog A Book of Bibliolages—initial post, Feb. 27, 2013 A Book of Bibliolage makes a good place to begin this blog. The website goes back a few weeks now. The practice of bibliolaging goes back seven to ten years, depending on your definition. The word bibliolage goes back about three years, my invention, I think. And the blog starts now. A bibliolage is always an “altered book”—that’s the family—but, strange child in the corner, it abides by its own rules, sucks its very own thumb. (When I came up with the motto “Puerility Taken to a Whole New Level!” it made me smile, but it’s not terribly self-respectful.) A bibliolage is also always a collage, but it so severely does not hang on a wall, I had to build a website to hang it anywhere. A bibliolage sits on a shelf, here a creaky one, because the art takes a heavy book and makes it heavier. It takes a page and squares it, so the binding typically bulges. A library shelf keeps books aloft, vertical, slim, and Ssshhh-ed! My shelves sag, and the engorged volumes seem angry with being books. They protest at gravity, clamoring mirth. They revel in ruin and rue preservation. They do not resign to a system, least of all Dewey decimal. They do not speak for authority but squeal for special attention from the court. On the site you can find a list of titles, some eighty-six in the columns as of now, but the ranks are uneven, as some have struck off in wayward directions, but so far no new tendency has turned me from the !2 of !77 extraillustrative ‘lage. -
Wavebid > Buyers Guide
Auction Catalog March 2021 Auction Auction Date: Sunday, Feb 28 2021 Bidding Starts: 12:00 PM EST Granny's Auction House Phone: (727) 572-1567 5175 Ulmerton Rd Email: grannysauction@gmail. Ste B com Clearwater, FL 33760 © 2021 Granny's Auction House 02/28/2021 07:36 AM Lot Title & Description Number 12" x 16" Wyland Lucite Limited Edition Orca Family Statue - Free form clear lucite form reminiscent of ice with sun softened edges 1 holding family pod of 3 Orcas/ killer whales, etched Wyland signature lower left, numbered 105/950 lower right - in house shipping available 2 6" x 4" Russian Lacquerware Box Signed and Numbered with Mythic Cavalry Scene - Black Ground, Bright Red Interior - In House Shipping Available Tiffany & Co. Makers Sterling Silver 6 1/2" plate - 16052 A, 7142, 925-1000, beautiful rimmed plate. 5.095 ozt {in house shipping 3 available} 2 Disney Figurines With Original Boxes & COA - My Little Bambi and Mothe # 14976 & Mushroom Dancer Fantasia. {in house shipping 4 available} 2 Art Glass Paperweights incl. Buccaneers Super Bowl Football - Waterford crystal Super Bowl 37 Buccaneers football #1691/2003 & 5 Murano with copper fleck (both in great condition) {in house shipping available} 6 Hard to Find Victor "His Master's Voice" Neon Sign - AAA Sign Company, Coltsville Ohio (completely working) {local pick up or buyer arranges third party shipping} 7 14K Rose Gold Ring With 11ct Smokey Topaz Cut Stone - size 6 {in house shipping available} 8 5 200-D NGC Millennium Set MS 67 PL Sacagawea Dollar Coins - Slabbed and Graded by NGC, in house shipping available Elsa de Bruycker Oil on Canvas Panting of Pink Cadillac Flying in to the distance - Surrealilst image of cadillac floating above the road 9 in bright retro style, included is folio for Elsa's Freedom For All Statue of Liberty Series - 25" x 23" canvas, framed 29" x 28" local pick up and in house shipping available 10 1887 French Gilt Bronze & Enamel Pendent Hanging Lamp - Signed Emile Jaud Et Jeanne Aubert 17 Mai 1887, electrified. -
Pat Adams Selected Solo Exhibitions
PAT ADAMS Born: Stockton, California, July 8, 1928 Resides: Bennington, Vermont Education: 1949 University of California, Berkeley, BA, Painting, Phi Beta Kappa, Delta Epsilon 1945 California College of Arts and Crafts, summer session (Otis Oldfield and Lewis Miljarik) 1946 College of Pacific, summer session (Chiura Obata) 1948 Art Institute of Chicago, summer session (John Fabian and Elizabeth McKinnon) 1950 Brooklyn Museum Art School, summer session (Max Beckmann, Reuben Tam, John Ferren) SELECTED SOLO EXHIBITIONS 2017 Bennington Museum, Bennington, Vermont 2011 National Association of Women Artists, New York 2008 Zabriskie Gallery, New York 2005 Zabriskie Gallery, New York, 50th Anniversary Exhibition: 1954-2004 2004 Bennington Museum, Bennington, Vermont 2003 Zabriskie Gallery, New York, exhibited biennially since 1956 2001 Zabriskie Gallery, New York, Monotypes, exhibited in 1999, 1994, 1993 1999 Amy E. Tarrant Gallery, Flyn Performing Arts Center, Burlington, Vermont 1994 Jaffe/Friede/Strauss Gallery, Dartmouth College, Hanover, New Hampshire 1989 Anne Weber Gallery, Georgetown, Maine 1988 Berkshire Museum, Pittsfield, Massachusetts, Retrospective: 1968-1988 1988 Addison/Ripley Gallery, Washington, D.C. 1988 New York Academy of Sciences, New York 1988 American Association for the Advancement of Science, Washington, D.C. 1986 Haggin Museum, Stockton, California 1986 University of Virginia, Charlottesville, Virginia 1983 Image Gallery, Stockbridge, Massachusetts 1982 Columbia Museum of Art, University of South Carolina, Columbia, -
Download Lot Listing
IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART Wednesday, May 10, 2017 NEW YORK IMPRESSIONIST & MODERN ART EUROPEAN & AMERICAN ART POST-WAR & CONTEMPORARY ART AUCTION Wednesday, May 10, 2017 at 11am EXHIBITION Saturday, May 6, 10am – 5pm Sunday, May 7, Noon – 5pm Monday, May 8, 10am – 6pm Tuesday, May 9, 9am – Noon LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $40 INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF IMPRESSIONIST & MODERN ART 1-118 Elsie Adler European 1-66 The Eileen & Herbert C. Bernard Collection American 67-118 Charles Austin Buck Roberta K. Cohn & Richard A. Cohn, Ltd. POST-WAR & CONTEMPORARY ART 119-235 A Connecticut Collector Post-War 119-199 Claudia Cosla, New York Contemporary 200-235 Ronnie Cutrone EUROPEAN ART Mildred and Jack Feinblatt Glossary I Dr. Paul Hershenson Conditions of Sale II Myrtle Barnes Jones Terms of Guarantee IV Mary Kettaneh Information on Sales & Use Tax V The Collection of Willa Kim and William Pène du Bois Buying at Doyle VI Carol Mercer Selling at Doyle VIII A New Jersey Estate Auction Schedule IX A New York and Connecticut Estate Company Directory X A New York Estate Absentee Bid Form XII Miriam and Howard Rand, Beverly Hills, California Dorothy Wassyng INCLUDING PROPERTY FROM A Private Beverly Hills Collector The Collection of Mr. and Mrs. Raymond J. Horowitz sold for the benefit of the Bard Graduate Center A New England Collection A New York Collector The Jessye Norman ‘White Gates’ Collection A Pennsylvania Collection A Private -
Risk Assessment of the Movement of Firewood Within the United States
United States Department of Agriculture Animal and Plant Health Inspection Service Risk Assessment of the Movement of Firewood within the United States Source: Kosichfirewood.org (artist: Alastair Heseltine) Agency Contact: Plant Epidemiology and Risk Analysis Laboratory Center for Plant Health Science and Technology Plant Protection and Quarantine Animal and Plant Health Inspection Service United States Department of Agriculture 1730 Varsity Drive, Suite 300 Raleigh NC, 27606 Rev.1 20110105 1 Executive Summary Exotic and native forest pests such as Agrilus planipennis (emerald ash borer), Anoplophora glabripennis (Asian longhorned beetle), Dendroctonous ponderosae (mountain pine beetle), Ophiostoma novo-ulmi and O. ulmi (pathogens associated with Dutch elm disease), Cryphonectria parasitica (pathogen associated with chestnut blight), and Geosmithia sp. (pathogen associated with thousand cankers disease of black walnut) cause serious damage to urban and natural forests in the United States. These pests and many others disperse various distances through multiple pathways including movement of nursery stock and firewood. Firewood is a raw forest product that is widely utilized and moved throughout the United States with relatively limited consideration of the potential pests within or the associated risks. We conducted an assessment and examined factors that may affect the risk associated with the movement of firewood such as users, movement, insects and diseases, potential impact to natural and urban forests, and trends in firewood use. From our assessment, we estimate firewood to be a high-risk pathway for the movement of forest pests for the following reasons. • Firewood is a well-known pathway for the movement of wood pests. • The United States requires treatment of all imported firewood, with a few exceptions from Canada and Mexico. -
American Prints 1860-1960
American Prints 1860-1960 from the collection of Matthew Marks American Prints 1860-1960 from the collection of Matthew Marks American Prints 1860-1960 from the collection of Matthew Marks Bennington College, Bennington, Vermont Introduction The 124 prints which make up this exhibition have been selected from my collection of published on the occasion over 800 prints. The works exhibited at Bennington have been confined to those made by ot an exhibitionat the American artists between 1860 and 1960. There are European and contemporary prints in my A catalogue suchasthis and the exhibitionwhich collection but its greatest strengths are in the area of American prints. The dates 1860 to Suzanne Lemberg Usdan Gallery accompaniesit.. is ot necessity a collaborativeeffortand 1960, to which I have chosen to confine myself, echo for the most part my collecting Bennington College would nothave been possible without thesupport and interests. They do, however, seem to me to be a logical choice for the exhibition. lt V.'CIS Bennington \'ermonr 05201 cooperation of many people. around 1860 that American painters first became incerested in making original prints and it April 9 to May9 1985 l am especially graceful to cbe Bennington College Art was about a century later, in the early 1960s, that several large printmaking workshops were Division for their encouragementand interestin this established. An enormous rise in the popularity of printmaking as an arcistic medium, which projectfrom thestart. In particular I wouldlike co we are still experiencing today, occurred at that cime. Copyright © 1985 by MatthewMarks thankRochelle Feinstein. GuyGood... in; andSidney The first American print to enter my collection, the Marsden Hartley lirhograph TilJim, who originally suggestedche topicof theexhibi- (Catalogue #36 was purchased nearly ten years ago. -
Llyn Foulkes Between a Rock and a Hard Place
LLYN FOULKES BETWEEN A ROCK AND A HARD PLACE LLYN FQULKES BETWEEN A ROCK AND A HARD PLACE Initiated and Sponsored by Fellows ol Contemporary Art Los Angeles California Organized by Laguna Art Museum Laguna Beach California Guest Curator Marilu Knode LLYN FOULKES: BETWEEN A ROCK AND A HARD PLACE This book has been published in conjunction with the exhibition Llyn Foulkes: Between a Rock and a Hard Place, curated by Marilu Knode, organized by Laguna Art Museum, Laguna Beach, California, and sponsored by Fellows of Contemporary Art, Los Angeles, California. The exhibition and book also were supported by a grant from the National Endowment for the Arts, Washington, D.C., a federal agency. TRAVEL SCHEDULE Laguna Art Museum, Laguna Beach, California 28 October 1995 - 21 January 1996 The Contemporary Art Center, Cincinnati, Ohio 3 February - 31 March 1996 The Oakland Museum, Oakland, California 19 November 1996 - 29 January 1997 Neuberger Museum, State University of New York, Purchase, New York 23 February - 20 April 1997 Palm Springs Desert Museum, Palm Springs, California 16 December 1997 - 1 March 1998 Copyright©1995, Fellows of Contemporary Art, Los Angeles All rights reserved. No part of the contents of this book may be reproduced, in whole or in part, without permission from the publisher, the Fellows of Contemporary Art. Editor: Sue Henger, Laguna Beach, California Designers: David Rose Design, Huntington Beach, California Printer: Typecraft, Inc., Pasadena, California COVER: That Old Black Magic, 1985 oil on wood 67 x 57 inches Private Collection Photo Credits (by page number): Casey Brown 55, 59; Tony Cunha 87; Sandy Darnley 17; Susan Einstein 63; William Erickson 18; M. -
Woodcut Society 1932-1954 by Cori Sherman North with Transcriptions by John R
With the Grain: Presentation Prints of the Woodcut Society 1932-1954 by Cori Sherman North with transcriptions by John R. Mallery With the Grain: Presentation Prints of the Woodcut Society 1932-1954 by Cori Sherman North with transcriptions by John R. Mallery A digital publication printed in conjunction with an exhibition held at the Birger Sandzén Memorial Gallery from March 31 through June 2, 2019 The show included a complete set of the 44 prints in their original letterpress folders This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. On the cover: Twilight Toil by Allen Lewis, 1943, color woodcut and linoleum cut The Birger Sandzén Memorial Gallery in participating printmakers. Lindsborg, Kansas, is exhibiting its complete set of Woodcut Society membership prints in The Woodcut Society was primarily geared their original presentation folders, March 22 toward print collectors, with the publications through June 2, 2019. The 44 blockprints— “intended to be savored in the intimate setting wood engravings, woodcuts, and linocuts—were of one’s private library.”2 The membership print created by an international cast of 32 artists commissions were “all selected by one man, and reveal a wide variety of subject matter and unencumbered by juries or trustees, H.A. [Harry technique. Of the printmakers, Asa Cheffetz Alfred] Fowler, Director of the Society.”3 Artists (1897-1965), Paul Landacre (1893-1963), Clare were instructed to pull 200 impressions in one Leighton (1898-1989), and Thomas Nason (1889- edition, but the subject matter and edition paper 1971) each completed three membership prints, choice were left entirely to the printmaker. -
Texas State Vita
PPS 8.10 Form 1A TEXAS STATE VITA Please note: For all entries, list most recent items first. Headings without entries may be eliminated, but the heading lettering/numbering should remain consistent with this template. I. Academic/Professional Background A. Name: Reece Jon McGee Title: Professor B. Educational Background Degree Year University Major Thesis/Dissertation Ph.D. 1983 Rice University Anthropology An Analysis of Myth and Ritual Among the Lacandon Maya M.A. 1982 Rice University Anthropology M.S. 1979 Purdue University Anthropology B.A. 1977 Purdue University Anthropology/Psychology C. University Experience Position University Dates Professor Texas State University 1997-present Chair Texas State University 2004-2011 Associate Professor Texas State University 1990-1996 Assistant Professor Texas State University 1985-1990 Visiting Assistant Professor University of Southern California 1984-1985 Lecturer University of Houston-Clear Lake 1983-1984 D. Relevant Professional Experience Position Entity Dates E. Other Professional Credentials (licensure, certification, etc.) Honorary Professor of International Studies 2013-present II. TEACHING A. Teaching Honors and Awards: 1. Alpha Chi Favorite Professor for 2016 Page 1 of 14 PPS 8.10 Form 1A B. Courses Taught: 1312 Cultural Anthropology 3301/5301 Principles of Cultural Anthropology (WI) 3305 Magic, Ritual and Religion 3314/5314 Latin American Cultures 3326 Maya History and Society 3350 Gender and Sexuality 3355 Introduction to Yucatec/Lacandon Maya 3370 Culture and Personality 4310/5310 Theory and Issues in Anthropology (WI) 4320/5320 Rise of Civilization 4361/5361 Field Methods in Cultural Anthropology (WI) 4380 Language, Culture and Society 5311 Seminar in Cultural Anthropology C. Graduate Theses/Dissertations or Exit Committees (if supervisor, please indicate): Ph.D. -
FIGURE 8.1 I EUROPE Stretching from Iceland in the Atlantic to The
FIGURE 8.1 I EUROPE Stretching from Iceland in the Atlantic to the Black Sea, Europe includes 40 countries, ranging in size from large states, such as France and Germany, to the microstates of Liechtenstein, Andorra, San Marino, and Monaco. Currently the population of the region is about 531 mil- lion. Europe is highly urbanized and, for the most part, relatively wealthy, par- ticularly the western portion. However, economic and social differences between eastern and western Europe remain a problem. (left) Migration re- mains one of Europe’s most troublesome issues. While some immigrates will- ingly embrace European values and culture, others prefer to remain more distant by resisting cultural and political integration. In Britain, for example, there is ongoing debate about Muslim women wearing their traditional veils. (Dave Thompson/AP Wide World Photos) 8 Europe SETTING THE BOUNDARIES The European region is small compared to the United roots. The Greeks and Romans divided their worlds into problematic. Now some geography textbooks extend States. In fact, Europe from Iceland to the Black Sea the three continents of Europe, Asia, and Africa sepa- Europe to the border with Russia, which places the would fit easily into the eastern two-thirds of North rated by the Mediterranean Sea, the Red Sea, and the two countries of Ukraine and Belarus, former Soviet America. A more apt comparison would be Canada, Bosporus Strait. A northward extension of the Black Sea republics, in eastern Europe. Though an argument can as Europe, too, is a northern region. More than half was thought to separate Europe from Asia, and only in be made for that expanded definition of Europe, recent of Europe lies north of the 49th parallel, the line of the 16th century was this proven false.