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Clarky List 50 31/07/2012 13:06 Page 1
Clarky List 51_Clarky List 50 31/07/2012 13:06 Page 1 JULY 2012 PHONE RESERVATIONS ESSENTIAL : 8am – 9pm OVERSEAS ORDERS PLEASE WRITE FIRST. Postage & Packing Rates (all recorded delivery): LP’s/12"s: £6.00 for the first, £1.00 each thereafter 45’s: £2.50 for the first, 50p each thereafter Special Delivery on 45s – £7.50 to be paid on all orders over £30 ALL BIDS MUST BE IN WRITING All Mint/VG+ unless indicated otherwise. Discs held for 7 days. Any returns within 7 days. No responsibility for Post Office mis han dling The Coach House, Cromer Road, North Walsham, Norfolk, NR28 0HA, England Tel: 01692 403158 / ianclarkmusic.com 24 HOUR AUTO FAX! Fax in your requests - just let the phone ring! (same number as above) NORTHERN SOUL US ORIGINALS 1) Jackie Ross I Got the Skill Chess £8 2) Jackie Wilson Sweetest Feeling/Nothing But Heartaches Brunswick (DJ) £30 3) Jackie Wilson I Don’t Want to Lose/Just Be Sincere Brunswick (DJ £35 4) Jackie Wilson Who Who Song Brunswick (DJ) £30 Three rare promos of these soul classics 5) Young Holt Unlimited California Montage Brunswick (DJ) £25 6) Linda Lloyd Breakaway (swol) Columbia (WDJ) £175 7) James Carr A Losing Game Goldwax £25 8) Icemen How Can I Get Over? (brilliant) ABC £40 9) Volumes You Got it Baby/A Way to Love Inferno (WDJ) £40 10) Chessmen Why Can’t I Be Your Man? Chess (WDJ) £50 11) Jimmy Norman Love Sick Raystar £20 12) Nancy Wilcox Coming On Strong RCA (WDJ) (SWOL) £70 13) Herb Ward Honest to Goodness RCA (DJ) £200 14) Johnny Bartel If This Isn’t Love (WDJ) Solid State VG++ £100 15) Twilights -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs. -
Acoustic Biodiversity of Primary Rainforest Ecosystems
Fragments of Extinction: Acoustic Biodiversity of Primary Rainforest Ecosystems David Monacchi a b s t r a c t This paper describes the conceptual origins and develop- ment of the author’s ongoing environmental sound-art project Background Fragments of Extinction, which explores the eco-acoustic com- In 1998, while conducting a field recording campaign on Ital- ity of its organization and making it plexity of the remaining intact ian natural soundscapes, I had the intuition that the biophony available to audiences. In high can- equatorial forests. Crossing [1] of untouched forest ecosystems should exhibit a more opy forests, sounds come from ev- boundaries between bioacous- structured behavior, maximizing efficiency within diversity. I ery direction, including above (e.g. tics, acoustic ecology, electro- acoustic technology and music realized that, if properly reproduced, soundscape recordings birds and monkeys) and below (e.g. composition, the project aims to of these ecosystems could be powerful means for raising aware- amphibians and insects) the listen- reveal the ordered structures of ness of acoustic biodiversity and its heritage [2], now being ing position. The human brain de- nature’s sonic habitats, define a destroyed by rapid deforestation and climate change. When in tects this three-dimensional (3D) possible model of compositional information in its entirety through integration and make the out- 2002, with the help of Greenpeace, I traveled to the equatorial come accessible to audiences Amazon to record in an undisturbed area of old-growth rain- several subparameters that agree to foster awareness of the cur- forest, my hypothesis was immediately confirmed by finding with our composite natural percep- rent “sixth mass extinction.” extremely balanced acoustic systems produced by hundreds tion of direction, depth and dimen- of species of insects, amphibians, birds and mammals neatly sion of sound sources. -
Music and Environment: Registering Contemporary Convergences
JOURNAL OF OF RESEARCH ONLINE MusicA JOURNALA JOURNALOF THE MUSIC OF MUSICAUSTRALIA COUNCIL OF AUSTRALIA ■ Music and Environment: Registering Contemporary Convergences Introduction H O L L I S T A Y L O R & From the ancient Greek’s harmony of the spheres (Pont 2004) to a first millennium ANDREW HURLEY Babylonian treatise on birdsong (Lambert 1970), from the thirteenth-century round ‘Sumer Is Icumen In’ to Handel’s Water Music (Suites HWV 348–50, 1717), and ■ Faculty of Arts Macquarie University from Beethoven’s Pastoral Symphony (No. 6 in F major, Op. 68, 1808) to Randy North Ryde 2109 Newman’s ‘Burn On’ (Newman 1972), musicians of all stripes have long linked ‘music’ New South Wales Australia and ‘environment’. However, this gloss fails to capture the scope of recent activity by musicians and musicologists who are engaging with topics, concepts, and issues [email protected] ■ relating to the environment. Faculty of Arts and Social Sciences University of Technology Sydney Despite musicology’s historical preoccupation with autonomy, our register of musico- PO Box 123 Broadway 2007 environmental convergences indicates that the discipline is undergoing a sea change — New South Wales one underpinned in particular by the1980s and early 1990s work of New Musicologists Australia like Joseph Kerman, Susan McClary, Lawrence Kramer, and Philip Bohlman. Their [email protected] challenges to the belief that music is essentially self-referential provoked a shift in the discipline, prompting interdisciplinary partnerships to be struck and methodologies to be rethought. Much initial activity focused on the role that politics, gender, and identity play in music. -
Start Here with I Health
.-". -., . .. j-.». - , - ( NILES Tj NOVEMBER 18, 2010 * A PIONEER PRESS PUBLICATION * WWW.NILESHERALDSPEÇTATOR.COM * $2.00 r THiS WEEK FOOD HEALTHIER LATKES A couple of tricks to boost nutrition values y ..PAGE Home Front by BlockShopper .. , House calls Which lo.cal . residence sold, and for hOw múch? Turn to Wumpeter Jean Laurenz plays "Taps" during a memorial service at Veterans Memorial Waterfall in Nues the morning of Nov. 11. Home Front to find out . MEMORIAL MUSIC PAGE 5 I Kevin Tanaka-for Sun-Times Media PAGE 19 Start here withihealth OC-'TLO9 lI S1IN care career. J_s NQi>1110 0969 .LSI0 AItI8I13118fld S1IN Attend a freeHealth Care Information Session. ¿01'OOOoO.LSIO AèI8I100000319fld 6O3 S1IN 899 Pharmacy Technician and 6T0-O'*.LO1 J.èI- 3u Aseptic Pharmaceutical Preparations -Tuesday, November 30, at 6 p.m., Des Plaines Campus,.- Room 1506 For more information, call 847.635.1700. Oakton 1600 East GoifRoad, DesPlaineswww.oakton.edu CommimityCoflege I A PIONEER PRESS PUBLICATION 'NIL www.ploueerlacal.com www.pioneeTlocal.com NIL' 16865058, I$OVEMOERIO, lOI I I, s . Gknkie $315,000 Morton Grove $199,000 a s Skokie $279,000 MnttoSGr000 $149,000 . 8, Gino $269,900 Skokie $135,000 001#t 151 7, 00,80. 90s00[ft,hIo,71d(d. I 07004 bS,Ios/040 08,0304040 .8 o IOPWK00/88,oflASS.04oP'04. 2044405 L3,4,l]0l,904Ih.3000I8fl7/44.1#rd/57frI- Skokie $269,000 Skokie $124,000 $090,40' 4,/7520. 0.,o,g4,.44,/400, $844,000 r.MsONs 040.4404504 . '«t I s 000072,/720, 84,000 fr 4048,301/0 04 $213,000 r,/$/2640o 947809/7150 DosEl Hotmer Divinity Johnson Lorry Klous 8476244424 647.372.5865 708.785.2942 :A s I ¡ 'i 0$,, 4 www.ploneerlocal.com NIL THURSDAY, NSVEADEH lb 2010 F nl- lHuEsoeY,0OHlMseetc0c Managingllslltor: MOB Schanilo l'lione: (708) 524-4403 I mocheooita4-poneeelocaLcom LocaTi 1\ews TillS WEEKs COUNTY TAX BILLS ARE 44 THE MtL I LAWSUIT: OILES NUSINESSMXN ACCOTES SF MORtGAGE FRAUD SCROALS, RILES NORTH puts UN PItHY PLAYSI TRANSPORTATION: RILES CANOT STATE FUNDS ¶ I VETERANS MEMORIAL WATERFALL 'War isnotwonderful' Veterans share triumphs and tragedies of war at Nov. -
Research Highlights2015.Pdf
Edited by: Rahayu Sukmaria Sukri Kushan U. Tennakoon Compiled by: Rodzay bin Haji Abdul Wahab Nurul Hazlina binti Zaini Siti Rafhiah binti Haji Abdul Kahar Designed by: Wong Jia Yi @ Jasmine Front Cover Left: A wild orchid found in Belalong, Dendrobium treacherianum Right: The green crested lizard, Bronchocela cristatella Institute for Biodiversity and Environmental Research Universiti Brunei Darussalam Lebuhraya Tungku BE 1410 Brunei Darussalam www.ubd.edu.bn/faculties-and-institutes/iber First Published 2014 by Universiti Brunei Darussalam Lebuhraya Tungku BE1410 Brunei Darussalam ©2014 Universiti Brunei Darussalam All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission, in writing, from the publisher. Perpustakaan Dewan Bahasa dan Pustaka Brunei Cataloguing-in-publication RESEARCH: Institute for Biodiversity and Environmental Research Universiti Brunei Darussalam / [compiled by Rodzay bin Haji Abdul Wahab, Siti Rafhiah binti Haji Abdul Kahar, Nurul Hazlina binti Zaini ; edited by Rahayu Sukmaria Sukri, Kushan U. Tennakoon].--Bandar Seri Begawan : Universiti Brunei Darussalam, 2014. p. cm ISBN 978-99917-1-268-0 (Kulit Keras) 1. Biological diversity-Brunei Darussalam-Research 333.9509595507 RES (DDC 22) Table of Contents Director’s Foreword i IBER Scope ii IBER/KBFSC Research Fellowship 2013 1 UBD/KBFSC Research Fellowship 2012 2 UBD/KBFSC Research Fellowship 2011 3 IBER -
River Listening: Acoustic Ecology
RIVER LISTENING: ACOUSTIC ECOLOGY adopts an acoustic ecology approach by exploring acoustic AND AQUATIC BIOACOUSTICS IN GLOBAL patterns from a holistic perspective that incorporates the physi- RIVER SYSTEMS cal habitat of the river ecosystem [4]. Leah Barclay, Griffith University, Brisbane, Australia. The scientific grounding for River Listening is led by fresh- Email: <[email protected]>. water ecologist Dr Simon Linke. Dr Linke’s pioneering work in biomonitoring and river conservation planning has been Toby Gifford, Griffith University, Brisbane, Australia. used by agencies and NGOs from South East Queensland to Email: <[email protected]>. the Congo and he has recently been investigating aquatic bioa- Simon Linke, Griffith University, Brisbane, Australia. coustics and real-time ecosystem monitoring in freshwater Email <[email protected]>. environments using passive acoustics. Dr Linke believes that classic techniques for measuring aquatic biodiversity are prob- See <mitpressjournals.org/toc/leon/51/3> for supplemental files associated lematic as they potentially injure the study organism (such as with this issue. electrofishing) and can be bias as they only provide a brief balance-unbalance 2015–2016, part 2 Submitted: 21 October 2016 snapshot at the time of observation. He believes that passive Abstract acoustics presents a noninvasive and unexplored approach to River Listening is an interdisciplinary research project exploring the freshwater ecosystem monitoring. This theory is shared by Dr cultural and biological diversity of global river systems through Toby Gifford, the third collaborator on River Listening who is sound. The project examines the creative possibilities of accessible a music technologist and software programmer active in a wide and noninvasive recording technologies to monitor river health and engage local communities in the conservation of global river systems. -
036 LRE 62 Proper Page Order Smaller
2 Read now an explanation from those THE LAWNS no means exclusively English, the who know……... Lawns may be about to host the picnic Contributors “Phytophthora ramorum (P. by Philip Pacey party depicted in Manet's Déjeuner sur Phi li p Pacey ramorum) is a fungus-like pathogen of After leaving Southampton, the train l'Herbe — you can almost hear the Owen Manning plants that is causing extensive damage from London to Christchurch and be- jangle of the harness of their pony trap; yond, wends its way through the New Tessa Goodman and mortality to trees and other plants soon they, but not it, will appear, open Forest, stopping at Brockenhurst and, in parts of the United Kingdom”. (I am the hamper, pour champagne, and — Davi d Harman and rarely, at Beaulieu Road, a station, a quoting now from the Forestry joy of joys! the ladies will undress as if landscape Emma Waterton Commission website). “ It has also been handful of cottages and a hotel sur- nothing could be more natural. rounded by heath, exposed on all sides, research Bärbel Franci s and found in a number of European coun- Vera Vicenzotti tries, but mostly on plants and shrubs, in the middle of nowhere. The heath The New Forest is a landscape of especially rhododendron, viburnum and doesn't quite reach the horizon; this 'prospect and shelter', not exactly extra 62 Bud Young vast open space is — distantly — en- camellia, and has caused significant 'picturesque', contrived and planted to damage and mortality to many trees closed; the train emerges from wood- be seen as a picture, but designed and Copy deadline for and other plants in parts of the USA. -
PHOTO-ARCHIVE by Dragan Tasic Information and Order: Mailto:[email protected]
BLUES PHOTO-ARCHIVE by Dragan Tasic Information and Order: mailto:[email protected] Name of Musician or Band Music Art Art of photograPlace Datum A Allison Bernard Blues B/W,Color Zug,Bell.LUZ 96,1,3,4 A Allison Luter Blues Color,B/W Luzern 95 A Arnold Billy Boy Blues B/W Luzern 97 A Adams Johnny & The New Orleans all Stars Blues B/W Belinzona 97 A Anderson Little Pink Blues B/W Lugano 98 A August Lynn & the Zydeco Knights Zydeco Color,B/W Belinzona 99 A Amundson Monti Blues B/W Luzern 0 A All Mighty Senators Rhythm 'n B/W Lugano 1 A Adams Arthur Blues B/W,Color Luzern 2 A Aeby Marcel Blues,Rock B/W,Color Belinzona 2,4 A Alexandre Nuno Boogie Color Lugano 5 A Arnold Billy Boy feat James Wheeler, B.Flynn, Bob Stroger... Blues Color Luz.Mx.Bd. 5,12,14 A Andersen Kid feat. Rick Estrin and The Nightcats Blues Color Bell.Luz. 10,13 A Amanda and La Banda Blues-Rock Color Rapp 10 A Armatrading Joan Rock-Blues Color Zh. 10 A Auger Brian Rock-Blues Color Zh. 11 A Andersen Mike Blues-Rock Color Luz. 11 A Allman Devon feat. Royal Southern Brotherhood Blues-Rock Color Vall. 12 A Arnold Mac Blues Color Rapp. 12 A Anderhub Fabian Rock-Blues Color Luz.Bd.Horg. 12,14,15 A A Contra Blues Blues Color Luz. 14 A Amine Faris Blues, World Color Bell. 16 A Alvin Dave and Phil Alvin Blues, Country Color Luz. -
Leonardo Music Journal [1])
IntroductIon LMJ 23: Sound Art What’s in a name? That which we call “Music” is judged by the full weight of history and fashion; substitute “Sound Art” and most of these preconceptions fall away. As recently as a decade ago the reaction instead might have been bemusement. The term Sound Art was coined in the late 1960s to describe sonic activities taking place outside the concert hall: interactive installations, listening walks, environmental recordings, open duration sound events—even “happenings” and performance art were occasionally lumped under this rubric. For many years Sound Art remained an interstitial activity, falling between music and visual art, embraced fully by neither. Many composers viewed self-styled Sound Artists as failed mem- bers of their own club pursuing “a career move . a branding exercise” (as Chris Mann is quoted as saying in Ricardo Arias’s contribution to this volume of Leonardo Music Journal [1]). Most museums and galleries, in turn, shied away from an art form that was often stunningly unvisual even by the standards of Conceptual Art and for which there appeared to be no mar- ket. (Gallery assistants often found it very irritating to boot.) By 2013, however, Sound Art clearly has been accepted as an identifiable musical genre, an art world commodity, and a subject of critical study. Its newfound visibility can be traced to a number of aesthetic, technological and economic factors. First and foremost, I suspect, is the ubiquity of video in contemporary life: On the heels of the ever-declining price of camcord- ers, cellphone cameras have brought the world—from out-of-tune Van Halen concerts to the Arab Spring—to our laptops, and every video clip is invariably accompanied by sound. -
March April 2006
march/april 2006 issue 280 free jazz now in our 32nd year &blues report www.jazz-blues.com Jason Moran and The Bandwagon Randy Weston Yellowjackets Diane Schuur PLUS...Regina Carter, Bela Fleck & the Flecktones, Manhattan Transfer, Mulgrew Miller, Rebirth Brass Band...Jazz Meets Hip-Hop, Jazz Brunch & more... Get The Scoop...INSIDE! Published by Martin Wahl Communications Editor & Founder Bill Wahl Layout & Design Bill Wahl Operations Jim Martin Pilar Martin Contributors Michael Braxton, Mark Cole, JazzFest Time is Here Chris Hovan, Nancy Ann Lee, Festival is Expanding to Year-Round Live Jazz Peanuts, Mark Smith, Duane Verh and Ron Weinstock. For close to three decades now, mance by the Manhattan Transfer Jazz & Blues Report has featured will be held at the Ohio Theatre on Check out our new, updated web the Tri-C JazzFest in our issue at page. Now you can search for CD Saturday, April 22. Tri-C JazzFest Reviews by artists, Titles, Record this time every year. Once again, we Cleveland officially kicks off on Labels or JBR Writers. Twelve years are happy to announce yet another Wednesday April 26 at 5 p.m. with a of reviews are up and we’ll be going edition of this premier jazz festival, New Orleans-style “second line” pa- all the way back to 1974! and their expansion to year-round rade, complete with fans, admirers jazz. and festival revelers. Leading the Tri- Now in its 27th year, Tri-C Address all Correspondence to.... C JazzFest Second Line is the Re- Jazz & Blues Report JazzFest Cleveland has been a dy- birth Brass Band, who will end the 19885 Detroit Road # 320 namic force in cultivating the next procession at the House of Blues for Rocky River, Ohio 44116 generation of jazz music lovers a swinging party with The Tri-C Jazz Main Office ..... -
Sounding the Alarm: an Introduction to Ecological Sound Art Zvonenje Alarma: Uvod V Ekološko Zvočno Umetnost
J. GILMURRAY • SOUNDING THE ALARM... UDK 781:502/504 DOI: 10.4312/mz.52.2.71-84 Jonathan Gilmurray Umetniška univerza London University of the Arts London Sounding the Alarm: An Introduction to Ecological Sound Art Zvonenje alarma: uvod v ekološko zvočno umetnost Prejeto: 10. september 2016 Received: 10th September 2016 Sprejeto: 7. oktober 2016 Accepted: 7th October 2016 Ključne besede: zvočna umetnost, ekomuzikologi- Keywords: sound art, ecomusicology, eco-art, ja, eko-umetnost, akustična ekologija acoustic ecology IZVLEČEK ABSTRACT V minulih letih se je kar nekaj zvočnih umetnikov In recent years, a number of sound artists have be- v svojem delu začelo posvečati ekološkim temam gun engaging with ecological issues through their in tako prispevalo k porastu gibanja »ekološke work, forming a growing movement of ‘ecological zvočne umetnosti«. Članek zasleduje ta razvoj, sound art’. This paper traces its development, raziskuje vplive in postreže s primeri umetnikov, examines its influences, and provides examples katerih delo trenutno definira to pomembno in of the artists whose work is currently defining this aktualno novo polje. important and timely new field. Introduction What is the sound of climate change? The groan and crash of a calving glacier as it breaks apart and falls into the sea? The howl of a hurricane as it travels on its destructive path? The roar of aeroplanes and cars as they belch carbon into the atmosphere? Or is it perhaps an absence of sound: the ever-decreasing variety of animal calls as species go extinct, or the silencing of the once-rich soundscapes of the earth’s tropical rainforests? For most of us, the sound of climate change is predominantly words, most of them overwhelmingly negative: an onslaught of warnings from climate scientists, cynicism 71 MZ_2016_2_FINAL.indd 71 8.12.2016 12:28:54 MUZIKOLOŠKI ZBORNIK • MUSICOLOGICAL ANNUAL LII/2 from climate sceptics, empty promises from politicians, scary stories from the media – and, from those of us who care, a rhetoric often characterised by anger, fear, and despair.