Appendices and ANF of FTP (2015-2020)
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CIN Company Name Date of AGM(DD-MON-YYYY) 04-SEP
CIN L36999KA1999PLC025195 Company Name UNITED BREWERIES LIMITED Date Of AGM(DD-MON-YYYY) 04-SEP-2014 Sum of unpaid and unclaimed dividend 896151 Sum of interest on unpaid and unclaimed dividend 0 Sum of matured deposit 0 Sum of interest on matured deposit 0 Sum of matured debentures 0 Sum of interest on matured debentures 0 Sum of application money due for refund 0 Sum of interest on application money due for refund 0 First Name Middle Name Last Name Father/Husb Father/Husb Father/Husband Address Country State District PINCode Folio Number of Investment Type Amount Proposed Date of and First and Middle Last Name Securities Due(in Rs.) transfer to IEPF Name Name (DD-MON-YYYY) EXPONENTIA LTD NOT AN-3 & 3A INDIA DELHI NEW DELHI 110088 1100001100015 Amount for unclaimed 6.00 06-OCT-2020 L FINANCIAL AVAILABLE SHAMILAR BAGH 595 and unpaid dividend SERVICES PVT DELHI GADDAM GADDAM NO 11 WARD NO INDIA KARNATAKA BELLARY 583104 1201060000294 Amount for unclaimed 280.00 06-OCT-2020 RAVINDRA CHANDRAKA 25 R T O ROAD 373 and unpaid dividend SULAKSHAN NT CANTONMENT GOVARDHAN RAVINDRA BELLARY NAIDU LEELA K S SHANKAR K SUDHINDRA INDIA KARNATAKA DAKSHINA 576103 1201060000326 Amount for unclaimed 4.00 06-OCT-2020 HEBBAR HERRAR APOORVA KANNADA 174 and unpaid dividend AMBA ROAD AMBAL PADY UDUPI SUNIL RAJESHWAR 124/43 INDIA UTTAR PRADESH ALLAHABAD 211006 1201060000457 Amount for unclaimed 18.00 06-OCT-2020 BHATNAGAR PRASAD BAGHAMBARI 541 and unpaid dividend BHATNAGAR ALLAPUR ALLAHABAD RAGHAVEND NOT H NO 137 CENTRAL INDIA KARNATAKA DHARWAD 580030 1201060000482 -
Geographical Indication Tag
www.gradeup.co Geographical Indication Tag What is Geographical Indication Tag? A geographical indication (GI) is a sign used on products having a particular geographical origin and having qualities or a reputation due to that origin. You might have heard about copyright, patent, trademark, etc. which are rights of intellectual property. Geographical Indication Tag provides holders with similar rights and protection. Darjeeling tea was the first product to be given a GI tag in India. The Geographical Indications of Goods Act was enacted by India in 1999. Why GI tag? India enacted the Geographical Indications of Goods (Registration & Protection) Act 1999 as a member of the World Trade Organization (WTO), that entered into force with effect from 15 September 2003. It supports local production and helps in mainstreaming and upliftment of the rural and the tribal communities. These GI tags must not be confused with IPR. GI is a collective right, unlike IPRs which grants protection to individual interest. India has registered 236 GI products so far and more than 270 more have applied for the label GI recently got a logo and a tagline given by the Commerce and Industry Minister to increase the awareness about the IPRs in the country. LOGO 1 www.gradeup.co Here we give you an infographic of the most recent addition in the GI list over the past couple of years (2017-2019 Feb) Recently Awarded GI Tag Commodity/handicraft/food Name Place item Konkan (Western Indian states of Maharashtra, Alphonso Food Goa, and the South Indian state of Karnataka) -
Interpreting in the Zone
3 The Interpreter in the Zone (and Other Zones) Interpreting requires a high degree of concentration and engagement in the moment, and the results of the two studies indicate that this type of intense attention can lead to an in-the-zone experience. As introduced in Chapter 1, being “in the zone” is an exhilarating experience in which people are completely absorbed in what they are doing and are perform- ing at their best. Their skills and judgment rise to the challenges before them, and they experience a state of euphoria. Being in the Zone Professionals, artists, performers, athletes, and others report having in- the-zone (flow) experiences. Csikszentmihalyi1 clarifies what allows for this type of experience to occur by explaining, The optimal state of inner experience . [is one] in which there is order to consciousness. This happens when psychic energy—or attention—is invested in realistic goals, and when skills match the opportunities for action. The pursuit of a goal brings order in awareness because a person must concen- trate attention on the task at hand and momentarily forget everything else. These periods of struggling to overcome challenges are what people find to be the most enjoyable times of their lives.2 In-the-zone experiences are characterized by intense attention and the suc- cessful application of skills, expertise, and decision-making, which allow one to overcome challenges and to feel good about that accomplishment. Csikszentmihalyi explains that there are three primary characteristics of flow: the complexity of the experience, the pleasure of the experience, and its contribution to one’s ability to grow and develop. -
United States District Court for the Western District of Pennsylvania
Case 2:08-cv-01327-GLL Document 8 Filed 11/26/08 Page 1 of 3 UNITED STATES DISTRICT COURT FOR THE WESTERN DISTRICT OF PENNSYLVANIA ZOMBA RECORDING LLC, a Delaware limited liabiHty company; ELECTRONICALLY FILED BMG MUSIC, a New York general partnership; INTERSCOPE RECORDS, a Califorma general partnership; UMG CIVIL AcrION NO. 2:08-cv-01327-GLL RECORDINGS, INC., a Delaware corporation; and WARNER BROS. RECORDS INC., a Delaware corporation, Plaintiffs, vs. ClARA MICHELE SAURO, Defendant. DEFAULT .JUDGMENT AND PERMANENT IN,JUNCTION Based upon Plaintiffs' Motion For Default Judgment By The Court, and good cause appearing therefore, it is hereby Ordered and Adjudged that: 1. Plaintiffs seek the minimum statutory damages of $750 per infringed work, as authorized under the Copyright Act (17 U.S.c. § 504(c)(1», for each of the ten sound recordings listed in Exhibit A to the Complaint. Accordingly, having been adjudged to be in default, Defendant shall pay damages to Plaintiffs for infringement of Plaintiffs' copyrights in the sound recordings listed in Exhibit A to the Complaint, in the total principal sum of Seven Thousand Five Hundred Dollars ($7,500.00). 2. Defendant shall further pay Plaintiffs' costs of suit herein in the amount of Four Hundred Twenty Dollars ($420.00). Case 2:08-cv-01327-GLL Document 8 Filed 11/26/08 Page 2 of 3 3. Defendant shall be and hereby is enjoined from directly or indirectly infringing Plaintiffs' rights under federal or state law in the following copyrighted sound recordings: • "Cry Me a River," on album "Justified," -
Getting in the Zone, Part 1: Flow and Finding a State of Peak Performance
MINDFUL VOICE Lynn Helding, Associate Editor Getting in the Zone, Part 1: Flow and Finding a State of Peak Performance Sean McCarther eople call it different names: in the zone, in the groove, on fire, in the moment, present, unified, tuned in, a high, a rush. All these terms describe a similar sensation. One of my first experiences of being “in the zone” was at the finals for a NATS competition Pduring my senior year of undergraduate studies. I was singing Papageno’s suicide aria from Die Zauberflöte, and, near the beginning of the aria, made a reaching gesture with my right hand. I remember watching my hand and arm shake violently and a sense of terror crept over me. In that moment, a Sean McCarther very simple thought came to me: “No.” My hand stopped shaking, my mind focused on the moment at hand, and I experienced a fascinating connection with the world around me. It was as if I could feel the audience, my pianist, and the music as never before. Time slowed down and I felt a unification of body, mind, and voice. It was as if I could do no wrong. And, in the blink of an eye, the aria was over. It was some of the most fun I had ever had performing. “This,” I said to myself. “I want more of this.” I later learned that what I had experienced is what Hungarian-born psychologist Mihaly Csikszentmihalyi calls “flow.” MIHALY CSIKSZENTMIHALYI AND THE CONCEPT OF FLOW For the first decade or so of his career Csikszentmihalyi’s primary focus was on the study of creativity. -
A Study of Microtones in Pop Music
University of Huddersfield Repository Chadwin, Daniel James Applying microtonality to pop songwriting: A study of microtones in pop music Original Citation Chadwin, Daniel James (2019) Applying microtonality to pop songwriting: A study of microtones in pop music. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34977/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Applying microtonality to pop songwriting A study of microtones in pop music Daniel James Chadwin Student number: 1568815 A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts University of Huddersfield May 2019 1 Abstract While temperament and expanded tunings have not been widely adopted by pop and rock musicians historically speaking, there has recently been an increased interest in microtones from modern artists and in online discussion. -
Dissociative Phenomena in the Everyday Lives of Trauma Survivors
DISSOCIATIVE PHENOMENA IN THE EVERYDAY LIVES OF TRAUMA SURVIVORS Janina Fisher, Ph.D. Private Practice, Watertown, Mass. Instructor and Supervisor, The Trauma Center, Boston, Massachusetts Paper presented at the Boston University Medical School Psychological Trauma Conference, May 2001 Interest in dissociation, as a mental ability and as a set of symptoms secondary to trauma, has re-vitalized in the past ten years following a one hundred year hiatus between the work of Janet and the work of the pioneers in the field of trauma in the 1980s and 90s (van der Kolk, 1997; Putnam, 1999; Chu, 1998). Although we have a better understanding of dissociation now than we did ten years ago, it is still a very controversial subject in the field of mental health because it is so routinely equated with Dissociative Identity Disorder. As a result, even experienced clinicians miss the frequent more subtle presentations that appear in our offices on a daily basis. If we look instead to understand dissociation as we would any other mental state phenomenon, we will begin to see that all human beings dissociate, and much of our dissociativeness is adaptive. Formally, the term “dissociation” refers to “a disruption of the normal integration of experience” (Chu, 1998). In DSM-IV, it is defined in terms of its role as the essential feature in the dissociative disorders as a “disruption the usually integrated functions of consciousness, memory, identity, or perception of the environment” (American Psychiatric Association, 1994, p. 477). This disruption of “normal integration” has many adaptive, as well as pathological, consequences. Thus, another way of understanding dissociation is to look at the adaptive functions it serves. -
Capturing That Solid-Gold Nugget
Chapter 1 Capturing That Solid-Gold Nugget In This Chapter ▶ Gathering song ideas from anywhere ▶ Organizing and tracking your thoughts and inspirations ▶ Documenting your ideas his book is for everyone who shares the dream of harnessing the song- Twriting power we all have within. You’ve come to the right place if your heart keeps telling you to write a song, but your mind is uncertain as to the process of the craft or what’s required to create a really good song. You bought the right book if you’re wondering how to collect and organize your ideas. You have found the right resource if you have pieces of songs lying in notebooks and on countless cassettes but can’t seem to put the pieces together. This book is for you if you have racks of finished song demos but don’t know what to do next to get them heard. When you know the elements that make up a great song and how the pros go about writing one, you can get on the right path to creating one of your own. Unless you’re lucky enough to have fully finished songs come to you in your deepest dreams, or to somehow take dictation from the ghosts of Tin Pan Alley (the publishing area located in New York City in the 1930s and 1940s), most of us need to summon the forces, sources, reasons, and seasons that give us the necessary motivation to draw a song from our heart of hearts. Given that initial spark, you then need the best means of gathering those ideas, organizing them, putting them into form, and documenting them as they roll COPYRIGHTEDin — before it’s too late and they MATERIAL roll right out again! Have you ever noticed how you can remember a powerful dream just after you’ve awakened only for it to vanish into thin air in the light of day? Song ideas can be just as illusive. -
Queer Identities and Glee
IDENTITY AND SOLIDARITY IN ONLINE COMMUNITIES: QUEER IDENITIES AND GLEE Katie M. Buckley A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of Master of Music August 2014 Committee: Katherine Meizel, Advisor Kara Attrep Megan Rancier © 2014 Katie Buckley All Rights Reserved iii ABSTRACT Katherine Meizel, Advisor Glee, a popular FOX television show that began airing in 2009, has continuously pushed the limits of what is acceptable on American television. This musical comedy, focusing on a high school glee club, incorporates numerous stereotypes and real-world teenage struggles. This thesis focuses on the queer characteristics of four female personalities: Santana, Brittany, Coach Beiste, and Coach Sue. I investigate how their musical performances are producing a constructive form of mass media by challenging hegemonic femininity through camp and by producing relatable queer female role models. In addition, I take an ethnographic approach by examining online fan blogs from the host site Tumblr. By reading the blogs as a digital archive and interviewing the bloggers, I show the positive and negative effects of an online community and the impact this show has had on queer girls, allies, and their worldviews. iv This work is dedicated to any queer human being who ever felt alone as a teenager. v ACKNOWLEDGMENTS I would like to extend my greatest thanks to my teacher and advisor, Dr. Meizel, for all of her support through the writing of this thesis and for always asking the right questions to keep me thinking. I would also like to thank Dr. -
Thesis Writing Deliverables (Pdf)
DEFENSE SPEECH Discovering and listening to music has always been my biggest passion in life and my primary way of coping with my emotions. I think its main appeal to me since childhood has been the comfort it brings in knowing that at some point in time, another human felt the same thing as me and was able to survive and express it by making something beautiful. For my project, I recorded a 9 track album called Strange Machines while I was on leave of absence last year. This term, I created a 20 minute extended music video to accompany it. All of this lives on a page I coded on my personal website with some fun bonus content that I’ll scroll through at the end of this presentation. I’ll put the link in the comments so anyone who’s interested can check it out at their own pace. I have so much fun making music and feel proud when I have a cohesive finished product at the end. I’m not interested in becoming a virtuoso musician or a professional producer. A lot of trained musicians gatekeep, intimidate, and discourage amateurs. People mystify and mythologize the creative process as if it’s the product of some elusive, innate genius rather than practice, experimentation, and a simple love of music. As someone who’s work exists entirely as digital recordings, there’s no inherent reason for me to be an amazing guitar player who can play a song perfectly all the way through, as mistakes can be easily cut out and re-recorded. -
October 2018
MONTHLY FACTLY EXCLUSIVE CURRENT AFFAIRS FOR PRELIMS OCTOBER 2018 Page 1 of 63 INDEX POLITICAL AND NATIONAL ISSUES 1. Demand for Gorkhaland 2. RBI v/s Government 3. Sabki Yojana, Sabka Vikas 4. Live streaming of SC proceedings 5. International Year of Millets 6. CBI Conundrum INTERNATIONAL ISSUES 1. Currency Swap agreement between India-Japan 2. African Continental Free Trade Area 3. International Solar Alliance 4. Asia Europe Meeting (ASEM) 5. US announced its withdrawal from the INF treaty 6. International North South Transport Corridor 7. India elected to the UNHRC 8. CAPAM Awards 9. Wing Loong II GOVERNMENT SCHEMES 1. IMPRESS 2. SPARC ECONOMIC DEVELOPMENTS: 1. National Council for Vocational Education and Training 2. Udyam Abhilasha 3. Agricultural Census 4. Pradhan Mantri Fasal Bima Yojana (PMFBY) 5. Rural haats under GrAM Scheme 6. Bali Fintech Agenda 7. Nobel Prize in Economics 8. Global Competitive Index 4.0 9. Fisheries and Aquaculture Infrastructure Development Fund(FIDF) 10. Draft policy on Mariculture 11. UN Investment Promotion Award 12. Another trade deal to replace NAFTA ForumIAS Guidance Center 2nd Floor, IAPL House, 19, Pusa Road, Karol Bagh, New Delhi – 110005 | [email protected]|982171160 Page 2 of 63 13. IL&FS Crisis 14. Global skills Park 15. Closing Skills Gap 16. Centre for Fourth Industrial Revolution SOCIAL DEVELOPMENTS: 1. National Women’s Farmer’s Day 2. TAG Report 3. Global Hunger Index 4. Declaration on NCDs 5. Kasturba Gandhi Balika Vidyalaya 6. Swachh Bharat Abhiyan (Urban) 7. Time Bank for the Elderly 8. South East Asia Regulatory Network 9. International Day of Girl Child 10. -
Final Mixing Zone Analysis
Evaluation of Proposed New Point Source Discharges to a Special Resource Water and Mixing Zone Determinations: Thompson Creek Mine facility, Upper Salmon River Subbasin, Idaho Idaho Department of Environmental Quality December 2000 EVALUATION OF PROPOSED NEW POINT SOURCE DISCHARGES TO A SPECIAL RESOURCE WATER AND MIXING ZONE DETERMINATIONS: THOMPSON CREEK MINE, UPPER SALMON RIVER SUBBASIN, IDAHO NPDES PERMIT APPLICATION ID-002540-2 Prepared by: Christopher Mebane Idaho Division of Environmental Quality Contents SUMMARY ..........................................................................................................................................................1 Existing and Proposed Discharges ................................................................................................................2 Regulatory Classification and Status of Receiving Waters.............................................................................3 Critical habitats for threatened or endangered fish species and mixing zone determinations....................................... 3 NEW DISCHARGES TO SPECIAL RESOURCE WATERS...............................................................................................8 Introduction ..................................................................................................................................................8 Precedence for measures to protect Special Resource Waters..................................................................................... 8 Relationship of Policies