Clas109.08 from Adolescence to Adulthood Apollo
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The Higher Aspects of Greek Religion. Lectures Delivered at Oxford and In
BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIET OF Henirg m. Sage 1891 .A^^^ffM3. islm^lix.. 5931 CornelJ University Library BL 25.H621911 The higher aspects of Greek religion.Lec 3 1924 007 845 450 The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924007845450 THE HIBBERT LECTURES SECOND SERIES 1911 THE HIBBERT LECTURES SECOND SERIES THE HIGHER ASPECTS OF GREEK RELIGION LECTURES DELIVERED AT OXFORD AND IN LONDON IN APRIL AND MAY igii BY L. R. FARNELL, D.Litt. WILDE LECTURER IN THE UNIVERSITY OF OXFORD LONDON WILLIAMS AND NORGATE GARDEN, W.C. 14 HENRIETTA STREET, COVENT 1912 CONTENTS Lecture I GENERAL FEATURES AND ORIGINS OF GREEK RELIGION Greek religion mainly a social-political system, 1. In its earliest " period a " theistic creed, that is^ a worship of personal individual deities, ethical personalities rather than mere nature forces, 2. Anthrqgomorphism its predominant bias, 2-3. Yet preserving many primitive features of " animism " or " animatism," 3-5. Its progress gradual without violent break with its distant past, 5-6. The ele- ment of magic fused with the religion but not predominant, 6-7. Hellenism and Hellenic religion a blend of two ethnic strains, one North-Aryan, the other Mediterranean, mainly Minoan-Mycenaean, 7-9. Criteria by which we can distinguish the various influences of these two, 9-1 6. The value of Homeric evidence, 18-20. Sum- mary of results, 21-24. Lecture II THE RELIGIOUS BOND AND MORALITY OF THE FAMILY The earliest type of family in Hellenic society patrilinear, 25-27. -
University of Florida Thesis Or Dissertation Formatting
THE ANATOMY OF ROMAN EPIC: A STUDY OF POETIC VIOLENCE By JAMES MOSS LOHMAR A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2013 1 © 2013 James Moss Lohmar 2 Meis parentibus sororibusque bellis 3 ACKNOWLEDGMENTS I must first thank my mother, for forcing me to take Latin, and my father, for always talking shop. My sisters, Sarah and Elizabeth, have supported me throughout my studies, and their enthusiasm for my progress is always welcome. I have profound respect for Dr. Robert Burgess and Professors Mario Erasmo and James Anderson, without whose enthusiasm and instruction my decision to pursue a Ph.D. would have never come about. My gratitude goes to Professor Victoria Pagán and the students of her Lucan seminar during Fall 2009, whence the nascent stages of this project were born. My thanks go to Seth Boutin, Megan Daly and George Hendren, in particular, for their erudition and collegial support in this process. Lindsay Rogers offered me much support in the way of professional and academic advice throughout my graduate studies. I have appreciated the criticisms of Professor Gene Witmer in UF Philosophy, who has offered help in making this project appeal to a non-specialist audience. His suggestions of horror bibliography and modern film comparanda have been indispensible. Professor Kostas Kapparis has been a steady mentor in my teaching and writing since I began Ph.D. work, and his objectivity has kept my argument grounded in the text. -
Noel Robertson I. Introduction
THE ANCIENT MOTHER OF THE GODS A MISSING CHAPTER IN THE HISTORY OF GREEK RELIGION* Noel Robertson I. Introduction The subject of the missing chapter is a goddess familiar to everyone who has explored Greek literature, art, or documents. She dwells in the mountains, and sits enthroned between two lions, and is wor shipped with tumultuous rites. Her name, however, will vary accord ing to the sources we consult. In the actual record of cult-inscriptions, Pausanias, any sort of antiquarian comment-her constant tide is Mfrcrw ('to>V) 9Eo>V "Mother of the Gods" or simply M~'tTJP "Mother". Literary sources-poets, historians, and the rest-often agree, and further describe her as M~'tT]p opda "mountain Mother". But in place of these transparent tides they also use the names 'P£a "Rhea" and Ku~D.. TJ "Cybele". "Rhea" was always current, from Homer onwards. Yet it never occurs in cult, with a single unexplained exception, a civic cult on Cos, where "Rhea" makes a contrast with the usual title elsewhere on the island. "Cybele" appears towards 600 B.C., first as a graffito on a sherd, then in the poet Hipponax; from the late fifth century it has an ever in creasing vogue. Whereas the origin of "Rhea" is unknown, that of "Cybele" is not in doubt. It is Phrygian, and means something like "rock" or "mountain"; in a Phrygian inscription an adjective form serves as epithet of the native Phrygian Mother. But like "Rhea" it is almost never used in cult in the Greek world (including Hellenistic and Roman Anatolia). -
The Odyssey (Select Books)
The Odyssey (Select Books) The Odyssey Homer [Translation by Ian Johnston, of Vancouver Island University, Nanaimo, BC, Canada. For information about copyright, use the following link: Copyright. This translation is available in the form of a published book from Richer Resources Publications, and a complete recording of this translation is available at Naxos Audiobooks. If you would like a Word file of the entire poem, please contact Ian Johnston (there is no charge for this file). For a list of other translations and lectures by Ian Johnston please consult johnstonia.] COPYRIGHT INFORMATION FOR PAGES ON THE JOHNSTONIA WEB SITE All general readers, teachers, students, and performing artists may download any material on johnstonia web pages without permission and without charge, provided they do not use the material in a commercial publication. They may edit the material to suit their purposes and distribute the texts in printed or electronic form to their friends and students. Performing artists may use the material for commercial projects (e.g., drama productions, films, and so on) free of charge, provided they inform Ian Johnston of the details of the project. No commercial publishing of these materials is permitted, without the written permission of Ian Johnston. For further information, please contact Ian Johnston. 1 The Odyssey (Select Books) BOOK ONE 3 BOOK FOUR 21 BOOK NINE 57 BOOK TEN 80 BOOK ELEVEN 103 BOOK TWELVE 129 BOOK TWENTY-TWO 147 BOOK TWENTY-THREE 168 BOOK TWENTY-FOUR 183 2 The Odyssey (Select Books) BOOK ONE Athena Visits -
The Cult of Cybele in the Roman Republic
1 The Cult of Cybele in the Roman Republic Ancient Rome was home to numerous mystery cults, close-knit religious communities that required special initiation, imported from their eastern territories. One of these, which worshiped the Anatolian goddess Cybele, was accompanied by wild, frenzied, and violent rituals that stood in stark contrast to the unemotional, orderly religion that Rome was more familiar with. Many aspects of the Cult of Cybele would have shocked Ancient Romans—not the least of which was priests castrating themselves in an ecstatic trance. So how and why did such a cult become one of the more influential subcultures of Roman religion by the end of the Republic? While the Cult of Cybele may have been introduced and allowed mainly because it benefited the Roman state to incorporate and syncretize aspects of foreign religion, it grew to such prominence by the end of the Republic because it appealed to the individual desire for salvation and emotional connection to the divine, both of which were lacking in traditional Roman religion. The rituals associated with Cybele’s worship were counter-cultural in Ancient Rome, to say the least. The eunuch priest was considered “both a non-man and a man who broke the rules of proper male behavior” by wearing his hair long and identifying himself as spiritually one with his goddess.1 These self-harming priests stood in stark contrast to the more austere religious officials in traditional Roman religion, who were mostly members of the ruling elite, and had to be “whole” in body in order to be eligible.2Romans would also have been uncomfortable with the cult’s major festival, the Megalesia, which was marked by “excessive emotionalism,” where initiates were inspired with a “frenzy surpassing that which the followers of Dionysus knew” to 1 Mary Beard, “The Roman and the Foreign,” in Shamanism, History, and the State, ed. -
The World of Odysseus M
THE WORLD OF ODYSSEUS M. I. FINLEY INTRODUCTION BY BERNARD KNOX NEW YORK REVIEW BOOKS CLASSICS THE WORLD OF ODYSSEUS M. I. FINLEY (1912–1986), the son of Nathan Finkelstein and Anna Katzellenbogen, was born in New York City. He graduated from Syracuse University at the age of fifteen and received an MA in public law from Columbia, before turning to the study of ancient history. During the Thirties Finley taught at Columbia and City College and developed an interest in the sociology of the ancient world that was shaped in part by his association with members of the Frankfurt School who were working in exile in America. In 1952, when he was teaching at Rutgers, Finley was summoned before the Senate Internal Security Subcommittee and asked whether he had ever been a member of the Communist Party. He refused to answer, invoking the Fifth Amendment; by the end of the year he had been fired from the university by a unanimous vote of its trustees. Unable to find work in the US, Finley moved to England, where he taught for many years at Cambridge, helping to redirect the focus of classical education from a narrow emphasis on philology to a wider concern with culture, economics, and society. He became a British subject in 1962 and was knighted in 1979. Among Finley’s best-known works are The Ancient Economy, Ancient Slavery and Modern Ideology, and The World of Odysseus. BERNARD KNOX is director emeritus of Harvard’s Center for Hellenic Studies in Washington, DC. Among his many books are The Heroic Temper, The Oldest Dead White European Males, and Backing into the Future: The Classical Tradition and Its Renewal. -
022 Harvard Classics
THE HARVARD CLASSICS The Five-Foot Shelf of Books a. 33 - •J* w *n ho ? * 1* THE HARVARD CLASSICS EDITED BY CHARLES W. ELIOT, LL.D. The Odyssey of Homer TRANSLATED BY S. H. BUTCHER AND A. LANG W//A Introduction and Notes Volume 22 P. F. Collier & Son Corporation NEW YORK Copyright, 1909 BY P. F. COLLIER & SON MANUFACTURED IN U. S. A. CONTENTS PAGE BOOK I 9 BOOK II . 21 BOOK III 33 BOOK IV 46 BOOK V 68 BOOK VI 81 BOOK VII 9° BOOK VIII 99 BOOK IX "5 BOOK X *$° BOOK XI MS BOOK XII 162 BOOK XIII '74 BOOK XIV 186 BOOK XV 200 BOOK XVI . 2I5 BOOK XVII 228 BOOK XVIII 245 BOOK XIX 257 BOOK XX 273 BOOK XXI .284 BOOK XXII 296 BOOK XXIII 310 BOOK XXIV 320 INTRODUCTORY NOTE BY the ancient Greeks the authorship of their two great epic poems, the "Iliad" and the "Odyssey," was ascribed to Homer. Tradition as to the birthplace of this poet varied greatly, but the place most favored was Smyrna in Asia Minor. It was related also that the poet was blind, that he made his home in the island of Chios, and that he died in Ios. The siege of Troy, which forms the subject of the "Iliad," and is the occasion of the wanderings of Odysseus, is unknown to history. Modern archaeological research has, indeed, unearthed in Asia Minor a site which may plausibly be identified with the Homeric city, and it is entirely possible that here there once occurred a struggle between two peoples inhabiting the shores of the Aegean Sea. -
Religious Influences on Rome
Inquiry Set 6.7 - Religious Influences on Rome I. Inquiry Set Introduction Inquiry Set Title Religious Influences on Rome Brief Description This set focus on religious beliefs and practices to show how other cultures and civilizations (Greece, Persia, Egypt, other Near Eastern cultures) influenced Ancient Rome. With the examples of Diana, Cybele, Isis, and Mithras, students explore mystery cults and religious syncretism. Authors Anya Free, History Graduate Student, UC Davis Shennan Hutton, Program Coordinator, CHSSP Grade Levels 6 Topics/Concepts conquests of Roman Empire, Hellenistic culture, Cybele, Dura-Europos, Roman Empire, Egypt, Isis, Mediterranean culture, Mithras, Olympic gods, Persia, religious syncretism, Roman religion, Roman gods, mystery cults CA HSS World History and Geography: Ancient Civilizations Standards / 6.7 Students analyze the geographic, political, economic, religious, and social structures during the development of Frameworks Rome. 6.7.3 Identify the location of and the political and geographic reasons for the growth of Roman territories and expansion of the empire, including how the empire fostered economic growth through the use of currency and trade routes. Framework Rome defeated its nearby neighbors in a series of wars and partially incorporated them into the young state, which Excerpt ensured a steady supply of soldiers for the growing army. Expansion around the Mediterranean rim began in the third century BCE, when Rome defeated the maritime state of Carthage in the Punic Wars. By devastating Carthage, Rome gained thousands of square miles of wheat land in Sicily and North Africa, as well as a windfall of Spanish silver. In the decades before and after the turn of the millennium, Rome also conquered the Hellenistic kingdoms of Greece and Egypt. -
THE ENDURING GODDESS: Artemis and Mary, Mother of Jesus”
“THE ENDURING GODDESS: Artemis and Mary, Mother of Jesus” Carla Ionescu A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN HUMANITIES YORK UNIVERSITY TORONTO, ONTARIO May 2016 © Carla Ionescu, 2016 ii Abstract: Tradition states that the most popular Olympian deities are Apollo, Athena, Zeus and Dionysius. These divinities played key roles in the communal, political and ritual development of the Greco-Roman world. This work suggests that this deeply entrenched scholarly tradition is fissured with misunderstandings of Greek and Ephesian popular culture, and provides evidence that clearly suggests Artemis is the most prevalent and influential goddess of the Mediterranean, with roots embedded in the community and culture of this area that can be traced further back in time than even the arrival of the Greeks. In fact, Artemis’ reign is so fundamental to the cultural identity of her worshippers that even when facing the onslaught of early Christianity, she could not be deposed. Instead, she survived the conquering of this new religion under the guise of Mary, Mother of Jesus. Using methods of narrative analysis, as well as review of archeological findings, this work demonstrates that the customs devoted to the worship of Artemis were fundamental to the civic identity of her followers, particularly in the city of Ephesus in which Artemis reigned not only as Queen of Heaven, but also as Mother, Healer and Saviour. Reverence for her was as so deeply entrenched in the community of this city, that after her temple was destroyed, and Christian churches were built on top of her sacred places, her citizens brought forward the only female character in the new ruling religion of Christianity, the Virgin Mary, and re-named her Theotokos, Mother of God, within its city walls. -
THE MYSTIC CULT of CYBELE in CLASSICAL GREECE While The
CHAPTER ONE THE MYSTIC CULT OF CYBELE IN CLASSICAL GREECE While the earliest testimonies concerning the cult of the Great Mother sometimes attest to her association with a nocturnal' and a mountain Z en vironment, they emphasise above all the presence of songs and the sounds of sacred instruments (cymbals, tambourines, flutes, bull-roarers) which were liable to arouse a state of sacred exaltation in the celebrants. If the "Homeric" hymn To the Mother of the gods shows us the goddess enjoying the XpO't<XAWV 'tU1t<XVWV 't' L<XX1i aUv 'tt ~p6ILo,; <XUAWV, 3 the other sources, from Pindar 4 to Diogenes Tragicus S and Euripides,6 provide a lively descrip tion of her cult celebrated by groups, largely of women, to the sound of cymbals, crotala and tambourines in an atmosphere of the utmost religious enthusiasm. As far as the nature and quality of the cult of Cybele in the Classical period is concerned, however, Euripides' report in the Bacchae is particularly significant since the rites of the "Great Mother Cybele" appear to be in timately associated with the Dionysiac ones, likewise called 0PYL<X. The relevance of the term OPYL<X and of the religiosity which it expresses to the "mystic" cults does not need to be demonstrated. Suffice it to recall that, while in its broader sense it means "rites", "sacrifices", 7 the "Homeric" hymn to Demeter refers to OPYL<X founded by the goddess in both the passages where there is an explicit mention of the very special relationship which establishes itself between Demeter and the centre of her cult in Eleusis 8 in I Cf. -
Divine Riddles: a Sourcebook for Greek and Roman Mythology March, 2014
Divine Riddles: A Sourcebook for Greek and Roman Mythology March, 2014 E. Edward Garvin, Editor What follows is a collection of excerpts from Greek literary sources in translation. The intent is to give students an overview of Greek mythology as expressed by the Greeks themselves. But any such collection is inherently flawed: the process of selection and abridgement produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source information. I have tried to keep my voice out of it as much as possible and will intervene as editor (in this Times New Roman font) only to give background or exegesis to the text. All of the texts in Goudy Old Style are excerpts from Greek or Latin texts (primary sources) that have been translated into English. Ancient Texts In the field of Classics, we refer to texts by Author, name of the book, book number, chapter number and line number.1 Every text, regardless of language, uses the same numbering system. Homer’s Iliad, for example, is divided into 24 books and the lines in each book are numbered. Hesiod’s Theogony is much shorter so no book divisions are necessary but the lines are numbered. Below is an example from Homer’s Iliad, Book One, showing the English translation on the left and the Greek original on the right. When citing this text we might say that Achilles is first mentioned by Homer in Iliad 1.7 (i.7 is also acceptable). -
A Case for Syncretism in the Cybele and Isis Cults at Pompeii
Mothers of the Gods: A Case for Syncretism in the Cybele and Isis Cults at Pompeii Master’s Thesis Presented to The Faculty of the Graduate School of Arts and Sciences Graduate Program in Ancient Greek and Roman Studies Dr. Ann Olga Koloski-Ostrow, Advisor In Partial Fulfillment of the Requirements for the Degree Master of Arts in Ancient Greek and Roman Studies by Robert Caudill May 2015 Copyright by Robert Caudill ©2015 Acknowledgements I would like to offer my most sincere gratitude to all the faculty and staff at the Department of Classics at Brandeis University for their help and support in completing this thesis, for creating a collaborative environment which makes such research possible, and for affording me the opportunity to pursue this degree. In particular, I would like to thank Professor Ann Olga Koloski-Ostrow for her advisement and inspiration over the course of my time at Brandeis, and Professor Patricia Johnston, both of whom provided valuable feedback and guidance as my thesis readers. Also, thank you to Professor Cheryl Walker for her contributions and feedback in crafting the final draft of my thesis. Thank you to all my fellow graduate students in the Ancient Greek and Roman Studies program for contributing to the wonderful experience I have had here and for helping to create a friendly, supportive, and collaborative environment that I have come to enjoy so much. Also thank you to my parents, who have provided support to me over the course of my academic pursuits, and to Amanda, who has provided emotional support as well as graciously agreeing to help with proofreading for this and many other works during my time at Brandeis University.