EVELYN WAUGH STUDIES Vol
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
EVELYN WAUGH NEWSLETTER and STUDIES Volume 34
EVELYN WAUGH NEWSLETTER AND STUDIES Volume 34 EVELYN WAUGH NEWSLETTER AND STUDIES Volume 34, Number 1 Spring 2003 Evelyn Waugh Centenary Conference Schedule Monday, 22 September 2003 9:30 a.m. Arrival at Castle Howard, Yorkshire 10:00-11:15 a.m. Private tour of Castle Howard 11:15-12:30 p.m. Free time 12:30-1:30 p.m. Luncheon 2:00-3:15 p.m. Brideshead Revisited tour of the Grounds 3:15-4:15 p.m. Lecture on Castle Howard 4:15-5:15 p.m. Afternoon Tea Tuesday, 23 September 2003 Travel to Hertford College, Oxford Wednesday, 24 September 2003 9:00 a.m. Arrival and Registration 9:30 a.m. Panel: Waugh and Modernism Eulàlia Carceller Guillamet, Universitat Autònoma de Barcelona, Chair The Persistence of Waste Lands in Waugh’s Fiction K. J. Gilchrist, Iowa State University "I Must Have a Lot of That": Modernity, Hybridity, and Knowledge in Black Mischief Lewis MacLeod, Memorial University of Newfoundland Eliot and Waugh: A Handful of Dust Sally C. Hoople, Maine Maritime Academy "The Age of Hooper": Brideshead Revisited, Modernism, and the Welfare State Peter Kalliney, University of South Florida-St. Petersburg Against Emotion: Evelyn Waugh's Modernistic Stance Alain Blayac, University of Montpellier 12:00 noon Luncheon 2:00 p.m. Walking tour of Waugh’s Oxford (weather permitting) John Howard Wilson, Lock Haven University of Pennsylvania Patrick Denman Flanery, St Cross College, Oxford Sebastian Perry, Merton College, Oxford 4:00 p.m. Afternoon Tea 5:00 p.m. Visit to Campion Hall (half of group) 6:30 p.m. -
An Analysis on the Novels of Evelyn Waugh and Their Adaptations Evan J
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2016 The alueV of Attending University: An Analysis on the Novels of Evelyn Waugh and their Adaptations Evan J. Molineux Claremont McKenna College Recommended Citation Molineux, Evan J., "The alueV of Attending University: An Analysis on the Novels of Evelyn Waugh and their Adaptations" (2016). CMC Senior Theses. Paper 1407. http://scholarship.claremont.edu/cmc_theses/1407 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Claremont McKenna College The Value of Attending University: An Analysis on the Novels of Evelyn Waugh and their Adaptations submitted to Professor Kathryn Stergiopoulos by Evan Molineux for Senior Thesis Spring 2016 April 25, 2016 i Table of Contents Acknowledgements I. Introduction . 1 – 7 II. The Transformative Effects of Oxford in Brideshead Revisited . 8 - 30 III. Paul Pennyfeather’s Chaotic Journey through Decline and Fall . 31 - 55 IV. The Bright Young Things of Vile Bodies . 56 - 70 V. The Reaffirming Power of Evelyn Waugh Through Film and Television . 71 - 85 Works Cited ii Acknowledgements I would like to thank my thesis advisor, Professor Kathryn Stergiopoulos, for her patience, guidance, support, and constructive criticism over the past two semesters. Without her or her colloquiums, this thesis would not have been nearly as enjoyable to work on. I would also like to thank the rest of the literature department for helping to nurture my love for a subject that I have truly enjoyed studying over the past four years. -
Intertextuality in Selected Works of Evelyn Waugh Janelle Lynn Ortega
University of New Mexico UNM Digital Repository English Language and Literature ETDs Electronic Theses and Dissertations 6-9-2016 "I Heard the Same Thing Once Before": Intertextuality in Selected Works of Evelyn Waugh Janelle Lynn Ortega Follow this and additional works at: https://digitalrepository.unm.edu/engl_etds Part of the English Language and Literature Commons Recommended Citation Ortega, Janelle Lynn. ""I Heard the Same Thing Once Before": Intertextuality in Selected Works of Evelyn Waugh." (2016). https://digitalrepository.unm.edu/engl_etds/23 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in English Language and Literature ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. i Janelle Lynn Ortega Candidate Department of English Language and Literature Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Dr. Steve Benz, Chairperson Dr. Lynn Beene Dr. Anita Obermeier Dr. Mara Reisman ii “I Heard the Same Thing Once Before”: Intertextuality in Selected Works of Evelyn Waugh by Janelle Ortega B.A. in English, 2001 M.A. in English, 2005 Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy In English The University of New Mexico Albuquerque, New Mexico May 2016 Copyright © Janelle Ortega, 2016 iii Dedication For My Husband, “If ever two were one, then surely we.” and For Dr. John Howard Wilson, May Eternal Rest be Granted unto You. iv Acknowledgements I owe many people ten years of “thank you”s. -
Nabokov and the Detective Novel
CATHARINE THEIMER NEPOMNYASHCHY NABOKOV AND THE DETECTIVE NOVEL atharine Theimer Nepomnyash- was left unfinished at her death. Cathy chy, Ann Whitney Olin Profes- proposed to investigate more thoroughly sor of Russian Literature and and inventively Nabokov’s enemies (Freud, C Culture, Barnard College, and Pasternak, the detective novel) to see former director of the Harriman Institute, whether his blistering invective obfuscated died on March 21 of this year. (An obitu- a deeper engagement with said enemies. ary is printed at the end of the magazine.) Although we can only guess at the work’s Cathy first taught the Nabokov survey at final shape, conference papers from 2010 Columbia in the fall of 2007 (I remember onwards offer glimpses of a potential table because I taught the second class), and the of contents: Nabokov and Pasternak; following year she published her first arti- Pale Fire and Doctor Zhivago: A Case of cle on Nabokov, “King, Queen, Sui-mate: Intertextual Envy; Ada and Bleak House ; Nabokov’s Defense Against Freud’s Un- Nabokov and Austen; Nabokov and the canny” (Intertexts, Spring 2008), the first Art of Attack. brick of what was planned to be “Nabokov The essay that follows is what we and His Enemies,” which unfortunately have of the second brick of Cathy’s 48 | HARRIMAN FEATURED INTRODUCTION BY RONALD MEYER work-in-progress, “Revising Nabokov needs to keep in mind that what follows is Revising the Detective Novel: Vladimir, a conference presentation and that Cathy Agatha, and the Terms of Engagement,” was writing within the constraints of time which Cathy presented at the 2010 Inter- and length, but one cannot but regret its national Nabokov Conference, sponsored preliminary state and wonder what was to by the Nabokov Society of Japan and the come in a fully expanded version. -
A Humble Protest a Literary Generation's Quest for The
A HUMBLE PROTEST A LITERARY GENERATION’S QUEST FOR THE HEROIC SELF, 1917 – 1930 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jason A. Powell, M.A. * * * * * The Ohio State University 2008 Dissertation Committee: Approved by Professor Steven Conn, Adviser Professor Paula Baker Professor David Steigerwald _____________________ Adviser Professor George Cotkin History Graduate Program Copyright by Jason Powell 2008 ABSTRACT Through the life and works of novelist John Dos Passos this project reexamines the inter-war cultural phenomenon that we call the Lost Generation. The Great War had destroyed traditional models of heroism for twenties intellectuals such as Ernest Hemingway, Edmund Wilson, Malcolm Cowley, E. E. Cummings, Hart Crane, F. Scott Fitzgerald, and John Dos Passos, compelling them to create a new understanding of what I call the “heroic self.” Through a modernist, experience based, epistemology these writers deemed that the relationship between the heroic individual and the world consisted of a dialectical tension between irony and romance. The ironic interpretation, the view that the world is an antagonistic force out to suppress individual vitality, drove these intellectuals to adopt the Freudian conception of heroism as a revolt against social oppression. The Lost Generation rebelled against these pernicious forces which they believed existed in the forms of militarism, patriotism, progressivism, and absolutism. The -
An Eden with No Snake in It: Pure Comedy and Chaste Camp in The
An Eden With No Snake in It: Pure Comedy and Chaste Camp in the English Novel by Joshua Gibbons Striker Department of English Duke University Date:_______________________ Approved: ___________________________ Victor Strandberg, Co-Supervisor ___________________________ Katherine Hayles, Co-Supervisor ___________________________ Kathy Psomiades ___________________________ Michael Moses Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2019 ABSTRACT An Eden With No Snake in It: Pure Comedy and Chaste Camp in the English Novel by Joshua Gibbons Striker Department of English Duke University Date:_______________________ Approved: ___________________________ Victor Strandberg, Co-Supervisor ___________________________ Katherine Hayles, Co-Supervisor ___________________________ Kathy Psomiades ___________________________ Michael Moses An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2019 Copyright by Joshua Gibbons Striker 2019 Abstract In this dissertation I use an old and unfashionable form of literary criticism, close reading, to offer a new and unfashionable account of the literary subgenre called camp. Drawing on the work of, among many others, Susan Sontag, Rita Felski, and Peter Lamarque, I argue that P.G. Wodehouse, E.F. Benson, and Angela Thirkell wrote a type of pure comedy I call chaste camp. Chaste camp is a strange beast. On the one hand it is a sort of children’s literature written for and about adults; on the other hand it rises to a level of literary merit that children’s books, even the best of them, cannot hope to reach. -
Waugh in Pieces the Critics
98 THE CRITICS A CRITIC AT LARGE 6 WAUGH IN PIECES Cruelty and compassion mingle in the short stories of a master. BY ANTHONY LANE N July, 1956, Evelyn Waugh gave a Complete Stories of Evelyn Waugh” dinner party for his daughter Te- (Little, Brown; $29.95). The title is clear, I resa. In anticipation of the event, although in the Waugh canon a short he wrote to a friend, Brian Franks, with story is not easily defined. The unfin- a description of the menu, closing with ished yet gracefully rounded tale “Work the words “Non Vintage champagne for Suspended,” for instance, which con- all but me.” Rarely has an edict been is- sumes eighty-four pages of the present sued with such a firm smack of the lips, book, feels almost a match for “The yet nothing could be sadder. At Oxford Loved One,” “Helena,” and “The Or- in the nineteen-twenties, Waugh had deal of Gilbert Pinfold”—the brisk, chosen his friends on the basis of their peppery, death-haunted trio of novellas ability to handle, or entertainingly mis- that Waugh produced in his riper years, handle, the effects of alcohol; “an excess and which are available only in individ- of wine nauseated him and this made ual volumes. He himself was a chronic an insurmountable barrier between us,” bibliophile and a connoisseur of typog- he wrote of one college acquaintance. raphy, who was admired in his youth Now, thirty years later, he would sit in for his capacity to illustrate rather than solitude, grasping his glass, bullishly compose a text, and his fussing is conta- proud that there was nobody present gious; as a rule, I am quite happy to read who deserved to share a drop. -
EVELYN WAUGH STUDIES Vol
EVELYN WAUGH STUDIES Vol. 48, No. 2 Fall 2017 CONTENTS Paul Pennyfeather and the Victorian Governess: 2 The Rejection of Nineteenth-Century Idealism in Decline and Fall Ellen O’Brien Put Out More Flags and Literary Tradition 13 Robert Murray Davis REVIEWS Fictional Counterparts 19 Commando General: The Life of Major General Sir Robert Laycock KCMG CB DSO, by Richard Mead. Reviewed by Donat Gallagher A Slow Build 25 Evelyn Waugh’s Satire: texts and Contexts, by Naomi Milthorpe. NEWS A Personal Note I Owe It All to Brideshead 29 David Bittner Evelyn Waugh Studies 2 Paul Pennyfeather and the Victorian Governess: The Rejection of Nineteenth-Century Idealism in Decline and Fall Ellen O’Brien Much has been written on the disputed use of satire in Evelyn Waugh’s first novel.1 While critics have offered various readings of the satirical elements in Decline and Fall (1928), the novel also invites discussion of the role of parody, farce, black humour, burlesque, the bildungsroman, the picaresque and the anti-hero in creating an amusing but damning representation of society between the wars. This difficulty identifying a clear style is possibly due to the elusive nature of Waugh’s moral critique, which is so subtle as to be “everywhere felt but nowhere expressed” (Heath 77). His satirical target has been variously described as the “the beastliness of undergraduate societies and the leniency of college authorities toward wealthy and aristocratic members… the morals and outlook of ‘smart’ society,” the mismanagement of private boarding schools, the prison system, and modern religion, (Nichols 51) and more broadly as “inconsistency, hypocrisy, cruelty and folly… a satirical engagement with contemporary anxieties about English cultural decline in the years following the Great War” (Milthorpe 2, 20). -
Women's Desires and Identity in Stella Gibbons's Gothic London By
Studies in Gothic Fiction • Volume 6 Issue 1 • 2018 © 4 “A Pleasure of that Too Intense Kind”: Women’s Desires and Identity in Stella Gibbons’s Gothic London by Rebecca Mills Article DOI: https://doi.org/10.18573/sgf.32 Copyright Rebecca Mills 2020 ISSN: 2156-2407 This work is licensed under the Creative Commons Attribution 4.0 International Licence. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/ Studies in Gothic Fiction • Volume 6 Issue 2 • 2020 © 5 Articles “A Pleasure of that Too Intense Kind”: Women’s Desires and Identity in Stella Gibbons’s Gothic London Article DOI: https://doi.org/10.18573/sgf.32 Rebecca Mills Abstract Stella Gibbons (1902-1989) is best known for the rural novel Cold Comfort Farm (1932), which Avril Horner and Sue Zlosnik discuss as “comic Gothic.” In contrast, Gibbons’s little-studied Hampstead novels Westwood (1946) and Here Be Dragons (1956) map a mel- ancholic Gothic fragmented city, marked by the Second World War, in which romantic attachment and marriage threaten young women’s comfort, self-sufficiency, and subjectivity. Excessive emotion and eroticism imperil women’s independence and identity, while the men they desire embody the temptation and corruption of the city. Gibbons employs Gothic language of spells, illusion, and entrapment to heighten anxieties around stifling domesticity and sacrificing the self for love. The London Gothic geogra- phies, atmosphere, and doubling of characters and spaces reinforce cautionary tales of the ill-effects of submission to love, while dedication to a career and community are offered as a means to resist Gothic desires and control Gothic spaces. -
Tours, Talks & Private Views 2011
Tours, Talks & Private Views 2011 Tours The best way to experience the extensive Castle Howard landscape is to walk through it, measuring what you see with your eye and your feet. The route between the Temple, Mausoleum, Pyramid, Mock Fortifications, Gatehouse, and Avenue is full of dramatic surprises; with each step you travel through the landscape but also journey back in time to the early 18th century when the grounds were first fashioned, and on to later eras when these features were changed or restored. The Mausoleum Mausoleum tours last Mausoleum Tours 2-2½hrs, Monumental Visit the most mysterious and imposing tours slightly longer; sensible footwear is building in the Castle Howard landscape, where recommended, see generations of the Howard family are buried website for further in the vaults beneath the spectacular chapel. details. The evening tour The tour also includes a visit to the Temple of on 7 June includes wine the Four Winds not normally open to the public. and canapés in the Temple. The premium Monumental Tours tour on 2 June includes This circuit walk covers the heart of the famous lunch in the Grecian Hall after the morning tour, 18th-century landscape taking in the Avenue, followed by a rare Gatehouse, Mock Fortifications, Pyramid, opportunity to view Mausoleum, and Temple, with exclusive access estate maps and other to these buildings. material from the archives. The Temple of the Four Winds The Pyramid Talks The 2011 series of talks is divided into a spring and an autumn went smoothly and not so smoothly during the visit, as well as the disastrous season, with an opportunity to sign up to all four events if you wish. -
John Guest Collection MS 4624 a Collection of Around 500 Personal
University Museums and Special Collections Service John Guest Collection MS 4624 A collection of around 500 personal and business letters from over 100 literary figures. They include 52 letters from Sir John Betjeman 1949-1979; 33 letters from Christopher Fry 1949-1989; 25 letters from Mary Renault 1960-1983, with further letters from her partner Julie Mullard and obituaries; 25 letters from Harold Nicolson 1949-1962; 17 letters from David Storey 1963-1994; 26 letters from Francis King 1950-1957, mainly concerning his British Council service in Greece; 12 letters from L.P. Hartley 1966-1970; 18 letters from William Plomer 1966-1972, mostly concerning the judging of the Cholmondeley Award for Poetry; 12 letters from Joan Hassall c.1954-1987; 12 letters from Laurence Whistler 1955-1986; 14 letters from A.N. Wilson 1979-1988, and 14 letters from Mary Wilson 1969-1986. Other correspondents include Rupert Hart-Davis, Christopher Hibbert, Mollie Hamilton (M.M. Kaye), Irene Handl, Stevie Smith, Stephen Spender and Muriel Spark. The Collection covers the year’s c. 1949-1991. The physical extent of the collection is c. 500 items. Introduction John Guest was born in 1911 in Warrington, Cheshire, and was educated at Fettes, Edinburgh, and Pembroke College, Cambridge. He was first employed in the publishing industry as a proofreader and subsequently junior editor for Collins, before serving in an artillery regiment during the war. In 1949 he was appointed literary advisor to the publishing firm Longmans, with a brief to rebuild their general trade list, at which he was very successful. He subsequently held the same position at Penguin Books, after the merger with Longmans in 1972, where he remained until his retirement. -
Hilary Mantel Papers
http://oac.cdlib.org/findaid/ark:/13030/c8gm8d1h No online items Hilary Mantel Papers Finding aid prepared by Natalie Russell, October 12, 2007 and Gayle Richardson, January 10, 2018. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © October 2007 The Huntington Library. All rights reserved. Hilary Mantel Papers mssMN 1-3264 1 Overview of the Collection Title: Hilary Mantel Papers Dates (inclusive): 1980-2016 Collection Number: mssMN 1-3264 Creator: Mantel, Hilary, 1952-. Extent: 11,305 pieces; 132 boxes. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: The collection is comprised primarily of the manuscripts and correspondence of British novelist Hilary Mantel (1952-). Manuscripts include short stories, lectures, interviews, scripts, radio plays, articles and reviews, as well as various drafts and notes for Mantel's novels; also included: photographs, audio materials and ephemera. Language: English. Access Hilary Mantel’s diaries are sealed for her lifetime. The collection is open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher.