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Shri Guru Nanak Dev Life, Travels and Teachings Other Books by the Author
Shri Guru Nanak Dev Life, Travels and Teachings Other Books by the Author The other books by the author, Dr. G.S. Chauhan are: 1. Guru Nanak Dev's Japji Sahib. 2. Guru Arjan Dev's Sukhmani Sahib 3. Bani of Bhagats 4. The Gospel of the Sikh Gurus 5. Rahras & Kirtan Sohila 6. Nitnem All these books are being distributed 'free of cost' among the general public by the All India Pingalwara Charitable Society (Regd.), Amritsar. Shri Guru Nanak Dev Life, Travels and Teachings Dr G.S. Chauhan Dr Meenakshi Rajan Publisher : Dr. Inderjit Kaur President All India Pingalwara Charitable Society (Regd.) Amritsar Shri Guru Nanak Dev Life, Travels and Teachings by Dr. G.S. Chauhan Dr. Meenakshi Rajan © Writer March : 2012 ISBN: 978-81-923150-1-0 Publisher : Dr. Inderjit Kaur President All India Pingalwara Charitable Society (Regd.) Amritsar Printed at: Printwell 146, Industrial Focal Point, Amritsar Dedication This Humble effort to describe Shri Guru Nanak Dev's Life, Travels and Teachings is dedicated to the great saint of twentieth century, Bhagat Puran Singh, founder of All India Pingalwara Charitable Society (Regd.) Amritsar. It was due to his blessings when I met him in July 1991 that an ignorant person like me could study and understand Gurbani and write about the Guru' teachings. Bhagat Puran Singh was a great soul and even now, he guides and removes suffering of those who help his mission of running Pingalwara. I have seen that in many cases, when some people sent donations with full faith, their diseases were cured and problems solved. -
Reg. No Name in Full Residential Address Gender Contact No
Reg. No Name in Full Residential Address Gender Contact No. Email id Remarks 20001 MUDKONDWAR SHRUTIKA HOSPITAL, TAHSIL Male 9420020369 [email protected] RENEWAL UP TO 26/04/2018 PRASHANT NAMDEORAO OFFICE ROAD, AT/P/TAL- GEORAI, 431127 BEED Maharashtra 20002 RADHIKA BABURAJ FLAT NO.10-E, ABAD MAINE Female 9886745848 / [email protected] RENEWAL UP TO 26/04/2018 PLAZA OPP.CMFRI, MARINE 8281300696 DRIVE, KOCHI, KERALA 682018 Kerela 20003 KULKARNI VAISHALI HARISH CHANDRA RESEARCH Female 0532 2274022 / [email protected] RENEWAL UP TO 26/04/2018 MADHUKAR INSTITUTE, CHHATNAG ROAD, 8874709114 JHUSI, ALLAHABAD 211019 ALLAHABAD Uttar Pradesh 20004 BICHU VAISHALI 6, KOLABA HOUSE, BPT OFFICENT Female 022 22182011 / NOT RENEW SHRIRANG QUARTERS, DUMYANE RD., 9819791683 COLABA 400005 MUMBAI Maharashtra 20005 DOSHI DOLLY MAHENDRA 7-A, PUTLIBAI BHAVAN, ZAVER Female 9892399719 [email protected] RENEWAL UP TO 26/04/2018 ROAD, MULUND (W) 400080 MUMBAI Maharashtra 20006 PRABHU SAYALI GAJANAN F1,CHINTAMANI PLAZA, KUDAL Female 02362 223223 / [email protected] RENEWAL UP TO 26/04/2018 OPP POLICE STATION,MAIN ROAD 9422434365 KUDAL 416520 SINDHUDURG Maharashtra 20007 RUKADIKAR WAHEEDA 385/B, ALISHAN BUILDING, Female 9890346988 DR.NAUSHAD.INAMDAR@GMA RENEWAL UP TO 26/04/2018 BABASAHEB MHAISAL VES, PANCHIL NAGAR, IL.COM MEHDHE PLOT- 13, MIRAJ 416410 SANGLI Maharashtra 20008 GHORPADE TEJAL A-7 / A-8, SHIVSHAKTI APT., Male 02312650525 / NOT RENEW CHANDRAHAS GIANT HOUSE, SARLAKSHAN 9226377667 PARK KOLHAPUR Maharashtra 20009 JAIN MAMTA -
Ma Gurmat Sangeet
M.A. GURMAT SANGEET PART - II SEMESTER - III (2017-2018) Paper I HISTORICAL PERSPECTIVE OF GURMAT SANGEET Time: 3 hrs. Max. Marks : 75 Internal Assessment : 25 Marks Pass Marks : 35 % Assessment Test : 15 Total Teaching Hours : 75 Attendance : 10 INSTRUCTIONS FOR THE PAPER-SETTER AND THE CANDIDATES The question paper will consist of three sections A, B & C. Sections A & B will have 5 questions of 8 marks each from the respective sections of the syllabus and acandidates are required to attempt three questions from each section. Section C will consist of 9 short answer type questions of 3 marks each, which will cover the entire syllabus uniformly. Students are required to attempt all questionos of Section C. Section - A 1. Evolution and Development of Gurmat Sangeet during a) Guru Nanak period b) Guru Angad Dev to Guru Arjan Dev period c) Guru Hargobind to Guru Gobind Singh period 2. Taksaal tradition of Gurmat Sangeet with reference to a) Damdami taksaal b) Jawaddi Taksaal 3. Contribution of Rabaabi tradition in Gurmat Sangeet. Section – B 1. Historical development of Kirtan Chauki tradition a) Upto Guru Arjan Dev period. b) Tradition of Sri Harimandir Sahib 2. Analytical study of basic sources of Gurmat Sangeet with reference to a) Sri Guru Granth Sahib b) Panth Parkaash 3. Contribution of different scholars towards Gurmat Sangeet with special reference to the 19th century. BOOKS PRESCRIBED 1 Gurmat Sangeet : Vibhin Pripekh, Gurnam Singh (Dr.) (Editor), Punjabi University Patiala, 1995 2. Gurmat Sangeet : Prabandh te Pasaar Gurnam Singh (Dr.), Punjabi University, Patiala. 2012 3. Gurmat Sangeet da Sangeet Vigyan, Varinder Kaur (Dr.), Amarjit Sahit Parkashan, Patiala 2005 4. -
The Rich Heritage of Dhrupad Sangeet in Pushtimarg On
Copyright © 2006 www.vallabhkankroli.org - All Rights Reserved by Shree Vakpati Foundation - Baroda ||Shree DwaDwarrrrkeshokesho Jayati|| || Shree Vallabhadhish Vijayate || The Rich Heritage Of Dhrupad Sangeet in Pushtimarg on www.vallabhkankroli.org Reference : 8th Year Text Book of Pushtimargiya Patrachaar by Shree Vakpati Foundation - Baroda Inspiration: PPG 108 Shree Vrajeshkumar Maharajshri - Kankroli PPG 108 Shree Vagishkumar Bawashri - Kankroli Copyright © 2006 www.vallabhkankroli.org - All Rights Reserved by Shree Vakpati Foundation - Baroda Contents Meaning of Sangeet ........................................................................................................................... 4 Naad, Shruti and Swar ....................................................................................................................... 4 Definition of Raga.............................................................................................................................. 5 Rules for Defining Ragas................................................................................................................... 6 The Defining Elements in the Raga................................................................................................... 7 Vadi, Samvadi, Anuvadi, Vivadi [ Sonant, Consonant, Assonant, Dissonant] ................................ 8 Aroha, avaroha [Ascending, Descending] ......................................................................................... 8 Twelve Swaras of the Octave ........................................................................................................... -
Raga of the Month July 2020 Raga Sorath Raga Sorath Has Become a Rare Melody Today
Raga of the month July 2020 Raga Sorath Raga Sorath has become a rare melody today. It is believed that Raga Sorath has its roots in Folk songs of Sourashtra which is part of Kathiawar region of the state of Gujarat. Close companion of Raga Sorath, Des, being a dhun-raga is more popular. Both the Ragas share the same scale, but Gandhar is very weak, practically omitted, in Sorath and is only subtly used in meend from Madhyam to Rishabh in Avaroha. Inclusion of Gandhar in Des and its chanchal prakriti makes it suitable for light forms of music such as, thumri, dadra, hori, ghazal etc. Ragas of Khamaj Thata are classified in 2 types- Rishabh prominent; that is, Sorathanga and Gandhar prominent- Khamajanga. Raga Des belongs to Sorathanga. The Raga is classified in Khamaj Thata (Harikambhoji Melakarta no. 28). Ragas Surati and Andolika from Carnatic music are similar to Raga Sorath. Aroha- S,RR, MPN,S’’; Avaroha- S’’R’’nD,MPD,M->R,’NS; Vadi- R,Samvadi- D;Time 10 p m to 1 a m; Chalan: S, R, MP, N, S’’, R’’, nD, P, DM->R, RPMMR, R S; R, P, MPD, M->R, n,D, M->R, RMPN, S’’, R’’nD, M->R, P, M->R, R’N, ‘NS. Please listen to a melodious collection of audio clips of Raga Sorath presented by i) Dr. Varada Godbole (a bandish composed by Prempiya Ustad Faiyaz Hussain Khan*), ii) Pandit K G Ginde (a bandish composed by Sujan- Acharya S N Ratanjankar), iii) Ustad MunawarAliKhan, iv) Acharya S N Ratanjankar and v) Sarangi Maestro Ustad Bundu Khan. -
Know Your Heritage Introductory Essays on Primary Sources of Sikhism
KNOW YOUR HERIGAGE INTRODUCTORY ESSAYS ON PRIMARY SOURCES OF SIKHISM INSTITUTE OF S IKH S TUDIES , C HANDIGARH KNOW YOUR HERITAGE INTRODUCTORY ESSAYS ON PRIMARY SOURCES OF SIKHISM Dr Dharam Singh Prof Kulwant Singh INSTITUTE OF S IKH S TUDIES CHANDIGARH Know Your Heritage – Introductory Essays on Primary Sikh Sources by Prof Dharam Singh & Prof Kulwant Singh ISBN: 81-85815-39-9 All rights are reserved First Edition: 2017 Copies: 1100 Price: Rs. 400/- Published by Institute of Sikh Studies Gurdwara Singh Sabha, Kanthala, Indl Area Phase II Chandigarh -160 002 (India). Printed at Adarsh Publication, Sector 92, Mohali Contents Foreword – Dr Kirpal Singh 7 Introduction 9 Sri Guru Granth Sahib – Dr Dharam Singh 33 Vars and Kabit Swiyyas of Bhai Gurdas – Prof Kulwant Singh 72 Janamsakhis Literature – Prof Kulwant Singh 109 Sri Gur Sobha – Prof Kulwant Singh 138 Gurbilas Literature – Dr Dharam Singh 173 Bansavalinama Dasan Patshahian Ka – Dr Dharam Singh 209 Mehma Prakash – Dr Dharam Singh 233 Sri Gur Panth Parkash – Prof Kulwant Singh 257 Sri Gur Partap Suraj Granth – Prof Kulwant Singh 288 Rehatnamas – Dr Dharam Singh 305 Know your Heritage 6 Know your Heritage FOREWORD Despite the widespread sweep of globalization making the entire world a global village, its different constituent countries and nations continue to retain, follow and promote their respective religious, cultural and civilizational heritage. Each one of them endeavours to preserve their distinctive identity and take pains to imbibe and inculcate its religio- cultural attributes in their younger generations, so that they continue to remain firmly attached to their roots even while assimilating the modern technology’s influence and peripheral lifestyle mannerisms of the new age. -
Guru Nanak and His Bani
The Sikh Bulletin cyq-vYswK 547 nwnkSwhI March-April 2015 ੴ ਸਤਿ ਨਾਮੁ ਕਰਿਾ ਪੁਰਖੁ ਤਨਰਭਉ ਤਨਰਵੈਰੁ ਅਕਾਲ ਮੂਰਤਿ ਅਜੂਨੀ ਸੈਭੰ ਗੁਰ ਪਰਸਾਤਿ ॥ Ik oaʼnkār saṯ nām karṯā purakẖ nirbẖa▫o nirvair akāl mūraṯ ajūnī saibẖaʼn gur parsāḏ. THE SIKH BULLETIN GURU NANAK AND HIS BANI cyq-vYswK 547 nwnkSwhI jyT-hwV 547 nwnkSwhI [email protected] Volume 17 Number 3&4 Published by: Hardev Singh Shergill, President, Khalsa Tricentennial Foundation of N.A. Inc; 3524 Rocky Ridge Way, El Dorado Hills, CA 95762, USA Fax (916) 933-5808 Khalsa Tricentennial Foundation of N.A. Inc. is a religious tax-exempt California Corporation. In This Issue/qqkrw I HAVE NO RELIGION My Journey of Finding Guru Nanak (1469-1539) I have no Religion…………………………….……1 The One and Only A Labour of Respect: Working with Peace on Earth will not prevail until all the manmade Religions and Devinder Singh Chahal Ph D………………….…..2 Gurbani, Logic and Science, their Gods are DEAD and mankind learns to live within Hukam. Prof. Devinder Singh Chahal………………………5 First time I said that was at age twelve. Fifty years later, when a Finding Guru Nanak (1469-1539) responsibility to operate a Gurdwara was thrust upon me, I tried my best to Hardev Singh Shergill…………………………….14 become a Gursikh; but eighteen years into that effort made me realize that Editorials on Guru Nanak a Gursikh has no place in Sikhism. That was a great disappointment but Hardev Singh Shergill………………………36 not for long because I soon discovered that I was in excellent company of Sikh Awareness Seminar, no other than Guru Nanak himself, the One and Only gift of the Creator to April 11, 2015, Calgary, Canada…………...71 mankind, and under whose name Sikhism as a religion is being touted. -
Lekh 69 Bharam (Illusion) Part 2
Lekh 69 Bharam (Illusion) Part 2 Apart from mental ‘illusions’ we are also badly entrenched in religious illusions. Our religious or spiritual thoughts knowledge beliefs faith rites and rituals reading of the religious texts worship contemplation rigorous effort perseverance etc.- all the methods too are bases upon the fallacies of this very ‘illusion’ of the three phases materialism. The blind sightless ones, whatever they think or do is dependent upon their superficial and incomplete mental imagination or ‘illusion’ which can be wrong. 1 Acting blindly, the mind becomes blind. The blind mind makes the body blind. 1287 2 The world is blind, and its dealings are blind as well; without the Guru, there is only pitch darkness. 600 3 Blind and ignorant, he shall never be reformed. 160 In the same way whatever actions or deeds we perform in the darkness of mental ‘illusion’, they are all hollow, incomplete, wrong and fruitless. This is why despite doing so much paath (reading of religious texts), worship, discipline, rites – rituals, :- we do not get mental peace we haven’t been able to free ourselves from the five evil passions our intuition hasn’t opened up L69/1 L69/1 divine illumination has not taken place the attainment of Naam has not taken place divine joy has not been experienced the unstruck melody has not been heard Gobind (the Lord of the World) has not thundered. In spite of all this, we, the divine travellers, are like the masses wondering aimlessly in the darkness of materialistic-attachment and akin to the ‘frog in the well’, we are (not only )pleased with the false life in the illusionary fortress of three-phased materialism, but keep snorting (or exhibiting airs) about it. -
Guru.Granth.Sahib.Speaks.Volume.06.Ego.By.Surinder.Singh.Kohli
~~ l./CJH ~~" ~ H': 'l, l/or 226) Wben the Ego is effaced, The highest spiritual state is attained. (Gauri M. 1, p. 226) CONTENTS • Foreword 7 • The Concept of Ego 9 • An Elucidation of the Hymn of Guru Nanak Dev on Ego in 'Asa Di Var' 14 • Ego and Self 24 • Fate of the Egoist 29 • Mythological Instances of Egoists 39 • The Position and Status of those with Ego and without Ego 58 • Two Opposites-Ego and Name 69 • Various Facets of Ego mentioned in Gum Granth Sahib 82 FOREWORD This is the Fifth Book in "GURU GRANTII SAHIB SPEAKS" series. The earlier four books already published in order are Death and After, Naam, Attributes ofGod (Hari Gun) and God's Will (Hukm). While writing this book on Ego, I experienced great difficulty in proceeding further because of the scanty material available on the subject. The titles of various chapters were chalked out on various quotations, hence some of the quotations had to be repeated keeping in view the significance of the subject-matter. However by the Grace of the Lord and True Guru, the work has been completed satisfactorily. I am confident that the Sikhs liVing abroad will make use of the books of the series, not only going through them themselves, but also encouraging their children to be benefitted by this series. It is the wish of the author that our next generation should have the required knowledge about our Scripture Le. Guru Granth Sahib. I take pleasure in expressing my gratitude to the publishers for fully co operating with me in bringing out the books in the series for the benefit of the community at a good speed. -
Song and Memory: “Singing from the Heart”
SONG AND MEMORY: “SINGING FROM THE HEART” hir kIriq swDsMgiq hY isir krmn kY krmw ] khu nwnk iqsu BieE prwpiq ijsu purb ilKy kw lhnw ]8] har kīrat sādhasangat hai sir karaman kai karamā || kahu nānak tis bhaiou parāpat jis purab likhē kā lahanā ||8|| Singing the Kīrtan of the Lord’s Praises in the Sādh Sangat, the Company of the Holy, is the highest of all actions. Says Nānak, he alone obtains it, who is pre-destined to receive it. (Sōrath, Gurū Arjan, AG, p. 641) The performance of devotional music in India has been an active, sonic conduit where spiritual identities are shaped and forged, and both history and mythology lived out and remembered daily. For the followers of Sikhism, congregational hymn singing has been the vehicle through which melody, text and ritual act as repositories of memory, elevating memory to a place where historical and social events can be reenacted and memorialized on levels of spiritual significance. Hymn-singing services form the magnetic core of Sikh gatherings. As an intimate part of Sikh life from birth to death, Śabad kīrtan’s rich kaleidoscope of singing and performance styles act as a musical and cognitive archive bringing to mind a collective memory, uniting community to a common past. As a research scholar and practitioner of Gurmat Sangīt, I have observed how hymn singing plays such a significant role in understanding the collective, communal and egalitarian nature of Sikhism. The majority of events that I attended during my research in Punjab involved congregational singing: whether seated in the Gūrdwāra, or walking in a procession, the congregants were often actively engaged in singing. -
Diploma in Gurmat Sangeet
DIPLOMA IN GURMAT SANGEET ACADEMIC POLICY/ORDINANCES Objectives of the Course : An Online initiative by Gurmat Sangeet Chair - Department of Gurmat Sangeet, Punjabi University, Patiala to disseminate the message of Sikh Gurus through Gurmukhi, Gurmat Studies and Gurmat Sangeet at global level. Duration of the Course : Two Semester Eligibility : The candidate must have passed Certificate Course in Gurmat Sangeet in the same stream Medium of Instruction : English & Punjabi Medium of Examination : English & Punjabi Fees for the Course : On admission in the course a candidate shall have to pay Admission fees (including Examination Fee) as given below Admission Fee : 300US$ (15,000/- INR) upto 30th June st With Late Fee 350US$ (17,500/- INR) upto 31 July With Late Fee 450US$ (22,500/- INR) and with the st special permission of Vice Chancellor upto 31 August SCHEME OF THE COURSE FOR SPRING SEMESTER Compulsory/ Papers Paper Code Title of the Papers Elective Compulsory Paper I DGS 301 Historical Study of Sikhism Papers Paper III DGS 302 Gurbani Santhya DGS 303 Musicology of Gurmat Sangeet Vocal Tradition Elective Paper II DGS 304 Musicology of Gurmat Sangeet String Instrumental Tradition Papers DGS 305 Musicology of Gurmat Sangeet Percussion Instrumental Tradition (Jorhi/Tabla) DGS 306 Stage Performance of Shabad Keertan Elective Paper IV DGS 307 Stage Performance of String Instruments Papers DGS 308 Stage Performance of Percussion Instrumental (Jorhi/Tabla) 1 HISTORICAL STUDY OF SIKHISM (Paper I - DGS 301) 1. Contribution of Ten Guru in Propagation of Sikhism 2. Contributors of Bhai Mardana ji, Baaba Budha ji, Bhai Gurdas ji, and Bhai Nand lal ji in Sikh History. -
CERTIFICATE COURSE in GURMAT SANGEET - TANTI SAAZ VADAN ACADEMIC POLICY/ORDINANCES (2016-17, 2017-18, 2018-19 Sessions)
Page 1 of 16 CERTIFICATE COURSE IN GURMAT SANGEET - TANTI SAAZ VADAN ACADEMIC POLICY/ORDINANCES (2016-17, 2017-18, 2018-19 Sessions) Objectives of the Course : An Online Initiative by Gurmat Gyan Online Study Centre, Punjabi University, Patiala to disseminate the message of Sikh Gurus through Gurmukhi and Gurmat Sangeet at global level. Duration of the Course : Two Semesters Admission Eligibility : The Candidate must have passed either Foundation Course in Gurmat Sangeet or Gurmat Sangeet Parveshika (Minimum Matric pass with interest in Gurmat Sangeet) through Department of Distance Education Mode of Instruction & Examination : Completely Online Medium of Instruction : English & Punjabi Medium of Examination : English & Punjabi Fees for the Course : For admission in the course a candidate shall have to pay Admission fees (including Examination Fee) as given below Admission Fee For Foreign Students Upto 30th September : 12,500/- INR Upto 31st October : With Late Fee of 2,500/- INR Upto 30th November : With Late Fee of 7,500/- INR with the special permission of Vice-Chancellor For Indian Students Upto 30th September : 4,570/- INR Upto 15st October : With Late Fee of 800/- INR Upto 21st October : With Late Fee of 1,200/- INR Upto 31st October : With Late Fee of 5,000/- INR Upto 10th November : With Late Fee of 10,000/- INR with the special permission of Vice-Chancellor Total Credits for the Program : 32 Certificate Course in Gurmat Sangeet - Tanti Saaz Vadan Page 2 of 16 SCHEME OF THE COURSE FOR SPRING SEMESTER (I) Papers No Paper Title of the Papers L* T* P* Cr*/Sem* Code Paper - I CGS (S)* 101 Orientation of Punjabi Language 16 16 - 4 Paper - II CGS (S)* 102 Introductory Study of Gurmat Sangeet - 24 - - 4 Tanti Saaz Vadan Paper - III CGS (S)* 103 Practical Performance of Shabad - - 36 8 Keertan - Tanti Saaz Vadan L = Lecture T = Tutorials P = Practical C = Credits Sem.