Long Trim Pompadour 1

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classroom | Schorem Barbers Sharp, sleek and a little bit bad, this long pomp is cut to perfection and seasoned with a healthy helping of rock and roll. Discover how the Schorem Barbers of Rotterdam create one of their most requested cuts. It’s part of the collection of ten signature haircuts by Schorem Haarsnijder en Barbier. long trim pompadour 1. 2. 3. cut 1. Saturate the hair thoroughly. Starting at the hairline behind the ear, cut clipper-over-comb, working parallel to the hairline. Graduate the hair from shortest at the hairline to longest at the round (parietal ridge) of the head. 2. Using this area as the guide, continue to cut clipper-over- comb from the hairline at the nape to the round (occipital ridge) of the head at the back. Connect to the area behind the ear on the opposite side and repeat the process. 4. 5. 6. 3. Create a vertical section at the center back. Lift the hair to 90 degrees, and continue the short to long progression from the occipital to the crown. 4. Using the previous section as the guide, work toward the ear, lifting each section to 90 degrees. Continue to cut using vertical sections until you reach the front hairline at the temple. 5. Using the length established at the crown as a starting 7. 8. 9. point, section from the crown to the front hairline down the center of the head. 6. Angle the fingers upwards toward the front and cut from the previously established length at the crown to create the longest length at the front hairline. 7. Direct all hair at the top of the head straight up using the previous section as the guide. This will create additional weight as the head rounds to meet the graduated sides. 8. Blend and round the weight where the layered top meets 10. 11. 12. the graduated sides. Round off all corners and points. 9. Using a seven or nine row brush (depending on the hair thickness), blow-dry the hair up and back for lift and fullness. 10. If working on very thick hair, soften and lighten the ends with a blending shear. Continue until the hair is visually responsive. This should only be done on the outer edges of each section, not on the midlengths or ends. 11. Using an edger or a straight razor, clean and strengthen 13. 14. sideburns and/or beard and moustache. 12. Using a straight edge razor, clean the nape of the neck of any stray hairs and strengthen the perimeter line from ear to nape. 13. Apply liberal amounts of Reuzel Medium Hold Grease from front to back, roots to ends. 14. Sculpt the hair into place using a cutting comb and hands. 142 behindthechair.com get the dvd! who did it Learn all 10 of the signature Schorem cuts for men, including the clipper and razor techniques that make them so unique. As a bonus, hair: The Schorem Barbers you’ll also receive a mini documentary—created by American David Raccuglia photography: Crew Founder and world-class photographer and filmmaker David location: Rotterdam, Holland Raccuglia—telling the story of the most famous barbershop in the world and the phenomenal impact its barbers are having as leaders in the resurging world of old-school barbering. DVD ..........................................................................................$85.00 /barber 1-800-760-3010 ext. 10 143.

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Grooming Standards

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Garren Right

behindthecover with When Victoria Beckham or Madonna is in your chair, there’s way more at stake than a haircut or a few highlights. The whole world is watching and you could have a multi-million dollar impact on your client’s career. Positive if you get it garren right. Disastrous if you don’t. hat’s why the owner of the eponymous that didn’t matter. His only objective was to New York salon and top session artist create something suitable and chic, as he Thas very firm ideas and procedures in would for any client. So he collected dozens place when it comes to change. As a result, of photos and analyzed which elements of her Garren’s makeovers are about more than hairstyles worked and which didn’t over the new hairstyles. Sometimes they are respon- years. “I realized I liked seeing her face and sible for the complete transformation of a her neck,” he reveals, “and when her hair got high profile career. too long, I thought she looked ordinary.” As the next step, he collected photos of his high- The First Supermodel profile short haircuts—on Evangelista and Everyone in the fashion world knows that models Stella Tennant and Lucie de la Falaise models have very little say over how they among others. He presented the portfolio to wear their hair. Most agents and clients Beckham and said, “I won’t do anything just demand long, non-descript styles that can be to make a statement—it has to be something coifed to suit the particular job.
Selected Works Selected Works Works Selected

Celebrating Twenty-ﬁve Years in the Snite Museum of Art: 1980–2005 SELECTED WORKS SELECTED WORKS S Snite Museum of Art nite University of Notre Dame M useum of Art SELECTED WORKS SELECTED WORKS Celebrating Twenty-ﬁve Years in the Snite Museum of Art: 1980–2005 S nite M useum of Art Snite Museum of Art University of Notre Dame SELECTED WORKS Snite Museum of Art University of Notre Dame Published in commemoration of the 25th anniversary of the opening of the Snite Museum of Art building. Dedicated to Rev. Anthony J. Lauck, C.S.C., and Dean A. Porter Second Edition Copyright © 2005 University of Notre Dame ISBN 978-0-9753984-1-8 CONTENTS 5 Foreword 8 Benefactors 11 Authors 12 Pre-Columbian and Spanish Colonial Art 68 Native North American Art 86 African Art 100 Western Arts 264 Photography FOREWORD From its earliest years, the University of Notre Dame has understood the importance of the visual arts to the academy. In 1874 Notre Dame’s founder, Rev. Edward Sorin, C.S.C., brought Vatican artist Luigi Gregori to campus. For the next seventeen years, Gregori beautified the school’s interiors––painting scenes on the interior of the Golden Dome and the Columbus murals within the Main Building, as well as creating murals and the Stations of the Cross for the Basilica of the Sacred Heart. In 1875 the Bishops Gallery and the Museum of Indian Antiquities opened in the Main Building. The Bishops Gallery featured sixty portraits of bishops painted by Gregori. In 1899 Rev. Edward W. J.