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Beauty Trends 2015
Beauty Trends 2015 HAIR CARE EDITION (U.S.) The image The image cannot be cannot be displayed. displayed. Your Your computer computer may not have may not have enough enough memory to memory to Intro open the open the With every query typed into a search bar, we are given a glimpse into user considerations or intentions. By compiling top searches, we are able to render a strong representation of the United States’ population and gain insight into this specific population’s behavior. In our Google Beauty Trends report, we are excited to bring forth the power of big data into the hands of the marketers, product developers, stylists, trendsetters and tastemakers. The goal of this report is to share useful data for planning purposes accompanied by curated styles of what we believe can make for impactful trends. We are proud to share this iteration and look forward to hearing back from you. Flynn Matthews | Principal Industry Analyst, Beauty Olivier Zimmer | Trends Data Scientist Yarden Horwitz | Trends Brand Strategist Photo Credit: Blind Barber (Men’s Hair), Meladee Shea Gammelseter (Women’s Hair), Andrea Grabher/Christian Anwander (Colored Hair), Catface Hair (Box & Twist Braids), Maria Valentino/MCV photo (Goddess Braid) Proprietary + Confidential Methodology QUERY To compile a list of accurate trends within the Jan-13 Aug-13 Jan-14 Aug-14 Jan-15 Aug-15 beauty industry, we pulled top volume queries related to the beauty category and looked at their monthly volume from January 2013 to August 2015. We first removed any seasonal effect, and DE-SEASONALIZED QUERY then measured the year-over-year growth, velocity, and acceleration for each search query. -
Makeup-Hairstyling-2019-V1-Ballot.Pdf
2019 Primetime Emmy® Awards Ballot Outstanding Hairstyling For A Single-Camera Series A.P. Bio Melvin April 11, 2019 Synopsis Jack's war with his neighbor reaches a turning point when it threatens to ruin a date with Lynette. And when the school photographer ups his rate, Durbin takes school pictures into his own hands. Technical Description Lynette’s hair was flat-ironed straight and styled. Glenn’s hair was blow-dried and styled with pomade. Lyric’s wigs are flat-ironed straight or curled with a marcel iron; a Marie Antoinette wig was created using a ¾” marcel iron and white-color spray. Jean and Paula’s (Paula = set in pin curls) curls were created with a ¾” marcel iron and Redken Hot Sets. Aparna’s hair is blow-dried straight and ends flipped up with a metal round brush. Nancy Martinez, Department Head Hairstylist Kristine Tack, Key Hairstylist American Gods Donar The Great April 14, 2019 Synopsis Shadow and Mr. Wednesday seek out Dvalin to repair the Gungnir spear. But before the dwarf is able to etch the runes of war, he requires a powerful artifact in exchange. On the journey, Wednesday tells Shadow the story of Donar the Great, set in a 1930’s Burlesque Cabaret flashback. Technical Description Mr. Weds slicked for Cabaret and two 1930-40’s inspired styles. Mr. Nancy was finger-waved. Donar wore long and medium lace wigs and a short haircut for time cuts. Columbia wore a lace wig ironed and pin curled for movement. TechBoy wore short lace wig. Showgirls wore wigs and wig caps backstage audience men in feminine styles women in masculine styles. -
Ipsos MORI: Men's Grooming and the Beard of Time
MEN’S GROOMING IN NUMBERS Men spend 8 days 57% a year on grooming themselves Men currently have 5 personal care of men don’t style their hair at all products on their bathroom shelf, on average 26% of men shave their face Of those men every day, 19% once a week 18% who have used a women’s razor, or less and 10% do not ever of men have used 20% said they did it because the women’s shave their face a women’s razor product was more effective (but most did it because of availability/convenience) Most commonly men 53% 20% spend 4-5 minutes (23%) of men don’t of men 74% of men have used shaving moisturise their moisturise each time they shave foam/gels, 29% face scrubs, 81% face at all their face daily razors Source: Ipsos MORI, fieldwork was conducted online between 29 July and 2 August 2016, with 1,119 GB adults aged 16-75. HAIR AND FACIAL TRENDS THROUGH THE BEARD OF TIME 3000bc 400bc Ancient Egyptians Greeks perceived the beard were always clean shaved. as a sign of high status & False beards were worn as wisdom. Men grew, groomed a sign of piety and after death. and styled their beards to imitate the Gods Zeus and Hercules. 340bc Alexander the Great encouraged his soldiers to shave their beards 1 AD – 300 AD before battle to avoid the enemies Both Greeks and Romans started pulling them off their horses. shaving their beards claiming they’re “a creator of lice and not of brains”. -
List of Hairstyles
List of hairstyles This is a non-exhaustive list of hairstyles, excluding facial hairstyles. Name Image Description A style of natural African hair that has been grown out without any straightening or ironing, and combed regularly with specialafro picks. In recent Afro history, the hairstyle was popular through the late 1960s and 1970s in the United States of America. Though today many people prefer to wear weave. A haircut where the hair is longer on one side. In the 1980s and 1990s, Asymmetric asymmetric was a popular staple of Black hip hop fashion, among women and cut men. Backcombing or teasing with hairspray to style hair on top of the head so that Beehive the size and shape is suggestive of a beehive, hence the name. Bangs (or fringe) straight across the high forehead, or cut at a slight U- Bangs shape.[1] Any hairstyle with large volume, though this is generally a description given to hair with a straight texture that is blown out or "teased" into a large size. The Big hair increased volume is often maintained with the use of hairspray or other styling products that offer hold. A long hairstyle for women that is used with rich products and blown dry from Blowout the roots to the ends. Popularized by individuals such asCatherine, Duchess of Cambridge. A classic short hairstyle where it is cut above the shoulders in a blunt cut with Bob cut typically no layers. This style is most common among women. Bouffant A style characterized by smooth hair that is heightened and given extra fullness over teasing in the fringe area. -
The Given Names Were Chosen to Be Translated, So Th
ESPERANTO VERSION 1.0 - 04-FEB-2019 Translator's note: - The given names were chosen to be translated, so they give an Esperanto colour to the story, they sound more familiar to the Esperanto readers (from different language backgrounds) and they could fit better to the grammar. The same is traditionally used for classical names, always represented in their Esperanto forms (e.g. Lukrecio, Demosteno). The family names were kept as in the original. "Bait" by Iago Faustus, Ph.D. part of the series Fabulae Atroces Fausti [email protected] [email protected] +1-718-440-1873 1 Special translator©s edition of the script. 2 Overall production note: This script represents a comic-book representation of a sort of obscene nature documentary, and so a number of elements will appear as panels representing camera shots in that documentary. The documentary has a "narrator" who will appear from time-to-time in a CAPTION element (CAPTION – PSEUDO-NARRATION). At other times there will be "interviews" with people knowledgeable about the events this "documentary" is about. In the course of these interviews, an unseen interviewer will occasionally interpose questions of the interview subjects. These will be handled through speech balloons attributed to an "Unseen interviewer." When the interviewees speak a foreign language, that language will appear in their speech balloons and "subtitles" will appear below to "translate" what they are saying. Also, "Subtitles" will also appear from time to time to indicate the "source" of various "footage" that the documentary makers made us of in putting the documentary together. Notes for the translator: Much of the material in the comic that follows consists of instructions to the artist who illustrated it. -
Garren Right
behindthecover with When Victoria Beckham or Madonna is in your chair, there’s way more at stake than a haircut or a few highlights. The whole world is watching and you could have a multi-million dollar impact on your client’s career. Positive if you get it garren right. Disastrous if you don’t. hat’s why the owner of the eponymous that didn’t matter. His only objective was to New York salon and top session artist create something suitable and chic, as he Thas very firm ideas and procedures in would for any client. So he collected dozens place when it comes to change. As a result, of photos and analyzed which elements of her Garren’s makeovers are about more than hairstyles worked and which didn’t over the new hairstyles. Sometimes they are respon- years. “I realized I liked seeing her face and sible for the complete transformation of a her neck,” he reveals, “and when her hair got high profile career. too long, I thought she looked ordinary.” As the next step, he collected photos of his high- The First Supermodel profile short haircuts—on Evangelista and Everyone in the fashion world knows that models Stella Tennant and Lucie de la Falaise models have very little say over how they among others. He presented the portfolio to wear their hair. Most agents and clients Beckham and said, “I won’t do anything just demand long, non-descript styles that can be to make a statement—it has to be something coifed to suit the particular job. -
Selected Works Selected Works Works Selected
Celebrating Twenty-five Years in the Snite Museum of Art: 1980–2005 SELECTED WORKS SELECTED WORKS S Snite Museum of Art nite University of Notre Dame M useum of Art SELECTED WORKS SELECTED WORKS Celebrating Twenty-five Years in the Snite Museum of Art: 1980–2005 S nite M useum of Art Snite Museum of Art University of Notre Dame SELECTED WORKS Snite Museum of Art University of Notre Dame Published in commemoration of the 25th anniversary of the opening of the Snite Museum of Art building. Dedicated to Rev. Anthony J. Lauck, C.S.C., and Dean A. Porter Second Edition Copyright © 2005 University of Notre Dame ISBN 978-0-9753984-1-8 CONTENTS 5 Foreword 8 Benefactors 11 Authors 12 Pre-Columbian and Spanish Colonial Art 68 Native North American Art 86 African Art 100 Western Arts 264 Photography FOREWORD From its earliest years, the University of Notre Dame has understood the importance of the visual arts to the academy. In 1874 Notre Dame’s founder, Rev. Edward Sorin, C.S.C., brought Vatican artist Luigi Gregori to campus. For the next seventeen years, Gregori beautified the school’s interiors––painting scenes on the interior of the Golden Dome and the Columbus murals within the Main Building, as well as creating murals and the Stations of the Cross for the Basilica of the Sacred Heart. In 1875 the Bishops Gallery and the Museum of Indian Antiquities opened in the Main Building. The Bishops Gallery featured sixty portraits of bishops painted by Gregori. In 1899 Rev. Edward W. J. -
The Death of the Powdered Wig and Birth of British Sartorial Modernity, 1795–1812
“Casting Off Powder:” The Death of the Powdered Wig and Birth of British Sartorial Modernity, 1795–1812 “Leaving off powder- or- a frugal family saving the Guinea.” James Gillray, 1795. National Por trait Gallery. Master's Thesis (45 Credits) Samuel Marknäs Thesis Advisor: Mikael Alm Examinator: Christine Ekholst Term: Spring 2021 Date of Defense: Spring 01/06/2021 HISTORISKA INSTITUTIONEN Marknäs, 2021- Casting off Powder: The Demise of the Powdered Wig Marknäs, 2021- Casting off Powder: The Demise of the Powdered Wig ACKNOWLEDGEMENTS............................................................................................................................. 1 ABSTRACT .................................................................................................................................................... 1 INTRODUCTION- THE GREAT MALE “UN-POWDERING” ................................................................... 2 ENTERING SARTORIAL MODERNITY ....................................................................................................................... 2 HISTORICAL CONTEXT: THE HISTORIOGRAPHY OF WIGS AND POWDER ............................................................ 4 William Pitt and the Pittite Conservatives- Revolution, War, And Repression .............................................. 7 RESEARCH QUESTION AND AIMS .......................................................................................................................... 10 THEORETICAL PERSPECTIVES .............................................................................................................................. -
The Physicality of Rubens‟ Human Bodies: Visuality And
THE PHYSICALITY OF RUBENS‟ HUMAN BODIES: VISUALITY AND MEDICINE IN EARLY MODERN EUROPE AIKATERINI GEORGOULIA TWO VOLUMES VOLUME I PH.D. UNIVERSITY OF YORK HISTORY OF ART SEPTEMBER 2014 ABSTRACT This thesis presents new textual and visual source material for our understanding of Rubens‟ painted human bodies. It identifies hitherto unexamined socio-cultural contexts, as well as contests and revises scholarly assumptions. I maintain that Rubens‟ bodies were informed by early modern scientific practices and medical discourses. The central argument is that Rubens‟ understanding of human physicality and the contemporary engagement with basic biological processes converge in his painted bodies. The medical view of the body as a psychosomatic unity – a nexus of material and immaterial properties – opens a new investigative avenue to studies of cultural materialism. The exploration of the enmeshment of materiality and immateriality gives an insight into how and in what ways matter and image acquire meaning. I argue that the immaterial characteristics of the human body are visually integrated in canvas and paper, pigments, oils and chalk. By exploring visual and textual sources, this study proposes a larger methodological framework. It brings together visuality, materiality and textuality, providing a cross-referential reading of text and image, and using both of them as core primary material with an argumentative voice. The analysis of the visual case studies (portraiture, history and religious painting) does not draw on a larger pre-determined and extraneous context, but context is produced by the image. Therefore, I perceive context as multifarious and wide-ranging. My approach responds to the previous lack of a broader study of Rubens‟ bodies via a medical perspective. -
Rochambeau Revolutionary Route in the State of New York, 1781-1782
THE WASHINGTON - ROCHAMBEAU REVOLUTIONARY ROUTE IN THE STATE OF NEW YORK, 1781-1782 An Historical And Architectural Survey Project Historian: ROBERT A. SELIG, Ph. D. Project Director: Dr. James M. Johnson, Colonel, US Army (Ret.) Sponsor: Florence Gould Foundation Administered by: Hudson River Valley Greenway 2001 Hudson River Valley Greenway Capitol Building Capitol Station Room 254 Albany, NY 12224 Tel.: (518) 473 3835 Fax: (518) 473 4518 www.hudsongreenway.state.ny.us Copyright © Robert A. Selig For additions/corrections/suggestions contact the author at www.xenophongroup.com/vita/selig For additional copies of this report contact: Hudson River Valley Institute Marist College 3399 North Road Poughkeepsie, New York 12601-1387 Phone: Fax: 845-575-3052 845-575-3560 [email protected] TABLE OF CONTENTS 2 1. ACKNOWLEDGEMENTS 5 2. INTRODUCTION Purpose of the Project 6 Scope of the Project 7 Goals of the Project 8 Sources 9 3. METHODOLOGY 3.1 Criteria for Selection: How Sites Were Chosen for Inclusion 12 3.2 The Form 14 3.3 Other Parts of the Survey Report 15 3.4 Recommendations 15 4. LEGISLATIVE HISTORY OF THE ROUTE 17 5. HISTORICAL BACKGROUND 5.1 France and Great Britain on the Eve of American Independence 21 5.2 French Aid prior to the Alliance of 1778 24 5.3 The Failed Invasion of 1779 and the Decision to send Troops to America 33 5.4 The Comte de Rochambeau and the troops of the expédition particulière 35 5.4.1 The Officer Corps 36 5.4.2 The Rank and File 44 6. -
Phebe K. Beard Receives BA Degree from Oberlin • Versailles Treaty
1919 Phebe K. Beard receives BA degree from Oberlin Versailles Treaty incorporating Woodrow Wilson‘s League of Nations Former President Theodore Roosevelt dies January 1919 Flora is 50 and Mary is 37. They are in Tungchou, China teaching at the North China American School. Willard, Ellen, Marjorie and Kathleen are in Foochow, China. Phebe, Gould, Geraldine and Dorothy are in the U.S. Willard is 54, Ellen- 51, Phebe- 24, Gould- 23, Geraldine- 21, Dorothy- 18, Marjorie- 13, Kathleen- 11. ***** [This letter, dated January 3, 1919, was written from Tungchou, China by Mary to the ones at home. She tells about their Christmas and New Years. There is an unpopular movement to start another school in Peking and Mary and Flora are not happy about it. Envelope labeled “Opened by Censor No. 2255.” Letter from the collection of Virginia Van Andel.] Jan. 3 [1919] Dear Ones at Home- Vacation seems to be a busier time than school time. Already we have had two weeks and it seems like a few days only. School closed December 19th. The 20th was taken up in seeing the children off and tidying up after them. We had guests for supper too. On Saturday Flora, Miss Parsons and I gave the five boys of the compound a Christmas present of a trip to Peking. We took the early train; spent the morning in the foreign shops or the Tung An Shi Chang (Market outside the East Gate); had a Chinese meal at a Chinese restaurant; went to Lun Fo Ssl (A Temple fair) in the afternoon and home on the afternoon train. -
Hughes' Final Years: Drugs, Movies
THE WASHINGTON POST Saturday. March 12, 19:7 E41 Jack Anderson and Les Whitten Hughes' Final Years: Drugs, Movies From secret daily logs kept by at- visit briefly with outsiders. They con- Immediately called for a screening Of tendants, we have been presenting the tradicted our description of the billion- "The Deserter." strange saga of Howard Robard aire as a wildly shaggy apparition. Hughes agreed, meanwhile, to see Hughes. We speculated that they may have Nevada's Gov. Mike O'Callaghan and The late Billionaire spentthis last been greeted by a double; we even es- gaming chairman Phil Hannafin to re- years in a series of darkened penthous- tablished that Hughes had used dou- solve a stalemate over his gambling es, often groggy from drugs, watching bles in the past to deceive, process serv- properties. The meeting was scheduled a constant round of movies. He went ers. But the logs reveal that the visitors the night of March 17, 1973. At 11:35 months, sometimes years, without met the real Hughes; the logs also p.m., Hughes' barber Mell Stewart, trimming his hair, beard or nails. show that it took four hours to groom trimmed his beard down to a neat Van His greatest personal struggle appar- him for the confrontations. It was his Dyke and tapered his unkempt hair. It ently took place in the bathroom, first barbering in years. was 1:15 a.m. before Hughes was ready where he spent an abnormal amount to greet his Nevada visitors. of time performing his ablutions. His His trim, new Van Dyke beard was After the meeting, he shuffled into bowel movements are triumphantly just beginning to get ragged again -the bathroom at 3:05 a.m.