Rhetorical Analysis on “Tears in Heaven” Rebecca Yu English

Total Page:16

File Type:pdf, Size:1020Kb

Rhetorical Analysis on “Tears in Heaven” Rebecca Yu English Rhetorical Analysis on “Tears in Heaven” Rebecca Yu English Composition Aiden Yeh 3 June 2015 Yu1 Rhetorical Analysis on “Tears in Heaven” Eric Clapton, one of the most influential guitarists and songwriters, composed the song "Tears in Heaven" which won him three Grammy Awards. This song carries his sorrow and love for his son, and through the making of the song, he learns to heal and carry on with life. Clapton showed his despair and pain through the lyrics, looking forward to the day when they may finally unite again in heaven, and it touched the hearts of the listeners. "Tears in Heaven" is a personal song written by Eric Clapton expressing the most genuine and tragic love, and it also brought peace to those people who had also lost their loved ones. Eric Clapton is a guitarist, songwriter and a singer, and he was a huge influence not only to many famous guitarists such as Eddie Van Halen and Gary Moore, but also an important figure in music. In his career, he had won a total of 18 Grammy Awards and ranked high in “Greatest Guitarists of All Times” in many magazines, including Rolling Stone and Times. His success and contribution in music has given him fame into making his music more widely known. Eric Clapton wrote the song “Tears in Heaven” out of grief after the tragedy that happened to his son. In the year 1999, his son died at the age of four, when he accidentally fell through the window from the 53rd floor in building in New York City. For the following months, Eric Clapton grieved for his son and disengaged himself with the outside-world. He then decided to write “Tears in Heaven” which he dedicated to his boy. He collaborated with Will Jennings, who is known for writing the lyrics to the song “My Heart Will Go On”, for he admired his work and hoped that he could help him complete the song for his son. Will Jennings had declined the request at first since he felt that the connection of the song between Yu 2 father and son was too personal; nevertheless, he still completed the last two verse lines of “Tears in Heaven.” Eric Clapton establishes ethos with his own story and true emotions; the song has showed the pain he was undergoing when being forced to accept the fact of his son’s death. The lyrics he wrote came from the bottom of his heart, with the most sincere love and grief for his boy. Eric Clapton also wrote “The Circus Left Town” which also talks about the memory he had between his son, the night they had spent together before the tragedy occurred. He showed ethos for he had written these songs in the memory of his son, and the lyrics were so genuine and heartfelt it got the empathy of the listeners. They could be able to feel what he expressed through the song, his agony and his love for his son. Eric Clapton inaugurated pathos with the way the music was played, different from his previous songs, “Tears in Heaven” is softer and has a sad tone to the melody. The song was acoustic, and was played using musical instruments without electrical amplification. This emphasizes the vocals; Eric Clapton has a raspy voice which adds the taste of sorrow to the song and lyrics. Pathos is used right from the beginning of the song to the very end. The title of the song “Tears in Heaven” points out the meaning of the song. The heartbreak Eric Clapton suffered from when he lost his son. The feeling of sadness and sorrow so deep and intense it would bring tears to heaven. Pathos is clearly established in the lyrics of the first two verses when his uses the first person point of view asking his son the questions, “Would you know my name if I saw you in heaven ? Would it be the same if I saw you in heaven?” and “Would you hold my hand if I Yu 3 saw you in heaven? Would you help me stand if I saw you in heaven?” (Eric Clapton, Tears in Heaven) It shows his eager to end his life and join his son, and he imagines the day when they will finally meet again in heaven. Having written the lyrics in the first person point of view makes it even more real, and it gets the listeners to imagine the picture of the father talking to the son when they finally meet each other again. In the third and fourth lines of the first and second verses, also wrote in the first person point of view, he starts telling himself, “I must be strong and carry on” and “I’ll find my way through the night”(Eric Clapton, Tears in Heaven). The two verse lines shows that Eric Clapton knows that he has to stay strong, not only for his family, but also for his son. It effectively touches the hearts of the listeners, to see see a man trying hard to pull himself together after going through the hard times. Moreover, it encourages those who had also lost their lost ones to heal and carry on in life. And then Eric Clapton ends the first and second verse by writing, “Cause I know I don’t belong here in heaven” and “Cause I know I just can’t stay here in heaven”, as if waking up from a dream and realizing that it will never come true (Eric Clapton, Tears in Heaven). Eric Clapton wanted to stay in heaven where he could be with his son, and here it shows that he has gradually accepted the death of his son. The third and fourth verse was written by Will Jennings. He depicts the pain Eric Clapton is through, how people undergo the process of losing a loved-one. In the third verse, Jennings talks about how life and death can struck one so unexpectedly and tear one apart, leaving them hopeless, not knowing why things are the way they are. In the fourth verse, Jennings wrote that no matter how difficult life gets, there is always hope to navigate one through the tough times. The last line, “And I know there’ll be Yu 4 no more tears in heaven.” is a respond to the title of the song that one day, someday, everything will be okay (Eric Clapton, Tears in Heaven). The use of pathos brings comfort and hope to the people who are suffering from the same pain. Logos is not obvious, but is clearly established throughout the whole song, weaving the fatherly love into the words. By using the simplest questions and sentences, Eric Clapton had created an atmosphere of sorrow. He poured his love for his son and sorrow into the song, and the genuineness has touched the hearts of the listeners. While it has been years since the song was first released, up till now the song is still a classic popular among people. It still reminds people of the tragic accident, and Eric Clapton’s beloved son, the love that was too late to express and turned into a song. "Tears in Heaven", Eric Clapton dedicated this song to his son, expressing the most sincere and heartbreaking love. Yu 5 Works Cited Grassi, Tony “Tragedy Inspires Eric Clapton’s Tears in Heaven” June 24 2011. guitarworld.com June 3 2015. <http://www.guitarworld.com/node/11391> “Mother of Tears in Heaven Shares Story” abc.com September 7 2006. June 3 2015. <http:// abcnews.go.com/2020/Entertainment/story?id=2404474> “Tears in Heaven Lyrics” metrolyrics.com n.d. June 3 2015. <http://www.metrolyrics.com/tears-in-heaven-lyrics-eric-clapton.html> life .
Recommended publications
  • AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
    AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr.
    [Show full text]
  • Joy Harjo Reads from 'Crazy Brave' at the Central Library
    Joy Harjo Reads From 'Crazy Brave' at the Central Library [0:00:05] Podcast Announcer: Welcome to the Seattle Public Library's podcasts of author readings and Library events; a series of readings, performances, lectures and discussions. Library podcasts are brought to you by the Seattle Public Library and Foundation. To learn more about our programs and podcasts visit our website at www.spl.org. To learn how you can help the Library Foundation support the Seattle Public Library go to foundation.spl.org. [0:00:40] Marion Scichilone: Thank you for joining us for an evening with Joy Harjo who is here with her new book Crazy Brave. Thank you to Elliot Bay Book Company for inviting us to co-present this event, to the Seattle Times for generous promotional support for library programs. We thank our authors series sponsor Gary Kunis. Now, I'm going to turn the podium over to Karen Maeda Allman from Elliott Bay Book Company to introduce our special guest. Thank you. [0:01:22] Karen Maeda Allman: Thanks Marion. And thank you all for coming this evening. I know this is one of the readings I've most look forward to this summer. And as I know many of you and I know that many of you have been reading Joy Harjo's poetry for many many years. And, so is exciting to finally, not only get to hear her read, but also to hear her play her music. Joy Harjo is of Muscogee Creek and also a Cherokee descent. And she is a graduate of the Iowa Writers Workshop at the University of Iowa.
    [Show full text]
  • Eric Clapton
    ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album.
    [Show full text]
  • No. Title Singer a 101 Addicted to Love Robert
    No. Title Singer A 101 Addicted To Love Robert Palmer 127 After Midnight Eric Clapton 128 Ain't No Stoppin' Us Now McFadden & Whitehead 1 All I Want Is A Life Tim McGraw 82 All Star Smash Mouth 108 All The Man That I Need Whitney Houston 91 All You Wanted Michelle Branch 40 Always Atlantic Starr 129 Amarillo By Morning George Strait 130 Amie Pure Prairie League 109 And She Was Talking Heads 2 And Still Reba McEntire 8 Anything Goes Frank Sinatra 120 Are You Happy Now Michelle Branch 68 Arthur's Theme (The Best That You..) Christopher Cross 131 At This Moment Billy Vera B 132 Bad Michael Jackson 133 Bang The Drum All Day Todd Rundgren 134 Beat Goes On, The Sonny & Cher 135 Beat It Michael Jackson 41 Behind Closed Doors Charlie Rich 136 Big Spender from "Sweet Charity" 137 Billie Jean Michael Jackson 104 Black Or White Michael Jackson 138 Black Water Doobie Brothers 139 Brandy You're a Fine Girl Looking Glass 122 Breathe Michelle Branch 7 But I Will Faith Hill C 140 Candy Man Roy Orbison 141 Can't Get Enough (of Your Love) Bad Company 142 Can't Get Enough of Your Love Babe Barry White 87 Careless Whisper Wham 124 Carried Away George Strait 11 Carrying Your Love With Me George Strait 93 Celebration Kool And The Gang 143 Chain Of Fools Aretha Franklin 61 Cherish Kool And The Gang 76 Closing Time Semisonic 60 Copperhead Road Steve Earle 144 Could It Be I'm Falling in Love? Spinners, The 98 Crazy For You Madonna D 27 Dance To The Music Sly & The Family Stone 145 December Collective Soul E 42 Embraceable You Nat King Cole 105 Endless Love Diana Ross/Lionel Richie 146 Escape (The Pina Colada Song) Rupert Holmes 43 Evergreen Barbra Streisand 147 Everybody Hurts R.E.M.
    [Show full text]
  • ARTIST SONG AC/DC Back in Black Adele Rolling in the Deep Al Green
    ARTIST SONG AC/DC Back In Black Adele Rolling In The Deep Al Green Let’s Stay Together Alanis Morrisette Ironic Alien Ant Farm Smooth Criminal Amy Winehouse Valerie Aretha Franklin Respect Bill Withers Ain’t No Sunshine Bob Dylan Knocking on Heaven's door Bob Marley I Shot The Sherriff Bon Jovi You Give Love A Bad Name Britney Spears Toxic Bruno Mars Runaway Baby Bruno Mars Treasure Carly Rae Jepsen Call Me Maybe Cee Lo Green Forget You Chic Everybody Dance Chic Le Freak Chic Good Times Deep Purple Black Night Diana Ross Ain't No Mountain High Enough Electric Six Gay Bar Eric Clapton Cocaine Etta James I’d Rather Go Blind Etta James I Just Wanna Make Love to You Foo Fighters Times Like These Fountains Of Wayne Stacy's Mom Gloria Gaynor I Will Survive Gnarls Barkley Crazy Greenday American Idiot Jaco Pastorius The Chicken John Cage's 4'33 Justin Timberlake Sexy Back Led Zeppelin Good Times Bad Times Lee Ritenour Fly By Night Linkin Park Numb Luther Vandross Never Too Much Lynyrd Skynyrd Sweet Home Alabama Maroon 5 Harder To Breathe Maroon 5 This Love Marvin Gaye Through The Grape Vine Metallica Enter Sandman Michael Jackson Beat It Michael Jackson PYT Motorhead Ace of Spades Muse Starlight Muse Time is Running Out No Doubt Don’t Speak Olly Murs Troublemaker Otis Redding Sitting on the dock of the bay Paramore Misery business Paul Simon Diamonds on the Soles of Her Shoes Pixie Lott Cry Me Out Prince Kiss Rage Against The Machine Killing In The Name Red Hot Chili Peppers Aeroplane Red Hot Chili Peppers Californication Rose Royce Car Wash
    [Show full text]
  • Mother-Son Dance
    Most Requested Songs Back These lists are dynamically compiled based on online requests made over the past year at thousands of events around the world, where #1 is the most requested song. Select a List: Mother Son Dance List Results Artist Song Add to List 1 Rascal Flatts My Wish 2 Boyz II Men A Song For Mama 3 Tim Mcgraw Humble And Kind 4 Lee Ann Womack I Hope You Dance 5 Louis Armstrong What A Wonderful World 6 Lynyrd Skynyrd Simple Man 7 Van Morrison Days Like This 8 Phil Collins You'll Be In My Heart 9 Lee Brice Boy 10 Celine Dion Because You Loved Me (Theme From Up... 11 Rod Stewart Forever Young 12 Beatles In My Life 13 Reba Mcentire You're Gonna Be 14 Eric Church Like Jesus Does 15 Jim Brickman Feat. Lady Antebellum ... Never Alone 16 Kenny Chesney Don't Blink 17 Fleetwood Mac Landslide 18 Jason Mraz 93 Million Miles 19 Josh Groban You Raise Me Up 20 Elton John Your Song 21 Israel 'Iz' Kamakawiwo'ole Over The Rainbow 22 James Taylor How Sweet It Is (To Be Loved By You... 23 Ben E. King Stand By Me 24 Garth Brooks Mom 25 Taylor Hicks Do I Make You Proud 26 Beach Boys God Only Knows 27 Carrie Underwood Mama's Song 28 Jason Matthews That's What Mamas Do 29 Billy Joel Just The Way You Are 30 Trace Adkins Then They Do 31 Bette Midler Wind Beneath My Wings 32 Jackson 5 I'll Be There 33 Marvin Gaye & Tammi Terrell Ain't No Mountain High Enough 34 Reba Mcentire He Gets That From Me 35 Rod Stewart Have I Told You Lately 36 Stevie Wonder You Are The Sunshine Of My Life 37 Van Morrison Brown Eyed Girl Artist Song Add to List 38 Beatles Here Comes The Sun 39 Blake Shelton The Baby 40 Ellie Goulding How Long Will I Love You 41 Eric Clapton Wonderful Tonight 42 Paul Simon Loves Me Like A Rock 43 ABBA Dancing Queen 44 Carpenters (They Long To Be) Close To You 45 Dexy's Midnight Runners Come On Eileen 46 Dixie Chicks Godspeed (Sweet Dreams) 47 Earth, Wind & Fire September 48 Kenny Loggins Return To Pooh Corner 49 Lyle Lovett And Randy Newman You've Got A Friend In Me 50 Mark Harris Find Your Wings Back Copyright © 1998-2021.
    [Show full text]
  • Billy Joel and the Practice of Law: Melodies to Which a Lawyer Might Work
    Touro Law Review Volume 32 Number 1 Symposium: Billy Joel & the Law Article 10 April 2016 Billy Joel and the Practice of Law: Melodies to Which a Lawyer Might Work Randy Lee Follow this and additional works at: https://digitalcommons.tourolaw.edu/lawreview Part of the Legal Profession Commons Recommended Citation Lee, Randy (2016) "Billy Joel and the Practice of Law: Melodies to Which a Lawyer Might Work," Touro Law Review: Vol. 32 : No. 1 , Article 10. Available at: https://digitalcommons.tourolaw.edu/lawreview/vol32/iss1/10 This Article is brought to you for free and open access by Digital Commons @ Touro Law Center. It has been accepted for inclusion in Touro Law Review by an authorized editor of Digital Commons @ Touro Law Center. For more information, please contact [email protected]. Lee: Billy Joel and the Practice of Law BILLY JOEL AND THE PRACTICE OF LAW: MELODIES TO WHICH A LAWYER MIGHT WORK Randy Lee* Piano Man has ten tracks.1 The Stranger has nine.2 This work has seven melodies to which a lawyer might work. I. TRACK 1: FROM PIANO BARS TO FIRES (WHY WE HAVE LAWYERS) Fulton Sheen once observed, “[t]he more you look at the clock, the less happy you are.”3 Piano Man4 begins by looking at the clock. “It’s nine o’clock on a Saturday.”5 As “[t]he regular crowd shuffles in,” there’s “an old man” chasing a memory, “sad” and “sweet” but elusive and misremembered.6 There are people who pre- fer “loneliness” to “being alone,” people in the wrong place, people out of time, no matter how much time they might have.7 They all show up at the Piano Man’s bar hoping “to forget about life for a while”8 because, as the song reminds us, sometimes people can find themselves in a place where their life is hard to live with.
    [Show full text]
  • Intertextualidade Entre a Bíblia E Tears in Heaven De Eric Clapton
    1 INTERTEXTUALIDADE ENTRE A BÍBLIA E TEARS IN HEAVEN DE ERIC CLAPTON Carlos R. Caldas Filho1 RESUMO: A partir da perspectiva apontada pelo crítico literário Northrop Frye, que apresenta a Bíblia como o “grande código” da civilização e cultura ocidentais, e trabalhando com a ferramenta teórica da intertextualidade, de Julia Kristeva, a presente comunicação visa apresentar elementos de uma leitura intertextual entre o texto bíblico e a letra da canção Tears in Heaven (“Lágrimas no Paraíso”), do poeta, instrumentista e intérprete de blues Eric Clapton, da Inglaterra. Percebem-se no texto da referida poesia pontos de contato com diversas passagens bíblicas. A partir daí verifica-se como o texto bíblico funciona como background (“pano de fundo”) da poesia Tears in Heaven. PALAVRAS-CHAVE: Crítica literária – intertextualidade – Eric Clapton – Bíblia – escatologia individual Introdução – fundamentação teórica O ponto do trabalho que ora se apresenta é apresentar, na perspectiva da intertextualidade (textual e temática) elementos religiosos na letra da música Tears in Heaven, de Eric Clapton. Tais elementos religiosos são de fundo cristão, e o texto que serve de background (“pano de fundo”) para a referida poesia é a Bíblia. Logo, necessário se faz comentar, posto que em síntese, o que se quer dizer por intertextualidade. Por intertextualidade se entende a superposição de um texto sobre outro, a influência que um texto exerce sobre outro. Quando acontece intertextualidade um texto funciona como ponto de partida para outro. O segundo texto em casos assim se torna uma espécie de atualização do primeiro. Exemplo claro e explícito é a bela poesia O operário em construção, de Vinícius de Morais, que tem evidente intertextualidade com a narrativa evangélica do relato de tentação de Jesus no deserto, conforme Lucas 4:1-13.
    [Show full text]
  • Change the World
    CHANGE THE WORLD As recorded by Eric Clapton (From the 1996 Album SOUNDTRACK "PHENOMENON" ) Transcribed by Jonnie Tamares Words and Music by Gordon Kennedy ([email protected]) Sims G 7 4 fr. F m7 C m7 4 fr. D m7 5 Cm7 3 fr. Bm7 A Eadd2/G 4 fr. E/G E°/G E Gsus2 b b x b xxb ` x x x b x xb x x xx x xx A Intro Moderately = 98 E F m7 G F m7 E P b b 1 g g R R V V V V I g g 4 aP gV V V V V V V V c V c V aP gV V V V c V c V fV V V V fV V V V GtVr I V V Vf V V V V fV V V V V V 0 0 0 T 0 (0) 0 0 0 0 0 0 1 2 2 2 2 0 1 (1) A 2 0 (0) 0 0 0 2 B 2 2 (2) 0 0 2 2 3 (3) 3 3 3 2 2 0 0 H H F m7 G Gsus2 B7sus4 b 5 g g R V U I g g aPgV V V V V V V c V c V VV UU c V cV fV V V V fV V V V U V V V V f V V V V fV V V V 0 (0) T 0 (0) 0 0 0 (0) 0 1 2 2 2 G2 (2) A 2 0 (0) 0 0 0 2 2 K4 (4) B 2 K2 (2) 0 0 2 2 3 (3) 3 3 3 3 2 2 K H K 3 g g R R I g g j P V V V fV P V U k P V V V fV V V z V fV V W V V V fV Gtr II V T [[[ 3 [[[[[[[[[[[[[[[[[[ 2 4 2 2 4 (4) 2 4 4 2 0 2 0 A 2 0 0 B 2 (2) 0 2 0 H H H sl.
    [Show full text]
  • Ain't No Sunshine – Bill Withersain't Too Proud To
    Ain’t No Sunshine – Bill WithersAin’t too . Have I Told You Lately – Van Morrison Proud to Beg – Temptations . Heartbreak Warfare – John Mayer . All Shook Up - Evlis . Here Comes the Sun – The Beatles . All Summer Long – Kidd Rock . Here I Am Baby – Al Green . All You Need Is Love – Beatiles . Hey Soul Sister - Train . Amber - 311 . Hey There Delilah – Plain White T’s . Angel - Shaggy . Higher Ground – Stevie Wonder . Ants Marching – Dave Matthews . Hit The Road Jack – Ray Charles . Arms Wide Open – Creed . Hot Hot Hot - Arrow . Baby I Love Your Way – Peter Frampton . Hotel California – The Eagles . Banana Pancakes – Jack Johnson . How Sweet It Is (To Be Loved by You) James . Beast of Burden – The Rolling Stones Taylor . Beautiful – Snoop Dog . I Can See Clearly Now – Johnny Nash . Better Together – Jack Johnson . I Can’t Stand The Rain – Turner/Seal . Billionaire – Bruno Mars . I Don’t Need No Doctor – John Mayer . Black Bird – Beatles . I Don’t Trust Myself – John Mayer . Black Magic Woman- Santana . I Wish – Stevie Wonder . Breakdown – Tom Petty . If I Only Had a Brain – Harold Arlen (Wizard . Brick House - Commodores of Oz) . Brown Eyed Girl – Van Morrison . If You’re Gonna Leave – Raul Midon . Can’t Buy Me Love - Beatles . I'm Yours – Jason Mraz . Can’t Help Falling in Love – Elvis/UB40 . Is This Love – Bob Marley . Cantaloop (Flip Fantasia) – Us3 . It’s Alright- Curtis Mayfield . Carolina In My Mind – James Taylor . Jack & Diane – John Melloncamp . Cecilia – Simon & Garfunkel . Jamaica Farewell – Harry Belefonti . Change The World – Eric Clapton . Jimi Thing – Dave Matthews . Come Together - Beatles .
    [Show full text]
  • Repertoire Jovo
    1973 – James Blunt 50 way´s to leave your lover – Paul Simon After the Goldrush – Niel Young Act Naturally – Buck Owens After the love has gone – Earth Wind & Fire All about that Bass – Meghan Trainor American Pie – Don McLean Angel from Montgomery – John Denver Another cup of coffee – Mike and the Mechanics Another brick in the wall – Pink Floyd Baby I love your way – Big Mountain Candle in the wind – Ed Sheeran Calypso – John Denver Carry me – Chris de Burgh Cello – Udo Lindenberg Coal Tattoo – Billy Edd Wheeler Cocaine – Eric Clapton Count on me – Bruno Mars Country Roads – John Denver Crazy little thing called love – Queen Crocodile Rock – Elton John Don´t be so shy – Imany Don´t pay the ferryman – Chris de Burgh Every breath you take - Police Fiddlers green – Dubliners Fields of Athenry – Paddy Reilly Flying – Nice Little Penguins Follow me – John Denver Fool if you think it´s over – Chris Rea Friends in low places – Garth Brooks Galway Girl – Ed Sheeran Geiles Leben - Glasperlenspiel Give a little bit – Supertramp Give it up – KC & The Sunshine Band Grandma´s feather bed – John Denver Heart of gold – Niel Young Heal the world – Michael Jackson Heart skips a beat – Olly Murs Hold the line - Toto Homeward bound – Simon & Garfunkel How can I leave you again – John Denver How deep is your love – Bee Gees Hymn – Barcley James Harvest I can still make Cheyenne – George Strait I can see clearly now – Jimmy Cliff I feel lonely – Sascha I guess he´d rather be in Colorado – John Denver I´m sorry – John Denver I´m walking – Fats Domino Imagine – John Lennon It is not easy - JoVo Jessie - Joshua Kadison Johnny Walker - Westernhagen Knocking on heavens door – Eric Clapton Kodachrome – Paul Simon Lady in Red – Chris de Burgh Late In the evening – Simon & Garfunkel Lay down Sally – Eric Clapton Leaving on a jetplane – John Denver Lemon tree – Fools Garden Let her go - Passengers Leroy Brown – Jim Cruce Lodi - CCR Mambo No.
    [Show full text]
  • B UDOKAN, T OKY O a Pril 18, 2016MP3 V
    BUDOKAN, TOKYO April 18, 2016 MP3 Version whereseric.com: The fourth concert of Eric Clapton’s Tokyo residency was “typical Clapton”, with EC taking the audience on a musical journey. It’s not a nostalgia-driven show filled with “hear them everyday on the radio” hits. Despite being a septuagenerian, Eric is still experimenting with music while stamping each song with the guitar solos that made him famous. The set list for this run of shows is heavy on blues, with a handful of songs from his upcoming album, I Still Do, along with a deep cut - “Circus Left Town” - and a reggae-style re-fashioning of the radio and wedding staple, “Wonderful Tonight”. “Key To The Highway” and “Nobody Knows You When You’re Down And Out” continue to evolve in the live arena and are far different than the versions recorded in 1970 with The Dominos or first performed in pubs on acoustic as a teenager. The only nod to Cream on this outing is “Crossroads.” + + + + + Thanks to japrainbow who recorded the show (using his own homemade microphone); and for sharing the show at Dime. Lineage: Homemade microphone > Sony PCM-M10(micro SD) 48KHz/24bit > 44.1KHz/16bit WAV > FLAC Disc 1 Disc 2 01. Somebodys Knockin’ 7:28 01. Gin House 6:18 02. Key To The Highway 4:43 02. Wonderful Tonigh 4:13 April 18, 2016 Eric Clapton Budokan 03. Hoochie Coochie Man 6:43 03. Crossroads 6:20 04. Next Time You See Me 3:37 04. Little Queen Of Spades 9:29 05.
    [Show full text]