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Legends in Concert
FOR IMMEDIATE RELEASE January 31, 2020 CONTACT: DeAnn Lubell-Ames – (760) 831-3090 Note: Photos available at http://mccallumtheatre.com/index.php/media Legends In Concert: The Divas Tributes To Barbra Streisand, Celine Dion, Whitney Houston And Aretha Franklin McCallum Theatre Thursday – February 27 – 3:00 Pm And 8:00pm Palm Desert, CA – Through the generosity of Harold Matzner, the McCallum Theatre presents Legends in Concert—The Divas, featuring tributes to Barbra Streisand, Celine Dion, Whitney Houston and Aretha Franklin, for two shows: at 3:00pm and 8:00pm, Thursday, Feb. 27. Legends in Concert is the longest-running show in Las Vegas history, and after 35 years is still voted the No. 1 tribute show in the city. The internationally acclaimed and award-winning production is known as the pioneer of live tribute shows, and possesses the greatest collection of live tribute artists in the world. These incredible artists have pitch-perfect live vocals, signature choreography, and stunningly similar appearances to the legends they portray. Jazmine (Whitney Houston) draws her musical inspiration from her Cuban heritage while speaking and singing in both English and Spanish. After deciding to pursue her music career on the European music scene, she earned immediate success. After signing a one-album deal with Finland's K-TEL Records, Jazmine's first single achieved international success: In January 1996, "Love Like Never Before" rose to No. 1 on the French dance chart, dropping Madonna to No. 2 and passing same-week entries from Michael Jackson, Bon Jovi and Whitney Houston. She has appeared on the WB television show Pop Stars and on several episodes of the Dick Clark Productions show Your Big Break. -
To Sammy Davis, Jr. the Martin Luther King, Jr. Papers Project
20 Dec will have God’s guidance as she sets out on this sacred and serious responsibility 1960 of calling a pastor. Sincerely yours, Martin Luther King, Jr. MLK. m TLc. MLKP-MBU: Box 69. The Martin Luther King, Jr. Papers Project To Sammy Davis, Jr. 20 December 1960 [Atlanta, Ga.] King thanks Davis for his “wonabful support” of the upcoming 2 7January 1961 Carnegie Hall “Tribute to Martin Luther King, Jr.”’ King also praises aspiring playwright Oscar Brown’s musical Kicks & Go. for its portrayal of “the conjliGt of soul, the moral choices that confront our people, both Negro and white.” Mr. Sammy Davis, Jr. Sherry-Netherland Hotel 5th Avenue at 59th Street New York 2 2, New York Dear Sammy: I have been meaning to write you for quite some time. A sojourn in jail and a trip to Nigeria among other tasks have kept be behind. When I solicited your help for our struggle almost two months ago, I did not ex- pect so creative and fulsome a response. All of us are inspired by your wondei-ful support and the Committee is busily engaged in the preparations forJanuary 27th. I hope I can convey our appreciation to you with the warmth which we feel it. In the midst of one of my usual crowded sojourns in New York, I had the op- portunity to hear the play, “Kicks and Co.” by Oscar Brown at the invitation of the Nemiroffs, at whose home I have previously been a guest.2 I learned of your in- terest in it and I am deeply pleased. -
AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr. -
Popular Repertoire (1960’S – Present Day)
! " Popular repertoire (1960’s – present day) 9 To 5 – Dolly Parton Billie Jean – Michael Jackson 500 Miles – The Proclaimers Bittersweet Symphony - The Verve Adventure Of A Lifetime - Coldplay Blackbird – The Beatles Agadoo – Black Lace Blowers Daughter – Damien Rice Ain’t No Mountain High Enough – Ashford/ Simpson Bohemian Rhapsody - Queen All About That Bass – Meghan Trainor Brown Eyed Girl – Van Morrison All About You - McFly Budapest – George Ezra All I Want Is You – U2 Build Me Up Buttercup – The Foundations All Of Me – John Legend Burn – Ellie Goulding All The Small Things – Blink 182 Can’t Help Falling In Love – Elvis Presley All You Need Is Love – The Beatles Can’t Stop The Feeling – Justin Timberlake Always a Woman – Billy Joel Can’t Take My Eyes Off You – Bob Crewe/Bob Gaudio Always On My Mind – Elvis Presley Chasing Cars – Snow Patrol Amazing (Just The Way You Are) – Bruno Mars Cheerleader - OMI Amazed - Lonestar Close To You - America – Razorlight Burt Bacharach Apologize – One Republic Come On Eileen – Dexy’s Midnight Runners At Last – Etta James Common People – Pulp Back for Good - Take That Copacabana – Barry Manilow Bad Romance – Lady Gaga Crazy In Love – Beyonce Beat It – Michael Jackson Crazy Little Thing Called Love - Queen Beautiful Day – U2 Dancing Queen - Abba Beautiful In White - Westlife Despacito – Justin Bieber/Luis Fonsi Ben – Michael Jackson Don’t Stop Believing - Journey Beneath Your Beautiful – Emeli Sande/ Labyrinth Don't Stop Me Now - Queen Best Day Of My Life – American Authors Don’t Stop Movin’ – S Club -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
WSJ Real Estate
Trouble viewing this email? View in web browser › REAL ESTATE Some people collect stamps. Some, wealthier than I, collect vintage cars. Personally, I stick to fridge magnets from the 50 U.S. states. Ron Burkle has us all beat, it seems. The billionaire investor and Pittsburgh Penguins owner has a penchant for collecting high-end homes. “It’s a nondefensible number,” he says. You may remember Mr. Burkle grabbing headlines late last year after he bought Neverland Ranch for $22 million. But his real-estate portfolio extends far beyond Michael Jackson's ranch, and includes estates like Greenacres in Beverly Hills, a once "fake apartment" in New York, and a volcano-inspired home in Palm Springs. Mansion's Katherine Clarke takes us on a tour of some of Mr. Burkle's most notable properties right here. Ron Burkle recently completed a massive restoration of Bob Hope’s former Palm Springs home.MICHAL CZERWONKA FOR THE WALL STREET JOURNAL Mr. Burkle's La Jolla home spans about 50,000 square feet. MICHAL CZERWONKA FOR THE WALL STREET JOURNAL We also visit Napa, where artist Gordon Huether built a minimalist home made of glass and aluminum. Mr. Huether, who constructed the property with his wife, Darcy Tunt, didn't "want to live in someone else's house," so he filled the 3,000-square-foot home on the banks of the Napa River with his own artwork. Mansion's Nancy Keates shows us around the place here. And finally, Mansion reporter Candace Taylor tells the tale of a real-estate agent who invited TikTok influencers to film inside her $5.299 million Santa Monica listing. -
Michael Jackson the Perform a N C
MICHAEL JACKSON 101 THE PERFORMANCES MICHAEL JACKSON 101 THE PERFORMANCES &E Andy Healy MICHAEL JACKSON 101 THE PERFORMANCES . Andy Healy 2016 Michael gave the world a wealth of music. Songs that would become a part of our collective sound track. Under the Creative Commons licence you are free to share, copy, distribute and transmit this work with the proviso that the work not be altered in any way, shape or form and that all And for that the 101 series is dedicated to Michael written works are credited to Andy Healy as author. This Creative Commons licence does not and all the musicians and producers who brought the music to life. extend to the copyrights held by the photographers and their respective works. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. This special Performances supplement is also dedicated to the choreographers, dancers, directors and musicians who helped realise Michael’s vision. I do not claim any ownership of the photographs featured and all rights reside with the original copyright holders. Images are used under the Fair Use Act and do not intend to infringe on the copyright holders. By a fan for the fans. &E 101 hat makes a great performance? Is it one that delivers a wow factor? W One that stays with an audience long after the houselights have come on? One that stands the test of time? Is it one that signifies a time and place? A turning point in a career? Or simply one that never fails to give you goose bumps and leave you in awe? Michael Jackson was, without doubt, the consummate performer. -
No. Title Singer a 101 Addicted to Love Robert
No. Title Singer A 101 Addicted To Love Robert Palmer 127 After Midnight Eric Clapton 128 Ain't No Stoppin' Us Now McFadden & Whitehead 1 All I Want Is A Life Tim McGraw 82 All Star Smash Mouth 108 All The Man That I Need Whitney Houston 91 All You Wanted Michelle Branch 40 Always Atlantic Starr 129 Amarillo By Morning George Strait 130 Amie Pure Prairie League 109 And She Was Talking Heads 2 And Still Reba McEntire 8 Anything Goes Frank Sinatra 120 Are You Happy Now Michelle Branch 68 Arthur's Theme (The Best That You..) Christopher Cross 131 At This Moment Billy Vera B 132 Bad Michael Jackson 133 Bang The Drum All Day Todd Rundgren 134 Beat Goes On, The Sonny & Cher 135 Beat It Michael Jackson 41 Behind Closed Doors Charlie Rich 136 Big Spender from "Sweet Charity" 137 Billie Jean Michael Jackson 104 Black Or White Michael Jackson 138 Black Water Doobie Brothers 139 Brandy You're a Fine Girl Looking Glass 122 Breathe Michelle Branch 7 But I Will Faith Hill C 140 Candy Man Roy Orbison 141 Can't Get Enough (of Your Love) Bad Company 142 Can't Get Enough of Your Love Babe Barry White 87 Careless Whisper Wham 124 Carried Away George Strait 11 Carrying Your Love With Me George Strait 93 Celebration Kool And The Gang 143 Chain Of Fools Aretha Franklin 61 Cherish Kool And The Gang 76 Closing Time Semisonic 60 Copperhead Road Steve Earle 144 Could It Be I'm Falling in Love? Spinners, The 98 Crazy For You Madonna D 27 Dance To The Music Sly & The Family Stone 145 December Collective Soul E 42 Embraceable You Nat King Cole 105 Endless Love Diana Ross/Lionel Richie 146 Escape (The Pina Colada Song) Rupert Holmes 43 Evergreen Barbra Streisand 147 Everybody Hurts R.E.M. -
Michael Jackson's Gesamtkunstwerk
Liminalities: A Journal of Performance Studies Vol. 11, No. 5 (November 2015) Michael Jackson’s Gesamtkunstwerk: Artistic Interrelation, Immersion, and Interactivity From the Studio to the Stadium Sylvia J. Martin Michael Jackson produced art in its most total sense. Throughout his forty-year career Jackson merged art forms, melded genres and styles, and promoted an ethos of unity in his work. Jackson’s mastery of combined song and dance is generally acknowledged as the hallmark of his performance. Scholars have not- ed Jackson’s place in the lengthy soul tradition of enmeshed movement and mu- sic (Mercer 39; Neal 2012) with musicologist Jacqueline Warwick describing Jackson as “embodied musicality” (Warwick 249). Jackson’s colleagues have also attested that even when off-stage and off-camera, singing and dancing were frequently inseparable for Jackson. James Ingram, co-songwriter of the Thriller album hit “PYT,” was astonished when he observed Jackson burst into dance moves while recording that song, since in Ingram’s studio experience singers typically conserve their breath for recording (Smiley). Similarly, Bruce Swedien, Jackson’s longtime studio recording engineer, told National Public Radio, “Re- cording [with Jackson] was never a static event. We used to record with the lights out in the studio, and I had him on my drum platform. Michael would dance on that as he did the vocals” (Swedien ix-x). Surveying his life-long body of work, Jackson’s creative capacities, in fact, encompassed acting, directing, producing, staging, and design as well as lyri- cism, music composition, dance, and choreography—and many of these across genres (Brackett 2012). -
ARTIST SONG AC/DC Back in Black Adele Rolling in the Deep Al Green
ARTIST SONG AC/DC Back In Black Adele Rolling In The Deep Al Green Let’s Stay Together Alanis Morrisette Ironic Alien Ant Farm Smooth Criminal Amy Winehouse Valerie Aretha Franklin Respect Bill Withers Ain’t No Sunshine Bob Dylan Knocking on Heaven's door Bob Marley I Shot The Sherriff Bon Jovi You Give Love A Bad Name Britney Spears Toxic Bruno Mars Runaway Baby Bruno Mars Treasure Carly Rae Jepsen Call Me Maybe Cee Lo Green Forget You Chic Everybody Dance Chic Le Freak Chic Good Times Deep Purple Black Night Diana Ross Ain't No Mountain High Enough Electric Six Gay Bar Eric Clapton Cocaine Etta James I’d Rather Go Blind Etta James I Just Wanna Make Love to You Foo Fighters Times Like These Fountains Of Wayne Stacy's Mom Gloria Gaynor I Will Survive Gnarls Barkley Crazy Greenday American Idiot Jaco Pastorius The Chicken John Cage's 4'33 Justin Timberlake Sexy Back Led Zeppelin Good Times Bad Times Lee Ritenour Fly By Night Linkin Park Numb Luther Vandross Never Too Much Lynyrd Skynyrd Sweet Home Alabama Maroon 5 Harder To Breathe Maroon 5 This Love Marvin Gaye Through The Grape Vine Metallica Enter Sandman Michael Jackson Beat It Michael Jackson PYT Motorhead Ace of Spades Muse Starlight Muse Time is Running Out No Doubt Don’t Speak Olly Murs Troublemaker Otis Redding Sitting on the dock of the bay Paramore Misery business Paul Simon Diamonds on the Soles of Her Shoes Pixie Lott Cry Me Out Prince Kiss Rage Against The Machine Killing In The Name Red Hot Chili Peppers Aeroplane Red Hot Chili Peppers Californication Rose Royce Car Wash -
Michael Jackson Betwixt and Between: the Construction of Identity in 'Leave Me Alone' (1989)
Contents Introduction 2 Chapter 1: Literature Review 4 1.1: Past Research: On Michael Jackson Studies 4 1.2: Disability Studies 4 1.2.1: The Static Freak/Plastic Freak 6 1.3: Defining the Liminal 7 1.4: Postmodern Theory: The Social Construction of Identity 8 Chapter 2: Methodology 10 Chapter 3: Analysis 12 3.1: Narrative Structure of ‘Leave Me Alone’ 12 3.2: Media Narratives in ‘Leave Me Alone’ 13 3.3: The Static Freak/Plastic Freak in ‘Leave Me Alone’ 15 3.4: Liminal Identity: Temporary Phase/Permanent Place 16 3.5: Postmodern Subjects: The Aesthetics of the Collage 17 3.6: Identity and Postmodernism: The Problem With Disability Studies 18 Chapter 4: Conclusion 20 Bibliography 22 Attachment 1: Images 24 Attachment 2: Shotlist ‘Leave Me Alone’ 27 1 Introduction ‘The bottom line is they don’t know and everyone is going to continue searching to find out whether I’m gay, straight, or whatever … And the longer it takes to discover this, the more famous I will be.’1 * * * ‘Michael’s space-age diet’, ‘Bubbles the chimp bares all about Michael’, ‘Michael proposes to Liz’, ‘Michael to marry Brooke’. These may look like part of the usual rumors about Jackson frequently appearing in the media, however, they are not. Instead, these headlines are the opening scene of the music video for Jackson’s song ‘Leave Me Alone’, released on January 2, 1989, and directed by Jim Blashfield. Jackson opens by singing the words: I don't care what you talkin' 'bout baby I don't care what you say Don't you come walkin' beggin' back mama I don't care anyway ‘Leave Me Alone’ is a response to the rumors that began to circulate in the media after the worldwide success of Jackson’s 1982 album Thriller. -
Solomon and Sinatra: the Song of Songs and Romance in the Church Robert Case a Sunday School Class Faith Presbyterian Church Tacoma, Washington 2016
1 Solomon and Sinatra: The Song of Songs and Romance in the Church Robert Case A Sunday School Class Faith Presbyterian Church Tacoma, Washington 2016 Part 3 There are a multitude of biblical themes expressed by non-believing Jewish songwriters in the American Songbook, but one fine example for our purposes in this class is the theme of: no Sex before marriage “Love and Marriage” In 1955 Jimmy Van Heusen (a Methodist) with Jewish lyricist Sammy Cahn wrote “Love and Marriage” which was introduced (ironically) by Frank Sinatra in the television production of Thornton Wilder's Our Town. It is the biggest hit to ever come out of a television special. In 1956, the song, "Love and Marriage" won the Emmy Award for Best Musical Contribution from the Academy of Television Arts and Sciences. The Cahn inspired clever lyrics euphemistically call “sex” “love” and claim that mom told dad you can’t have sex (“love”) without marriage. The song was used as the theme song for the long-running (1987–97) FOX television sitcom Married... with Children. Additionally, the song has been used in several national commercial campaigns. “Love and marriage, love and marriage, go together like a horse and carriage. This I tell you brother you can't have one without the other. Love and marriage, love and marriage, it's an institute you can't disparage. Ask the local gentry and they will say it's elementary. Try, try, try to separate them it's an illusion Try, try, try, and you will only come to this conclusion.