Ethnic Evolvement in a South Fujian Hui Community ______
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Jingjiao Under the Lenses of Chinese Political Theology
religions Article Jingjiao under the Lenses of Chinese Political Theology Chin Ken-pa Department of Philosophy, Fu Jen Catholic University, New Taipei City 24205, Taiwan; [email protected] Received: 28 May 2019; Accepted: 16 September 2019; Published: 26 September 2019 Abstract: Conflict between religion and state politics is a persistent phenomenon in human history. Hence it is not surprising that the propagation of Christianity often faces the challenge of “political theology”. When the Church of the East monk Aluoben reached China in 635 during the reign of Emperor Tang Taizong, he received the favorable invitation of the emperor to translate Christian sacred texts for the collections of Tang Imperial Library. This marks the beginning of Jingjiao (oY) mission in China. In historiographical sense, China has always been a political domineering society where the role of religion is subservient and secondary. A school of scholarship in Jingjiao studies holds that the fall of Jingjiao in China is the obvious result of its over-involvement in local politics. The flaw of such an assumption is the overlooking of the fact that in the Tang context, it is impossible for any religious establishments to avoid getting in touch with the Tang government. In the light of this notion, this article attempts to approach this issue from the perspective of “political theology” and argues that instead of over-involvement, it is rather the clashing of “ideologies” between the Jingjiao establishment and the ever-changing Tang court’s policies towards foreigners and religious bodies that caused the downfall of Jingjiao Christianity in China. This article will posit its argument based on the analysis of the Chinese Jingjiao canonical texts, especially the Xian Stele, and takes this as a point of departure to observe the political dynamics between Jingjiao and Tang court. -
A Method of Teaching English Speaking Learners to Produce Mandarin-Chinese Tones
Graduate Theses, Dissertations, and Problem Reports 2018 A Method of Teaching English Speaking Learners to Produce Mandarin-Chinese Tones Hui Shi Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Shi, Hui, "A Method of Teaching English Speaking Learners to Produce Mandarin-Chinese Tones" (2018). Graduate Theses, Dissertations, and Problem Reports. 6633. https://researchrepository.wvu.edu/etd/6633 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. A Method of Teaching English Speaking Learners to Produce Mandarin-Chinese Tones Hui Shi Dissertation submitted to the College of Education and Human Services at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Curriculum & Instruction/ Literacy Studies Sam Stack, Ph.D., Chair Ugur Kale, Ph.D. Heiko Everwien ter Haseborg, Ph.D. Joy Faini Saab, Ed.D. Xiangying Jiang, Ph.D. Department of Curriculum & Instruction/ Literacy Studies Morgantown, West Virginia University 2018 Keywords: Mandarin-Chinese Tones, tonal and non-tonal language, pedagogy, tonal production Copyright 2018 Hui Shi ABSTRACT A Method of Teaching English Speaking Learners to Produce Mandarin-Chinese Tones Hui Shi Learning Mandarin Chinese tones is a big challenge for English speaking learners. -
The Biopolitical Elements in Yan Lianke's Fiction Worlds
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2018 The iopB olitical Elements in Yan Lianke's Fiction Worlds Xiaoyu Gao Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Gao, Xiaoyu, "The iopoB litical Elements in Yan Lianke's Fiction Worlds" (2018). Masters Theses. 3619. https://thekeep.eiu.edu/theses/3619 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. The GraduateSchool � EA'ill 11.'1I·��-- h l:'ll\'tll\11'\' Thesis Maintenance and Reproduction Certificate FOR: Graduate candidates Completing Theses in PartialFulfillment of the Degree Graduate Faculty Advisors Directing the Theses RE: Preservation, Reproduction, and Distribution of Thesis Research Preserving, reproducing, and distributing thesis research is an important part of Booth Library's responsibility to provide access to scholarship. In order to further this goal, Booth Library makes all graduate theses completed as part of a degree program at Eastern Illinois University available for personal study, research, and other not-for profit educational purposes. Under 17 U.S.C. § 108, the library may reproduce and distribute a copy without infringing on copyright; however, professional courtesy dictates that permission be requested from the author before doing so. Your signatures affirm the following: •The graduate candidate is the author of this thesis. •The graduate candidate retains the copyright and intellectual property rights associated with the original research, creative activity, and intellectual or artistic content of the thesis. -
Growth and Decline of Muslim Hui Enclaves in Beijing
EG1402.fm Page 104 Thursday, June 21, 2007 12:59 PM Growth and Decline of Muslim Hui Enclaves in Beijing Wenfei Wang, Shangyi Zhou, and C. Cindy Fan1 Abstract: The Hui people are a distinct ethnic group in China in terms of their diet and Islamic religion. In this paper, we examine the divergent residential and economic develop- ment of Niujie and Madian, two Hui enclaves in the city of Beijing. Our analysis is based on archival and historical materials, census data, and information collected from recent field work. We show that in addition to social perspectives, geographic factors—location relative to the northward urban expansion of Beijing, and the character of urban administrative geog- raphy in China—are important for understanding the evolution of ethnic enclaves. Journal of Economic Literature, Classification Numbers: O10, I31, J15. 3 figures, 2 tables, 60 refer- ences. INTRODUCTION esearch on ethnic enclaves has focused on their residential and economic functions and Ron the social explanations for their existence and persistence. Most studies do not address the role of geography or the evolution of ethnic enclaves, including their decline. In this paper, we examine Niujie and Madian, two Muslim Hui enclaves in Beijing, their his- tory, and recent divergent paths of development. While Niujie continues to thrive as a major residential area of the Hui people in Beijing and as a prominent supplier of Hui foods and services for the entire city, both the Islamic character and the proportion of Hui residents in Madian have declined. We argue that Madian’s location with respect to recent urban expan- sion in Beijing and the administrative geography of the area have contributed to the enclave’s decline. -
A Dictionary of Chinese Characters: Accessed by Phonetics
A dictionary of Chinese characters ‘The whole thrust of the work is that it is more helpful to learners of Chinese characters to see them in terms of sound, than in visual terms. It is a radical, provocative and constructive idea.’ Dr Valerie Pellatt, University of Newcastle. By arranging frequently used characters under the phonetic element they have in common, rather than only under their radical, the Dictionary encourages the student to link characters according to their phonetic. The system of cross refer- encing then allows the student to find easily all the characters in the Dictionary which have the same phonetic element, thus helping to fix in the memory the link between a character and its sound and meaning. More controversially, the book aims to alleviate the confusion that similar looking characters can cause by printing them alongside each other. All characters are given in both their traditional and simplified forms. Appendix A clarifies the choice of characters listed while Appendix B provides a list of the radicals with detailed comments on usage. The Dictionary has a full pinyin and radical index. This innovative resource will be an excellent study-aid for students with a basic grasp of Chinese, whether they are studying with a teacher or learning on their own. Dr Stewart Paton was Head of the Department of Languages at Heriot-Watt University, Edinburgh, from 1976 to 1981. A dictionary of Chinese characters Accessed by phonetics Stewart Paton First published 2008 by Routledge 2 Park Square, Milton Park, Abingdon, OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group, an informa business This edition published in the Taylor & Francis e-Library, 2008. -
Meike International Holdings Limited 美克
Hong Kong Exchanges and Clearing Limited, The Stock Exchange of Hong Kong Limited (the “HKEx”) and the Securities and Futures Commission (the “SFC”) take no responsibility for the contents of this Web Proof Information Pack, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this Web Proof Information Pack. Web Proof Information Pack of MEIKE INTERNATIONAL HOLDINGS LIMITED A1A1 LR8.02 美克國際控股有限公司 (Incorporated in the Cayman Islands with limited liability) WARNING This Web Proof Information Pack is being published as required by the HKEx/the SFC solely for the purpose of providing information to the public in Hong Kong. This Web Proof Information Pack is in draft form. The information contained in it is incomplete and is subject to change which could be material. By viewing this document, you acknowledge, accept and agree with Meike International Holdings Limited (the “Company”), any of its affiliates, sponsors, advisers and members of the underwriting syndicate that: (a) this Web Proof Information Pack is solely for the purpose of facilitating equal dissemination of information to investors in Hong Kong and not for any other purposes. No investment decision should be based on the information contained in this Web Proof Information Pack; (b) the posting of the Web Proof Information Pack or any supplemental, revised or replacement pages thereof on the HKEx’s website does not give rise to any obligation of the Company, any of its affiliates, sponsors, advisers or members of the underwriting syndicate to proceed with an offering in Hong Kong or any other jurisdiction. -
Final Program of CCC2020
第三十九届中国控制会议 The 39th Chinese Control Conference 程序册 Final Program 主办单位 中国自动化学会控制理论专业委员会 中国自动化学会 中国系统工程学会 承办单位 东北大学 CCC2020 Sponsoring Organizations Technical Committee on Control Theory, Chinese Association of Automation Chinese Association of Automation Systems Engineering Society of China Northeastern University, China 2020 年 7 月 27-29 日,中国·沈阳 July 27-29, 2020, Shenyang, China Proceedings of CCC2020 IEEE Catalog Number: CFP2040A -USB ISBN: 978-988-15639-9-6 CCC2020 Copyright and Reprint Permission: This material is permitted for personal use. For any other copying, reprint, republication or redistribution permission, please contact TCCT Secretariat, No. 55 Zhongguancun East Road, Beijing 100190, P. R. China. All rights reserved. Copyright@2020 by TCCT. 目录 (Contents) 目录 (Contents) ................................................................................................................................................... i 欢迎辞 (Welcome Address) ................................................................................................................................1 组织机构 (Conference Committees) ...................................................................................................................4 重要信息 (Important Information) ....................................................................................................................11 口头报告与张贴报告要求 (Instruction for Oral and Poster Presentations) .....................................................12 大会报告 (Plenary Lectures).............................................................................................................................14 -
1 Contemporary Ethnic Identity of Muslim Descendants Along The
1 Contemporary Ethnic Identity Of Muslim Descendants Along the Chinese Maritime Silk Route Dru C Gladney Anthropology Department University of South Carolina U.S.A At the end of five day's journey, you arrive at the noble-and handsome city of Zaitun [Quanzhoui] which has a port on the sea-coast celebrated for the resort of shipping, loaded with merchandise, that is afterwards distributed through every part of the province .... It is indeed impossible to convey an idea of the concourse of merchants and the accumulation of goods, in this which is held to be one of the largest and most commodious ports in the world. Marco Polo In February 1940, representatives from the China Muslim National Salvation society in Beijing came to the fabled maritime Silk Road city of Quanzhou, Fujian, known to Marco Polo as Zaitun, in order to interview the members of a lineage surnamed "Ding" who resided then and now in Chendai Township, Jinjiang County. In response to a question on his ethnic background, Mr. Ding Deqian answered: "We are Muslims [Huijiao reo], our ancestors were Muslims" (Zhang 1940:1). It was not until 1979, however, that these Muslims became minzu, an ethnic nationality. After attempting to convince the State for years that they belonged to the Hui nationality, they were eventually accepted. The story of the late recognition of the members of the Ding lineage in Chendai Town and the resurgence of their ethnoreligious identity as Hui and as Muslims is a fascinating reminder that there still exist remnants of the ancient connections between Quanzhou and the Western Regions, the origin points of the Silk Road. -
China Perspectives, 2009/1 | 2009 Yan Lianke, Le Rêve Du Village Des Ding 2
China Perspectives 2009/1 | 2009 Chinese Society Confronted with AIDS Yan Lianke, Le Rêve du Village des Ding Trans. Claude Payen, Arles, Philippe Picquier, 2007, 330pp.; paperback edition 2009, 396 pp. Sebastian Veg Electronic version URL: http://journals.openedition.org/chinaperspectives/4793 DOI: 10.4000/chinaperspectives.4793 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 April 2009 Number of pages: 114-117 ISSN: 2070-3449 Electronic reference Sebastian Veg, « Yan Lianke, Le Rêve du Village des Ding », China Perspectives [Online], 2009/1 | 2009, Online since 01 April 2009, connection on 22 September 2020. URL : http://journals.openedition.org/ chinaperspectives/4793 ; DOI : https://doi.org/10.4000/chinaperspectives.4793 This text was automatically generated on 22 September 2020. © All rights reserved Yan Lianke, Le Rêve du Village des Ding 1 Yan Lianke, Le Rêve du Village des Ding Trans. Claude Payen, Arles, Philippe Picquier, 2007, 330pp.; paperback edition 2009, 396 pp. Sebastian Veg 1 The HIV/AIDS epidemic that spread in Henan Province (and beyond) in the 1990s through unsafe blood collection represented – in many ways – a watershed for Chinese society in its interaction with the state. While official attitudes did not change perceptibly before the SARS outbreak of 2003, and remained reticent even after that (no senior official in Henan has been held to account; two of the provincial secretaries concerned, Li Changchun and Li Keqiang, hold Politburo standing committee positions today1), the perceived legitimacy of non-governmental organisations was greatly enhanced. Similarly, in a post-Tiananmen context in which writers and intellectuals were reluctant to embrace political agendas in the public arena, the type of social activism that grew out of the AIDS crisis offered a model of how to go about “changing mindsets” in a bottom-up manner, rather than offering the theoretical blueprints for democratisation for which the 1989 activists were so strongly criticised. -
Origin Narratives: Reading and Reverence in Late-Ming China
Origin Narratives: Reading and Reverence in Late-Ming China Noga Ganany Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Noga Ganany All rights reserved ABSTRACT Origin Narratives: Reading and Reverence in Late Ming China Noga Ganany In this dissertation, I examine a genre of commercially-published, illustrated hagiographical books. Recounting the life stories of some of China’s most beloved cultural icons, from Confucius to Guanyin, I term these hagiographical books “origin narratives” (chushen zhuan 出身傳). Weaving a plethora of legends and ritual traditions into the new “vernacular” xiaoshuo format, origin narratives offered comprehensive portrayals of gods, sages, and immortals in narrative form, and were marketed to a general, lay readership. Their narratives were often accompanied by additional materials (or “paratexts”), such as worship manuals, advertisements for temples, and messages from the gods themselves, that reveal the intimate connection of these books to contemporaneous cultic reverence of their protagonists. The content and composition of origin narratives reflect the extensive range of possibilities of late-Ming xiaoshuo narrative writing, challenging our understanding of reading. I argue that origin narratives functioned as entertaining and informative encyclopedic sourcebooks that consolidated all knowledge about their protagonists, from their hagiographies to their ritual traditions. Origin narratives also alert us to the hagiographical substrate in late-imperial literature and religious practice, wherein widely-revered figures played multiple roles in the culture. The reverence of these cultural icons was constructed through the relationship between what I call the Three Ps: their personas (and life stories), the practices surrounding their lore, and the places associated with them (or “sacred geographies”). -
Representing Talented Women in Eighteenth-Century Chinese Painting: Thirteen Female Disciples Seeking Instruction at the Lake Pavilion
REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION By Copyright 2016 Janet C. Chen Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Marsha Haufler ________________________________ Amy McNair ________________________________ Sherry Fowler ________________________________ Jungsil Jenny Lee ________________________________ Keith McMahon Date Defended: May 13, 2016 The Dissertation Committee for Janet C. Chen certifies that this is the approved version of the following dissertation: REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION ________________________________ Chairperson Marsha Haufler Date approved: May 13, 2016 ii Abstract As the first comprehensive art-historical study of the Qing poet Yuan Mei (1716–97) and the female intellectuals in his circle, this dissertation examines the depictions of these women in an eighteenth-century handscroll, Thirteen Female Disciples Seeking Instructions at the Lake Pavilion, related paintings, and the accompanying inscriptions. Created when an increasing number of women turned to the scholarly arts, in particular painting and poetry, these paintings documented the more receptive attitude of literati toward talented women and their support in the social and artistic lives of female intellectuals. These pictures show the women cultivating themselves through literati activities and poetic meditation in nature or gardens, common tropes in portraits of male scholars. The predominantly male patrons, painters, and colophon authors all took part in the formation of the women’s public identities as poets and artists; the first two determined the visual representations, and the third, through writings, confirmed and elaborated on the designated identities. -
Is One of the Most Notable Representatives of Traditional Chinese Po- Etry of the Qing Dynasty
УДК 821.581 E. I. Mitkina Saint-Petersburg State University, Faculty of Asian and African Studies 12, Universitetskaya emb., Saint-Petersburg, 199034, Russia [email protected] THE ROLE OF MENTORS IN THE LIFE AND POETRY OF HUANG JINGREN This article is devoted to the one of the most notable representatives of traditional Chinese poetry of the Qing dynasty – Huang Jingren (1749–1783). In Huang's collected works, over 300 poems are devoted to his friends, and a tenth of them – to those whom he considered his mentors. Most often, those were people of an older age, who became his teachers and advisors at the same time. Some patronized him, providing opportunity to work with them; with others, he would seek advice on matters of poetry and discuss poems. Over the years, a few of them became not only the young poet's senior companions, but also his friends. The poems devoted to such people are rich in social and historical background, and replete with the poet's rather hard personal life experience, his thoughts and feelings. They do not only evolve the scenery of social and intellectual life in the midst of the Qianlong Emperor’s reign before readers’ eyes, but also provide a better understanding of the poet’s personality and the distinctness of his worldview. Throughout his rather short life, Huang Jingren had a few friend mentors, who appreciated his talent, respected him and wished to help. Shao Qitao played one of the most important roles in Huang’s life. He was not the first to discover Huang’s talent, but he helped this talent evolve and move in the right direction.