DOCSLIB.ORG

Catalogue Includes Unframed Exhibits As Well As Framed

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Catalogue Includes Unframed Exhibits As Well As Framed Royston Arts Society Annual Exhibition 2015 Our catalogue includes unframed exhibits as well as framed. Unframed pictures are listed under the artist’s name and numbered in the U300 series. They can be purchased and removed immediately. However, it is our policy NOT to remove purchased framed/hanging exhibits from the display until the close of the exhibition at 5.00 pm on Sunday, unless there are extenuating circumstances. So as to create an attractive display, exhibits are not necessarily displayed in alphabetical /numerical order. If you are searching for the work of a particular artist a location list is available at the Sales Table for consultation. Greeting cards produced from the artist’s original work may also be purchased. 1 Favourite Picture Awards (Sponsored by Johnson Matthey) Presented at 4.00 pm Sunday Followed by the Raffle The Exhibition is also supported by a grant from the Royston Town Mayor’s Community Trust Fund For further information contact Richard Clayton (Secretary) Tel: 01763 221 322 [email protected] or Valerie Pettifer (Chair) Tel: 01763 220 430 [email protected] 2 M Alderson 1 Apples Pastel £50 2 Shopping Oil £60 3 Pig Happy Watercolour £50 U301 Tiger Watercolour/Ink £10 U302 Asters and Apples Oil £12 U303 Foxes Watercolour/Ink £10 Graham Allen 4 Waiting at Weybourne Acrylic £70 5 Horse Power Acrylic £75 6 Wild Cat Acrylic £65 7 Breakfast Express Acrylic £65 Janice Anderson 8 Avian Splendour Watercolour £150 9 Tired Little Rhino Watercolour £120 10 Cheetah Cub Watercolour £120 Pamela Marshall Barrell 11 Autumn Leaves Mixed Media £150 12 Autumn Avenue Watercolour £120 13 Spring Avenue Watercolour £120 14 Green and Pleasant Watercolour £125 U304 Chinese Lanterns Watercolour £20 U305 Poppies Watercolour £30 U306 Sweet Pea Watercolour £20 U307 Ickworth House Watercolour £30 U308 Illusion Watercolour £20 Liz Beardwell 15 Bluetits Lino Cut £50 16 Kingfisher Lino Cut £50 17 Two for Joy Lino Cut £50 18 Mistle Thrush Lino Cut £50 U309 Trees I Watercolour £20 U310 Trees II Watercolour £20 U311 Trees III Watercolour £20 U312 French Countryside Watercolour £20 U313 Cromer Lighthouse Watercolour £20 Anthea Bird 19 Walnuts on Branch Watercolour £65 U314 Walnuts Watercolour £15 3 Graham Bird 20 Tawney Owl Watercolour £25 21 Horse Head Mixed Media £25 22 Dog's Head 1 Mixed Media £25 23 Dog's Head 2 Mixed Media £25 Pauline Boast 24 In the Lost Gardens of Heligan Watercolour £55 25 Highland Stag Watercolour £45 26 A Fat Dormouse Watercolour £55 Olivia Boyle 27 Standing Out Watercolour £10 28 Treat Watercolour £10 29 Muses Watercolour £10 Heather Brown 30 Summer Walk Pastel £145 31 Snow and Ice Watercolour £145 32 Evening Flight Watercolour £65 U315 Line of Trees Ink £40 U316 Farmhouse Watercolour £25 U317 Autumn Sky Watercolour/Pastel £30 U318 Twyford Lock Giclee Print £30 Derek Bunting 33 Illumination Watercolour £55 34 Banyers, Royston Watercolour £70 35 Cromack Water Acrylic £48 36 Steam Speed Acrylic £110 U319 Royston No 1 W/C Print £19 U320 Royston No 2 W/C Print £19 U321 Royston No 3 W/C Print £19 U322 Fish Hill, Royston W/C Print £19 U323 Birkenhead at Barrington Acrylic Print £19 U324 Royston Parish Church W/C Print £19 4 Geoff Chandler 37 Thrill of Sea and Sand Watercolour £100 38 Beached Boats Watercolour £90 39 Venice Canal Watercolour £95 40 Piazza, Italy Watercolour £110 U325 St. Albans Abbey Pen/Ink £45 U326 Mist, Woodbridge Watercolour £40 U327 Ipswich Quay Watercolour £45 U328 Ipswich Quay No 1 Watercolour £45 U329 Boat Work No. 2 Watercolour £35 U330 Nearing End of Race Watercolour £45 Gillian Clark 41 Tranquillity Acrylic £150 42 Serenity Acrylic £150 43 Birds of Paradise Acrylic £60 44 Scandinavian Sunset Acrylic £180 U331 Frosty Morning Watercolour £25 U332 Winter Wonderland Watercolour £25 U333 Spring Green Watercolour £25 Andrew Clarkson 45 Poppit Sands - Sunset Oil £80 46 Early Morning, Cardigan Oil £80 47 Poppit Sands - Evening Oil £50 Richard Clayton 48 Colourful Lion Acrylic £70 49 Technicolor Kitten Acrylic £70 50 Melting in the Sun Acrylic £50 51 Blue Flames Acrylic £50 U334 Melting Rubik's Cube Acrylic £25 U335 The Blue Room (after Van Gogh) Acrylic £25 U336 Cyan, Magenta and Yellow Acrylic £25 Ron Collins 52 Stalker Pastel £150 53 Hunter Pastel £200 54 Prima Donna Drawing £75 5 Jackie Cunningham 55 Study in Blue Acrylic £80 56 Woodland Scene Oil £75 57 Hen Party Coloured Pencil £70 U337 White Cat Pencil £15 U338 Peony Watercolour £15 U339 Early Snow Watercolour £15 U340 Fishy Collage £20 Nursel Darroux 58 It's a Journey! Acrylic £120 59 Where Are We? Acrylic £120 Mike Dobson 60 The Queen Oil £60 61 Alice Cooper Oil £50 62 Sheila Hancock Oil £50 63 Jimi Hendrix Oil £50 Mike Dottridge 64 St. John's Illuminated with King James and Mixed Media £40 Lord Monteagle 65 St. John's Illuminated with Lady Roysia Mixed Media £40 and St. George 66 Yarn Bombers Cover St. John's, Royston Mixed Media £30 U341 King James' Royston Hunting Lodge Digital £25 Janet Erskine 67 Mountain and Sea Acrylic £30 Nigel Fabb 68 North Norfolk Morning Oil £45 69 Autumn Bridleway Oil £40 70 Burham Overy Staithe Oil £45 Yasmeen Farooqui 71 Standing Tall Lino Cut £150 U342 Standing Tall Lino Cut £100 U343 Autumn Leaves Giclee Print £35 U344 Hawthorn Berries Giclee Print £35 U345 Dahlia Giclee Print £35 U346 Heart Giclee Print £35 U347 Fallen Giclee Print £35 6 Veronica Ferrary 72 In the Kitchen Acrylic £60 73 Little 'Mo' Watercolour £50 74 Red Shoes Watercolour £30 Brenda Wilding Field 75 Pluto and its Moon Charon Oil £45 76 Abstract Peaches Acrylic £45 U348 The Storm Acrylic £15 Carl Filby 77 Ye Olde Leatherne Bottle at Goring-on-Thames Watercolour £50 78 South Dakota Moon Watercolour £50 Heather Fitz 79 India Watercolour £130 80 Chloe Watercolour £95 81 Molly Watercolour £95 82 Barry Watercolour £95 U349 Morris Watercolour £75 U350 Together Forever Watercolour £85 U351 Martin Watercolour £55 U352 Norma Watercolour £70 U353 Martha Coloured Pencil £65 U354 Lucy Watercolour £70 Graham Freeman 83 Castle of Chillon Watercolour £30 84 North Norfolk Watercolour £35 85 Prague Sunrise Watercolour £35 86 Eilean Donan Castle Watercolour £35 Valerie Fullforth 87 Peaceful Garden Acrylic £60 88 Lindisfarne Castle Acrylic £60 89 White-Tailed Eagles Acrylic £60 Kathy Glenister 90 Walk on the Wildside Acrylic £75 91 We are Family Acrylic £75 92 Roar in the Dawn Acrylic £75 U355 Peeping Pig Watercolour £35 U356 Puffin Drawing £55 U357 Playful Pandas Drawing £75 U358 White Tiger Resting Pastel £35 7 Margaret Haney 93 Tropical Moon Watercolour £30 94 Winter Watercolour £30 95 Thameside Watercolour £40 Beth Hardwicke 96 Three Little Kittens Lino Cut £65 97 Magic Rainbow Digital £65 98 Mount Teide Crater Combination £200 99 Chinese Fish Chinese Brush £75 U359 The Anchor, Cambridge Watercolour £35 U360 Beth's Roses Chinese Brush £40 U361 Landscape with Birds Ink £25 U362 Landscape with Trees Ink £25 U363 Landscape with Moon Ink £25 U364 Landscape with Boat Ink £25 Gloria Harris 100 Remembering St. Ives, Cornwall Watercolour £85 101 Venice Remembered Watercolour £95 102 Brighton Remembered Watercolour £85 103 Holiday Dreaming Watercolour £75 U365 Aegean Summer Watercolour £35 U366 Field Daisies and Blue & White China Watercolour £35 U367 Seven Goldfinches Watercolour £25 U368 Seven Great Tits Watercolour £25 U369 Hungry Piglets Watercolour £25 U370 Three for Tea Watercolour £30 Jane Harvey 104 The Lighthouse Oil £245 105 The Wind in the Willows Oil £395 106 Pin Mill Oil £345 107 Badger Oil £225 U371 Mad Hatter's Tea Party Ltd Ed Giclee Print £75 U372 The Wind in the Willows Ltd Ed Giclee Print £75 U373 Black Labrador Ltd Ed Giclee Print £45 U374 Three Hares Ltd Ed Giclee Print £45 U375 Harvest Mice Ltd Ed Giclee Print £45 U376 Donkey Ltd Ed Giclee Print £45 8 Janet Hathiramani 108 Sweet Pea Ink/Collage £135 109 Poppy Screen print £45 110 Lombardy Pine Monoprint £45 111 Little Apples Monoprint £45 U377 Poppy Screen print £30 U378 Meadows of Delight Giclee Print £75 U379 European Morning Monoprint £35 U380 Great Ouse at Hemingford Linocut Print £35 U381 Sotto Voce Mixed Media £35 U382 The River Collagraph £15 Rachel J Haynes 112 Quinces on Silver Platter Pastel £160 113 Shell Collection Pastel £150 114 Ballet Shoes Pastel £160 115 Study of a Child Pastel £120 U383 Bath Abbey Pastel Print £30 U384 Forest Glade Pastel Print £30 U385 Dreaming Pastel Print £30 U386 Hahei Sunset, New Zealand Pastel Print £30 U387 Swan Lake Pastel Print £30 U388 Sunset over the Isles Pastel Print £30 Hazel Haywood 116 Lisbon Mixed Media £60 117 The French Market (Matisse Style) Mixed Media £60 118 Table Mountain Pastel £120 119 St. George's Church, Anstey Watercolour £80 U389 Evening Sunset Watercolour £25 U390 Red Tulips Gouache £20 U391 Twr Mawr, Anglesey Watercolour £30 U392 Dad's Old Shed Watercolour £25 U393 The Lonely Skier Watercolour £25 U394 Elephants in Sri Lanka Watercolour/Ink £25 Jan Hewins 120 Summer Bouquet Watercolour £50 121 Drinks in Autumn Sun Watercolour £50 122 Macaws 1 Watercolour £50 U395 Leaving Vancouver Watercolour £20 U396 Macaws 2 Watercolour £20 U397 Yellow Rose Watercolour £20 U398 Stag Watercolour £20 9 Sarah Howard 123 Paper Rose I Dry Point Etching £65 124 Paper Rose II Dry Point Etching £65 125 Etched Rose Dry Point Etching £65 Patricia Hunt 126 Pearl's a Singer Acrylic £85 127 Jazz Night Acrylic £85 John Ilsley 128 Albatros, Wells-Next-The-Sea Watercolour £85 129 Thames Barge, Pin Mill, Suffolk Watercolour £75 130 Cutty Sark Watercolour £85 131 Floodlights, Central London Watercolour £85 U399 Venice
Load more

Recommended publications
  • History of Royal Cromer Golf Club Established 1888
    History of Royal Cromer Golf Club established 1888 Information obtained from minute books, letters, members records, journals and periodicals. Royal Cromer Golf Club History Established 1888 Royal Cromer Golf Club owes its existence to the enthusiasm and love of the game of a Mr. Henry Broadhurst M.P., a Scot who lived at 19, Buckingham Street, The Strand, London. In the 1880's, whilst holidaying in Cromer, he recognised the potential of land to the seaward of the Lighthouse as a possible site for a Links Course. The popularity of North Norfolk at this time had been noted in the London City Press in a report dated 5th September 1886: "The public are greatly indebted to railway enterprise for the opening up of the East Coast. More bracing air and delightful sands are not to be found in any part of England. The only drawback is that the country is rather flat. This remark, however, does not apply to Cromer, which bids fair to become the most popular watering place, it being entirely free from objectionable features". The site of the proposed golf course was owned by the then Lord Suffield KCB, who kindly consented to the request of Broadhurst and some twenty other enthusiasts to rent the land. The Club was instituted in the Autumn of 1887 with Lord Suffield as President. Doubtless it was his friendship and influence with the Prince of Wales which precipitated the Prince's gracious patronage of the infant club on 25th December 1887. Thus Cromer had a Royal Golf Club even before its official opening the following January.
    [Show full text]
  • Transactions 1885
    93 jun ' so TRANSACTIONS OK THE iim'tulh ami Harwich NATURALISTS' SOCIETY; PRESENTED TO THE MEMBERS FOR 188S—86 . VOL. IV.— Part ii. NORWICH: PRINTED BY FLETCHER AND SON. 1880 . Norfolk anti Remind) naturalists' sorictu OFFICERS FOR 1886-87. yrrsitmt. SIR PETER EADE, M.D. C5x=|3rcstlirnt. MAJOR FEILDEN, F.G.S. Ftre=$restoents. THE RIGHT HON. THE EARL OF LEICESTER, K.G. THE RIGHT HON. THE EARL OF KIMBERLEY, K.G. THE RIGHT HON. LORD WALSINGHAM. SIR F. G. M. BOILEAU, Bart. MICHAEL BEVERLEY, M.D. W. A. TYSSEN AMHERST, M.P. HERBERT D. GELDART. HENRY STEVENSON, F.L.S. JOHN B. BRIDGMAN, F.L.S. •Treasurer. MR. H. D. GELDART. $on. Secretarg. MR. W. H. BIDWELL. (Tominittee. REV. J. A. LAURENCE. MR. T. R. BINDER. REV. E. F. LINTON. MR. T. SOUTHWELL. MR. G. C. EATON. MR. 0. CORDER. MR. J. B. FORRESTER. MR. A. W. PRESTON. DR. S. T. TAYLOR. Journal Committee. PROFESSOR NEWTON. MR. A. W. PRESTON. MR. JAMES REEVE. REV. J. A. LAURENCE. MR T. SOUTHWELL. auditor. MR. S. W. UTTING. TRANSACTIONS OF THE NORFOLK & NORWICH N A T U R ALISTS’ SOCIETY. The Norfolk and Norwich Naturalists’ Society has for its objects:— 1. The Practical study of Natural Science. 2. The protection, by its influence with landowners and others, of indigenous species requiring protection, aiul the circulation of information which may dispel prejudices leading to their destruction. 3. The discouragement of the practice of destroying the rarer species of birds that occasionally visit the County, and of exterminating rare plants in their native localities.
    [Show full text]
  • The Story of Our Lighthouses and Lightships
    E-STORy-OF-OUR HTHOUSES'i AMLIGHTSHIPS BY. W DAMS BH THE STORY OF OUR LIGHTHOUSES LIGHTSHIPS Descriptive and Historical W. II. DAVENPORT ADAMS THOMAS NELSON AND SONS London, Edinburgh, and Nnv York I/K Contents. I. LIGHTHOUSES OF ANTIQUITY, ... ... ... ... 9 II. LIGHTHOUSE ADMINISTRATION, ... ... ... ... 31 III. GEOGRAPHICAL DISTRIBUTION OP LIGHTHOUSES, ... ... 39 IV. THE ILLUMINATING APPARATUS OF LIGHTHOUSES, ... ... 46 V. LIGHTHOUSES OF ENGLAND AND SCOTLAND DESCRIBED, ... 73 VI. LIGHTHOUSES OF IRELAND DESCRIBED, ... ... ... 255 VII. SOME FRENCH LIGHTHOUSES, ... ... ... ... 288 VIII. LIGHTHOUSES OF THE UNITED STATES, ... ... ... 309 IX. LIGHTHOUSES IN OUR COLONIES AND DEPENDENCIES, ... 319 X. FLOATING LIGHTS, OR LIGHTSHIPS, ... ... ... 339 XI. LANDMARKS, BEACONS, BUOYS, AND FOG-SIGNALS, ... 355 XII. LIFE IN THE LIGHTHOUSE, ... ... ... 374 LIGHTHOUSES. CHAPTER I. LIGHTHOUSES OF ANTIQUITY. T)OPULARLY, the lighthouse seems to be looked A upon as a modern invention, and if we con- sider it in its present form, completeness, and efficiency, we shall be justified in limiting its history to the last centuries but as soon as men to down two ; began go to the sea in ships, they must also have begun to ex- perience the need of beacons to guide them into secure channels, and warn them from hidden dangers, and the pressure of this need would be stronger in the night even than in the day. So soon as a want is man's invention hastens to it and strongly felt, supply ; we may be sure, therefore, that in the very earliest ages of civilization lights of some kind or other were introduced for the benefit of the mariner. It may very well be that these, at first, would be nothing more than fires kindled on wave-washed promontories, 10 LIGHTHOUSES OF ANTIQUITY.
    [Show full text]
  • British Birds |
    VOL. XLVIII NOVEMBER No. 11 1955 BRITISH BIRDS REPORT ON BIRD-RINGING FOR 1954* By ROBERT SPENCER, B.A., Secretary, Bird-Ringing Committee of the British Trust for Ornithology THIS is the eighteenth report issued on behalf of the Committee, continuing the earlier sequence under the title "The British Birds Marking Scheme". It combines a report on the progress of ring­ ing between October 1953 and December 1954 with a selected list of recoveries reported up to 31st December 1954. MANAGEMENT The members of the Committee are as follows: Sir Lands- borough Thomson (Chairman), Miss E. P. Leach, A- W. Boyd, Hugh Boyd, J. A. Gibb, P. A. D. Hollom, G. R. Mountfort, Major-General C. B. Wainwright, George Waterston; Sir Norman Kinnear; Bruce Campbell and C. A. Norris (ex officiis); Robert Spencer (Secretary). The only new member of the Committee is Sir Norman Kinnear, who succeeded Lord Ilchester as representa­ tive of the Trustees of the British Museum- A Sub-committee comprising Hugh Boyd, C. A. Norris, Major-General C. B. Wain­ wright and the Secretary was formed to plan the development and production of new rings. By permission of the Trustees, the headquarters of the scheme remain at the British Museum (Natural History). During the latter part of 1954 the approval of the G.'P.O. and the Museum * A publication of the British Trust for Ornithology. + The last preceding report was published in British Birds, vol. xlvii, pp. 361-392. 461 462 BRITISH BIRDS [VOL. XLVIII authorities was obtained for the use of the shorter address: "BRIT.
    [Show full text]
  • The Eastern Counties, — ——
    ^^^^^ gh Guides : ——- h^ ==h* - c\J : :ct> r ^c\i ==^JQO - T— ""> h»- [~^co '-_ 7 —^^— :n UOUNTIES /t\u* ton ^¥/ua( vY "IP Grantham ' TaUdngh oihv Mort.ml l y'iii.oco..^i>s ^u , ! v , ^i,,:;;^ , i / v '"'''.v/,,. ;r~ nsiimV *\ ?. ' kXOton /lEICESTERY Monftw /{, r fontf* k ^> h'i .;-"" A0% .-O Krlmarsh\ Blisw.wfli.i2 'oad&J Eelmdon. "VTolvei J''u/<}, upthill r9tc Ami? LoAviibo- 'Widfc *Baldock effbhurn f J Marti}*?' Ihxatingfard eitfktoii 7 " gifzzarcL t^r ' t>un.sti ^OXFORD '/'> Ainershain. finest WytHtrnd^iL Bickuuuis>^ Watliagtnti >^Hi^TV^cHnb£ ^M Shxplake- jfe-wrffa^eR E A PI Nla ^ | J. Bartholomew", E3ix k 4t> fcs J«<00®»»®00 o ocoo iO>l>Ot>l>N0500 o o t-o •0000500^000 OOO o ft ,'rH0D»O0006Q0CMlO>LO H00«3 . o CD Ocp CO COO O O OOCOO ^•OOOOOOOOO o o o o Q 5 m taWOWOOOCO>OiO •io»oo>o CO rHrHrHrHi-HrHrHrHrH . rH rH rH rH ^•COOOOOOOOO _CO O O 3 ojlOrHOrHrHrHGOOO :* :'i>ho 3 rHrH<MrHrHt-lr-l<M<M . • rH rH <M O ft . ocococococoococo CO CO CO CO 3 • t» d- t~ i>- rH (MH^HHHIMiMN • <M <M rH <M •oooomooojohoiooo ^5 rH oJcO<NO<M^<MCOOOOOOCO<MO rHrHCQrHr-1 rHrHrH<MrH(MrHrH<M IrHOCOOOOOCOCOCO 00 O CO 'oo r3 :C5000^ocooooocooo o o Q 525 : oq : : : :§? : : : : : O a OQ r-4 : o • : : :^3 : : : : * a a o 3 O : : : : : : : : : : « : a ^ ft .ft .o • n • o3 • o •J25 o9 S • 0) cS . CO . :oq • :,3 : B :ra : flo -»j cS rQ 2 s.d tJD ? B fcr - 00 O ?+3 J* ^b-3 a p 5 3 8.5 g^ - » * +•+* * * H—H— -r-+-»-+-f-+* * +-+ * * -f--r- Tast.
    [Show full text]
  • Licence to Fish in United Kingdom Waters – Eu Vessel
    LICENCE TO FISH IN UNITED KINGDOM WATERS – EU VESSEL PART 2: CONDITIONS Definitions and matters of general application: In this licence: ‘British fishery limits’ has the same meaning as in Section 1 of the Fishery Limits Act 1976; ‘Northern Ireland zone’ has the same meaning as in the Northern Ireland Act 1998 (c.47) (see section 98(1) and (8) of that Act; ‘Scottish zone’ has the same meaning as in the Scotland Act 1998 (c.46) (see section 126(1) and (2) of that Act); ‘Welsh zone’ has the same meaning as in the Government of Wales Act 2006 (c.32) (see section 158(1) and (3) of that Act); ‘English zone’ means the sea within British fishery limits other than the Scottish zone, the Northern Ireland zone, the Welsh zone. ‘relevant United Kingdom fisheries authority’ means, in the Scottish zone, the Scottish Ministers, in the Welsh zone the Welsh ministers, in the Northern Ireland zone the Department of Environment, Agriculture and Rural Affairs for Northern Ireland and in the English zone, the Marine Management Organisation; ‘Single Issuing Authority’ means the Marine Management Organisation, operating as the UK Single Issuing Authority for sea fishing licensing; ‘the UK licences and notices regulations’ means the Sea Fishing (Licences and Notices) (Scotland) Regulations 2011, the Sea Fishing (Licences and Notices) (Wales) Regulations 2019, the Sea Fishing (Licences and Notices) Regulations (Northern Ireland) 2014 and the Sea Fishing (Licences and Notices) (England) Regulation 2012; ‘the vessel’ means the vessel in respect of which this licence
    [Show full text]
  • Berrymanrebeccam1998mtour.Pdf (13.05Mb)
    THE UNIVERSITY LIBRARY PROTECTION OF AUTHOR ’S COPYRIGHT This copy has been supplied by the Library of the University of Otago on the understanding that the following conditions will be observed: 1. To comply with s56 of the Copyright Act 1994 [NZ], this thesis copy must only be used for the purposes of research or private study. 2. The author's permission must be obtained before any material in the thesis is reproduced, unless such reproduction falls within the fair dealing guidelines of the Copyright Act 1994. Due acknowledgement must be made to the author in any citation. 3. No further copies may be made without the permission of the Librarian of the University of Otago. August 2010 ==00-== ITY :ANAN Declaration concerning thesis ,(').~ I .... ;:>('C'C Author's full name and year of birth: ~.h.l.k." ,A (for cataloguing purposes) Ti tJ e: \-A q 1",-\ ho\.A s..e:; 0 -~- \'..JQ)..A..J =t, QC. \ (Y-{i ' (;"\.. bv \: (j\n t-- '-\-o'-v \. S ~V) Or () <o...Jtv--i '+"j Degree: • 1 f' y') vy\c\ t:,: \--u Of- 'o~~v \..J ~ " Department: \(?V"Vl) \IV"' I agree that this thesis may be consulted for research and study purposes and that reasonable quotation may be made from it, provided that proper acknowledgement of its use is made. I consent to this thesis being copied in part or in whole for I) all brary ii) an individual at the discretion of the Librarian of the University of Otago. Signature: Note: This is the standard Library declaration form used by the University of Otago for all theses, The conditions set out on the form may only be altered in exceptional circumstances, Any restriction 011 access tu a thesis may be permitted only with the approval of i) the appropriate Assistant Vice-Chancellor in the case of a Master's thesis; ii) the Deputy Vice-Chancellor (Research and International), in consultation with the appropriate Assistant Vice-Chancellor, in the case of a PhD thesis, The form is designed to protect the work of the candidate, by requiring proper acknowledgement of any quotations from it.
    [Show full text]
  • An Unresolved Mystery
    On being handed the polythene bag, Elizabeth AN UNRESOLVED warned me that it was rather heavy. MYSTERY Considering what it was supposed to contain, I was a little surprised by the weight. However, I took it home and started to examine the Charles Hiscock contents. Within the bag with the Society documents listed above was a black spring- For many years I have had the title of ‘Society backed file containing a large number of loose Archivist’ which actually means that I have sheets of paper, each with text which had retained, in as pristine condition as possible, clearly been typed on a manual typewriter, and copies of the Bath Geological Society Journal judging by the yellowing of the paper, had which date from 1981, Society programmes been compiled many years ago (photo 02). dating from 1971, booklets such as ‘The My curiosity was well and truly whetted so I Building Stones of Bath’, and the ‘Guide to started to read through to see if I could Brown’s Folly’ by R.B.J.Smith. There are also determine the writer and origins of the work. other documents and records and an album of There was no name on the black file, front or photographs dating between 1988 and 2011. back, nor any number to indicate if it was a (Sadly, because everybody now keeps their series or just a single item. Curiously, the first photographs on computers and phones page was numbered 300 and the last 564 so it without printing any, the photographic record quickly became evident to me that there must of Society events has stopped).
    [Show full text]
  • The Journal of the Royal National Life-Boat Institution
    THE LIFE-BOAT. The Journal of the Royal National Life-boat Institution. VOL. XXX. OCTOBER, 1938. No. 335. THE LIFE-BOAT FLEET Motor Life-boats, 137 :: Pulling & Sailing Life-boats, 28 LIVES RESCUED from the foundation of the Institution in 1824 to September 30th, 1938 .... 65,849 Grace Darling Centenary. Opening of a Memorial Museum at Bamburgh. SEPTEMBER 7th was the hundredth names of the rescuers, and then the anniversary of the most famous of all " circumstances of the case." rescues from shipwreck. " We, the undersigned, do hereby It was on the morning of September certify that Wm. Darling, the keeper 7th, 1838, that Grace Darling, and her of the Light House on the Long Stone father, William Darling, put off in a Fern Island, did at daybreak on rowing boat from the Longstone Light- Friday morning 7th September with house, Fame Islands, Northumberland, the assistance of his Wife and Daughter and rescued nine survivors of the (being the only persons then with him sixty-three men, women and children at the Light House) launch the Light who had been on board the Dundee House boat, and he and his Daughter steamer Forfarshire, which had struck Grace Darling about 22 years of age on the Harker Rock in the early hours (who insisted on sharing her Father's of that morning and had broken in danger) did succeed in reaching the two. Shortly afterwards seven fisher- wreck of the Forfarshire Steam Vessel men of North Sunderland, one of them on the Harker Rock, about three Grace Darling's brother, reached the quarters of a mile from the Light House, rock.
    [Show full text]
  • Emeritus Professor JN Hutchinson: Historical Landslide Collection
    Emeritus Professor J.N. Hutchinson: Historical Landslide Collection – Great Britain Land Use Planning and Development Programme Internal Report IR/12/073 “There rolls the Deep where grew the tree O Earth, what changes hast thou seen! There where the long street roars, hath been The stillness of the central sea The hills are shadows, and they flow From form to form, and nothing stands; They melt like mist, the solid lands, Like clouds they shape themselves and go” Lord Alfred Tennyson The Cliff-Founder and Landslide at Gore Cliff, Isle of Wight G.W. Colenutt, FGS Landslide at Gore Cliff, 1928 BRITISH GEOLOGICAL SURVEY LAND USE PLANNING AND DEVELOPMENT PROGRAMME INTERNAL REPORT IR/12/073 Emeritus Professor J.N. Hutchinson: Historical Landslide Collection – Great Britain The National Grid and other Page, J H. and Dashwood, C. Ordnance Survey data are used with the permission of the Controller of Her Majesty’s Stationery Office. Licence No: 100017897/2011. Keywords Report; John Hutchinson, landslides, collections Front cover Lord Alfred Tennyson The Cliff-Founder and Landslide at Gore Cliff, Isle of Wight, 1928 G.W. Colenutt, FGS Bibliographical reference PAGE,J H, DASHWOOD, C. 2012. All fields on the title and cover should be amended by using File/Properties/Custom. British Geological Survey Internal Report, IR/12/073. 126pp. Copyright in materials derived from the British Geological Survey’s work is owned by the Natural Environment Research Council (NERC) and/or the authority that commissioned the work. You may not copy or adapt this publication without first obtaining permission. Contact the BGS Intellectual Property Rights Section, British Geological Survey, Keyworth, e-mail [email protected].
    [Show full text]
  • Log of Trip to the North Norfolk Coast
    Log of Trip to the North Norfolk Coast 6th August 2012 Des and I had been waiting for an opportunity to go to the north Norfolk coast and it was in August that our opportunity came. We brought Gwendoline up to Snape from the mooring at Aldeburgh to load up, ready for the trip. 7th August 2012 We left Snape when we came afloat at 06.00 and were at the Alde entrance 08.45 (a distance of 16M). We had a depth of 7’ over the bar at low water springs which was a 2’ improvement on last year, and the old entrance has now nearly closed up. It is strange how the shingle shifts so much. The wind was light SW but we soon managed to switch the engine off and were at Orford Ness at 09.45. At Thorpness we saw a black cloud and put reef in. The tide was gaining strength against us so we motor sailed to Southwold. We were in the Blyth at 14.00 (20M from Orford Haven) and given private jetty by the harbour master, who asked how much rubbish we would make and what we would put in the river! 8.8.12 We may have picked a weather window but the tides could have been better timed. Oh well you can’t have everything! So we had a walk to Walberswick while we waited for the flood to be well under way so we could take advantage of the whole of the favourable ebb stream running north, which would start at 16.00.
    [Show full text]
  • Database on Encounters with Dumped Conventional and Chemical Munitions Year
    Implementation of OSPAR Recommendation 2003/2 Database on Encounters with Dumped Conventional and Chemical Munitions Biodiversity Series 2009 OSPAR Convention Convention OSPAR The Convention for the Protection of the La Convention pour la protection du milieu Marine Environment of the North-East Atlantic marin de l'Atlantique du Nord-Est, dite (the “OSPAR Convention”) was opened for Convention OSPAR, a été ouverte à la signature at the Ministerial Meeting of the signature à la réunion ministérielle des former Oslo and Paris Commissions in Paris anciennes Commissions d'Oslo et de Paris, on 22 September 1992. The Convention à Paris le 22 septembre 1992. La Convention entered into force on 25 March 1998. It has est entrée en vigueur le 25 mars 1998. been ratified by Belgium, Denmark, Finland, La Convention a été ratifiée par l'Allemagne, France, Germany, Iceland, Ireland, la Belgique, le Danemark, la Finlande, Luxembourg, Netherlands, Norway, Portugal, la France, l’Irlande, l’Islande, le Luxembourg, Sweden, Switzerland and the United Kingdom la Norvège, les Pays-Bas, le Portugal, and approved by the European Community le Royaume-Uni de Grande Bretagne and Spain. et d’Irlande du Nord, la Suède et la Suisse et approuvée par la Communauté européenne et l’Espagne. OSPAR Commission, 2009 CONTENTS Introduction............................................................................................................................................2 Evaluation of the experiences gained.................................................................................................2
    [Show full text]