Resolution June Lagmay Seconded

Total Page:16

File Type:pdf, Size:1020Kb

Resolution June Lagmay Seconded Resolution June Lagmay WHEREAS, June Lagmay possesses 32 years experience with the City of Los Angeles. For the majority of those years she worked on staff of three consecutive Los Angeles Mayors. She also has experience in the legislative branch of the City, having worked four years in a Council office and six years in the City Clerk's Office where she developed her skill in that department's functions as well as a comprehensive expertise in City policies and procedures; and WHEREAS, Ms. Lagmay has served as Mayor's Legislative Coordinator under the Villaraigosa administration (2005 - 2013), the Hahn administration (2001- 2005), and the Riordan administration (1994 - 2001). Ms. Lagmay has held this standing position in the Mayor's Office for fifteen years, maintaining legislative order for the Mayor and his staff, managing all legislative records entering and leaving the Mayor's Office, and being personally responsible for all completed Council actions and ordinances submitted for Mayor's concurrence, in compliance with provisions of the City's Charter and Administrative Code; and WHEREAS, Previously, Ms. Lagmay served six years in the City Clerk's Office as Budget and Finance Committee Legislative Assistant and as Acting Division Head for the Clerk's Council and Public Services Division, responsible for managing the entire division and its legislative operations. She coordinated work assignments, ensured timely completion and quality control of assignments, adjusted workloads, ensured that Council Rules and City policies were applied consistently, mobilized staff resources for emergency deadline projects, and negotiated conflicts arising in processing legislative requests. She created a comprehensive office-wide legislative database for tracking council files at the Committees level, and administered the division's duties pertaining to City elections; and WHEREAS, Ms. Lagmay was appointed as City Clerk on May 9, 2009. Under her leadership, the Office of the City Clerk has moved forward into an era of productivity and technology. Three Municipal Elections and four Special Council District Elections were conducted and five citizen initiative petitions were processed. The Office of the City Clerk continue to perform its core functions of Elections, Council and Public Services, Records Management, Systems and Administrative Services despite tough economic times and a decline in available resources: NOW THEREFORE, BE IT RESOLVED that by the adoption of this resolution, The Los Angeles City Council does hereby commend June Lagmay for her many years of dedicated service to the city and to the people of Los Angeles. May you continue to prosper in all future endeavors. Presented By: -=,:-,-:--=-:--:;;o,.q::::---''-'::;...""",==r Seconded By: Resolution Southern California Permanente Medical Group (SCPMG) WHEREAS, the Southern California Permanente Medical Group (SCPMG) traces its origins back to 1942, when Dr. Sidney Garfield was asked by industrialist Henry Kaiser to establish a health care plan for workers of the Kaiser steel mill in Fontana. In 1945, enrollment in the health plan was opened to the public in the surrounding Fontana area; and WHEREAS, in 1953, the 13 original physicians signed a partnership agreement that officially formed SCPMG. SCPMG is the physician partnership that, together with Kaiser Foundation Health Plan and Kaiser Foundation Hospitals, forms Kaiser Permanente in Southern California. Since its modest beginnings in 1953, SCPMG has grown to be the nation's second largest private multispecialty group practice; and WHEREAS, in 1950, Kaiser Permanente brought its unique integrated model to the City of Los Angeles with the opening of a Medical Office in Harbor City. Since the establishment of Kaiser Permanente in the City of Los Angeles, the program has grown to care for more than 600,000 residents in the City of Los Angeles and there are now over 2,100 SCPMG physicians in the greater Los Angeles service area that provide care in 5 medical centers and several outpatient medical offices; and WHEREAS, the physicians of the SCPMG playa vital role in the Los Angeles medical community. SCPMG physicians are leaders in preventive care and achieve superior clinical outcomes and help each member maximize their total health. SCPMG cares for patients who represent approximately 200 different ethnicities and speak 125 different languages, providing the medical group with unique opportunities for both practicing medicine and making valuable research contributions: NOW THEREFORE, BE IT RESOLVED that it is altogether fitting that the City of Los Angeles commend the Southern California Permanente Medical Group on their 60th anniversary and acknowledge their significant contributions to our city and the health of its citizens. Presented BY:~~~~>L.e:6~~~:::::::~ __ Herb J. Wesson, Jr. Seconded By: ~tE.~c,:::::,=:::::,,=......f~_~~~/L.~ C:~';.,:;:;:';~~z;,'@ es ADOPTED JUL 2 6 Z013 lOS ANGElES em COUNCil CITY OF LOS ANGELES RESOLUTION Peter Falk Posthumously WHEREAS, film and television actor Peter Falk started his career on stage in 1955. From 1958 he enjoyed a modest success in such films as The tn-t.ews (1979) and in other various television dramas. He usually played urban typessuch as gangsters or working-class men, in which he employed his rough-hewn mannerisms to create a beloved character; and WHEREAS, born Peter Michael Falk on September 16, 1927, in New York City, While he had many roles on stage and on the big screen, Peter Falk is probably best remembered for his portrayal of Lieutenant Columbo on television. He played the rumpled and quirky detective for more than 30 years in numerous television movies; and WHEREAS, growing up in Ossining, New York, Falk lost his right eye to cancer at the age of three. He wore a glass eye in its place, which gave him his trademark squint. After high school and a brief stay at college, falk became a merchant marine, working as a cook. He later went back to school, eventually earning a master's degree from Syracuse University in public administration; and WHEREAS, Falk discovered acting in his twenties while working in Hartford. At the age of 29, he abandoned public service for the stage. Falk moved to New York City and made his off-Broadway debut in 1956 in a production of Don Juan. In 1958, he made the leap to film, appearing in the drama Wind Across the Everglades with Christopher Plummer and Gypsy Rose Lee. Falk soon became a notable character actor, often playing shady criminals. In Murder Inc. (1960), for which he picked up an Academy Award nomination for his portrayal of notorious thug Abe "Kid Twist" Reles. Falk received another Best Supporting Actor nomination the following year for Pocketful of Miracles for his comic turn as a mobster; and WHEREAS, in 1967, Fa!k won his most famous part after Bing Crosby turned down the role. He first appeared as Lieutenant Columbo in the 1968 television movie Prescription: Murder. In 1971, Columbo became a regular feature on the NBC Sunday Mystery Movie. Falk received four Emmy® Awards for his work on the television movies. With his disheveled appearance and tattered trench coat, Columbo came across as the perennial underdog. "He looks !ike a flood victim," Falk once said. "You fee! sorry for him. He appears to be seeing nothing, but he's seeing everything."; and WHEREAS, in addition to Columbo, Falk enjoyed success on the stage and in film. He starred on Broadway in Neil Simon's The Prisoner of Second Avenue in 1971. Working with director John Cassavetes, Falk played Gina Rowland's husband in the critically acclaimed A Woman Under the Influence (1976). He also appeared in several popular comedies, inc!uding Murder by Death (1977) and The In-Laws in 1981. One of his favorite on stage roles was opposite his long time friend Joe Mantegna in David Mamet's Pulitzer Prize winning play Glengarry Glen Ross in 1986; and WHEREAS, Falk continued to work over the next two decades, often in small but memorable supporting roles, such as "grandpa" in The Princess Bride (1987). He made his last appearance as Columbo in a 2003 television movie Columbo: "Columbo Likes The Nightlife". Peter continued to work up to 2009 lending his voice to the animated Dreamworks film Shark Tale and staring films such as Three Days in Vegas with Rip Torn and George Segal and The Thing About my Folks written by Paul Rieser; and WHEREAS, on June 23, 2011, Falk died peacefully at his Beverly Hills home, he was 83 years old; and WHEREAS, Peter Falk, on Thursday, July 25, 2013, will be presented with the 2,503 star on the Hollywood Walk of Fame: NOW THEREFORE, BE IT RESOLVED that by the adoption of this resolution, the Los Angeles City Council does hereby commend and congratulate, PETER FALK on the occassion of being presented with his star on the Hollywood Walk of Fame. Seconded by: All Members ADOPTED JUL .2 6 2013 JUl 26 2013 lOS ANGElES CITY COUNCIL CITY OF LOS ANGELES RESOLUTION Sharon Raphael & Mina Meyer WHEREAS, Sharon Raphael, PhD, and Mina Meyer, MA, are two longtime Southern California advocates who have played key roles in the City's LGBT history; and WHEREAS, Sharon and Mina first met as four and five year-old neighbors, and were childhood friends, in Ohio; and WHEREAS, the two reconnected by chance-or fate-years later as adults in California; and, WHEREAS, since moving to Southern California, Sharon and Mina have shown tremendous support in the fight against HIV/AIDS; and WHEREAS, Sharon and Mina served on the AIDS Hospice Committee more than two decades ago
Recommended publications
  • DVD Movie List by Genre – Dec 2020
    Action # Movie Name Year Director Stars Category mins 560 2012 2009 Roland Emmerich John Cusack, Thandie Newton, Chiwetel Ejiofor Action 158 min 356 10'000 BC 2008 Roland Emmerich Steven Strait, Camilla Bella, Cliff Curtis Action 109 min 408 12 Rounds 2009 Renny Harlin John Cena, Ashley Scott, Aidan Gillen Action 108 min 766 13 hours 2016 Michael Bay John Krasinski, Pablo Schreiber, James Badge Dale Action 144 min 231 A Knight's Tale 2001 Brian Helgeland Heath Ledger, Mark Addy, Rufus Sewell Action 132 min 272 Agent Cody Banks 2003 Harald Zwart Frankie Muniz, Hilary Duff, Andrew Francis Action 102 min 761 American Gangster 2007 Ridley Scott Denzel Washington, Russell Crowe, Chiwetel Ejiofor Action 113 min 817 American Sniper 2014 Clint Eastwood Bradley Cooper, Sienna Miller, Kyle Gallner Action 133 min 409 Armageddon 1998 Michael Bay Bruce Willis, Billy Bob Thornton, Ben Affleck Action 151 min 517 Avengers - Infinity War 2018 Anthony & Joe RussoRobert Downey Jr., Chris Hemsworth, Mark Ruffalo Action 149 min 865 Avengers- Endgame 2019 Tony & Joe Russo Robert Downey Jr, Chris Evans, Mark Ruffalo Action 181 mins 592 Bait 2000 Antoine Fuqua Jamie Foxx, David Morse, Robert Pastorelli Action 119 min 478 Battle of Britain 1969 Guy Hamilton Michael Caine, Trevor Howard, Harry Andrews Action 132 min 551 Beowulf 2007 Robert Zemeckis Ray Winstone, Crispin Glover, Angelina Jolie Action 115 min 747 Best of the Best 1989 Robert Radler Eric Roberts, James Earl Jones, Sally Kirkland Action 97 min 518 Black Panther 2018 Ryan Coogler Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o Action 134 min 526 Blade 1998 Stephen Norrington Wesley Snipes, Stephen Dorff, Kris Kristofferson Action 120 min 531 Blade 2 2002 Guillermo del Toro Wesley Snipes, Kris Kristofferson, Ron Perlman Action 117 min 527 Blade Trinity 2004 David S.
    [Show full text]
  • KEVIN SCOTT Second Unit Director / Stunt Coordinator
    KEVIN SCOTT Second Unit Director / Stunt Coordinator FEATURE FILMS DIRECTORS PRODUCERS/STUDIOS GRUDGE MATCH Peter Segal Ravi Mehta, Bill Gerber, Mark Steven Johnson Stunt Coordinator Bob Dohrmann / Warner Bros. LONE SURVIVOR Stunt Coordinator Peter Berg Louis Friedman, Sarah Aubrey / Emmett/Furla Films BATTLESHIP Peter Berg Scott Stuber, Sarah Aubrey, Duncan Henderson Stunt Coordinator Universal Pictures LOVE, WEDDING, MARRIAGE Dermot Mulroney Joel Hatch, Michelle Chydzik Sowa, Gary Raskin Stunt Coordinator IFC Films INHALE Stunt Coordinator Baltasar Kormakur Michelle Sowa, Nathalie Marciano / IFC Films RACE TO WITCH MOUNTAIN Andy Fickman Andrew Gunn, Mario Iscovich Assistant Stunt Coordinator Walt Disney Pictures STOPPING POWER prepped only Jan De Bont Doug Curtis, John Cusack, Jan De Bont Stunt Coordinator THE DUKES OF HAZZARD Jay Chandrasekhar Bill Gerber, Eric McLeod / Warner Bros. Assistant Stunt Coordinator THE DAY AFTER TOMORROW Roland Emmerich Kelly Van Horn, Mark Gordon Assistant Stunt Coordinator 20th Century Fox THE BIG EMPTY Stunt Coordinator Newton Thomas Sigel George Clooney, Steven Soderbergh & J. Lisa Chang Section Eight Films TELEVISION BLOODLINE Pilot Peter Berg Sarah Aubrey, David Graziano Stunt Coordinator Universal Television / NBC SWEET NOTHING IN MY EAR MOW Joseph Sargent Larry Albucher, Marian Rees Stunt Coordinator CBS / Hallmark AMERICAN DREAMS Season 1 Dan Lerner, David David Semel, Jonathan Prince, Dick Clark Stunt Coordinator Semel & Various Dirs. NBC GOOD MORNING MIAMI Series Various Directors Tim Kaiser, David Kohan / NBC Assistant Stunt Coordinator MONK Series Asst. Stunt Coordinator Randall Zisk & Various Randall Zisk, Tom Scharpling, Phil Goldfarb / USA STUNT PERFORMER SAVAGES Oliver Stone Eric Kopeloff, Shane Salerno / Universal THE SECRET LIFE OF WALTER MITTY Ben Stiller Barry Waldman, Stuart Cornfeld / 20th Century Fox SALT Phillip Noyce Ric Kidney / Sony/Columbia IRON MAN Jon Favreau Avi Arad, Kevin Feige / Paramount I AM LEGEND Francis Lawrence Michael Tadross, Akiva Goldsman / Warner Bros.
    [Show full text]
  • Pliego De Prescripciones Técnicas Del Contrato
    DIRECCIÓN GENERAL DE BIBLIOTECAS, ARCHIVOS Y MUSEOS SUBDIRECCIÓN GENERAL DE BIBLIOTECAS, ARCHIVOS Y MUSEOS SERVICIO DE BIBLIOTECAS PÚBLICAS Página: 1 de 86 PLIEGO DE PRESCRIPCIONES TÉCNICAS DEL CONTRATO “SUMINISTRO DE MATERIAL AUDIOVISUAL Y MULTIMEDIA CON DESTINO A LAS BIBLIOTECAS DEL AYUNTAMIENTO DE MADRID” A ADJUDICAR POR PROCEDIMIENTO ABIERTO Expediente 300/2014/00397 1.- OBJETO DEL CONTRATO Adquisición de material audiovisual y multimedia (Blue-Ray, DVD, CD Audio y Código de verificación : PY3d3284c50e6008 DVD Audio) para la creación, actualización y mantenimiento de fondos de las bibliotecas municipales, según relación de títulos y número de ejemplares para cada título recogida en los Anexos I y II al presente Pliego de Prescripciones Técnicas La empresa que resulte adjudicataria suministrará el número de ejemplares de cada disco (Blue-Ray, DVD, CD Audio y DVD Audio) recogidos en el Anexo I y II con el descuento que haya presentado en su oferta. En caso de baja de adjudicación (de conformidad con el apartado 1 del Anexo I y II del Pliego de Cláusulas Administrativas Particulares) se deberá incrementar el número de unidades a suministrar de entre las relacionadas en el Anexo I y II del Presente Pliego de Prescripciones Técnicas. 2.- DURACION DEL CONTRATO La fecha prevista de inicio del contrato es el 1 de septiembre de 2014. La http://www- duración máxima del contrato será de 30 días hábiles contados desde el día siguiente a la formalización, sea esta anterior o posterior a la citada fecha prevista de inicio. 3.- LUGAR DE ENTREGA DEL SUMINISTRO Los suministros serán entregados en las condiciones que se detallan en este Pliego de Prescripciones Técnicas en las siguientes dependencias del Ayuntamiento de Madrid: Unidad Técnica de Bibliotecas Públicas.
    [Show full text]
  • LAURENT BEN-MIMOUN CONCEPTUAL ILLUSTRATION, 3D CONCEPT DESIGN MATTE PAINTING, ART DIRECTION Portfolios
    LAURENT BEN-MIMOUN CONCEPTUAL ILLUSTRATION, 3D CONCEPT DESIGN MATTE PAINTING, ART DIRECTION Portfolios: www.blueman.ws www.artstation.com/artist/blueman FILM DIRECTOR PRODUCTION/Reported To “ANT-MAN AND THE WASP” PEYTON REED MARVEL STUDIOS Concept Illustrator PD: Shepherd Frankel “STARFALL” JOE JOHNSTON DI BONAVENTURA PICTURES Conceptual Art/Illustrations PD: Barry Robinson “THOR: RAGNAROK” TAIKA WAITITI MARVEL STUDIOS Conceptual Art Director PD: Dan Hennah “THE DARK TOWER” NIKOLAJ ARCEL SONY PICTURES Concept Illustrator MEDIA RIGHTS CAPITAL PD: Dan Hennah, Chris Glass “ALICE IN WONDERLAND: THROUGH JAMES BOBIN WALT DISNEY PICTURES THE LOOKING GLASS” Director: James Bobin Concept Design for Prep & Post PD: Dan Hennah & Film Book Art “GUARDIANS OF THE GALAXY: VOL. 2” JAMES GUNN MARVEL STUDIOS Concept Illustrator PD: Scott Chamblis “PASSENGERS” MORTEN TYLDUM COLUMBIA PICTURES Concept Illustrator PD: Guy Dyas Production Design received an Academy Award nomination and WON the Art Directors Guild Award “INDEPENDENCE DAY: RESURGENCE” ROLAND EMMERICH TWENTIETH CENTURY FOX Concept Illustrator Director: Roland Emmerich 3D Designs/Concept Art PD: Barry Chusid “GHOSTBUSTERS” PAUL FEIG COLUMBIA PICTURES Concept Illustrator PD: Jefferson Sage ‘ORPHANS OF THE VOID” Spec Pilot K. MICHEL PARANDI K. MICHEL PARANDI Concept/3D/Art Director “THE ARK AND THE AARDVARK” JOHN STEVENSON UNIFIED PICTURES Visual Development (Animation) “BRILLIANCE” JULIUS ONAH LEGENDARY PICTURES Concept Illustrator PD: Dominic Watkins “UNTITLED GHOSTBUSTERS III” IVAN REITMAN COLUMBIA
    [Show full text]
  • Technique • Friday, September 19, 2003 • 1
    Friday, SeptemberNEWS 19, 2003 Technique • Friday, September 19, 2003 • 1 Flat tire? Spare tire? Tiger Huntin’! TECHNIQUE No, Left Front Tire Check out the “South’s “The South’s Liveliest College Newspaper” rocks Upstart Festival. Liveliest” predictions. ONLINE http://cyberbuzz.gatech.edu/technique Entertainment page 17 SPORTS page 29 Serving Georgia Tech since 1911 • Volume 89, Issue 9 • 32 pages Opinions␣ 8 · Focus␣ 11 · Entertainment␣ 17 · Comics␣ 24 · Sports␣ 32 Budget cuts “will hit muscle and bone” By Erich Hansen Meredith said in an address to the Growing enrollment and de- ed Clough in an email interview. an email interview. Contributing Writer Board of Regents. creased funding will cause more uni- He said that the proposed budget Meredith has been meeting with “[The proposed decrease] reflects versities to rely increasingly on was as good as could be expected administrators from Tech and oth- Last week, University System of the reality of the state’s current budget part-time faculty and administra- given the circumstances. Priority for er universities in Georgia to discuss Georgia Chancellor Tom Meredith picture,” Meredith said. Like many tors to teach classes, Meredith said. funds will be given to academic pro- methods to cut costs. His report proposed reducing operating bud- states, Georgia has been buffeted by “The squeeze in our classrooms grams and support operations, but suggested implementing cuts in fac- gets at the state’s universities by the lagging economy. is going to become more and more “it is inevitable quality will suffer no ulty training and travel budgets in $107.8 million in fiscal year 2005.
    [Show full text]
  • A Comparison of Philip K. Dick's “We Can Remember It for You Wholesale”
    Memories of Future Masculine Identities: A Comparison of Philip K. Dick’s “We Can Remember it for you Wholesale”, the 1990 Film Total Recall and its 2012 Remake Amaya Fernández-Menicucci Imagined memories of masculine identities But what I’ve really done is, I have atavised [my characters’] society. That although it’s set in the future, in many ways they’re living—there is a retrogressive quality in their lives, you know? They’re living like our ancestors did. I mean, the hardware is in the future, the scenery’s in the future, but the situations are really from the past. (Philip K. Dick quoted in Spivard 1990: i) Memory as a process of identity construction is at the heart of the three texts I discuss in this paper: Philip K. Dick’s short story “We Can Remember it for you Wholesale”, published in 1966, but written in the 1950s; the 1990 film Total Recall directed by Paul Verhoeven; and Len Wiseman’s 2012 version of the latter by the same titled . In each of these three texts, a man struggles to remember who he was, as he discovers that his present identity has been artificially implanted in his brain, after all previous memories of his true self were erased. However, the three texts do not rely on memory as the only mechanism of self- construction. Indeed, fantasy and desire emerge as the first strategies Between, vol. IV, n. 8 (Novembre/November 2014) Amaya Fernández-Menicucci, Memories of Future Masculine Identities of self-building. The ‘new’ past that is being revealed is, in fact, identical to the fantastic visions that had been animating the main character’s dreams for as long as he can remember.
    [Show full text]
  • CONSTRUCTING MY SELF and NAVIGATING PATRIARCHY USING MY VAMPIRE BOYFRIEND Elizabeth Sherwood
    SUBLIME SURRENDER: CONSTRUCTING MY SELF AND NAVIGATING PATRIARCHY USING MY VAMPIRE BOYFRIEND Elizabeth Sherwood A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2011 Committee: Dr. Piya Pal-Lapinski, Advisor Dr. Lawrence Coates Graduate Faculty Representative Dr. Bill Albertini i TABLE OF CONTENTS Page INTRODUCTION………………………………………………………………...... 1 CHAPTER 1.MASOCHISTIC FANTASY, CULTURAL TRAUMA, AND THE NEW CONTRACT……............................................................................................ 10 CHAPTER 2.BECOMING AND RECOGNIZING MY SELF IN UNDERWORLD AND TRUE BLOOD................................................................................................. 35 CONCLUSION……………………………………………………………………... 53 REFERENCES……………………………………………………………………… 59 ii ABSTRACT Dr. Piya Pal-Lapinski, Advisor The plot in contemporary gothic texts such as True Blood, the Underworld series, and the Twilight series center around a new gothic heroine navigating through a relationship with her supernatural boyfriend. Although these texts are clearly popular, can they tell us anything else? Why are these same stories, and the action that occurs within them, repeated in an almost obsessive fashion? Not unlike traditional gothic texts that were primarily written in the late 18th Century or early 19th Century, the repetition and ritualistic nature of these tales hint at a trauma that must be worked through. The trauma that one can see in both contemporary and traditional gothic texts results from erasure of the feminine,and the continuance of pervadingacts of misogyny throughout. However, many contemporary gothic texts do not stop at simply recognizing this trauma, or working through it.Indeed, these texts have begun to imagine a new social contract between the sexes—which is the very relationship in which the original trauma occurs.
    [Show full text]
  • Production Notes
    PRODUCTION NOTES Underworld: Blood Wars, the newest installment of the blockbuster franchise, finds Vampire Death Dealer Selene (Kate Beckinsale) fending off brutal attacks from both the Lycan clan and the Vampire faction that has betrayed her. Aided by her only allies, David (Theo James) and his father Thomas (Charles Dance), she must end the eternal war between Lycans and Vampires, even if it means making the ultimate sacrifice. The fifth film in the hugely successful action-horror series picks up the action where Underworld Awakening left off. The Lycans have found a powerful new leader in Marius (Tobias Menzies), who has injected a fanatical sense of purpose and discipline into their previously ragtag ranks. Marius will stop at nothing to track down Selene in order to learn the whereabouts of her daughter Eve, a Vampire-Lycan hybrid. Joined by David, Selene barely manages to elude her Lycan trackers until a truce negotiated by David’s father Thomas allows her to take refuge at the Eastern Coven, ruled by the ambitious Semira (Lara Pulver). In abject fear of the escalating Lycan threat, Selene’s former Vampire adversaries hope her legendary fighting skills will help them eradicate the Lycan scourge once and for all. But when Selene discovers that some of her Eastern protectors have traitorous agendas of their own, she and David are on the run again, forced to seek sanctuary behind the walls of the mysterious Nordic Coven, a peaceful sect of Vampires living in monk-like seclusion in the northernmost regions of the earth. But their newfound sense of security in the snow-covered lands of Var Dohr is fleeting, for wherever Selene goes, the centuries-old war between Vampires and Lycans always follows.
    [Show full text]
  • Kate Beckinsale Len Wiseman Divorce
    Kate Beckinsale Len Wiseman Divorce imprimisTinted and and wandle glaciates Brody so maltreatsagittally! so Bicuspid uncannily Lowell that Fonziemistrust mucks some hisconsociations conkers. Albuminous after droughtiest Avraham Brandy sometimes fence willy-nilly. let-up his mousses As a daughter were seen together, kate beckinsale len wiseman divorce was three differences with wife beckinsale is? Though she is not to be recorded the. Kate beckinsale is a young costars on an editor for the couple made sure to change your subscription shortly afterwards. Prince charles of kate also enjoyed playing football matches, where cops say. Well as well as earnings after breaking news corp is? Roger marshall a surprise, kate beckinsale len wiseman divorce. You and len wiseman is unavailable because she got settled her. After over instagram. Check out with the final against director instead of the divorce on the actress later recalled of kate beckinsale len wiseman divorce finalised in uk: national public after. See how often they had two months despite being a very good role as she chose university over upcoming movie stars beckinsale divorce is kate beckinsale len wiseman divorce amid sexual misconduct allegations in april. Though the news on! Sean connery died on occasion we make. Kate beckinsale makes her first jab drive for second time, et that i loved up selfie from fiancee ariana grande seemed loved up to bed, clean break for. Is on television, it actually came in public service from len wiseman was not holding each other guy, another trip down arrow keys to be actual size of. Princess latifa from prince charles albert david has offered somewhat of his crush on his wedding ring since november, parisian culture news came from len wiseman.
    [Show full text]
  • Underworld: Evolution Production Notes
    UNDERWORLD EVOLUTION œ In Cinemas January 19 PRODUCTION NOTES As the feud between vampires and werewolves escalates to new heights, so too does Underworld Evolution, delivering a veritable feast of bloodthirsty power, forbidden love and sweeping vengeance. With the exposure of well-kept secrets and the tough resolve of one betrayed Vampire warrior, a centuries-long struggle between vicious predators has reached new heights of fierceness. But it‘s one Immortal‘s insatiable lust for power that leads to disturbing new disclosures about the origins of the feud between the Vampires and the Lycans. The past just got very twisted, and the future may reveal an entirely new breed, the likes of which no one has ever seen. The Underworld saga continues as hunted Vampire Selene (Kate Beckinsale) seeks out Marcus (Tony Curran), king of the Vampires, in the hope of bargaining for her life. Hybrid Michael (Scott Speedman) wants to join Selene in her quest but is unable to trust the werewolf raging uncontrolled inside him, and she refuses his companionship. Their love proves more powerful than genetics, however, when Marcus descends upon Selene, intent on annihilating her. In the battle that ensues, Selene discovers that she has been betrayed by her own family and she sets out to seek her revenge. Selene seeks out Adrian Tanis (Steven Mackintosh), official Historian of the Covens, for help unraveling the web of lies spun by Marcus and Viktor (Bill Nighy) in their battle for supremacy. Intrigue deepens when Tanis reveals the identity of the first true Immortal: not Marcus or Viktor as was believed, but Alexander Corvinus (Derek Jacobi), father to Marcus and his twin brother, William.
    [Show full text]
  • Recuperating Fatherhood in Steven Spielberg's War of the Worlds
    1 H. Hamad 9 January 2011 Extreme Parenting: Recuperating Fatherhood in Steven Spielberg’s War of the Worlds (2005) Hannah Hamad Surrounding the release of Steven Spielberg’s science-fiction blockbuster War of the Worlds (2005), a widely mediated publicity still featured star Tom Cruise with his arm protectively placed around the shoulders of young co-star Dakota Fanning, as they gaze heavenwards in bewildered wonder. [INSERT FIGURE hamad.1 HERE] The widespread promotional use of this image, as opposed to one showcasing its genre, spectacle or blockbuster credentials to greater effect, manifestly indicated that fatherhood and familial relations would be thematically prominent. This thematic bent was commensurate with recent developments in Spielberg’s output and, as this chapter will ultimately contend, with a current trend in depictions of screen fathers, manifested across the spectrum of Hollywood’s male star led genres. One way of understanding the film’s thematic preoccupation with fatherhood is as a continuation of Spielberg’s longstanding concerns with fragmented and troubled families, through his output over time via recurring character types and scenarios like the inadequate father and child in peril. Spielberg scholars identify these as authorial concerns1 arising from his autobiographical investment in broken families and troubled fatherhood.2 War of the Worlds is thus a logical entry to his extant filmography in thematic terms, featuring a Spielbergian narrative impetus striving towards reuniting a fragmented family, in which the 2 H. Hamad 9 January 2011 father no longer has a place. He shepherds his children away from danger and toward their mother amidst the crisis of an alien invasion, while transforming and rehabilitating his paternal credentials, which are initially presented as inadequate.
    [Show full text]
  • REV Torjussen Mini Bio,Credits 9-21-18
    Composer: Ceiri Torjussen Studio (US) : 001 310 559-6128 | Studio (UK) : 02920 624-669 Mobile : 001 310 384-6851 www.ceiri.com | [email protected] Multi award-winning composer Ceiri Torjussen’s music was described by the Los Angeles Times as a “sudden bolt of creative lightning.” Welsh-born, but based mainly in Los Angeles, his credits run the gamut of independent films, documentaries, network TV, animation and large budget studio films. He is also an accomplished composer of concert and experimental music. Torjussen recently completed scoring the 4-hour, doc-series Pistorius for Amazon, about the famed Paralympic athlete and convicted murderer Oscar Pistorius. Recent narrative film projects include the dark drama All Creatures Here Below, and the horror film Primal Rage (released theatrically in 2018). The psychological thriller Jack Goes Home (starring Rory Culkin and Lin Shaye) premiered at SXSW 2016 and critically acclaimed horror film The Canal, which features a terrifying, experimental score, premiered at Tribeca in 2014. His extensive documentary work includes such award-winning films as Mr. Calzaghe (BBC/eOne), about boxing legend Joe Calzaghe, and Becoming Bulletproof (Showtime, 2015), about disabled filmmakers making a Western. In 2013 Ceiri scored two award-winning films: Test (winner of Outfest and featured at the 2014 Berlinale), a drama set in the 1980s, features a moody, ambient electronic score; and on the other end of the stylistic spectrum, Big Ass Spider! (premiered at SXSW 2013), is a nod to the classic monster-movie scores of the 1950s and features full orchestra with a hard-rock edge. He composed additional, heart-thumping action music for Hitman: Agent 47, Repo Men, Live Free or Die Hard and Underworld Evolution, and orchestral action-comedy music for Scary Movie II.
    [Show full text]