KEVIN SCOTT Second Unit Director / Stunt Coordinator

Total Page：16

File Type：pdf, Size：1020Kb

KEVIN SCOTT Second Unit Director / Stunt Coordinator FEATURE FILMS DIRECTORS PRODUCERS/STUDIOS GRUDGE MATCH Peter Segal Ravi Mehta, Bill Gerber, Mark Steven Johnson Stunt Coordinator Bob Dohrmann / Warner Bros. LONE SURVIVOR Stunt Coordinator Peter Berg Louis Friedman, Sarah Aubrey / Emmett/Furla Films BATTLESHIP Peter Berg Scott Stuber, Sarah Aubrey, Duncan Henderson Stunt Coordinator Universal Pictures LOVE, WEDDING, MARRIAGE Dermot Mulroney Joel Hatch, Michelle Chydzik Sowa, Gary Raskin Stunt Coordinator IFC Films INHALE Stunt Coordinator Baltasar Kormakur Michelle Sowa, Nathalie Marciano / IFC Films RACE TO WITCH MOUNTAIN Andy Fickman Andrew Gunn, Mario Iscovich Assistant Stunt Coordinator Walt Disney Pictures STOPPING POWER prepped only Jan De Bont Doug Curtis, John Cusack, Jan De Bont Stunt Coordinator THE DUKES OF HAZZARD Jay Chandrasekhar Bill Gerber, Eric McLeod / Warner Bros. Assistant Stunt Coordinator THE DAY AFTER TOMORROW Roland Emmerich Kelly Van Horn, Mark Gordon Assistant Stunt Coordinator 20th Century Fox THE BIG EMPTY Stunt Coordinator Newton Thomas Sigel George Clooney, Steven Soderbergh & J. Lisa Chang Section Eight Films TELEVISION BLOODLINE Pilot Peter Berg Sarah Aubrey, David Graziano Stunt Coordinator Universal Television / NBC SWEET NOTHING IN MY EAR MOW Joseph Sargent Larry Albucher, Marian Rees Stunt Coordinator CBS / Hallmark AMERICAN DREAMS Season 1 Dan Lerner, David David Semel, Jonathan Prince, Dick Clark Stunt Coordinator Semel & Various Dirs. NBC GOOD MORNING MIAMI Series Various Directors Tim Kaiser, David Kohan / NBC Assistant Stunt Coordinator MONK Series Asst. Stunt Coordinator Randall Zisk & Various Randall Zisk, Tom Scharpling, Phil Goldfarb / USA STUNT PERFORMER SAVAGES Oliver Stone Eric Kopeloff, Shane Salerno / Universal THE SECRET LIFE OF WALTER MITTY Ben Stiller Barry Waldman, Stuart Cornfeld / 20th Century Fox SALT Phillip Noyce Ric Kidney / Sony/Columbia IRON MAN Jon Favreau Avi Arad, Kevin Feige / Paramount I AM LEGEND Francis Lawrence Michael Tadross, Akiva Goldsman / Warner Bros. THE KINGDOM Peter Berg Michael Mann, Scott Stuber / Universal THE BOURNE ULTIMATUM Paul Greengrass Frank Marshall, Patrick Crowley / Universal THE BOURNE SUPREMACY Paul Greengrass Frank Marshall, Patrick Crowley / Universal LIVE FREE OR DIE HARD Len Wiseman Michael Fottrell / 20th Century Fox SPIDER-MAN 3 Sam Raimi Avi Arad, Grant Curtis / Sony/Columbia SPIDER-MAN 2 Sam Raimi Avi Arad, Grant Curtis / Sony/Columbia CRANK Neveldine and Taylor Gary Lucchesi, Tom Rosenberg / Lions Gate MISSION: IMPOSSIBLE 3 J.J. Abrams Paula Wagner / Paramount Kevin Scott has garnered four Stunt Awards for his work, including one SAG Award and three Taurus World Stunt Awards. In addition to being known as one the world’s top stunt drivers, he is a highly experienced stunt rigger, water safety expert, mixed gas diver & scuba instructor. He also is a licensed private pilot. Kevin was the inventor/designer/operator of the widely used GO-Mobile, well known from “The Bourne Supremacy” and “The Bourne Ultimatum.” The GO-Mobile has been utilized by over 35 productions in the last 7 years. .

Copy Link

Recommended publications

DVD Movie List by Genre – Dec 2020
Action # Movie Name Year Director Stars Category mins 560 2012 2009 Roland Emmerich John Cusack, Thandie Newton, Chiwetel Ejiofor Action 158 min 356 10'000 BC 2008 Roland Emmerich Steven Strait, Camilla Bella, Cliff Curtis Action 109 min 408 12 Rounds 2009 Renny Harlin John Cena, Ashley Scott, Aidan Gillen Action 108 min 766 13 hours 2016 Michael Bay John Krasinski, Pablo Schreiber, James Badge Dale Action 144 min 231 A Knight's Tale 2001 Brian Helgeland Heath Ledger, Mark Addy, Rufus Sewell Action 132 min 272 Agent Cody Banks 2003 Harald Zwart Frankie Muniz, Hilary Duff, Andrew Francis Action 102 min 761 American Gangster 2007 Ridley Scott Denzel Washington, Russell Crowe, Chiwetel Ejiofor Action 113 min 817 American Sniper 2014 Clint Eastwood Bradley Cooper, Sienna Miller, Kyle Gallner Action 133 min 409 Armageddon 1998 Michael Bay Bruce Willis, Billy Bob Thornton, Ben Affleck Action 151 min 517 Avengers - Infinity War 2018 Anthony & Joe RussoRobert Downey Jr., Chris Hemsworth, Mark Ruffalo Action 149 min 865 Avengers- Endgame 2019 Tony & Joe Russo Robert Downey Jr, Chris Evans, Mark Ruffalo Action 181 mins 592 Bait 2000 Antoine Fuqua Jamie Foxx, David Morse, Robert Pastorelli Action 119 min 478 Battle of Britain 1969 Guy Hamilton Michael Caine, Trevor Howard, Harry Andrews Action 132 min 551 Beowulf 2007 Robert Zemeckis Ray Winstone, Crispin Glover, Angelina Jolie Action 115 min 747 Best of the Best 1989 Robert Radler Eric Roberts, James Earl Jones, Sally Kirkland Action 97 min 518 Black Panther 2018 Ryan Coogler Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o Action 134 min 526 Blade 1998 Stephen Norrington Wesley Snipes, Stephen Dorff, Kris Kristofferson Action 120 min 531 Blade 2 2002 Guillermo del Toro Wesley Snipes, Kris Kristofferson, Ron Perlman Action 117 min 527 Blade Trinity 2004 David S.
[Show full text]
Super Ticket Student Edition.Pdf
THE NATION’S NEWSPAPER Math TODAY™ Student Edition Super Ticket Sales Focus Questions: h What are the values of the mean, median, and mode for opening weekend ticket sales and total ticket sales of this group of Super ticket sales movies? Marvel Studio’s Avi Arad is on a hot streak, having pro- duced six consecutive No. 1 hits at the box office. h For each data set, determine the difference between the mean and Blade (1998) median values. Opening Total ticket $17.1 $70.1 weekend sales X-Men (2000) (in millions) h How do opening weekend ticket $54.5 $157.3 sales compare as a percent of Blade 2 (2002) total ticket sales? $32.5 $81.7 Spider-Man (2002) $114.8 $403.7 Daredevil (2003) $45 $102.2 X2: X-Men United (2003) 1 $85.6 $200.3 1 – Still in theaters Source: Nielsen EDI By Julie Snider, USA TODAY Activity Overview: In this activity, you will create two box and whisker plots of the data in the USA TODAY Snapshot® "Super ticket sales." You will calculate mean, median and mode values for both sets of data. You will then compare the two sets of data by analyzing the differences graphically in the box and whisker plots, and numerically as percents of ticket sales. ©COPYRIGHT 2004 USA TODAY, a division of Gannett Co., Inc. This activity was created for use with Texas Instruments handheld technology. MATH TODAY STUDENT EDITION Super Ticket Sales Conquering comic heroes LIFE SECTION - FRIDAY - APRIL 26, 2002 - PAGE 1D By Susan Wloszczyna USA TODAY Behind nearly every timeless comic- Man comic books the way an English generations weaned on cowls and book hero, there's a deceptively unas- scholar loves Macbeth," he confess- capes.
[Show full text]
Pliego De Prescripciones Técnicas Del Contrato
DIRECCIÓN GENERAL DE BIBLIOTECAS, ARCHIVOS Y MUSEOS SUBDIRECCIÓN GENERAL DE BIBLIOTECAS, ARCHIVOS Y MUSEOS SERVICIO DE BIBLIOTECAS PÚBLICAS Página: 1 de 86 PLIEGO DE PRESCRIPCIONES TÉCNICAS DEL CONTRATO “SUMINISTRO DE MATERIAL AUDIOVISUAL Y MULTIMEDIA CON DESTINO A LAS BIBLIOTECAS DEL AYUNTAMIENTO DE MADRID” A ADJUDICAR POR PROCEDIMIENTO ABIERTO Expediente 300/2014/00397 1.- OBJETO DEL CONTRATO Adquisición de material audiovisual y multimedia (Blue-Ray, DVD, CD Audio y Código de verificación : PY3d3284c50e6008 DVD Audio) para la creación, actualización y mantenimiento de fondos de las bibliotecas municipales, según relación de títulos y número de ejemplares para cada título recogida en los Anexos I y II al presente Pliego de Prescripciones Técnicas La empresa que resulte adjudicataria suministrará el número de ejemplares de cada disco (Blue-Ray, DVD, CD Audio y DVD Audio) recogidos en el Anexo I y II con el descuento que haya presentado en su oferta. En caso de baja de adjudicación (de conformidad con el apartado 1 del Anexo I y II del Pliego de Cláusulas Administrativas Particulares) se deberá incrementar el número de unidades a suministrar de entre las relacionadas en el Anexo I y II del Presente Pliego de Prescripciones Técnicas. 2.- DURACION DEL CONTRATO La fecha prevista de inicio del contrato es el 1 de septiembre de 2014. La http://www- duración máxima del contrato será de 30 días hábiles contados desde el día siguiente a la formalización, sea esta anterior o posterior a la citada fecha prevista de inicio. 3.- LUGAR DE ENTREGA DEL SUMINISTRO Los suministros serán entregados en las condiciones que se detallan en este Pliego de Prescripciones Técnicas en las siguientes dependencias del Ayuntamiento de Madrid: Unidad Técnica de Bibliotecas Públicas.
[Show full text]
LAURENT BEN-MIMOUN CONCEPTUAL ILLUSTRATION, 3D CONCEPT DESIGN MATTE PAINTING, ART DIRECTION Portfolios
LAURENT BEN-MIMOUN CONCEPTUAL ILLUSTRATION, 3D CONCEPT DESIGN MATTE PAINTING, ART DIRECTION Portfolios: www.blueman.ws www.artstation.com/artist/blueman FILM DIRECTOR PRODUCTION/Reported To “ANT-MAN AND THE WASP” PEYTON REED MARVEL STUDIOS Concept Illustrator PD: Shepherd Frankel “STARFALL” JOE JOHNSTON DI BONAVENTURA PICTURES Conceptual Art/Illustrations PD: Barry Robinson “THOR: RAGNAROK” TAIKA WAITITI MARVEL STUDIOS Conceptual Art Director PD: Dan Hennah “THE DARK TOWER” NIKOLAJ ARCEL SONY PICTURES Concept Illustrator MEDIA RIGHTS CAPITAL PD: Dan Hennah, Chris Glass “ALICE IN WONDERLAND: THROUGH JAMES BOBIN WALT DISNEY PICTURES THE LOOKING GLASS” Director: James Bobin Concept Design for Prep & Post PD: Dan Hennah & Film Book Art “GUARDIANS OF THE GALAXY: VOL. 2” JAMES GUNN MARVEL STUDIOS Concept Illustrator PD: Scott Chamblis “PASSENGERS” MORTEN TYLDUM COLUMBIA PICTURES Concept Illustrator PD: Guy Dyas Production Design received an Academy Award nomination and WON the Art Directors Guild Award “INDEPENDENCE DAY: RESURGENCE” ROLAND EMMERICH TWENTIETH CENTURY FOX Concept Illustrator Director: Roland Emmerich 3D Designs/Concept Art PD: Barry Chusid “GHOSTBUSTERS” PAUL FEIG COLUMBIA PICTURES Concept Illustrator PD: Jefferson Sage ‘ORPHANS OF THE VOID” Spec Pilot K. MICHEL PARANDI K. MICHEL PARANDI Concept/3D/Art Director “THE ARK AND THE AARDVARK” JOHN STEVENSON UNIFIED PICTURES Visual Development (Animation) “BRILLIANCE” JULIUS ONAH LEGENDARY PICTURES Concept Illustrator PD: Dominic Watkins “UNTITLED GHOSTBUSTERS III” IVAN REITMAN COLUMBIA
[Show full text]
Activision Ships Over Two Million Units of Spider-Man 2TM Video Game
Activision Ships Over Two Million Units Of Spider-Man 2TM Video Game Santa Monica, CA - July 7, 2004 - Activision, Inc. (Nasdaq: ATVI) announced today that the company's North American Publishing unit has shipped more than two million units of its Spider-Man 2™ video game timed to the theatrical release of Sony Pictures Entertainment's Columbia Pictures Spider-Man® 2. The game, which is currently available at retail stores, lets players experience what it's like to be the world's most celebrated Super Hero as they web sling from buildings, dive from rooftops to the streets and scale the heights of Manhattan, a living breathing city complete with pedestrians, traffic, trains and helicopters. Gamers can re-live the film's storyline or embark on exclusive game missions as they perform heroic deeds, protect citizens from random crimes, and face off against the nefarious Doc Ock and other Marvel super-villains. Spider-Man 2 for the PlayStation®2 computer entertainment system, the Xbox® video game system from Microsoft and Nintendo GameCube™ carry a "T" (Teen with violence) rating by the ESRB and the Game Boy® Advance and PC versions carry an "E" (Everyone with violence) rating. In Columbia Pictures' Spider-Man 2, two years have passed since Peter Parker (Tobey Maguire) walked away from his longtime love Mary Jane Watson (Kirsten Dunst) and decided to take the road to responsibility as Spider-Man. Peter must face new challenges as he struggles to cope with "the gift and the curse" of his powers while balancing his dual identities as the elusive superhero Spider-Man and life as a college student.
[Show full text]
Technique • Friday, September 19, 2003 • 1
Friday, SeptemberNEWS 19, 2003 Technique • Friday, September 19, 2003 • 1 Flat tire? Spare tire? Tiger Huntin’! TECHNIQUE No, Left Front Tire Check out the “South’s “The South’s Liveliest College Newspaper” rocks Upstart Festival. Liveliest” predictions. ONLINE http://cyberbuzz.gatech.edu/technique Entertainment page 17 SPORTS page 29 Serving Georgia Tech since 1911 • Volume 89, Issue 9 • 32 pages Opinions␣ 8 · Focus␣ 11 · Entertainment␣ 17 · Comics␣ 24 · Sports␣ 32 Budget cuts “will hit muscle and bone” By Erich Hansen Meredith said in an address to the Growing enrollment and de- ed Clough in an email interview. an email interview. Contributing Writer Board of Regents. creased funding will cause more uni- He said that the proposed budget Meredith has been meeting with “[The proposed decrease] reflects versities to rely increasingly on was as good as could be expected administrators from Tech and oth- Last week, University System of the reality of the state’s current budget part-time faculty and administra- given the circumstances. Priority for er universities in Georgia to discuss Georgia Chancellor Tom Meredith picture,” Meredith said. Like many tors to teach classes, Meredith said. funds will be given to academic pro- methods to cut costs. His report proposed reducing operating bud- states, Georgia has been buffeted by “The squeeze in our classrooms grams and support operations, but suggested implementing cuts in fac- gets at the state’s universities by the lagging economy. is going to become more and more “it is inevitable quality will suffer no ulty training and travel budgets in $107.8 million in fiscal year 2005.
[Show full text]
A Comparison of Philip K. Dick's “We Can Remember It for You Wholesale”
Memories of Future Masculine Identities: A Comparison of Philip K. Dick’s “We Can Remember it for you Wholesale”, the 1990 Film Total Recall and its 2012 Remake Amaya Fernández-Menicucci Imagined memories of masculine identities But what I’ve really done is, I have atavised [my characters’] society. That although it’s set in the future, in many ways they’re living—there is a retrogressive quality in their lives, you know? They’re living like our ancestors did. I mean, the hardware is in the future, the scenery’s in the future, but the situations are really from the past. (Philip K. Dick quoted in Spivard 1990: i) Memory as a process of identity construction is at the heart of the three texts I discuss in this paper: Philip K. Dick’s short story “We Can Remember it for you Wholesale”, published in 1966, but written in the 1950s; the 1990 film Total Recall directed by Paul Verhoeven; and Len Wiseman’s 2012 version of the latter by the same titled . In each of these three texts, a man struggles to remember who he was, as he discovers that his present identity has been artificially implanted in his brain, after all previous memories of his true self were erased. However, the three texts do not rely on memory as the only mechanism of self- construction. Indeed, fantasy and desire emerge as the first strategies Between, vol. IV, n. 8 (Novembre/November 2014) Amaya Fernández-Menicucci, Memories of Future Masculine Identities of self-building. The ‘new’ past that is being revealed is, in fact, identical to the fantastic visions that had been animating the main character’s dreams for as long as he can remember.
[Show full text]
A Time Series Study on Marvel from 2000 - 2009: Marvel’S Movies Impact Relative to Stock Price
9th Global Business Conference February 7, 2015 De La Salle University, Manila, Philippines A Time Series Study on Marvel from 2000 - 2009: Marvel’s Movies Impact Relative to Stock Price Junius W. Yu De La Salle University [email protected] Abstract: Marvel studios have provided an interesting study for many business students particularly generating more than $1.5 billion box office receipts for the movie “Avengers” last 2012. Disney bought Marvel for $4.24 billion and the question arises from the valuation of the company relative to the acquisition price. The study focuses on Marvel Entertainment’s impact from movie releases relative to stock price. A time series analysis was used in gathering Marvel’s daily stock price changes from 2000 – 2009. This was also used in parallel to 20 movies released by Marvel within that time period. The behavior of the market was examined using the GARCH (Generalized Autoregressive Conditional Heteroskedasticity) model and the EWMA (Exponentially Weighted Moving Average). A linear regression was used in testing the hypothesis on whether gross sales of movies and movie release (development, pre-production, production, post-production and release) have any significant to changes in stock price. GARCH (1,1) was used to measure the outliers for the signaling effect relative to huge changes on the time series data. The data results provided no empirical evidences due to relatively large p- values; however the spike of increase in changes were identified due to the release of Spider- Man 2 in 2004 and Iron Man in 2008. The conclusion of the study reflected on the impact Marvel has on mainstream Hollywood perhaps not on the valuation, but the future business earnings it may generate in the next decade.
[Show full text]
CONSTRUCTING MY SELF and NAVIGATING PATRIARCHY USING MY VAMPIRE BOYFRIEND Elizabeth Sherwood
SUBLIME SURRENDER: CONSTRUCTING MY SELF AND NAVIGATING PATRIARCHY USING MY VAMPIRE BOYFRIEND Elizabeth Sherwood A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2011 Committee: Dr. Piya Pal-Lapinski, Advisor Dr. Lawrence Coates Graduate Faculty Representative Dr. Bill Albertini i TABLE OF CONTENTS Page INTRODUCTION………………………………………………………………...... 1 CHAPTER 1.MASOCHISTIC FANTASY, CULTURAL TRAUMA, AND THE NEW CONTRACT……............................................................................................ 10 CHAPTER 2.BECOMING AND RECOGNIZING MY SELF IN UNDERWORLD AND TRUE BLOOD................................................................................................. 35 CONCLUSION……………………………………………………………………... 53 REFERENCES……………………………………………………………………… 59 ii ABSTRACT Dr. Piya Pal-Lapinski, Advisor The plot in contemporary gothic texts such as True Blood, the Underworld series, and the Twilight series center around a new gothic heroine navigating through a relationship with her supernatural boyfriend. Although these texts are clearly popular, can they tell us anything else? Why are these same stories, and the action that occurs within them, repeated in an almost obsessive fashion? Not unlike traditional gothic texts that were primarily written in the late 18th Century or early 19th Century, the repetition and ritualistic nature of these tales hint at a trauma that must be worked through. The trauma that one can see in both contemporary and traditional gothic texts results from erasure of the feminine,and the continuance of pervadingacts of misogyny throughout. However, many contemporary gothic texts do not stop at simply recognizing this trauma, or working through it.Indeed, these texts have begun to imagine a new social contract between the sexes—which is the very relationship in which the original trauma occurs.
[Show full text]
Sony Pictures Entertainment to Expand the Spider-Man Universe on Screen with All-Star Writing Team
SONY PICTURES ENTERTAINMENT TO EXPAND THE SPIDER-MAN UNIVERSE ON SCREEN WITH ALL-STAR WRITING TEAM Alex Kurtzman, Roberto Orci, Jeff Pinkner, Ed Solomon, and Drew Goddard to Collaborate with Marc Webb and Producers Avi Arad and Matt Tolmach on Developing the Universe and Expanding the Story in “The Amazing Spider-Man 3,” “Venom,” and “The Sinister Six” CULVER CITY, Calif., December 12, 2013 – In a move to forge a new legacy in the story of Peter Parker on screen, Sony Pictures Entertainment, in association with Marvel Entertainment, is developing several new projects in the Spider-Man franchise, with Alex Kurtzman, Roberto Orci, Jeff Pinkner, Ed Solomon, and Drew Goddard to collaborate on overseeing the developing story over several films that will be produced by Avi Arad and Matt Tolmach, it was announced today by Doug Belgrad, president of Columbia Pictures, and Hannah Minghella, president of Production for the studio. The five writers, along with the two producers and Marc Webb, have formed a franchise brain trust to expand the universe for the brand and to develop a continuous tone and thread throughout the films. Under the deals, the studio announced that Kurtzman & Orci & Pinkner are writing the screenplay for The Amazing Spider-Man 3, which the studio hopes Webb will return to direct; the film will go into production next fall for release on June 10, 2016. In addition, the team will build on the cinematic foundation laid by Webb, Arad, and Tolmach in the first two movies. They will expand the franchise as Kurtzman & Orci & Solomon will write the screenplay for Venom, which Kurtzman will direct; also, Goddard will write, with an eye to direct, The Sinister Six, focusing on the villains in the franchise.
[Show full text]
Hasbro Launches New Spider-Man Toys During Webslinger Weekend
March 23, 2007 Hasbro Launches New Spider-Man Toys During Webslinger Weekend Spider-Man 3 Movie Collectibles -- Plus Other Great SPIDER-MAN Toys -- Swing on to Store Shelves on Saturday, March 24, 2007 PAWTUCKET, R.I.--(BUSINESS WIRE)--March 23, 2007--In anticipation of SPIDER-MAN swinging back into theaters on May 4, 2007 in Columbia Pictures' Spider-Man™ 3 movie, Hasbro (NYSE: HAS) is spinning a web of excitement and enthusiasm among superhero fans worldwide as it launches its new line of Spider-Man 3 and SPIDER-MAN classic toys, games, and collectibles in stores on Saturday, March 24, 2007. Celebrating one of the most popular superhero characters of all time, Hasbro's SPIDER-MAN toys and games build on the success of the character that has ruled the pages of comic books for more than four decades. Hasbro's SPIDER-MAN toys and games offer something for everyone - from movie action figures perfect for any collection to a DELUXE SPINNING WEB BLASTER, the ultimate accessory in SPIDER-MAN role play. "The amazing SPIDER-MAN continues to be a favorite icon within the world of toys and entertainment," said Eric Nyman, Vice President of Marketing on Hasbro's Marvel business. "This weekend, collectors, kids and kids-at-heart will finally be able to get their hands on the much anticipated toys linked to one of this summer's hottest movies." Fans wishing to receive a special "Spider Reminder" wake-up call this Saturday morning may register at www.hasbro.com/spiderman. At Hasbro's SPIDER-MAN site, fans will also learn how to crack "The Secret of the Symbiote", a code embedded on some of the new product packages that will result in 100 code-crackers winning an exclusive prize.
[Show full text]
Spider-Man 3: the Film Spider-Man 3 Came out in Cinemas in Is Peter Any Different in This May 2007
FACT FILE Spider-Man 3: The Film Spider-Man 3 came out in cinemas in Is Peter any different in this May 2007. It continues the story of story? Film Peter Parker and tells of Spider-Man’s Peter is still ‘just an average guy’, Launch fight against some exciting new as Spider-Man creator Stan Lee New York City loves Spider- villains. We asked some questions calls him. But he’s really tested Man! Spider-Man 3 was about this amazing film … this time. There are questions launched in Manhattan with a about his feelings and his mind. whole Spider-Man week. They ‘Peter has to deal with his dark had special events at side,’ said Avi Arad, one of the the Natural History film's producers. Museum, the city gardens unusual villain. He Why is the colour black and the zoo. doesn’t want to rule the world. He important in this film? just wants to help his sick daughter. Some black goo Sam Raimi, arrives on earth How would you launch a Spider- the director Man film in your town? What in a meteorite. events would you organise? So, a third Spider-Man film! It takes over Did the same team work on it? Peter’s suit. Does Spider- Director Sam Raimi came back for When Peter wears the black Man 3 have the third time to work with same suit, he’s different. His darker new music? acting team of Tobey Maguire feelings are stronger as well as Spider-Man has (Peter Parker / Spider-Man), And Harry Osborn is the New his powers.
[Show full text]