Jazz Police - Rene Marie, Karrin Allyson Highlight Jazz in July

Total Page:16

File Type:pdf, Size:1020Kb

Jazz Police - Rene Marie, Karrin Allyson Highlight Jazz in July Jazz Police - Rene Marie, Karrin Allyson Highlight Jazz in July ... http://www.jazzpolice.com/index2.php?option=com_content&t... Rene Marie, Karrin Allyson Highlight Jazz in July at the Dakota Written by Andrea Canter, Contributing Editor Wednesday, 29 June 2011 Nachito Herrera©Andrea Canter Two leaders of American vocal jazz, each with a recent acclaimed recording, come to the Dakota in July, headed up a jazz calendar that also features Cuban pianist Nachito Herrera, former Twin Citian/stellar vocalist Bruce Henry, contemporary legends Ronnie Laws and The Rippingtons, and the second annual “Dakota Street Fest.” Also on the music calendar--- return visits from Brian McKnight and the Steeles. All That Jazz July 8-9, Nachito Herrera (8 pm). Since he emigrated from Cuba nearly ten years ago, Nachito Herrera has burrowed his way into the hearts of Twin Cities’ jazz fans with his monster technique, bottomless energy, and infectious enthusiasm for his homeland and its eclectic rhythms. Even fans of trad and polka now tap their Sorrel boots to montuno and clavé. As a child prodigy, Nachito studied classical music in Havana with Cuban masters Rubén González, Jorge Gomez Labraña, and Frank Fernández. He went on to serve as music director for several bands before leading Cubanismo! His travels to the US caught the eye of potential sponsors, including the Dakota’s Lowell Pickett, and with some wrangling with state department redtape, this amazing musician found himself in Minnesota. Over the past few years, Nachito’s nearly monthly performances at the Dakota have saluted the music of Earth, Wind and Fire and Duke Ellington, as well as the folk traditions of his homeland. He’s released three recordings (including two “Live at the Dakota” CDs), headlined at the Twin Cities Jazz Festival, and toured coast to coast with the famed Afro-Cuban All-Stars led by Juan De Marcos. Every performance with Nachito is a party—bring your dancing shoes. July 10, Robert Everest World Ensemble (7 pm). He covers the world of music in seven languages. Guitarist/vocalist /composer Robert Everest takes you on a journey through diverse cultural traditions and rich musical heritages. July 12, Rene Marie (7 & 9 pm). Her voice has been compared to Ella Fitzgerald, Sarah Vaughan and Nancy Wilson, her social advocacy through song to Nina Simone and Abbey Lincoln. And the story of Rene Marie is part tabloid, part fairy tale – a self-taught singer, marrying and parenting young, putting her career on hold for two decades, leaving her marriage, finally devoting fulltime to her art, leaving her native Virginia, and ultimately gaining full control of her musical choices. And while her recordings and live performances have long garnered accolades, it’s her affinity for strange musical mergers that has generated the most response, even controversy. On her 2001 Vertigo, she made the gutsy decision to sing the white South anthem “Dixie” with the Billie Holiday signature tune, “Strange Fruit,” a preview perhaps of her notorious performance in Denver when, not long before the 2008 National Democratic Convention, she chose to sing the unofficial Black National Anthem, “Lift Every Voice and Sing,” rather than the expected “Star Spangled Banner.” That song melded, with more traditional songs of American patriotism, becomes the centrifugal force of her new release, Voice of My 1 of 3 7/7/11 4:43 PM Jazz Police - Rene Marie, Karrin Allyson Highlight Jazz in July ... http://www.jazzpolice.com/index2.php?option=com_content&t... Beautiful Country, Rene’s self-described “love song to America.” Rene has visited the Dakota a few times in the past, and with the success of her latest release, this return is eagerly anticipated. July 18-19, The Rippingtons (7 & 9 pm). Under the leadership of guitarist Russ Freeman, The Rippingtons have been one of the most successful bands within contemporary jazz over the past 25 years, garnering Grammy nominations, Billboard and OASIS awards, and fans throughout the world. The Rippingtons include keyboardist Bill Heller, drummer Dave Karasony, saxophonist Jeff Kashiwa, and newest member, bassist Rico Belled. July Rene Marie 20-21, Karrin Allyson (7 & 9 pm). Her smoky alto, wide-ranging repertoire from ballad to samba to blues, and a presence that nearly pulls you onstage beside her are sufficient reasons to welcome four-time Grammy nominee Karrin Allyson back to the Dakota for her annual visit. And if you need further convincing, consider that she “can swing, she can scat, she can croon the blues—and she plays one mean piano” (Gary Giddens). It’s always a homecoming when Karrin performs in the Twin Cities, with her Midwest roots, appearances on Garrison Keillor’s Prairie Home Companion, and frequent associations with local pianist Laura Caviani. After graduating from the University of Nebraska with a degree in piano, she spent her early professional career in Minneapolis and Kansas City, finally moving to New York. Since her first release in the early 90s, Karrin has made 14 recordings for Concord reflecting classic American jazz roots as well as Karrin Allyson©Andrea Canter French and Brazilian influences; her love of both French and Portuguese seeps into her live performances as well as recordings, most notably on From Paris to Rio and Grammy- nominated Imagina. This spring, Karrin released a collection of introspective ballads, ‘Round Midnight. Like her 2001 homage to John Coltrane (Ballads), her latest visits dark corners and wistful musings, areas where Allyson so skillfully inhabits a lyric. And unlike her previous recordings, here Karrin handles all keyboard duties herself. Every live gig with Karrin Allyson is a revelation. July 22-23, Bruce Henry (8 pm). Perhaps the most easily identified male voice in Twin Cities Jazz, Bruce Henry relocated to his adopted home town of Chicago in 2008. Fortunately he left behind ongoing projects and gig dates that bring him back frequently, not only at the Dakota but, in recent months, also appearing at the Hopkins Center for the Arts and Hell’s Kitchen. Born in Mississippi and raised in Chicago, Bruce first sang in church, moving on to study at the Chicago Conservatory of Music where he discovered Al Jarreau, Nina Simone and John Coltrane. But his music has always been informed by social issues as well as the spirits of his musical elders. “All the way through my twenties, my music had a political/spiritual bent to it, especially my religious music…Over the years I have sought to find outlets for this expression.” And whether he is singing “Billie’s Bounce” or “Afro Blue,” his music is a full expression of all that makes up Bruce Henry. July 25-26, Ronnie Laws and Tom Browne (7 & 9 pm). Brother of the flute/sax titan Hubert Laws, saxophonist Ronnie has built a formidable career in his own right. He cut his teeth with the Jazz Crusaders and Hugh Masekela before founding Earth, Wind and Fire. Beginning in the 70s, Laws recorded a string of best-sellers for Blue Note, becoming one of the leading voices of the funk/fusion era. Trumpeter Tom Browne most notably worked with Sonny Fortune in the late 70s before moving on to solo projects that included the R&B hit, Funkin for Jamaica. Over the past two decades, Browne has split his time between working as an airline pilot and playing straight-ahead jazz. 2 of 3 7/7/11 4:43 PM Jazz Police - Rene Marie, Karrin Allyson Highlight Jazz in July ... http://www.jazzpolice.com/index2.php?option=com_content&t... Dakota StreetFest, July 16 (Noon-11:30 pm) The second annual Dakota StreetFest takes place on July 16th, featuring four stages of music on Nicollet Mall, Kidsville for family fun, and more. This free day runs from the club at 10th and Nicollet down the street to Peavy Plaza. The music line-up will be announced soon. In addition to the club stage, Main Stage outside the club, and Peavy Plaza stage, there will again be a Youth Stage sponsored by the Dakota Foundation for Jazz Education and through a generous donation from Dr. Mark R. Migliori, MD PA. Bands scheduled to perform this year include Walker West Music Academy, High School for Recording Arts, Stillwater Area High School Jazz Band, Minneapolis Southwest High School Jazz Combo, and the Dakota Combo. Peavy Plaza boasts Seven Steps to Havana, Maud Hixson and more. And All That Music July 1, Mitch Woods and Rocket 88s with Johnny Reno ( 8 pm) July 2-3, Davina & the Vagabonds (8 pm) July 6-7, Brian McKnight (7 & 9 pm) July 15, Davina & the Vagabonds (8 pm) July 17, Carrie Rodriguez (7 pm) July 27, The Steeles (7 pm) Bruce Henry©Andrea Canter July 29, Keri Noble (7 & 9 pm) July 30, Ray Manzarek and the Roy Rogers Band (8 pm) Coming Soon! Watch the Dakota website for new shows. August 22, Ben Sidran with Irv Williams The Dakota is located at 1010 Nicollet Mall in downtown Minneapolis; www.dakotacooks.com Add this page to your favorite Social Bookmarking websites Close Window 3 of 3 7/7/11 4:43 PM.
Recommended publications
  • ANN HAMPTON CALLAWAY - Biography
    ANN HAMPTON CALLAWAY - Biography ANN HAMPTON CALLAWAY is one of the finest singer/songwriters of our generation. The statuesque performer dazzles music lovers as a singer, pianist, composer, lyricist, arranger, actress, and educator. Her talents have made her equally at home in jazz and pop as well as on stage, in the recording studio, on TV and in film. She is best known for starring in the hit Broadway musical "SWING!" and for writing and singing the theme to the internationally successful TV series,” THE NANNY". Ann is a devoted keeper-of-the-flame of the great American songbook. She brings fresh and original interpretations to these timeless classics and works to uphold the canon by writing songs with Cole Porter, Carole King, Barbara Carroll and others. Her spontaneity, intelligence, and soulful charisma have won her a diverse fan-base including notables as Barbra Streisand, Clive Davis, Carly Simon and Wynton Marsalis. The New York Times writes, “For sheer vocal beauty, no contemporary singer matches Ms. Callaway.” Ann attributes her voice and love of music to her mother, Shirley, who throughout her childhood sang and played torch songs, Gershwin and German lieder at the piano. Of the uniquely musical household she says, “I didn’t know it at the time, but we were sort of the Von Trapp family of Chicago.” After a music teacher discovered her unusually mature soprano voice, Ann was encouraged to study classically, honing the pitch-perfect control and expressive three octave range she is known for. While her voice teachers suggested she could have a career in opera, Ann eventually realized that she would be happier singing the music she most loved.
    [Show full text]
  • Saint Paul African American Historic and Cultural Context, 1837 to 1975
    SAINT PAUL AFRICAN AMERICAN HISTORIC AND CULTURAL CONTEXT, 1837 TO 1975 Ramsey County, Minnesota May 2017 SAINT PAUL AFRICAN AMERICAN HISTORIC AND CULTURAL CONTEXT, 1837 TO 1975 Ramsey County, Minnesota MnHPO File No. Pending 106 Group Project No. 2206 SUBMITTED TO: Aurora Saint Anthony Neighborhood Development Corporation 774 University Avenue Saint Paul, MN 55104 SUBMITTED BY: 106 Group 1295 Bandana Blvd. #335 Saint Paul, MN 55108 PRINCIPAL INVESTIGATOR: Nicole Foss, M.A. REPORT AUTHORS: Nicole Foss, M.A. Kelly Wilder, J.D. May 2016 This project has been financed in part with funds provided by the State of Minnesota from the Arts and Cultural Heritage Fund through the Minnesota Historical Society. Saint Paul African American Historic and Cultural Context ABSTRACT Saint Paul’s African American community is long established—rooted, yet dynamic. From their beginnings, Blacks in Minnesota have had tremendous impact on the state’s economy, culture, and political development. Although there has been an African American presence in Saint Paul for more than 150 years, adequate research has not been completed to account for and protect sites with significance to the community. One of the objectives outlined in the City of Saint Paul’s 2009 Historic Preservation Plan is the development of historic contexts “for the most threatened resource types and areas,” including immigrant and ethnic communities (City of Saint Paul 2009:12). The primary objective for development of this Saint Paul African American Historic and Cultural Context Project (Context Study) was to lay a solid foundation for identification of key sites of historic significance and advancing preservation of these sites and the community’s stories.
    [Show full text]
  • “Goûtes Au Vin Et À L'amour, Tu Ne Vivras Pas Toujours!”
    “Goûtes au vin et à l’amour, tu ne vivras pas toujours!” Pulling through the gates of Wollersheim Winery on a late summer day, I am immediately struck by an odd sense of dislocation. A moment before, I was driving through a typical Wisconsin landscape, with gently rolling farmland, fine old barns, and herds of indolent Holsteins. But as I park my car near Prairie du Sac and gaze up a steep hillside to an old stone winery and to tiers of grapevines rising above, I feel as though I’m not in Wisconsin anymore. “Savor wine and love, you won’t live forever.” That’s the motto of the Woller- BY KATALIN WOLFF sheim-Coquards, an American-French PHOTOS BY GLENN TRUDEL family that has restored an 1840s win- ery above the Wisconsin River. It wasn’t quite rocket science — but it took the creativity of a UW engineer in space sci- ence, a business school graduate, and a French-born winemaker to succeed. 18 ON WISCONSIN FALL 1999 19 THE CHIRPING OF CRICKETS His powerful build and tanned face business and a shop selling winemaking fills the air. Colorful pots of flowers and arms make him look as if he were born equipment on State Street. perch on the edges of steps and win- to an outdoor life. But back in the 1960s, One day in 1972, Wollersheim heard dowsills. Workers move among the of a long-defunct winery up for sale in grapevines, cutting the great bunches of nearby Prairie du Sac. When he saw the purple grapes that hang heavy on the ne day in 1972, property, he knew he’d found the ideal vines.
    [Show full text]
  • Downbeat.Com November 2015 U.K. £4.00
    NOVEMBER 2015 2015 NOVEMBER U.K. £4.00 DOWNBEAT.COM DOWNBEAT JOHN SCOFIELD « DEE DEE BRIDGEWATER « AARON DIEHL « ERIK FRIEDLANDER « FALL/WINTER FESTIVAL GUIDE NOVEMBER 2015 NOVEMBER 2015 VOLUME 82 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall Editorial Intern Baxter Barrowcliff ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk;
    [Show full text]
  • We Offer Thanks to the Artists Who've Played the Nighttown Stage
    www.nighttowncleveland.com Brendan Ring, Proprietor Jim Wadsworth, JWP Productions, Music Director We offer thanks to the artists who’ve played the Nighttown stage. Aaron Diehl Alex Ligertwood Amina Figarova Anne E. DeChant Aaron Goldberg Alex Skolnick Anat Cohen Annie Raines Aaron Kleinstub Alexis Cole Andrea Beaton Annie Sellick Aaron Weinstein Ali Ryerson Andrea Capozzoli Anthony Molinaro Abalone Dots Alisdair Fraser Andreas Kapsalis Antoine Dunn Abe LaMarca Ahmad Jamal ! Basia ! Benny Golson ! Bob James ! Brooker T. Jones Archie McElrath Brian Auger ! Count Basie Orchestra ! Dick Cavett ! Dick Gregory Adam Makowicz Arnold Lee Esperanza Spaulding ! Hugh Masekela ! Jane Monheit ! J.D. Souther Adam Niewood Jean Luc Ponty ! Jimmy Smith ! Joe Sample ! Joao Donato Arnold McCuller Manhattan TransFer ! Maynard Ferguson ! McCoy Tyner Adrian Legg Mort Sahl ! Peter Yarrow ! Stanley Clarke ! Stevie Wonder Arto Jarvela/Kaivama Toots Thielemans Adrienne Hindmarsh Arturo O’Farrill YellowJackets ! Tommy Tune ! Wynton Marsalis ! Afro Rican Ensemble Allan Harris The Manhattan TransFerAndy Brown Astral Project Ahmad Jamal Allan Vache Andy Frasco Audrey Ryan Airto Moreira Almeda Trio Andy Hunter Avashai Cohen Alash Ensemble Alon Yavnai Andy Narell Avery Sharpe Albare Altan Ann Hampton Callaway Bad Plus Alex Bevan Alvin Frazier Ann Rabson Baldwin Wallace Musical Theater Department Alex Bugnon Amanda Martinez Anne Cochran Balkan Strings Banu Gibson Bob James Buzz Cronquist Christian Howes Barb Jungr Bob Reynolds BW Beatles Christian Scott Barbara Barrett Bobby Broom CaliFornia Guitar Trio Christine Lavin Barbara Knight Bobby Caldwell Carl Cafagna Chuchito Valdes Barbara Rosene Bobby Few Carmen Castaldi Chucho Valdes Baron Browne Bobby Floyd Carol Sudhalter Chuck Loeb Basia Bobby Sanabria Carol Welsman Chuck Redd Battlefield Band Circa 1939 Benny Golson Claudia Acuna Benny Green Claudia Hommel Benny Sharoni Clay Ross Beppe Gambetta Cleveland Hts.
    [Show full text]
  • JANUARY 2020 NEW YEAR’S DAY LOUIS ARMSTRONG NIGHT! JOYANN PARKER BAND of PHILADELPHIA W/DAVINA and the VAGABONDS W/SOUTHSIDE ACES Passion, Power & Soul Feat
    SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY 1 2 3 42 JOHNNIE BROWN & THE SOUND JANUARY 2020 NEW YEAR’S DAY LOUIS ARMSTRONG NIGHT! JOYANN PARKER BAND OF PHILADELPHIA w/DAVINA AND THE VAGABONDS w/SOUTHSIDE ACES Passion, Power & Soul feat. The Music of The O’Jays 7PM SOLD OUT 7PM • $10-15 7PM • $15-20 7PM • $20-30 5 6 7 8 9 10 11 BOOKED FOR A MACPHAIL JAZZ BENEFIT Mick Sterling Presents PRIVATE EVENT A Benefit for MacPhail Center for Music’s ATOM STRING QUARTET THE GOSPEL ACCORDING TO ELVIS SAM MILTICH & FRIENDS Jazz Program, the Dakota Combo & MISS MYRA & THE MOONSHINERS NACHITO HERRERA Book your own event by contacting Brilliant Beloved Guitarist the Irv Williams Fellowship Wildly Adventurous Polish Ensemble Happy Birthday, King! Delicious Vintage Jazz Classical to Cuban Pyrotechnics $ $ [email protected] 7PM • $10-20 7PM • $30-40 7PM • 35-45 7PM • 15-25 7PM • $10-20 7PM • $25-30 12 13 14 15 16 17 18 MASTERS OF HAWAIIAN MUSIC feat. George Kahumoku Jr., Led THE AIDA SHAHGHASEMI, Kaapana & Kawika Kahiapo JEREMY YLVISAKER, PETER ASHER : A MUSICAL MEMOIR OF THE 60S AND BEYOND 7PM • $35-45 THE SWEET REMAINS BRUCE HENRY: THE MUSIC TINA SCHLIESKE SINGS JACQUELINE ULTAN TRIO Pop Music Legend Three Tantalizing Troubadours OF CURTIS MAYFIELD SINATRA TO SIMONE $ $ 7PM • $15-25 7PM • 35-50 7PM • $27-40 7PM • $15-27 6:30 SOLD OUT 9PM • 20-40 19 20 21 22 23 24 25 BOOKED FOR A BOOKED FOR A PRIVATE EVENT PRIVATE EVENT Ginger Commodore & Friends DELVON LAMARR ORGAN TRIO A CELEBRATION FOR MARTIN Book your own event by contacting KNEEBODY TWIN CITIES HOT CLUB Book your own event by contacting REBIRTH BRASS BAND Soul Groove Jazz LUTHER KING, JR.
    [Show full text]
  • Jazz in the Twin Cities Oral History Project Minnesota Historical Society
    Percy C. Hughes Narrator Margaret A. Robertson Interviewer September 25, 1989 Minneapolis, Minnesota Percy C. Hughes - PCH Margaret A. Robertson - MAR MAR: Mr. Hughes, could you begin by telling me when and where you were born. PCH: I was born in St. Paul in 1922. I lived in St. Paul one year. All of my schooling and upbringing was in Minneapolis. MAR: What part of Minneapolis? Society PCH: South Minneapolis, my schools were Warrington Grade School, Bryant Junior High School and Central Senior High School. And I was going on two years at the University of Minnesota and then Uncle Sam grabbed me. MAR: What year was that? PCH: The first part of 1943. I went into the army,Historical and I was fortunate, I guess I’d say—I’m black, so I’m very fortunate. I was assigned to a ground force band because of my musical ability. So, it was a learning process for me. When I really became aware of real good jazz, I was surrounded in this band with guys off of Count Basie’s band, Duke Ellington’s band. I was stationed the first part of my army time at Fort Riley, so I got into Kansas City as often as possible, and that’s wherethe I heard Twin all of Citiesthese Jazz Greats.Oral That’s History when it startedProject rubbing off on me. Minnesota MAR: You mentioned that you had a musical background before you went into the army. How did that come about? Jazz in PCH: Well, I started playing clarinet at age eleven in the school system.
    [Show full text]
  • Highly Recommended New Cds for 2019 by Ed Love
    Ed Love's Highly Recommended New CDs for 2019 Artist Title Label Ernie Watts Home Light Flying Dolphin Carlos Franzetti Ricordare Sunnyside Jennifer Wharton Bonegasm Sunnyside Greg Murphy Bright Idea Whaling City Sound Michael Wolff Swirl Sunnyside The 14 The Future Ain't What It Used To Be N/C Chuck Deardorf Perception Origin The Gil Evans Orchestra Hidden Treasures Volume One GEO James Suggs You're Gonna Hear From Me Arbors Paul Serrato Gotham Nights Graffiti Prod. Sheldon Zandboer Tipping Velvet Chronograph Ralph Moore Three Score WJ3 Justin Robinson At First Light WJ3 Dave Meder Passage Outside In Music Vanessa Rubin The Dream Is You Nibur Ben Sidran Ben There, Done That (3 CD Set) Sunset Blvd Catherine Russell Alone Together Dot Time Emmet Cohen Dirty In Detroit N/C Champian Fulton The Stylings Of Champian N/C Jay Thomas I Always Knew Origin Chuck Redd Groove City Dalphine Peter Clark The 20- Man Music Machine Summit 1 Ed Love's Highly Recommended New CDs for 2019 Artist Title Label Steve Davis Correlations Smoke Sessions Cory Weeds Live At Frankie's Jazz Club Cellar Live Pete Coco Lined With A Groove N/C Herlin Riley Perpetual Optimism Mack Avenue Mike Lee Song For All Of Us Iyouwe Bill Mays Live At Cota No Blooze Music The Secret Between The Shadow And The Branford Marsalis OKEH Soul Paul Tynan Quartet Origin Ben Winkelman Balance OA2 Native Soul What Is That Isn't Cellar Live A Tribute To The Bassists Of Jazz Volume Ron Brendle Lonote One Quiana Lynell A Little Love Concord Jazz Al Hood Jazz Muses Aquarian Carolyn Fitzhugh Living
    [Show full text]
  • Volume Xx-Number 12 December 6, 1958
    VOLUME XX-NUMBER 12 DECEMBER 6, 1958 Listening to playbacks of Ahmad Jamal’s latest wax session are Chess-Checker-Argo topper, Leonard Chess (left) and Jamal (right), whose trio has turned into one of the hottest properties in the record business. Currently clicking with two big LP’s, “But Not For Me” and “Ahmad Jamal”, the combo has also cashed in with a host of singles from the albums, which include “But Not For Me”, “Music, Music, Music”, “Poinciana” and “Secret Love”. Coming off a highly successful concert tour, the hoys recently made an appearance in New York’s Carnegie Hall. www.americanradiohistory.com I HEARD THE BELLS ON IS™ Mm ’ : iH II -: Jvrijj 'm e RriMMNHi WSM GOBEL SHOW, NORTHWEST PASSAGE. They’re all sponsored by RCA VICTOR! Watch for these NBC-TV shows, in color and black and white: PERRY COMO SHOW, ELLERY QUEEN, GEORGE www.americanradiohistory.com TheCashBox FOUNDED BY BILL GERSH Volume XX—Number 12 December 6, 1958 JOE ORLECK, President and Publisher NORMAN ORLECK, VP and General Manager SID PARNES, Editor-in-Chief BOB AUSTIN, Gen. Mgr., Music Dept. The Cash Box Publishing Co., Inc. 1721 Broadway, New York 19, N. Y. (All Phones: JUdson 6-2640) Cable Address: CASHBOX, N. Y. JOE ORLECK CHICAGO OFFICE WINNING 29 E. Madison St., Chicago 2, 111. (All Phones: Financial 6-7272) LEE BROOKS • HOLLYWOOD OFFICE 6272 Sunset Blvd., Hollywood 28, Cal. (Phone: HOllywood 5-2129) JACK DEVANEY ERV MALEC • BOSTON OFFICE 80 Boylston St., Boston 16, Mass. (Phone: HAncock 6-8386) GUY LIVINGSTON • THE POLL LONDON OFFICE 17 Hilltop, London, N.W.
    [Show full text]
  • Volume Xxviiii Xxviiii
    1 McNally Smith College of Music www.mcnallysmith.edu MSCM COURSE CATALOG 2014/2015 VOLUMEVOLUME XXVIIII XXVIIII www.mcnallysmith.edu [email protected] (800) 594-9500 (651) 291-0177 www.mcnallysmith.edu [email protected] (800) 594-9500 2 Course Catalog 2014 – 2015 Cover Page ......................................................................................................................................................................... 01 Table of Contents ............................................................................................................................................................ 02 Mission Statement ............................................................................................................................................................05 Vision Statement ..............................................................................................................................................................06 Academic Calendar .........................................................................................................................................................07 Message from the President .......................................................................................................................................08 Program Information ......................................................................................................................................................09 Accreditation ..............................................................................................................................................................10
    [Show full text]
  • KARRIN ALLYSON BIO “There Are So Many Ways to Savor Karrin Allyson's
    KARRIN ALLYSON BIO “There are so many ways to savor Karrin Allyson’s artistry. Start with her voice, its rare clarity and resonant timbre….Everything she sings seems to rise from a smile.” - Bob Doerschuk, DownBeat Magazine Karrin Allyson, 5-time Grammy nominated jazz vocalist, pianist, and songwriter is widely recognized as one of the most gifted voices of her generation. With fifteen albums under her belt, she has built a mastery of The Great American Songbook, blues, pop, be-bop, Brazilian, and French chansons, to name a few. Allyson rose to prominence in the ‘90s, releasing a string of albums including her debut I Didn’t Know About You in 1992. The album earned such accolades as being name-checked in Playboy's annual readers' poll alongside such greats as Ella Fitzgerald and Shirley Horn. Subsequently, Allyson assembled a fine backing band consisting of fellow Kansas City musicians including pianist Paul Smith, guitarists Danny Embrey and Rod Fleeman, bassists Bob Bowman and Gerald Spaits, and drummer Todd Strait, along with Minneapolis-based pianist Laura Caviani, all of whom have played on many of her recordings. Allyson continued issuing albums at a steady pace, picking up Best Jazz Vocal Album Grammy nominations for 2001's Ballads: Remembering John Coltrane, 2006’s Footprints, 2007’s Imagina: Songs of Brasil, 2011's 'Round Midnight, and 2015’s Many a New Day: Karrin Allyson Sings Rodgers and Hammerstein. Born in Great Bend, Kansas, Allyson now lives in New York City, after growing up in Omaha, Nebraska, attending high school in the Bay Area, earning her bachelor’s degree in Piano Performance from the University of Nebraska at Omaha, and spending time in both Kansas City and Minneapolis before making the move in 2000.
    [Show full text]
  • Fresh Off Triumphant Wall Street Journal Feature, NY Times Arts
    For Immediate Release March 17, 2011 Fresh Off Triumphant Wall Street Journal Feature, NY Times Arts & Leisure Preview, WNYC, New Yorker and Other Major Coverage, Steve Wilson Returns to His Role as Jazz Educator with Series of Academic Appearances WSJ Headline for Wilson’s 50th Birthday Celebration: “The Sideman Becomes the Star” Fresh off major coverage for his 50th Birthday Celebration, including a significant WALL STREET JOURNAL feature and other key placements (see below,) acclaimed saxophonist Steve Wilson has returned to his role as a respected jazz educator, with a series of academic appearances in recent and upcoming weeks. Wilson recently completed a February 1 & 2 residency at the Eastman School of Music in Rochester, NY, and a March 2-4 Residency at the Peabody Conservatory in Baltimore, MD. This week, Wilson’s educational efforts take him to the University of Delaware, in Wilmington. Upcoming academic appearances include April 8 at Lakewood Middle School in Lakewood, CO (with Lewis Nash,) and May 9-11, at University of Oregon in Eugene. With the exception of Eastman and Lakewood, CO, each visit includes Wilson appearing as guest soloist with the school jazz ensemble. Wilson also continues his regular teaching duties at Manhattan School of Music and at Purchase College Conservatory of Music. On his April 8th visit to Lakewood, CO, Wilson will appear in performance with drummer Lewis Nash. 'Musical Dialogue with Lewis Nash’ takes place at Lakewood Cultural Center: http://www.lakewood.org/comres/page.cfm?ID=46 On May 6 & 7, Wilson will be a guest performer at Jazz @ Lincoln Center’s Allen Room celebration, Songs of the Jazz Age.
    [Show full text]