Gedes: Haitian Day of the Dead Practices
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Breaking the Waves: Voodoo Magic in the Russian Cultural Ecumene
Breaking the Waves: Voodoo Magic in the Russian Cultural Ecumene Galina Lindquist, University ofStockholm Introduction Globalization has become one of those contested terms that, having originated in the social sciences, seeped out into popular discourse, contributing to the already considerable tool-kit of late modem reflexivity. Like other such terms that have escaped tight disciplinary boundaries-most notably "culture"-"globalization" has been widely and diversely used (some would say misused), questioned, and contested. According to some, the global world carries with it unprecedented possibilities of a better life for all (Gates 1995). Others say that this point of view is itself a stance of cultural imperialism or that it reflects an utter lack of touch with the reality of inequality, dominance, and exploitation (Bauman 1998). But this reality is itself a global condition. Scholars who look for a theoretical compromise offer a minimnalistic understanding of globalization as a recognition of empirical conditions of "complex connectivity:...a dense network of unexpected interconnections and interdependencies" (Tomlinson 1999:2) that have become a feature of life in the world's most distant nooks and crannies. In this paper, I consider an empirical case of such unexpected, and indeed bizarre, interconnectedness. However, I start not from the idea of the "global," but, instead, from the notion of ecumene as proposed by Hannerz (1996). In his usage, adapted from Kroeber (1945), ecumene, "the entire inhabited world as Greeks then understood it," is an area of "connectedness and reachability,...of interactions, exchanges and related developments" (Hannerz 1996:7). In other words, ecumene is the world conceived as a single place, but, significantly, seen from a certain point of view by a situated cultural subject. -
Vodou and Political Reform in Haiti: Some Lessons for the International Community
VODOU AND POLITICAL REFORM IN HAITI: SOME LESSONS FOR THE INTERNATIONAL COMMUNITY JOHN MERRILL The record of attempts by developed nations to promote democracy in the developing world is, at best, uneven. Foreign efforts to build democracy in places as diverse as Somalia and Vietnam have failed, in part because of developed nations' inability to understand traditional culture and religion. These foreigners have bypassed traditional local cultures in their designs for political reform, missing opportunities to lash reforms onto structures familiar to the people of the region. Today, the political potential of religious and cultural institutions remains largely untapped. Haiti, a chronic example of this problem, may provide the international community an opportunity to change its approach to intervention. Through- out Haiti's turbulent history, foreign attempts to influence its political dynamic invariably have been unsuccessful. Some initiatives have succeeded briefly but have failed over the longer term, in part because foreigners or Haitian elites who sought to control the nation's political behavior routinely have misunderstood, ignored, trivialized, or suppressed fundamental tenets of tra- ditional Haitian culture. Policies conceived first in Paris during the colonial era, then at the Vatican, later in Washington during the U.S. Marine occupation of 1915-1934, and most recently by the United Nations, have all tended to provoke internal friction and exacerbate social divisions, making stable gov- ernance and political development even more elusive. But the history of foreign initiatives in Haiti need not necessarily determine the outcome of the current attempt by the international community to con- tribute to Haiti's recovery and rehabilitation. -
The Blood of the Land: Haitian Vodou
THE BLOOD OF THE LAND: HAITIAN VODOU Michael S. VanHook International Strategic Alliances The Blood of the Land: Haitian Vodou 2 THE BLOOD OF LAND: HAITIAN VODOU Michael S. VanHook, International Strategic Alliances Copyright © 2020 by Michael S. VanHook All rights reserved. This resource is provided to give context and essential background information for those persons with an interest in serving the people of Haiti. It is made available without charge by the publisher, ISA Publishing Group, a division of International Strategic Alliances, Inc. Scanning, uploading, and electronic sharing is permitted. If you would like to use material from this book, please contact the publisher at [email protected]. Thank you for your support. ISA Publishing Group A division of International Strategic Alliances, Inc. P.O. Box 691 West Chester, OH 45071 For more information about the work of International Strategic Alliances, contact us at [email protected]. For more information about the author or for speaking engagements, contact him at [email protected]. The Blood of the Land: Haitian Vodou 3 THE BLOOD OF THE LAND: HAITIAN VODOU Michael S. VanHook, International Strategic Alliances INTRODUCTION 4 HISTORY 6 Transformed by Cruelty 7 Bois Caïman 9 Independent Isolation 11 “A Goat Without Horns” 15 Occupied Vodou 18 “The Principle Slave of Satan” 24 Summoning the Spirits 25 THEOLOGY 31 Haitian Vodou is a polytheistic religion 31 The Loas 31 Haitian Vodou is a syncretic religion 40 Vodou is an animistic religion 44 Haitian Vodou is magic 45 The Blood of the Land: Haitian Vodou 4 PRACTICES 53 The Priesthood 53 Ceremonies and Rituals 55 Black Magic 61 REVERBERATIONS 63 Fatalism 63 Christian Mission 65 Personal Note 70 GLOSSARY 72 BIBLIOGRAPHY 78 Resources 78 Images 80 AUTHOR 84 The Blood of the Land: Haitian Vodou 5 Chapter 1 INTRODUCTION Tanbou bat nan raje, men se lakay li vin danse – The drum is beaten in the grass, but it is at home that it comes to dance. -
Graham Nessler
A Failed Emancipation? The Struggle for Freedom in Hispaniola during the Haitian Revolution, 1789-1809 by Graham Townsend Nessler A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in The University of Michigan 2011 Doctoral Committee: Associate Professor Richard L. Turits, Chair Professor Marlyse Baptista Professor Jean M. Hébrard Professor Rebecca J. Scott Professor Laurent M. Dubois, Duke University © Graham Townsend Nessler, 2011 To my mother and father ii Acknowledgements Almost every winter when I was growing up, our family would travel by car from our home in Bryan/College Station, Texas, to Clemson and Greenville, South Carolina, a journey of approximately one thousand miles. These treks to see extended family for Christmas gave me an appreciation for long journeys, which becomes even stronger when one reaches the finish line. My path to the doctorate in History has likewise entailed long journeys in both geographical and other senses. Though a complete acknowledgement of those who have supported and encouraged me in the five countries where I have studied, taught, researched, written, and presented over the past six years would be almost as long as the work that follows, I offer here a more condensed version that tries to include those who have been especially instrumental in ensuring the success of this project and my graduate studies as a whole. I regret any omissions. Any such list must begin with the five scholars who have overseen this project: Richard Turits, Rebecca Scott, Jean Hébrard, Marlyse Baptista, and Laurent Dubois (Professor of History and Romance Studies at Duke University). -
Continuing Conjure: African-Based Spiritual Traditions in Colson Whitehead’S the Underground Railroad and Jesmyn Ward’S Sing, Unburied, Sing
religions Article Continuing Conjure: African-Based Spiritual Traditions in Colson Whitehead’s The Underground Railroad and Jesmyn Ward’s Sing, Unburied, Sing James Mellis Guttman Community College, 50 West 40th St., New York, NY 10018, USA; [email protected] Received: 10 April 2019; Accepted: 23 June 2019; Published: 26 June 2019 Abstract: In 2016 and 2017, Colson Whitehead’s The Underground Railroad and Jesmyn Ward’s Sing, Unburied, Sing both won the National Book Award for fiction, the first time that two African-American writers have won the award in consecutive years. This article argues that both novels invoke African-based spirituality in order to create literary sites of resistance both within the narrative of the respective novels, but also within American culture at large. By drawing on a tradition of authors using African-based spiritual practices, particularly Voodoo, hoodoo, conjure and rootwork, Whitehead and Ward enter and engage in a tradition of African American protest literature based on African spiritual traditions, and use these traditions variously, both as a tie to an originary African identity, but also as protection and a locus of resistance to an oppressive society. That the characters within the novels engage in African spiritual traditions as a means of locating a sense of “home” within an oppressive white world, despite the novels being set centuries apart, shows that these traditions provide a possibility for empowerment and protest and can act as a means for contemporary readers to address their own political and social concerns. Keywords: voodoo; conjure; African-American literature; protest literature; African American culture; Whitehead; Ward; American literature; popular culture And we are walking together, cause we love one another There are ghosts at our table, they are feasting tonight. -
"Das Was Zählt Ist Fe..."
"Das was zählt ist fe..." Karibische und lateinamerikanische spirituelle Praktiken in Österreich Diplomarbeit zur Erlangung des akademischen Grades eines Magisters der Philosophie an der Fakultät für Geisteswissenschaften der Karl-Franzens-Universität Graz vorgelegt von: German Siegl am Institut für Volkskunde und Kulturanthropologie Begutachter: Ao.Univ.-Prof. Dr.phil. Helmut Eberhart Graz, 2013 Eidesstattliche Erklärung Ich erkläre hiermit, dass ich die vorliegende Arbeit selbstständig und ohne die Verwendung anderer als der angegebenen Quellen verfasst habe. Alle diesen Werken wörtlich oder sinngemäß entnommenen Stellen sind als solche gezeichnet. Diese Arbeit ist bislang keiner anderen Prüfungsbehörde vorgelegt und auch nicht veröffentlicht worden. Graz, März 2013 German Siegl Danke... ... an alle die es mir möglich gemacht haben diese Arbeit zu schreiben und mich unterstützt haben. ...an die Gesprächsrunden, dem Zuhören, Nachdenken und dem gemeinsamen Austausch. ...an die, die mir bewusst und an die, die mir unbewusst geholfen haben. Inhaltsverzeichnis Einleitung ................................................................................................................................... 1 1 Mein Zugang und Reflexion zum Thema der Arbeit ............................................................. 3 2 Überlegungen zur Themenauswahl ...................................................................................... 4 3 Forschungsstand ................................................................................................................. -
Haitian Vodou and Voodoo: Imagined Religion and Popular Culture Adam M
Studies in Religion/Sciences Religieuses http://sir.sagepub.com/ Haitian Vodou and Voodoo: Imagined Religion and Popular Culture Adam M. McGee Studies in Religion/Sciences Religieuses 2012 41: 231 originally published online 25 April 2012 DOI: 10.1177/0008429812441311 The online version of this article can be found at: http://sir.sagepub.com/content/41/2/231 Published by: http://www.sagepublications.com On behalf of: The Canadian Corporation for Studies in Religion Additional services and information for Studies in Religion/Sciences Religieuses can be found at: Email Alerts: http://sir.sagepub.com/cgi/alerts Subscriptions: http://sir.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Citations: http://sir.sagepub.com/content/41/2/231.refs.html Downloaded from sir.sagepub.com at Harvard Libraries on August 16, 2012 >> Version of Record - Jun 12, 2012 OnlineFirst Version of Record - Apr 25, 2012 What is This? Downloaded from sir.sagepub.com at Harvard Libraries on August 16, 2012 Studies in Religion / Sciences Religieuses 41(2) 231–256 ª The Author(s) / Le(s) auteur(s), 2012 Haitian Vodou and Reprints and permission/ Reproduction et permission: Voodoo: Imagined sagepub.co.uk/journalsPermissions.nav DOI: 10.1177/0008429812441311 Religion and Popular sr.sagepub.com Culture Adam M. McGee Harvard University Abstract: Vodou is frequently invoked as a cause of Haiti’s continued impoverishment. While scholarly arguments have been advanced for why this is untrue, Vodou is persistently plagued by a poor reputation. This is buttressed, in part, by the frequent appearance in popular culture of the imagined religion of ‘‘voodoo.’’ Vodou and voodoo have entwined destinies, and Vodou will continue to suffer from ill repute as long as voodoo remains an outlet for the expression of racist anxieties. -
Voodoo Prayers Said with a Rosary, ! All Witchcraft Scourges, ! Whips, Hooks and the Use of Cillus6
VOODOO Background and Prayer of Repentance ... sever all ties to the world’s oldest known religion. Amanda Buys’ Spiritual Covering This is a product of Kanaan Ministries, a non-profit ministry under the covering of: • Roly, Amanda’s husband for more than thirty-five years. • River of Life Family Church Pastor Edward Gibbens Vanderbijlpark South Africa Tel: +27 (0) 16 982 3022 Fax: +27 (0) 16 982 2566 Email: [email protected] There is no copyright on this material. However, no part may be reproduced and/or presented for personal gain. All rights to this material are reserved to further the Kingdom of our Lord Jesus Christ ONLY. For further information or to place an order, please contact us at: P.O. Box 15253 27 John Vorster Avenue Panorama Plattekloof Ext. 1 7506 Panorama 7500 Cape Town Cape Town South Africa South Africa Tel: +27 (0) 21 930 7577 Fax: 086 681 9458 E-mail: [email protected] Website: www.kanaanministries.org Office hours: Monday to Friday, 9 AM to 3 PM Kanaan International Website Website: www.eu.kanaanministries.org Preface These prayers have been written according to personal opinions and convictions, which are gathered from many counseling sessions and our interpretation of the Word of GOD, the Bible. In no way have these prayers been written to discriminate against any persons, churches, organizations, and/or political parties. We ask therefore that you handle this book in the same manner. What does it mean to renounce something? To renounce means to speak of one’s self. If something has been renounced it has been rejected, cut off, or the individual is refusing to follow or obey. -
The Afro-Diasporic Body in Haitian Vodou and the Transcending of Gendered Cartesian Corporeality
Kunapipi Volume 30 Issue 2 Article 4 2008 The afro-diasporic body in haitian vodou and the transcending of gendered cartesian corporeality Roberto Strongman Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Strongman, Roberto, The afro-diasporic body in haitian vodou and the transcending of gendered cartesian corporeality, Kunapipi, 30(2), 2008. Available at:https://ro.uow.edu.au/kunapipi/vol30/iss2/4 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The afro-diasporic body in haitian vodou and the transcending of gendered cartesian corporeality Abstract As a social construct, the body is pieced together differently in every cultural context. The discourse of embodiment in the Western philosophical tradition contrasts sharply with the more modular conceptualisation of the body found in Afro-Diasporic religious cultures. An explication of some canonical texts of Western philosophy and some filmic and literary texts from Haiti can demonstrate how these contrasting understandings of the body produce unique gendered and sexual categories of being. This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol30/iss2/4 11 Roberto STRoNGMAN The Afro-Diasporic body in Haitian Vodou and the Transcending of Gendered Cartesian Corporeality As a social construct, the body is pieced together differently in every cultural context. The discourse of embodiment in the Western philosophical tradition contrasts sharply with the more modular conceptualisation of the body found in Afro-Diasporic religious cultures. -
A Glimpse Into Vodou Paul Touloute
A Glimpse into Vodou Paul Touloute Since creation, human beings have always desired to investigate the invisible world. This led to many philosophies and religious tendencies that account for many religions in the world. Vodou, one of those, is practiced throughout the world under various names. Slaves from various African tribes were able to preserve it in Haiti. The attempt of this article shall be to investigate Vodou beliefs for a better understanding of them as well as an honest and respectful communication with people holding them. 1. A DESCRIPTION OF VODOU 1.1. Alternative Designations Vodou permeates the whole Caribbean basin and also extends to some American states. Vodou is the traditional and popular religion of Haiti. This pantheistic religion, that has affinity with many other religions and mythologies, is known in Cuba and throughout South America under names such as hoodoo, santeria, chango, naniguismo, candomble, and macumba. Even in Haiti it is designated as Vodoun, Vaudou, Vodou, Vodu, and Voodoo. First, it was named differently among the various African lines; second, Haitian Creole varies much both in orthography and phonetics because it is developed from many languages and dialects1; and third, it builds heavily on French, the other official language of Haiti. The term “Vodou” that the Haitian majority use to describe this belief system comes from vo: introspection and du: into the unknown. Thus, Vodou means “introspection into the unknown.” For the sake of uniformity, and because it is closer to the most common and standardized spelling of the common language of Haiti, the author of this article will depart from the spelling of some of his sources and adopt “V-o-d-o-u” to mean any of the above spellings. -
Le Vodou HAITI
HAITI 17 janvier 2017 Le vodou Pratiques, langage, structures occultes, instruments de menaces, persécutions et rites Avertissement Ce document a été élaboré par la Division de l’Information, de la Documentation et des Recherches de l’Ofpra en vue de fournir des informations utiles à l’examen des demandes de protection internationale. Il ne prétend pas faire le traitement exhaustif de la problématique, ni apporter de preuves concluantes quant au fondement d’une demande de protection internationale particulière. Il ne doit pas être considéré comme une position officielle de l’Ofpra ou des autorités françaises. Ce document, rédigé conformément aux lignes directrices communes à l’Union européenne pour le traitement de l’information sur le pays d’origine (avril 2008) [cf. https://www.ofpra.gouv.fr/sites/default/files/atoms/files/lignes_directrices_europeennes.pdf ], se veut impartial et se fonde principalement sur des renseignements puisés dans des sources qui sont à la disposition du public. Toutes les sources utilisées sont référencées. Elles ont été sélectionnées avec un souci constant de recouper les informations. Le fait qu’un événement, une personne ou une organisation déterminée ne soit pas mentionné(e) dans la présente production ne préjuge pas de son inexistence. La reproduction ou diffusion du document n’est pas autorisée, à l’exception d’un usage personnel, sauf accord de l’Ofpra en vertu de l’article L. 335-3 du code de la propriété intellectuelle. Haïti : Le vodou Table des matières 1. Le champ d’intervention du vodou ....................................................................... 3 1.1. D’une image sulfureuse à la reconnaissance officielle comme religion ................ -
Free Women of Color and Slaveholding in New Orleans, 1810-1830 Anne Ulentin Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2007 Free women of color and slaveholding in New Orleans, 1810-1830 Anne Ulentin Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the History Commons Recommended Citation Ulentin, Anne, "Free women of color and slaveholding in New Orleans, 1810-1830" (2007). LSU Master's Theses. 3013. https://digitalcommons.lsu.edu/gradschool_theses/3013 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. FREE WOMEN OF COLOR AND SLAVEHOLDING IN NEW ORLEANS, 1810-1830 A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of History by Anne Ulentin Licence, University of Poitiers, France, 2002 Maîtrise, University of Poitiers, France, 2005 May 2007 DEDICATION In memory of my grandmother, Claudette Delage. ii ACKNOWLEDGMENTS My major professor, Tiwanna Simpson, and my committee members, David Culbert and Mark Thompson, provided a cogent critique of my work that was very much appreciated. Howard Margot and the staff of the Notarial Archives, New Orleans, are due particular thanks as well as Irene Wainwright and the staff of the New Orleans Public Library. Finally, my mother, Chantal Drapeaud Ulentin, and my grandmother, Claudette Delage, provided crucial support throughout my graduate studies and deserve immense thanks.