A Glimpse Into Vodou Paul Touloute
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Umbanda: Africana Or Esoteric? Open Library of Humanities, 6(1): 25, Pp
ARTICLE How to Cite: Engler, S 2020 Umbanda: Africana or Esoteric? Open Library of Humanities, 6(1): 25, pp. 1–36. DOI: https://doi.org/10.16995/olh.469 Published: 30 June 2020 Peer Review: This article has been peer reviewed through the double-blind process of Open Library of Humanities, which is a journal published by the Open Library of Humanities. Copyright: © 2020 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: Open Library of Humanities is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. Steven Engler, ‘Umbanda: Africana or Esoteric?’ (2020) 6(1): 25 Open Library of Humanities. DOI: https:// doi.org/10.16995/olh.469 ARTICLE Umbanda: Africana or Esoteric? Steven Engler Mount Royal University, CA [email protected] Umbanda is a dynamic and varied Brazilian spirit-incorporation tradition first recorded in the early twentieth century. This article problematizes the ambiguity of categorizing Umbanda as an ‘Afro-Brazilian’ religion, given the acknowledged centrality of elements of Kardecist Spiritism. It makes a case that Umbanda is best categorized as a hybridizing Brazilian Spiritism. Though most Umbandists belong to groups with strong African influences alongside Kardecist elements, many belong to groups with few or no African elements, reflecting greater Kardecist influence. -
Breaking the Waves: Voodoo Magic in the Russian Cultural Ecumene
Breaking the Waves: Voodoo Magic in the Russian Cultural Ecumene Galina Lindquist, University ofStockholm Introduction Globalization has become one of those contested terms that, having originated in the social sciences, seeped out into popular discourse, contributing to the already considerable tool-kit of late modem reflexivity. Like other such terms that have escaped tight disciplinary boundaries-most notably "culture"-"globalization" has been widely and diversely used (some would say misused), questioned, and contested. According to some, the global world carries with it unprecedented possibilities of a better life for all (Gates 1995). Others say that this point of view is itself a stance of cultural imperialism or that it reflects an utter lack of touch with the reality of inequality, dominance, and exploitation (Bauman 1998). But this reality is itself a global condition. Scholars who look for a theoretical compromise offer a minimnalistic understanding of globalization as a recognition of empirical conditions of "complex connectivity:...a dense network of unexpected interconnections and interdependencies" (Tomlinson 1999:2) that have become a feature of life in the world's most distant nooks and crannies. In this paper, I consider an empirical case of such unexpected, and indeed bizarre, interconnectedness. However, I start not from the idea of the "global," but, instead, from the notion of ecumene as proposed by Hannerz (1996). In his usage, adapted from Kroeber (1945), ecumene, "the entire inhabited world as Greeks then understood it," is an area of "connectedness and reachability,...of interactions, exchanges and related developments" (Hannerz 1996:7). In other words, ecumene is the world conceived as a single place, but, significantly, seen from a certain point of view by a situated cultural subject. -
Vodou and Political Reform in Haiti: Some Lessons for the International Community
VODOU AND POLITICAL REFORM IN HAITI: SOME LESSONS FOR THE INTERNATIONAL COMMUNITY JOHN MERRILL The record of attempts by developed nations to promote democracy in the developing world is, at best, uneven. Foreign efforts to build democracy in places as diverse as Somalia and Vietnam have failed, in part because of developed nations' inability to understand traditional culture and religion. These foreigners have bypassed traditional local cultures in their designs for political reform, missing opportunities to lash reforms onto structures familiar to the people of the region. Today, the political potential of religious and cultural institutions remains largely untapped. Haiti, a chronic example of this problem, may provide the international community an opportunity to change its approach to intervention. Through- out Haiti's turbulent history, foreign attempts to influence its political dynamic invariably have been unsuccessful. Some initiatives have succeeded briefly but have failed over the longer term, in part because foreigners or Haitian elites who sought to control the nation's political behavior routinely have misunderstood, ignored, trivialized, or suppressed fundamental tenets of tra- ditional Haitian culture. Policies conceived first in Paris during the colonial era, then at the Vatican, later in Washington during the U.S. Marine occupation of 1915-1934, and most recently by the United Nations, have all tended to provoke internal friction and exacerbate social divisions, making stable gov- ernance and political development even more elusive. But the history of foreign initiatives in Haiti need not necessarily determine the outcome of the current attempt by the international community to con- tribute to Haiti's recovery and rehabilitation. -
The Blood of the Land: Haitian Vodou
THE BLOOD OF THE LAND: HAITIAN VODOU Michael S. VanHook International Strategic Alliances The Blood of the Land: Haitian Vodou 2 THE BLOOD OF LAND: HAITIAN VODOU Michael S. VanHook, International Strategic Alliances Copyright © 2020 by Michael S. VanHook All rights reserved. This resource is provided to give context and essential background information for those persons with an interest in serving the people of Haiti. It is made available without charge by the publisher, ISA Publishing Group, a division of International Strategic Alliances, Inc. Scanning, uploading, and electronic sharing is permitted. If you would like to use material from this book, please contact the publisher at [email protected]. Thank you for your support. ISA Publishing Group A division of International Strategic Alliances, Inc. P.O. Box 691 West Chester, OH 45071 For more information about the work of International Strategic Alliances, contact us at [email protected]. For more information about the author or for speaking engagements, contact him at [email protected]. The Blood of the Land: Haitian Vodou 3 THE BLOOD OF THE LAND: HAITIAN VODOU Michael S. VanHook, International Strategic Alliances INTRODUCTION 4 HISTORY 6 Transformed by Cruelty 7 Bois Caïman 9 Independent Isolation 11 “A Goat Without Horns” 15 Occupied Vodou 18 “The Principle Slave of Satan” 24 Summoning the Spirits 25 THEOLOGY 31 Haitian Vodou is a polytheistic religion 31 The Loas 31 Haitian Vodou is a syncretic religion 40 Vodou is an animistic religion 44 Haitian Vodou is magic 45 The Blood of the Land: Haitian Vodou 4 PRACTICES 53 The Priesthood 53 Ceremonies and Rituals 55 Black Magic 61 REVERBERATIONS 63 Fatalism 63 Christian Mission 65 Personal Note 70 GLOSSARY 72 BIBLIOGRAPHY 78 Resources 78 Images 80 AUTHOR 84 The Blood of the Land: Haitian Vodou 5 Chapter 1 INTRODUCTION Tanbou bat nan raje, men se lakay li vin danse – The drum is beaten in the grass, but it is at home that it comes to dance. -
Vodou and the U.S. Counterculture
VODOU AND THE U.S. COUNTERCULTURE Christian Remse A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2013 Committee: Maisha Wester, Advisor Katerina Ruedi Ray Graduate Faculty Representative Ellen Berry Tori Ekstrand Dalton Jones © 2013 Christian Remse All Rights Reserved iii ABSTRACT Maisha Wester, Advisor Considering the function of Vodou as subversive force against political, economic, social, and cultural injustice throughout the history of Haiti as well as the frequent transcultural exchange between the island nation and the U.S., this project applies an interpretative approach in order to examine how the contextualization of Haiti’s folk religion in the three most widespread forms of American popular culture texts – film, music, and literature – has ideologically informed the U.S. counterculture and its rebellious struggle for change between the turbulent era of the mid-1950s and the early 1970s. This particular period of the twentieth century is not only crucial to study since it presents the continuing conflict between the dominant white heteronormative society and subjugated minority cultures but, more importantly, because the Enlightenment’s libertarian ideal of individual freedom finally encouraged non-conformists of diverse backgrounds such as gender, race, and sexuality to take a collective stance against oppression. At the same time, it is important to stress that the cultural production of these popular texts emerged from and within the conditions of American culture rather than the native context of Haiti. Hence, Vodou in these American popular texts is subject to cultural appropriation, a paradigm that is broadly defined as the use of cultural practices and objects by members of another culture. -
Afro-Brazilian Religious Suppression in 1920S and 1930S Rio De Janeiro Brittney Teal-Cribbs Western Oregon University, [email protected]
Western Oregon University Digital Commons@WOU Student Theses, Papers and Projects (History) Department of History Fall 2012 Afro-Brazilian Religious Suppression in 1920s and 1930s Rio de Janeiro Brittney Teal-Cribbs Western Oregon University, [email protected] Follow this and additional works at: https://digitalcommons.wou.edu/his Part of the History Commons, and the Latin American Languages and Societies Commons Recommended Citation Teal-Cribbs, Brittney L. "Afro-Brazilian Religious Suppression in 1920s and 1930s Rio de Janeiro." Department of History Capstone paper, Western Oregon University, 2012. This Paper is brought to you for free and open access by the Department of History at Digital Commons@WOU. It has been accepted for inclusion in Student Theses, Papers and Projects (History) by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected]. 1 Afro-Brazilian Religious Suppression in 1920s and 1930s Rio de Janeiro Britney Teal-Cribbs HST 600 Brazil and Chile Seminar Professor John Rector December 12, 2012 2 INTRODUCTION Pinning down the history of any religion proves, at the best of times, elusive. In the case of Afro-Brazilian religions, it becomes nearly impossible. Not only have African religious customs blended with those of European and Indigenous religions over time, but those new, syncretic forms have themselves snaked around, emphasizing varying components, adding new ones, and shifting away from others. It is into these turbulent waters that this paper wades, by first looking at the history of scholarship surrounding Afro-Brazilian religions, and then turning to look at some of the social forces and challenges that Afro-Brazilian religions faced in Rio de Janeiro from the mid-1920s through the 1930s and the dictatorship of Getúlio Vargas, which emerged in 1930 and influenced all aspects of Brazilian life. -
Christio-Conjure in Voodoo Dreams, Baby of the Family, the Salt Eaters, Sassafrass, Cypress & Indigo, and Mama Day
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 Christio-Conjure in Voodoo dreams, Baby of the family, The alts eaters, Sassafrass, Cypress & Indigo, and Mama Day Laura Sams Haynes Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Haynes, Laura Sams, "Christio-Conjure in Voodoo dreams, Baby of the family, The alts eaters, Sassafrass, Cypress & Indigo, and Mama Day" (2002). LSU Doctoral Dissertations. 3197. https://digitalcommons.lsu.edu/gradschool_dissertations/3197 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. CHRISTIO-CONJURE IN VOODOO DREAMS, BABY OF THE FAMILY, THE SALT EATERS, SASSAFRASS, CYPRESS & INDIGO, AND MAMA DAY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Laura Sams Haynes B.A., Florida State University, 1986 M.A., Clark Atlanta University, 1995 May 2002 ©Copyright 2002 Laura Sams Haynes All rights reserved ii TABLE OF CONTENTS ABSTRACT . iv CHAPTER 1 INTRODUCTION . 1 2 CHRISTIO-CONJURE AS HISTORICAL FICTION . 32 3 CHRISTIO-CONJURE AND THE GHOST STORY . 55 4 REVOLUTIONARY CHRISTIO-CONJURE . 80 5 CHRISTIO-CONJURE ACTIVISM . 102 6 CHRISTIO-CONJURE ROMANCE AND MAGIC . -
African Diaspora and Its Religious Heritage: a View from the Triple Border (Brazil/Paraguay/Argentina)
Revista del CESLA ISSN: 1641-4713 ISSN: 2081-1160 [email protected] Uniwersytet Warszawski Polonia African Diaspora and its Religious Heritage: a view from the Triple Border (Brazil/Paraguay/Argentina) Fernando da Silva, Anaxsuell African Diaspora and its Religious Heritage: a view from the Triple Border (Brazil/Paraguay/Argentina) Revista del CESLA, vol. 26, 2020 Uniwersytet Warszawski, Polonia Available in: https://www.redalyc.org/articulo.oa?id=243364810020 DOI: https://doi.org/10.36551/2081-1160.2020.26.347-376 PDF generated from XML JATS4R by Redalyc Project academic non-profit, developed under the open access initiative Debate African Diaspora and its Religious Heritage: a view from the Triple Border (Brazil/Paraguay/Argentina) La diaspora africana y sus huellas religiosas: una mirada desde la Triple Frontera (Brasil/Paraguay/Argentina) Anaxsuell Fernando da Silva [email protected] Universidad Federal de la Integración Latinoamericana, Brasil hps://orcid.org/0000-0001-8830-0064 Abstract: Abstract: e religious diversity of Latin America is a phenomenon that has gathered the attention of researchers from different fields. Along with the expressions of belief and feeling related to Catholics and Protestants, who are still the majority, there are diverse religious practices. In this article, we will focus on the analysis of practices Revista del CESLA, vol. 26, 2020 and beliefs arising from the Afro-descendant presence in the continent in general as well Uniwersytet Warszawski, Polonia as in the region known as the Triple Frontier, in a particular way. e strong socio- cultural interrelationships feedback on the intense flow of people and material/symbolic Received: 06 May 2020 goods, complex religious matrices, reframing beliefs and resisting colonial violence. -
Calundu's Winds of Divination: Music and Black Religiosity in Eighteenth and Nineteenth-Century Minas Gerais, Brazil
Yale Journal of Music & Religion Volume 3 | Number 2 Article 3 2017 Calundu's Winds of Divination: Music and Black Religiosity in Eighteenth and Nineteenth-Century Minas Gerais, Brazil Jonathon Grasse California State University, Dominguez Hills Follow this and additional works at: http://elischolar.library.yale.edu/yjmr Part of the Music Commons, and the Other Religion Commons Recommended Citation Grasse, Jonathon (2017) "Calundu's Winds of Divination: Music and Black Religiosity in Eighteenth and Nineteenth-Century Minas Gerais, Brazil," Yale Journal of Music & Religion: Vol. 3: No. 2, Article 3. DOI: https://doi.org/10.17132/2377-231X.1080 This Article is brought to you for free and open access by EliScholar – A Digital Platform for Scholarly Publishing at Yale. It has been accepted for inclusion in Yale Journal of Music & Religion by an authorized editor of EliScholar – A Digital Platform for Scholarly Publishing at Yale. For more information, please contact [email protected]. Calundu’s “Winds of Divination” Music and Black Religiosity in Eighteenth- and Nineteenth-Century Minas Gerais, Brazil Jonathon Grasse The drum-laden music of calundu religious In addition to its very religiosity running practice punctuated life in cities, mining counter to Christian beliefs, calundu’s Af- towns, and farms (fazendas) in eighteenth- and rican-derived liturgical music and language nineteenth-century Minas Gerais, Brazil. This help distinguish it from creolization, syn- article seeks to more clearly understand cretism, or hybridization.2 Drumming—both calundu historically, its religiosity’s links to figuratively doctrinal as sacred commu- music, and its meaningfulness as a vital yet nication and imagistic in its sensual timbre and seemingly lost sacred music tradition from an attractive musical patterns that induce dance understudied region of the African diaspora. -
Haitian Vodou and Voodoo: Imagined Religion and Popular Culture Adam M
Studies in Religion/Sciences Religieuses http://sir.sagepub.com/ Haitian Vodou and Voodoo: Imagined Religion and Popular Culture Adam M. McGee Studies in Religion/Sciences Religieuses 2012 41: 231 originally published online 25 April 2012 DOI: 10.1177/0008429812441311 The online version of this article can be found at: http://sir.sagepub.com/content/41/2/231 Published by: http://www.sagepublications.com On behalf of: The Canadian Corporation for Studies in Religion Additional services and information for Studies in Religion/Sciences Religieuses can be found at: Email Alerts: http://sir.sagepub.com/cgi/alerts Subscriptions: http://sir.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Citations: http://sir.sagepub.com/content/41/2/231.refs.html Downloaded from sir.sagepub.com at Harvard Libraries on August 16, 2012 >> Version of Record - Jun 12, 2012 OnlineFirst Version of Record - Apr 25, 2012 What is This? Downloaded from sir.sagepub.com at Harvard Libraries on August 16, 2012 Studies in Religion / Sciences Religieuses 41(2) 231–256 ª The Author(s) / Le(s) auteur(s), 2012 Haitian Vodou and Reprints and permission/ Reproduction et permission: Voodoo: Imagined sagepub.co.uk/journalsPermissions.nav DOI: 10.1177/0008429812441311 Religion and Popular sr.sagepub.com Culture Adam M. McGee Harvard University Abstract: Vodou is frequently invoked as a cause of Haiti’s continued impoverishment. While scholarly arguments have been advanced for why this is untrue, Vodou is persistently plagued by a poor reputation. This is buttressed, in part, by the frequent appearance in popular culture of the imagined religion of ‘‘voodoo.’’ Vodou and voodoo have entwined destinies, and Vodou will continue to suffer from ill repute as long as voodoo remains an outlet for the expression of racist anxieties. -
Jensen, Tina Gudrun. "Discourses on Afro-Brazilian
FOURTEEN DISCOURSES ON AFRO-BRAZILIAN RELIGION FROM DE-AFRICANIZATION TO RE-AFRICANIZATION Tina Gudrun Jensen The m1xmg of races that began during Portugal's colonization of Brazil in the year 1500 has continued to be characteristic of the Brazilian population. The fact that Brazil is a multiethnic society has spawned a belief that racial prejudice does not exist there. This belief expresses itself as the ideology that Brazil has a "racial democracy." Umbanda, a reli gion that originated in the southeast of Brazil in the 1920s, has been praised as an expression of this ideology. However, Umbanda has also been seen as one of the manifestations of white supremacy. This article will examine how prejudices against the black Brazilian population were expressed through the de-Africanization of Umbanda and the religious discourse that accompanied that process. It then goes on to examine the recent shift to a re-Africanization of the Afro-Brazilian religions.I THE AFRO-BRAZILIAN RELIGIONS It is estimated that a total of 3,600,000 slaves were transported from Africa to Brazil between the sixteenth and the ninteenth centuries (Bastide 1978: 35), making Brazil the second-largest slave importer in the New World. During this period, the black slave population was actually larger than the ruling white minority. The laves came mainly from Nigeria, Dahomey (Benin), Angola, Congo, and Mozambique. Although the institution of slavery split up families and spread these ethnic groups throughout the country, the slaves managed to ma,intain some links with their ethnic heritage. This was due to the fact, among other things, that the Portuguese minority used their policy of divide and-rule to separate the slaves into different na�oes. -
Voodoo Prayers Said with a Rosary, ! All Witchcraft Scourges, ! Whips, Hooks and the Use of Cillus6
VOODOO Background and Prayer of Repentance ... sever all ties to the world’s oldest known religion. Amanda Buys’ Spiritual Covering This is a product of Kanaan Ministries, a non-profit ministry under the covering of: • Roly, Amanda’s husband for more than thirty-five years. • River of Life Family Church Pastor Edward Gibbens Vanderbijlpark South Africa Tel: +27 (0) 16 982 3022 Fax: +27 (0) 16 982 2566 Email: [email protected] There is no copyright on this material. However, no part may be reproduced and/or presented for personal gain. All rights to this material are reserved to further the Kingdom of our Lord Jesus Christ ONLY. For further information or to place an order, please contact us at: P.O. Box 15253 27 John Vorster Avenue Panorama Plattekloof Ext. 1 7506 Panorama 7500 Cape Town Cape Town South Africa South Africa Tel: +27 (0) 21 930 7577 Fax: 086 681 9458 E-mail: [email protected] Website: www.kanaanministries.org Office hours: Monday to Friday, 9 AM to 3 PM Kanaan International Website Website: www.eu.kanaanministries.org Preface These prayers have been written according to personal opinions and convictions, which are gathered from many counseling sessions and our interpretation of the Word of GOD, the Bible. In no way have these prayers been written to discriminate against any persons, churches, organizations, and/or political parties. We ask therefore that you handle this book in the same manner. What does it mean to renounce something? To renounce means to speak of one’s self. If something has been renounced it has been rejected, cut off, or the individual is refusing to follow or obey.