PIRATES in DELAWARE Avast Ye!
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A General Model of Illicit Market Suppression A
ALL THE SHIPS THAT NEVER SAILED: A GENERAL MODEL OF ILLICIT MARKET SUPPRESSION A Dissertation submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Government. By David Joseph Blair, M.P.P. Washington, DC September 15, 2014 Copyright 2014 by David Joseph Blair. All Rights Reserved. The views expressed in this dissertation do not reflect the official policy or position of the United States Air Force, Department of Defense, or the U.S. Government. ii ALL THE SHIPS THAT NEVER SAILED: A GENERAL MODEL OF TRANSNATIONAL ILLICIT MARKET SUPPRESSION David Joseph Blair, M.P.P. Thesis Advisor: Daniel L. Byman, Ph.D. ABSTRACT This model predicts progress in transnational illicit market suppression campaigns by comparing the relative efficiency and support of the suppression regime vis-à-vis the targeted illicit market. Focusing on competitive adaptive processes, this ‘Boxer’ model theorizes that these campaigns proceed cyclically, with the illicit market expressing itself through a clandestine business model, and the suppression regime attempting to identify and disrupt this model. Success in disruption causes the illicit network to ‘reboot’ and repeat the cycle. If the suppression network is quick enough to continually impose these ‘rebooting’ costs on the illicit network, and robust enough to endure long enough to reshape the path dependencies that underwrite the illicit market, it will prevail. Two scripts put this model into practice. The organizational script uses two variables, efficiency and support, to predict organizational evolution in response to competitive pressures. -
BLACK JACKS Written by Eric Karkheck
BLACK JACKS Written By Eric Karkheck (323) 736-6718 [email protected] Black Jack: noun, 18th Century An African warrior who becomes a pirate. FADE IN: EXT. VILLAGE BEACH, WEST AFRICA - DAY Statuesque TERU FURRO (30s) sits in the sand braiding ropes together into a fishing net. She is left handed because her right is missing its pinky finger. She looks out to the vast ocean. EXT. HIDDEN LAGOON - DAY Blue sky and puffy clouds reflect in the surface of the water. A dugout canoe with a sail skims across it. Tall and muscular CHAGA FURRO (30s) paddles in the stern. His skinny son KUMI (13) is in the bow. Chaga spots a school of tilapia. CHAGA Kumi, mind the net. (Note: Italicized dialogue is spoken in Akan African and subtitled in English.) KUMI Yes, father. Kumi gathers the net into his arms. CHAGA Do it clean. If the lines tangle it will scatter the school. Kumi throws the net overboard. He pulls in the ropes. KUMI They are strong. The ropes zip through Kumi's hands. Chaga catches them. CHAGA Place your feet on the side to give you leverage. Together, they pull the net up and into the canoe to release a wave of fish onto themselves. CHAGA Ha Ha!! Do you see this my son?! Good, good, very good! Mother will be pleased. Yes. 2. Chaga wraps Kumi in a warm hug. Kumi halfheartedly returns the embrace. EXT. ATLANTIC OCEAN - DAY Chaga paddles toward land. Kumi scans the ocean horizon through a mariner's telescope. KUMI Can we go on a trip somewhere? Maybe to visit another tribe? CHAGA We are fishermen. -
Table of Contents
Table of Contents Welcome from the Dais ……………………………………………………………………… 1 Introduction …………………………………………………………………………………… 2 Background Information ……………………………………………………………………… 3 The Golden Age of Piracy ……………………………………………………………… 3 A Pirate’s Life for Me …………………………………………………………………… 4 The True Pirates ………………………………………………………………………… 4 Pirate Values …………………………………………………………………………… 5 A History of Nassau ……………………………………………………………………… 5 Woodes Rogers ………………………………………………………………………… 8 Outline of Topics ……………………………………………………………………………… 9 Topic One: Fortification of Nassau …………………………………………………… 9 Topic Two: Expulsion of the British Threat …………………………………………… 9 Topic Three: Ensuring the Future of Piracy in the Caribbean ………………………… 10 Character Guides …………………………………………………………………………… 11 Committee Mechanics ……………………………………………………………………… 16 Bibliography ………………………………………………………………………………… 18 1 Welcome from the Dais Dear delegates, My name is Elizabeth Bobbitt, and it is my pleasure to be serving as your director for The Republic of Pirates committee. In this committee, we will be looking at the Golden Age of Piracy, a period of history that has captured the imaginations of writers and filmmakers for decades. People have long been enthralled by the swashbuckling tales of pirates, their fame multiplied by famous books and movies such as Treasure Island, Pirates of the Caribbean, and Peter Pan. But more often than not, these portrayals have been misrepresentations, leading to a multitude of inaccuracies regarding pirates and their lifestyle. This committee seeks to change this. In the late 1710s, nearly all pirates in the Caribbean operated out of the town of Nassau, on the Bahamian island of New Providence. From there, they ravaged shipping lanes and terrorized the Caribbean’s law-abiding citizens, striking fear even into the hearts of the world’s most powerful empires. Eventually, the British had enough, and sent a man to rectify the situation — Woodes Rogers. In just a short while, Rogers was able to oust most of the pirates from Nassau, converting it back into a lawful British colony. -
Privateering and the Revolt of the Netherlands: the Watergeuzen Or Sea Beggars in Portsmouth, Gosport and the Isle of Wight 1570-71
Proc. Hampsh. Field Club Archaeol. Soc. 47, 1991, 171-180 PRIVATEERING AND THE REVOLT OF THE NETHERLANDS: THE WATERGEUZEN OR SEA BEGGARS IN PORTSMOUTH, GOSPORT AND THE ISLE OF WIGHT 1570-71 ByM] FRENCH ABSTRACT Flanders from where it spread to most of the other provinces. As a result of the assault on The purpose of this study is to examine English relations with the churches the governing classes rallied the Dutch Watergeuzen or Sea Beggars by reference to a behind the government in Brussels, which survey of shipping in the ports of Hampshire dated 24 July gradually regained the initiative. 1570 and a letter from Sir Henry Radeclyjf, the Captain of By the early spring of 1567 the forces of the Portsmouth, to the Privy Council dated 21 May 1571, both in government had easily suppressed the last the Public Record Office, London. These documents tell of the pockets of Calvinist resistance. Large numbers Sea Beggars' presence on the Hampshire coast in the early of those implicated in the political and relig years of the tumults that became known as the Revolt of the Netherlands or the Eighty Years' War. The letter of 21 May ious disturbances fled abroad to Germany and 1571, which throws light on the close links formed by certain England. Foremost among those who left at Englishmen with the Sea Beggars, is significant since these this time was William of Nassau, Prince of privateers by their very nature did not tend to leave detailed Orange (1533-84), the leading nobleman in accounts of their activities. -
Piracy, Illicit Trade, and the Construction of Commercial
Navigating the Atlantic World: Piracy, Illicit Trade, and the Construction of Commercial Networks, 1650-1791 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University by Jamie LeAnne Goodall, M.A. Graduate Program in History The Ohio State University 2016 Dissertation Committee: Margaret Newell, Advisor John Brooke David Staley Copyright by Jamie LeAnne Goodall 2016 Abstract This dissertation seeks to move pirates and their economic relationships from the social and legal margins of the Atlantic world to the center of it and integrate them into the broader history of early modern colonization and commerce. In doing so, I examine piracy and illicit activities such as smuggling and shipwrecking through a new lens. They act as a form of economic engagement that could not only be used by empires and colonies as tools of competitive international trade, but also as activities that served to fuel the developing Caribbean-Atlantic economy, in many ways allowing the plantation economy of several Caribbean-Atlantic islands to flourish. Ultimately, in places like Jamaica and Barbados, the success of the plantation economy would eventually displace the opportunistic market of piracy and related activities. Plantations rarely eradicated these economies of opportunity, though, as these islands still served as important commercial hubs: ports loaded, unloaded, and repaired ships, taverns attracted a variety of visitors, and shipwrecking became a regulated form of employment. In places like Tortuga and the Bahamas where agricultural production was not as successful, illicit activities managed to maintain a foothold much longer. -
AERC Longevity Award Pin Recipients
20 Year Pin M. Patricia Harrop .............................. Slam The Book Heather Hoyns .................................... Just Bill Kathy Myers ....................................... Mr Maajistic Stagg Newman .................................... Ramegwa Drubin Phillip Ottinger ................................... Robin Hood Stephanie Palmer-Du Ross ................. Hadji Halef Omar John Parke ........................................... Remington Joyce Sousa ......................................... LV Integrity Mike Tracy .......................................... Aron Moon+// Sharon Wilson..................................... Buddy 15 Year Pin Kim Abbott ......................................... Sea Spot Run Ron Barrett .......................................... Rafuro HCC Earle Baxter ........................................ I am Amazing Carol Ann Beckner ............................. Chelsea Image Bee Wendy Bejarano ................................. Bie Kin Marion Brewer .................................... That Boy Cheri Briscoe ...................................... DR Thunder Bask+// Kathy Broaddus .................................. TF Red Mc Intosh Louise Burton ..................................... Am I Blue+// Julienne Buxton .................................. Kastanj Mariann L. Byknish ............................ JMF Ikon Pat Chappell ........................................ Thunders Lightning Bar Karen Chaton ...................................... Granite Chief+/ Roxanne Ciccone ................................ FM Spirit -
Media Piracy in Emerging Economies
MEDIA PIRACY IN EMERGING ECONOMIES Edited by Joe Karaganis Media Piracy in Emerging Economies can be found online at http://piracy.ssrc.org. © 2011 Social Science Research Council All rights reserved. Published by the Social Science Research Council Printed in the United States of America References to Internet websites (URLs) were accurate at the time of writing. Neither the author nor the Social Science Research Council is responsible for URLs that may have expired or changed since the manuscript was prepared. Designed by Rosten Woo Maps by Mark Swindle Cover photo: AFP/Getty Images Library of Congress Cataloging-in-Publication Data Media Piracy in Emerging Economies ISBN 978-0-98412574-6 1.Information society—Social aspects. 2.Intellectual Property. 3.International business enterprises—Political activity. 4.Blackmarket. I. Social Science Research Council SOCIAL SCIENCE RESEARCH COUNCIL • MEDIA PIRACY IN EMERGING ECONOMIES SOCIAL SCIENCE RESEARCH COUNCIL • MEDIA PIRACY IN EMERGING ECONOMIES Media Piracy in Emerging Economies is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. To view a copy of this license, visit http://creativecommons. org/licenses/by-nc-sa/3.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. SOCIAL SCIENCE RESEARCH COUNCIL • MEDIA PIRACY IN EMERGING ECONOMIES SOCIAL SCIENCE RESEARCH COUNCIL • MEDIA PIRACY IN EMERGING ECONOMIES Partnering Organizations The Social Science Research Council New York, NY, USA The Overmundo Institute Rio de Janeiro, Brazil The Center for Technology and Society Getulio Vargas Foundation Rio de Janeiro, Brazil Sarai The Centre for the Study of Developing Societies Delhi, India The Alternative Law Forum Bangalore, India The Association for Progressive Communications Johannesburg, South Africa The Centre for Independent Social Research St. -
The Mysterious Island by Jules Verne 1874 PART 1--DROPPED from the CLOUDS
The Mysterious Island by Jules Verne 1874 PART 1--DROPPED FROM THE CLOUDS Chapter 1 "Are we rising again?" "No. On the contrary." "Are we descending?" "Worse than that, captain! we are falling!" "For Heaven's sake heave out the ballast!" "There! the last sack is empty!" "Does the balloon rise?" "No!" "I hear a noise like the dashing of waves. The sea is below the car! It cannot be more than 500 feet from us!" "Overboard with every weight! . everything!" Such were the loud and startling words which resounded through the air, above the vast watery desert of the Pacific, about four o'clock in the evening of the 23rd of March, 1865. Few can possibly have forgotten the terrible storm from the northeast, in the middle of the equinox of that year. The tempest raged without intermission from the 18th to the 26th of March. Its ravages were terrible in America, Europe, and Asia, covering a distance of eighteen hundred miles, and extending obliquely to the equator from the thirty-fifth north parallel to the fortieth south parallel. Towns were overthrown, forests uprooted, coasts devastated by the mountains of water which were precipitated on them, vessels cast on the shore, which the published accounts numbered by hundreds, whole districts leveled by waterspouts which destroyed everything they passed over, several thousand people crushed on land or drowned at sea; such were the traces of its fury, left by this devastating tempest. It surpassed in disasters those which so frightfully ravaged Havana and Guadalupe, one on the 25th of October, 1810, the other on the 26th of July, 1825. -
STELLAR FLAGS by Scott Mainwaring Stellar Flags 1 Tion of That Word
Portland Flag Association Publication 1 Portland Flag Association ―Free, and Worth Every Penny!‖ Issue 11 October 2006 INSIDE THIS ISSUE: STELLAR FLAGS By Scott Mainwaring Stellar Flags 1 tion of that word. Never mind that real stars are twinkling point sources Pirate Flags 2 Flag design has long looked to the natural world and its phenomena as a of light (except for certain stars ob- Some Flag Related Websites 3 source of inspiration and symbolism. served through powerful telescopes October 2006 Flutterings 3 Much of this vocabulary is earth- which can resolve an actual disc of Next Meeting Announcement 4 bound, making use of plants, ani- light) that bear, at most, a very rough Flags in the News 4 mals, and landscape features. But resemblance to the decagonal shapes Correction 4 perhaps as much of it is celestial, one learns to draw as a child. Just The Flag Quiz 7 making use of astronomical objects say that it‘s our cultural convention to depict stars in this way, and that like the Sun, the Moon, and the stars – this last being the focus of this arti- depiction of a natural object is what cle. Let's call a flag with such a rela- indeed is going on in almost all cases. tionship a stellar flag. At first glance, This may be the case, but if so, this is ―stellar flag‖ is a huge category – a very weak sense of ―stellar.‖ It stars on flags are in no short supply. seems more apt to say that, even if As a rough (under-) estimate, originally inspired by the natural as- Wikipedia (as of 10/4/06) lists 403 tronomical object, most stars on current and historical flags with one most flags (like most stars in most or more stars. -
Pirates Playbill.Indd
Essgee’s Based on the operetta by W.S. Gilbert and Arthur Sullivan The 65th Anniversary Revival of De La Salle’s First-Ever Musical! April 27-29, 2017 De La Salle College Auditorium 131 Farnham Ave. Theatre De La Salle’s Based on the operetta by W.S. Gilbert and Arthur Sullivan Additional lyrics by Melvyn Morrow New Orchestrations by Kevin Hocking Original Production Director and Choreographer Craig Shaefer Conceived and Produced by Simon Gallaher Presented in cooperation with David Spicer Productions, Australia www.davidspicer.com.au Music Director Choreographer CHRIS TSUJIUCHI MELISSA RAMOLO Technical Director Set Designer CARLA RITCHIE MICHAEL BAILEY Directed by GLENN CHERNY and MARC LABRIOLA Produced by MICHAEL LUCHKA Essgee’s The Pirates of Penzance, Gilbert and Sullivan for the 21st Century, presented by arrangement with David Spicer Productions www.davidspicer.com.au representing Simon Gallaher and Essgee Entertainment Performance rights for Essgee’s The Pirates of Penzance are handled exclusively in North America by Steele Spring Stage Rights (323) 739-0413, www.stagerights.com I wish to extend to the Cast and Crew my sincerest congratulations on your very wonderful and successful 2017 production of e Pirates of Penzance! William W. Markle, Q.C. Cast Member, 1952 production of Th e Pirates of Penzance De La Salle College “Oaklands” Class of 1956 THE CAST The Pirate King ............................................... CALUM SLAPNICAR Frederic ............................................................. NICHOLAS DE SOUZA Samuel.................................................................... -
Outlyers: Maroons and Marronage in Eighteenth and Nineteenth-Century Literature
Outlyers: Maroons and Marronage in Eighteenth and Nineteenth-Century Literature By Sarah Jessica Johnson A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Stephen Best, Chair Professor Kathleen Donegan Professor Nadia Ellis Professor Karl Britto Spring 2018 1 Abstract Outlyers: Maroons and Marronage in Eighteenth and Nineteenth-Century Literature By Sarah Jessica Johnson Doctor of Philosophy in English University of California, Berkeley Professor Stephen Best, Chair My dissertation, “Outlyers: Maroons and Marronage in Eighteenth and Nineteenth-Century Literature,” foregrounds an archival pursuit in which recovery is deprioritized. Crucial to this study is an archival paradox: Maroons absented themselves from the printed record, eschewed the position of author, only to be figured and represented by others who, expectedly, struggled with the depiction of a practice they could not know firsthand. The intentional erasure of “traces” by maroons was necessary to the successful practice of marronage. The project is organized around four “maroon objects”—the portrait, the fetish, the epaulette, and the hatchet—that recur in historical representations concerning maroons. These maroon objects mediate maroon subject and text. My first chapter, “Maroon Portraits,” examines the circulating narratives of La Mulâtresse Solitude of Guadeloupe. Solitude sits for a portrait that is continuously painted, as artists insist on producing visual images in tension with the long textual record that precedes them. Chapter Two, “Maroon Fetishes,” reads the proliferation of fetishes in Le Macandal by Marie Augustin and other iterations of the story of Haitian Maroon leader François Macandal. -
A Pirate's Life for Me
A Pirate’s Life for Me 1| Page April 13th Kutztown University of Pennsylvania Table of Contents Staff Introductions…………………………………………………………………………………..……....3-4 Crisis Overview………………………………………………………………………………………......…...5 Pirate History………………………………..……………………………………………….…………....….6-10 Features of the Caribbean……………...…………………………………………….……………....….11-13 Dangers of the Sea………………………………………………………………………………….………..13-14 Character List…………………….…………………………………………………………….…...…….......14-24 Citations/Resources………..…………………………………………………………………..…………...25-26 Disclaimers…………….…………………………………………………………...………………………......26-27 2| Page Staff Introductions Head Crisis Staff - Sarah Hlay Dear Delegates, Hello and welcome to the “It’s A Pirate’s Life For Me” Committee! I am very excited to have all of you as a part of my committee to learn and explore the era that is the Golden Era of Piracy. My name is Sarah Hlay and I will be your Crisis Director for this committee. I am a junior at Kutztown University and this is my fourth semester as a part of Kutztown Model UN. This is my second Kumunc but first time running my own crisis. I am excited for you all to be part of my first crisis and to use creative problem solving together over the course of our committee. Pirate history is something that has always fascinated me and is a topic I enjoy learning more about each day. I’m excited to share my love and knowledge of this topic within one of the best eras that have existed. I hope to learn as much from me as I will from you. At Kutztown, I am studying Art Education and although I am not part of the Political Science department does not mean that debating and creative thinking is something I’m passionate about.