Annual Report 2018
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Network Notebook
Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
Boston Symphony Orchestra Concert Programs, Season 125, 2005-2006
Tap, tap, tap. The final movement is about to begin. In the heart of This unique and this eight-acre gated final phase is priced community, at the from $1,625 million pinnacle of Fisher Hill, to $6.6 million. the original Manor will be trans- For an appointment to view formed into five estate-sized luxury this grand finale, please call condominiums ranging from 2,052 Hammond GMAC Real Estate to a lavish 6,650 square feet of at 617-731-4644, ext. 410. old world charm with today's ultra-modern comforts. BSRicJMBi EM ;\{? - S'S The path to recovery... a -McLean Hospital ', j Vt- ^Ttie nation's top psychiatric hospital. 1 V US NeWS & °r/d Re >0rt N£ * SE^ " W f see «*££% llffltlltl #•&'"$**, «B. N^P*^* The Pavijiorfat McLean Hospital Unparalleled psychiatric evaluation and treatment Unsurpassed discretion and service BeJmont, Massachusetts 6 1 7/855-3535 www.mclean.harvard.edu/pav/ McLean is the largest psychiatric clinical care, teaching and research affiliate R\RTNERSm of Harvard Medical School, an affiliate of Massachusetts General Hospital HEALTHCARE and a member of Partners HealthCare. REASON #78 bump-bump bump-bump bump-bump There are lots of reasons to choose Beth Israel Deaconess Medical Center for your major medical care. Like less invasive and more permanent cardiac arrhythmia treatments. And other innovative ways we're tending to matters of the heart in our renowned catheterization lab, cardiac MRI and peripheral vascular diseases units, and unique diabetes partnership with Joslin Clinic. From cardiology and oncology to sports medicine and gastroenterology, you'll always find care you can count on at BIDMC. -
Evanescence Disponibile in Digitale E
EVANESCENCE DISPONIBILE IN DIGITALE E DAL10 LUGLIO IN RADIO THE GAME IS OVER : L’ALBUM DI INEDITI IN USCITA NEL 2020 POSTICIPATA AL 9 SETTEMBRE 2021 l’unica data italiana al MEDIOLANUM FORUM DI ASSAGO (MI) 03/07/2020 il nuovo singolo estratto da “THE BITTER TRUTH” È disponibile in digitale e da venerdì 10 luglio entrerà in rotazione radiofonica “THE GAME IS OVER”, il nuovo singolo estratto dall’album di inediti “THE BITTER TRUTH” (BMG), in uscita nel 2020. Caratterizzato dalla presenza massiccia di chitarre e percussioni e dalla straordinaria voce da mezzosoprano di Amy Lee, “THE GAME IS OVER” è un inno di protesta contro le maschere che la società ci costringe ad indossare tutti i giorni. Di fronte alla depressione e all'ansia – e specialmente in un mondo che sembra sgretolarsi ogni giorno sempre di più – questo brano è un grido di ribellione al dover fingere che tutto vada bene. «Questa canzone parla dell'essere stanchi delle apparenze, delle maschere che indossiamo con gli altri per farli sentire a proprio agio – dichiara Amy Lee – Quello che sentiamo è diverso da ciò che mostriamo all'esterno per adattarci ai confini di ciò che è socialmente accettabile, o di ciò che non ci renderà sgradevoli o troppo "strani" agli occhi di chi ci sta intorno» Il video del brano, girato con uno smartphone tra luci e ombre, sarà online dalle ore 18.00 di oggi, venerdì 3 luglio, al seguente link: https://youtu.be/jJEZgUjjZqM. Durante la première, Amy Lee, leader della band, parteciperà in diretta su YouTube ad un Q&A insieme ai fan. -
Experiments in the Performance of Participation and Democracy
Respublika! Experiments in the performance of participation and democracy edited by Nico Carpentier 1 2 3 Publisher NeMe, Cyprus, 2019 www.neme.org © 2019 NeMe Design by Natalie Demetriou, ndLine. Printed in Cyprus by Lithografica ISBN 978-9963-9695-8-6 Copyright for all texts and images remains with original artists and authors Respublika! A Cypriot community media arts festival was realised with the kind support from: main funder other funders in collaboration with support Further support has been provided by: CUTradio, Hoi Polloi (Simon Bahceli), Home for Cooperation, IKME Sociopolitical Studies Institute, Join2Media, KEY-Innovation in Culture, Education and Youth, Materia (Sotia Nicolaou and Marina Polycarpou), MYCYradio, Old Nicosia Revealed, Studio 21 (Dervish Zeybek), Uppsala Stadsteater, Chystalleni Loizidou, Evi Tselika, Anastasia Demosthenous, Angeliki Gazi, Hack66, Limassol Hacker Space, and Lefkosia Hacker Space. Respublika! Experiments in the performance of participation and democracy edited by Nico Carpentier viii Contents Foreword xv An Introduction to Respublika! Experiments in the Performance of 3 Participation and Democracy Nico Carpentier Part I: Participations 14 Introduction to Participations 17 Nico Carpentier Community Media as Rhizome 19 Nico Carpentier The Art of Community Media Organisations 29 Nico Carpentier Shaking the Airwaves: Participatory Radio Practices 34 Helen Hahmann Life:Moving 42 Briony Campbell and the Life:Moving participants and project team Life:Moving - The Six Participants 47 Briony Campbell -
Adam Schoenberg
SCHEDULE OF PERFORMANCES AND EVENTS - check denison.edu/series/tutti Monday, March 4, 6:30 pm, Knapp Performance Space Artist Talk with Vail Visiting Artist Tara Booth, ‘Inward & Onward: The Contemporary Ceramics of Tara Booth,’ Tuesday March 5, 10:00 am Swasey Chapel Workshop with Third Coast Percussion, ‘Think Outside the Drum” 8:00 pm, Denison Museum The Weather Project - Artist Talk and Concert with Nathalie Miebach and Student Composers Concert with ETHEL and Students, Wednesday, March 6, 1:30 pm, Swasey Chapel Composers Workshop with Third Coast Percussion on Composition, Swasey Chapel 6:30 pm, Burke Recital Hall Composition and Improvisation: Philosophers and Musicians in Dialogue with John Carvalho, Ted Gracyk, Mark Lomax II and ETHEL Thursday, March 7, 11:30 am, Burke Rehearsal Hall Composition Seminar with Adam Schoenberg, 3:00 pm, Burke Recital Hall Concert One with Guest Artists and the Columbus Symphony Quartet 7:00 pm, Burke Recital Hall Concert Two with Denison Wind Ensemble and Symphony Orchestra, with guest artists ETHEL Friday, March 8, 10:00 am, Burke Recital Hall Concert Three with Faculty, Students and Guest Artists 11:30 am, Burke Rehearsal Room Conversation with: Third Coast Percussion, ETHEL, and Adam Schoenberg 3:00 pm, Burke Recital Hall Concert Four with Chamber Singers, Jazz Ensemble, Faculty and Guest Artists 7:00 pm, Burke Recital Hall Concert Five ‘Words and Music with ETHEL and Michael Lockwood Crouch, actor, and Denison Creative Writing Students, Saturday, March 9, 10:00 am, Knapp Performance Space Concert Six with Faculty and Guest Artists, 11:00 am, Composers Forum - Knapp (various locations) - Composers 3:00 pm, Burke Recital Hall Concert Seven ‘New American Music Project 3. -
FY19 Annual Report View Report
Annual Report 2018–19 3 Introduction 5 Metropolitan Opera Board of Directors 6 Season Repertory and Events 14 Artist Roster 16 The Financial Results 20 Our Patrons On the cover: Yannick Nézet-Séguin takes a bow after his first official performance as Jeanette Lerman-Neubauer Music Director PHOTO: JONATHAN TICHLER / MET OPERA 2 Introduction The 2018–19 season was a historic one for the Metropolitan Opera. Not only did the company present more than 200 exiting performances, but we also welcomed Yannick Nézet-Séguin as the Met’s new Jeanette Lerman- Neubauer Music Director. Maestro Nézet-Séguin is only the third conductor to hold the title of Music Director since the company’s founding in 1883. I am also happy to report that the 2018–19 season marked the fifth year running in which the company’s finances were balanced or very nearly so, as we recorded a very small deficit of less than 1% of expenses. The season opened with the premiere of a new staging of Saint-Saëns’s epic Samson et Dalila and also included three other new productions, as well as three exhilarating full cycles of Wagner’s Ring and a full slate of 18 revivals. The Live in HD series of cinema transmissions brought opera to audiences around the world for the 13th season, with ten broadcasts reaching more than two million people. Combined earned revenue for the Met (box office, media, and presentations) totaled $121 million. As in past seasons, total paid attendance for the season in the opera house was 75%. The new productions in the 2018–19 season were the work of three distinguished directors, two having had previous successes at the Met and one making his company debut. -
I Recorded the Complete Schumann
media release Tuesday 20 June 2017 FOR IMMEDIATE RELEASE TSO’s Tristan und Isolde nominated for 2017 Helpmann Award The Tasmanian Symphony Orchestra was last night included in the list of nominees for the 17th Annual Helpmann Awards in the category ‘Best Symphony Orchestra Concert’ for its acclaimed concert performance of Wagner’s Tristan und Isolde. The concert, which took place on November 19, 2016 at Federation Concert Hall in Hobart, featured world-renowned Swedish soprano Nina Stemme and Australian heldentenor Stuart Skelton reprising their roles as Wagner’s star-crossed lovers direct from The Metropolitan Opera in New York, and was conducted by TSO Chief Conductor and Artistic Director Marko Letonja. Renowned mezzo-soprano Monika Bohinec was also featured in the role of Brangäne. A major cultural coup for Tasmania, concert-goers travelled from all over the country as well as overseas to attend the one-off performance which was greeted with a resounding and spontaneous standing ovation. Established in 2001 by Live Performance Australia (LPA) the annual Helpmann Awards, celebrate and promote the Australian live performance industry, similar to the Tony Awards on Broadway and the Olivier Awards in London, and acknowledge distinguished artistic Federation Concert Hall 1 Davey Street, Hobart, Tasmania, 7000, Australia GPO Box 1450, Hobart, Tasmania, 7001, Australia Telephone (03) 6232 4411 International +61 3 6232 4411 Facsimile (03) 6232 4455 International +61 3 6232 4455 Email [email protected] Website www.tso.com.au achievement and excellence in the many disciplines of Australia's vibrant live performance sectors. The TSO was previously recognised with a 2016 Helpmann Award in the category ‘Best Australian Contemporary Concert’ for its contribution to the concert ‘Kate Miller-Heidke and the Tasmanian Symphony Orchestra with visuals by Amy Gebhardt’ which was part of MOFO 2016. -
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence. -
Review 'Classical Style' at Ojai Music Festival Draws on Wit, Wisdom
Review 'Classical Style' at Ojai Music Festival draws on wit, wisdom By Mark Swed June 17, 2014 OJAI — Charles Rosen's "The Classical Style" is an illuminating, academic, occasionally combative, close study of the musical style of Mozart, Haydn and Beethoven by a brilliant pianist and scholar who died in 2012. Though a technical tome, it takes on big, universal issues and proved a surprise hit of 1971, winning a National Book Award and reaching a remarkably wide audience. Rosen's 43-year-old book, never out of print, pulled a bigger surprise Friday as the subject for the first opera commissioned in the 68-year history of the Ojai Music Festival. The rules of musical form attempted a spectacularly absurd leap off the library shelf onto the lyric stage in the form of Steven Stucky's "The Classical Style: An Opera (of Sorts)." If this sounds like a somewhat ridiculous centerpiece for festival programming that revolved around issues of reinterpreting the Classical era (and will be reviewed further Tuesday), that of course was the point. The whole thing is so side-splitting that one rehearsal reportedly broke down when conductor Robert Spano had an uncontrollable laughing fit and had to be carried off the stage to recover. He was entitled. "The Classical Style" is a mash-up of Glenn Gould at his most satirical, PDQ Bach at his sauciest and a distractedly erudite Rosen cooking up a French sauce while pontificating on harmonic structure in his kitchen. But underlying the jokes (good ones and the groaners) and tomfoolery, Stucky's resourceful score and Denk's droll text produce an ingeniously eloquent musing on the meaning of life. -
Edward Gardner Extends Contract with Bergen Philharmonic Orchestra Until 2023
Edward Gardner extends contract with Bergen Philharmonic Orchestra until 2023 ‘The musical responses were virtuosic in terms of balance, precision and ensemble, so that the big set-pieces came across in all their rhythmic and harmonic glory,’ review of Bergen Philharmonic’s Peter Grimes at Edinburgh International Festival, Opera, October 2017 The Bergen Philharmonic Orchestra have announced that their relationship with Chief Conductor Edward Gardner is to continue until summer 2023, extending his current contract by two years. Since taking up the role of Chief Conductor in October 2015, Edward Gardner has continued developing the orchestra’s sound and international profile, with seven international tours to date which have included an acclaimed performance of Peter Grimes at the Edinburgh International Festival in 2017 and concerts at the BBC Proms and Hamburg’s Elbphilharmonie in 2018. The partnership has also resulted in 10 acclaimed recordings, including Schönberg’s Gurrelieder, Bartók’s Bluebeard, three Janáček recordings including the Glagolitic Mass (Grammy nominated), Grieg’s Piano Concerto and Peer Gynt, and Berlioz’s monumental Grande Messe des Morts. The orchestra’s CEO Bernt E. Bauge commented on the extension: “I am thrilled that Edward Gardner will continue as Chief Conductor for the Bergen Philharmonic Orchestra for another two-year period from 2021 to 2023. Edward has been a great success for us. As Chief Conductor he has to a remarkable extent developed the orchestra’s repertoire, artistic level and profile, which has opened up for increased listening experiences for a greater audience. The fact that his engagement now is extended until 2023 gives us security and great potential for further growth. -
Queensland Performing Arts Centre Cnr Grey and Melbourne Streets QUEENSLAND South Bank Queensland 4101 Australia PERFORMING
Queensland Performing Arts Centre Cnr Grey and Melbourne Streets QUEENSLAND South Bank Queensland 4101 Australia PERFORMING PO Box 3567 South Bank ARTS CENTRE Queensland 4101 Australia ANNUAL REPORT 2008-2009 Telephone: (07) 3840 7444 Facsimile: (07) 3844 1839 www.qpac.com.au [email protected] ANNUAL REPORT 2008-2009 This report can also be accessed online at www.qpac.com.au/corporate_information/annual_report/ © State of Queensland (Queensland Performing Arts Trust) 2009 ISSN: 0156-9147 QUEENSLAND PERFORMING ARTS CENTRE CONTENTS Page 1. BACKGROUND The Best in Live Performance 4 Contribution to Government Objectives 5 Chairman’s Report 6 Director’s Report 8 Organisational Structure 10 2. PERFORMANCE OUTCOMES Summary of Outcomes 12 Entertainment 14 Public Participation 17 Strategic Relationships 21 Commercial Opportunities 24 3. CORPORATE GOVERNANCE 27 4. FUTURE DIRECTION 30 5. BOARD OF TRUSTEES 32 6. YEAR IN REVIEW 35 7. FINANCIAL STATEMENTS 41 Detailed Financial Statements 8. FEEDBACK 67 The annual report is an account of the fi nancial and non-fi nancial performance of the Queensland Performing Arts Trust (known as QPAC) during the 2008-2009 fi nancial year. This report can also be accessed by the public through the QPAC website at qpac.com.au. QPAC is committed to open and accountable governance and welcomes feedback on this report. Please email any comments or suggestions to [email protected] or complete and return the feedback form at the back of this report. The Queensland Government is committed to providing accessible services to Queenslanders from all culturally and linguistically diverse backgrounds. If you have diffi culty in understanding the annual report, you can contact us on either (07) 3840 7444 or by email at [email protected] and we will arrange an interpreter to effectively communicate the report to you. -
Nr Kat EAN Code Artist Title Nośnik Liczba Nośników Data Premiery Repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl
nr kat EAN code artist title nośnik liczba nośników data premiery repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl Longplay 33 1/3 2 2018-04-27 HEAVYMETAL/HARDROCK 19075816432 190758164328 '77 Bright Gloom CD Longplay 1 2018-04-27 HEAVYMETAL/HARDROCK 9985848 5051099858480 '77 Nothing's Gonna Stop Us CD Longplay 1 2015-10-30 HEAVYMETAL/HARDROCK 88697636262 886976362621 *NSYNC The Collection CD Longplay 1 2010-02-01 POP 88875025882 888750258823 *NSYNC The Essential *NSYNC CD Longplay 2 2014-11-11 POP 19075906532 190759065327 00 Fleming, John & Aly & Fila Future Sound of Egypt 550 CD Longplay 2 2018-11-09 DISCO/DANCE 88875143462 888751434622 12 Cellisten der Berliner Philharmoniker, Die Hora Cero CD Longplay 1 2016-06-10 CLASSICAL 88697919802 886979198029 2CELLOS 2CELLOS CD Longplay 1 2011-07-04 CLASSICAL 88843087812 888430878129 2CELLOS Celloverse CD Longplay 1 2015-01-27 CLASSICAL 88875052342 888750523426 2CELLOS Celloverse CD Longplay 2 2015-01-27 CLASSICAL 88725409442 887254094425 2CELLOS In2ition CD Longplay 1 2013-01-08 CLASSICAL 19075869722 190758697222 2CELLOS Let There Be Cello CD Longplay 1 2018-10-19 CLASSICAL 88883745419 888837454193 2CELLOS Live at Arena Zagreb DVD Video Longplay 1 2013-11-05 CLASSICAL 88985349122 889853491223 2CELLOS Score CD Longplay 1 2017-03-17 CLASSICAL 88985461102 889854611026 2CELLOS Score (Deluxe Edition) CD Longplay 2 2017-08-25 CLASSICAL 19075818232 190758182322 4 Times Baroque Caught in Italian Virtuosity CD Longplay 1 2018-03-09 CLASSICAL 88985330932 889853309320 9ELECTRIC The Damaged Ones