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Horeb, Wisconsin Page 3 of 63 MENUS SUNDAY; snack Pumpkin Pie Ice Cream Apple Pie Cheese Curd Hot Mulled Cider MONDAY: .Parm Breakfast Grapefruit Leola's Cornbread/butter/strawberry jam Bacon Seven Grain Cereal/honey/cream/brawn sugar Baked Eggs with Cheddar Cheese Cornish Lunch Cornish Pasties with Chili Sauce Cole Slaw with Sour Cream Dressing Beet Pickles Celery Sticks Plum Preserves and Cream 0surtas1and Tea Butterkuchen Tea with ltandis and Cream .&1p1n1 1unt1n1 supar Roast Pork and Venison Red Wine & Sour Cream Gravy Red Cabbage Wild Cranberry Apple Jelly Parsley-Buttered Potatoes Farmers Rye Bread/butter Creamed Green Beans Quark Pudding with Raspberries Snack Tea Punch Cream Cheese Kuchen TUESDAY; Canadian Breakfast Sliced Oranges Link Sausages Pancakes Maple Syrup Cranberry Muffins Cheddar Cheese Whole Wheat Toast Plum Jelly Gru,k Lunch Pita Bread with Cucumber & Yogurt Dip Paz Naz Greek Salad Turkish Delight Yogurt English Tea Saffron Bread Sharp Cheese Earl Grey Tea French Canadian Supper Roast Turkey Cranberry Sauce Mashed Potatoes Gravy Butter Green Peas SWeet Apple Pickles "Tourtiare" Meat Pie Chili Sauce Sugar Pie snack French Canadian Doughnuts 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 4 of 63 WEDNESDAY: Lucia Breakfast (Swedish) Orange Juice Cheese Pllitter (Swedish Pancakes) Herring Oven Pancakes Ham slices Saffron Buns Yogurt Rasp.berry Jam/Straw.berry Jam/ Llngon.berries Norwesian Lunch Pish Soup Broccoli Cheese Soup Breads: Sourdough Rye & White, Crisp.bread, Farmer's Cheeses: Jarlsberg, Munster Summer Sausage Sardines Tomatoes Cucumbers Pickles Beet Pickles Parsley Dill Rice Pudding with Cream Danish CranberryI•• Juice with Club Soda Kringle International Smorsashord Swedish Meat Balls Sliced Ham Turkey Red Ca.b.bage Janssen•s Temptation Parsley Buttered Potatoes Fish in Aspic Herring Fish Salad Swedish Limpa Bread Crisp.bread Sourdough Breads Butter_ Pickled Beats Cucumber Salad Liver Pate Tomatoes Cucumbers Graen & Red Peppers Parsley Lettuce Rammegrmt Lefse R111d Grad med Flmde Cream/melted .butter/cinn. sugar Spack Scandinavian Cookies Non-alcoholic Glogg THURSDAY: Mexican Breakfast Fruit Salad Tortillas Refried Beans Sauces Huevos Rancheros with Spicy Sausage Mexican Hot Chocolate Lunch; Surprise/reprise Hungarian Supper Szekely Goulash Yogurt Carrots "Hungarian Smorgasbord"' Snack Jule Log Cake Roll Anniversary Kransekake Hazelnut Chocolate Cake Chocolate Raspberry Torte 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 5 of 63 Seven Grain Cereal. •what's in it," you ask? Well there's whecit (more of thQt proportionQ\ely thQn of the oth•r grQins}, corn, oots, rice, ry•, barley and millet. That makes seven. I! one wanted to go hog wild one could add buckwh.at (not Q true grain) or triticcil• (a hybrid of whe 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 6 of 63 Leola '.r Cornbread To make one 9-inch loaf • 2 eggs 11/z cups yellow cornmeal ~ 6 tablespoons melted and cooled 1 cup all- purpose flour burrer 11, cup sugar - 8 tablespoons melted and cooled 1 teaspoon salt vegetable shortening (/a rd) 1 tablespoon baking powder 111z cups milk Preheat the oven to 400°. Sift into a m1xmg bowl the cornmeal, flour, sugar, salt and baking eowder. Beat the eggs lightly, add the melted but ter and shortening, and stir in the 1112 cups of milk. Pour into the bowl of dry ingredients and beat together for about a minute, or uncil smooch. Do not overbear. Lightly butter a 9-by-5-by-3-inch loaf pan or 8-by-12- inch shallow baking pan and pour in the batter. Bake in the center of the oven for about 30 minutes, or until the bread comes slightly away from the edge of the pan and is golden brown. Serve hot. Cornish Pasties This recipe was one of the Cornish dishes brought to Southwestern Wisconsin by families from Cornwall more than 100 years ago, settling mostly in Mineral Point and Dodgeville area. Pasty Pastry Crust: (Makes 4 or 5 pasties) 4 cups flour 1 & 1/J cups lard salt about 6 T cold water Mix as any pie crust and divide into 4 or 5 parts. Roll each part out on lightly floured board in a circly the size of a dinner plate and 1/8 inch thick or as thin as possible. Pasty Filling: 8 medium-sized raw potatoes, diced small and seasoned with salt and pepper 2 lbs. round steak, cut in small pieces and seasoned with salt and pepper l cup ground suet 2 cups chopped onion 2-} T butter 8 T cream (or more) Fill one side of the pastry circle 'Ni th one layer of each ingredient in the following order: potatoes, onion~. salt & pepper beef, suet, salt & pepper. Dot top with butter. Wet the edges of half of each circle of pastry. Fold the plain half over filled half, Press edges together firmly with fingers to seal so no juice leaks out. Put a few holes on the top of the pastry with a knife to allow escape of steam. Round steak bone with marrow removed can be placed in crust for a "chimney," as done by the Liddicoat family of Linden, WI. Slits can also be made in the form of initials so each person has an individualized corner of the0 pasty. Bake 15 minutes in a hot oven - turn down to J25 and bake JO minutes longer. About 15 minutes before taking pasties from oven, add 2 T cream to each pasty through the holes in crust, Delicious when served with chili sauce, (Possible additions: chopped parsley, rutabagas or turnops.) The miners in Cornwall used to keep their paper-wrapped pasties in their shirts to keep them (both the pasties and the miners) warm when they went to work underground, It is said that the devil himself was afraid to come to Cornwall for fear of being baked in a pasty, Wh0n making pasties for a large group bake! hour, cool to room temperature, wrap in foil and freeze. The day pasties are to be served thaw, add whey cream and bake 15 minutes until brown. (From the Rundall family of Wadebridge, Cornwall and Dodgeville, WI) 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 7 of 63 PLUM PRESERVES Harvest wild plums. Barely cover with water, and boil until skin pops. Destone. Put back in pan; barely cover with water from original boiling. Add 2 cups sugar for every 3 cups of plums. Boil about~ hour or until desired thickness. Put in jars. Process (hot water bath) for 20 minutes. BUTTERKUCHEN Dissolve and let stand 10 minutes: TOPPING ~ c. warm water Combine and sprinkle over dough: 2 pkg. yeast 1 1/3 c. sugar 2 t. sugar 2 t. cinnamon Beat in: Sprinkle over dough: 2 c. milk 1~ c. finely chopped nuts 2 eggs Dot with: 1 c. vegetable oil ~ - 2/3 c. butter 1 c. sugar Let stand 30 minutes. rux in: Bake 20-25 minutes at 400°. 8-9 c. flour Cover and let rise until double. Roll out in large sheet pan. Make indentations with fingers. Brush on top: 1 c. milk or cream VENISON MARINADE 3 c. dry red wine 8 whole black peppercorns 3 c. cold water 1 large bay leaf 5 whole juniper berries 1 T salt 2 whole cloves Simmer all; let cool. Pour over venison. Turn occasionall y. Marinate for 6 hours. 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 8 of 63 ,, ROTKOHL MIT A.PFELN Red Cabbage with Apples To serve 4 to 6 A 2- to 2f-pound r!d cabbage ! cup finely chopped onions 2/3 cup red wine vinegar 1 whole onion, peeled and pierced 2 tablespoons sugar with 2 whole cloves 2 teaspoons salt 1 small bay leaf 2 tablespoons lard or bacon fat 5 cups boiling water 2 medium-sized cooking apples, 3 tablespoons.dry red wine peeled, cored and cut into 3 tablespoons red currant jelly 1/8-inch thick wedges (optional) Wash the head of cabbage under cold running water, remove the tough outer leaves, and cut the cabbage into quarters. To shred the cab bage, cut out the core and slice the quarters crosswise into 1/8- inch-wide strips. Drop the cabbage into a large mixing bowl, sprinkle it with the vinegar, sugar and salt, then toss the shreds about with a spoon to coat them evenly with the mixture. In a heavy 4- to 5-quart casse role, melt the lard or bacon fat over moderate heat. Add the apples and chdpped onions and cook, stirring frequently, for 5 minutes, or until the apples are lightly browned. Add the cabbage, the whole onions with cloves, and the bay leaf; stir thoroughly and pour in the boiling water. Bring to a boil over high heat, stirring occas sionally, and reduce the heat to its lowest possible point. Cover and simmer for 1t to 2 hours, or · until thi cabbage is tender. Check from time to time to make sure that the cabbage is moist. If it seems dry, add a tablespoon of boiling water. When the cabbage is done, there should be almost no liquid left in the casserole. Just before serving remove the onion and bay leaf, and stir in the wine and the curr_ant Jelly. 'raste for seasoning, then transfer the entire cont ents of tue casserole to a heated platter or bowl and serveo CUCUMBER AND YOGURT DIP YAOURTI ME ANCOURAKI 1 cup thick yogurt 1 teaspoon chopped mint 1 clove garlic, chopped Salt and white pepper 1 medium cucumber, grated Place yogurt in a mixing bowl. Add finely chopped garlic, mint, salt and white pepper and grated cucumber. Serve on crackers. NOTE: To make thick yogurt, place yogurt in muslin bag and allow liquid to drain. 11/2 cups. 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 9 of 63 POZ-NOZ 2 lbs. fine dry cottage cheese (A Middle Eastern 6 eggs spinach-cheese dish 2 cups grated feta (sharp cheddar similar to quiche) may be used) 1 pkg. frozen chopped spinach 6 Tbsp. flour 1/4 cup melted butter 1 medium onion 2 cloves garlic parsley, chopped 1 cup grated sharp cheddar (for topping) Mix everything together in a baking dish (12xl8). Do not beat eggs separately. Spread 1 cup cheddar cheese over mixture. Bake about 1 hour in 350 degree oven. Test with knife in center. Freezes well. Serves 6. TURKISH CITRUS DELIGHT 1 C sugar ~ C cornstarch 2 C grapefruit juice l C water 4 oranges, sectioned (remove membranes) 2 grapefruits, sectioned (remove membranes) l C slivered almonds Pomegranate seeds Mix sugar and corns,tarch. Stir in jqices and water. Stir constantly and cook over med~ua h•at until mixture thickens and comes to a boil. Simmer panegranate seeds . 1 minute. Remove from heat.' Add fruit sectionsAand almonds. Chill MEXICAN HOT CHOCOLATE (makes one quart) Some extra tips: 1 c. warm water It will taste even better if you use lz; c. cocoa stick cinnamon instead of ground. lz; c. sugar Put the stick in the milk while it 1 t. cinnamon (or more to taste) is heating. If you want richer choc 3 c. whole milk olate add cream, or use all milk 1 t. vanilla (or more to taste) · instead of water. Cocoa dissolves better in whole milk Mix the cocoa, sugar and cinnamon with than in 27•• the warm water. Beat it to a smooth The vanilla goes in at the last minute paste. Heat the milk and add the because otherwise it will boil away chocolate paste. Heat and stir con and you won't taste it. Real Mexican stantly until hot. Add the vanilla vanilla has the most flavor. at the last minute and drink. 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 10 of 63 "TOURTIERE" !1EAT P.IE good for 3 to 5 meat pies Double unbaked pie erst 2~ lbs ground pork 1/8 t. ground cloves 1 lb. ground veal 1-t t. cinnamon 1~ lb. ground beef 3/4 to 1 T salt 2 c. water -t t. black pepper 1 large onoin, finely chopped -t t. dry mustard 1 clove garlic, minced Bring entire mix to a boil, then cook for approximately 2 hours at medium heat, stirring occasionally. Using a slotted spoon, fill an unbaked pie crust. Leave enough juice so meat pie doesn't become too dry. Put other unbaked crust on top. Brush crust with egg yoke to obtain nice color. Bake at 350° until crust is golden. Serve with homemade ketchup. SUGAR PIE 1 unbaked 9" pie crust 1~ c. brown sugar 2 T flour 1 c. heavy cream (35%) 1 beaten egg Mix brown sugar and flour. Add cream and heat to melt sugar. Remove from heat. Add 1 or 2 T. of above mixture to the egg to warm it up. Mix egg with all ingredients. Pour mixture in pie crust. Bake 10-15 minutes at 400°, then 20-30 minutes at 300°. Fruit-Juice Glogg Saft Glogg-Sweden Thisfamily-sty/e gliigg is popular in all ofScandinavia during Advent. 1 medium orange 1 (3-inch) cinnamon stick 1 qt. apple cider 8 whole cloves 2 cups white grape juice or currant juice 2/3 cup raisins 1/4 cup sugar 2/3 cup slivered blanched almonds Using a vegetable peeler, cut colored portion from orange in a single spiral. Reserve orange fl- another purpose. In a large pot, combine orange peel and remaining ingredients. Let s~?; hours. Bring to a boil over medium heat. Reduce heat to low; simmer 30 minutes. Serve h~.t,. cold in punch cups, including some raisins and almonds in each serving. Makes 12 servings. · 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 11 of 63 Beat eggs together with t the m~~k for 2-3 min. Add flaur all at once. Beat, beat in rest of milk Pl'a.ttar salt. Then add melted butter. 18 eggs Heat pla$tar pan ungreased over hcgh medium high 12 c. milk/cream when drops bounce around drop on the pancakes •. After 6 c. flour one or two minutes when edges brown, turn. 2 1/3 c. butter 1 T salt Swedish oven pancakes 30 eggs, Sift flour and sugar and salt then add eggs and milk 5 T sugar graduallyL stirring until well-blended--allow to stand 5 2/3 c. flour 2 hours. eat up batter and pour in pans in which 5 pinches salt butter is.melted. Bake at 450 30 min or until set 15 C • milk. and nicely brown. Section. Lucia buns Oh this recipe doesn't have any cardamom 4 T yeast in it. Please add some like 2 Tat least. 1 c. warm water Stir yeast into warm water, soften. In pot 3 c. milk combine milk and saffron, bring to a boil. 1+T saffron threads simmer until milk turns a deep yellow. 2 c butter Strain. titir in butter, salt, sugar and 2 c sugar golden raisins. Cool slightly, stir in 4 t salt yeast mixture, and eggs. Stir in enough 2 c golden raisins flour to make a thick dough. Turn out onto 8 eggs slightly beaten board. ~over and let stand. Knead. Let rise 14 + cups all purpose flour in grea~ed bowl 2 hours, Shape, let rise 1 c sliced almonds Brush tops with eggs and stick on almonds Bake at 375 20 min or until Lightly brown--do not qverbake. Fiskesuppe 5/8 c. margarine 20 leeks or scallions sliced 40 medium potatoes 10 stalks celery 2 T salt 6 t pepper 3 gallons water(instant fish soup) (less) 10 fish filletS(less) 10 T dill fresh or 3 T red dill Uelt margarine, saute'e leeks and potatoes and celery 5 minutes. Add salt, pepper, water, and boil until vegetables are tender. Add fish, cut up,10 minutes before vegetables are tender. Serve immediately. 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 12 of 63 Jansson 's Frestelse JANSSON'S TEMPTATION. (SWEDISH) To serve 4 to 6 • Szekely Goulash 7 medium boiling potatoes, peeled and 16 Bar.anchovy fillets& drained (SzAely Gulyas) cut into strips 2 inches long and · ., White pepper . • · . ._ 11• inch thick · · 2 tablespoons fine dry bread crumbs .... 21/J tablespoons butter 2 tablespoons butter, cut into 1/•-inch "i tablespoons vegetable oil . . bits Set out a ~t. sauce pot or a Dutch oven 2 to 3 large yellow onions, thinly 1 cup heavy cream having a tight-6tting cover. sliced (4 cups) 11z cup milk Wipe with a clean, damp cloth and cut into ,,. Bi-in. cubes 1 Ya llt1. 1-n leg of pork ar pork Preheat the oven to 400". Place the potato strips in cold water to keep shoulder them from discoloring. Heat 2 tablespoons of butter and 2 tablespoons of To coat meat evenly, shake cubes in a plastic oil in a 10- to 12-inch skillet; when the foam subsides, add the onions and bag containing a mixture of 2 tablnpoon1 flour cook 10 minutes, stirring frequently, until they are soft but not brown. 2 tea1poon1 paprika With a pastry brush or paper towels. spread a 1112. to 2-quart soiiffie .dish 1 Ya tea1poon1 salt or baking dish with the remaining half tablespoon of butter. Drain the Set aside. Cook in the sauce pot over medium heat, stirring occasionally, until onion is transparent 2 taltlo1poon1 fat 2 taltlospoons flnoly chopped onion Add contents of plastic bag to sauce pot; brown meat on all sides, turning occasionally. Add 2 or 3 toblnpoon1 hot water ROSETTES Cover sauce pot and simmer 1 hr., stirring occasionally; add small amounts of water as 2 eggs 1 t. vanilla needed. 1 T. sugar 1 c. milk Shortly before end of one-hour cooking period, -,;: t. salt 1 c. flour drain contents of 1 No. 2Y.a can sauerkraut (about 3Y.a cups, flrmly pocked) (Best if eggs and milk are room temp.) If desired, rinse sauerkraut in cold water, so Beat eggs slightly with sugar and salt. that the goulash will have a milder flavor; Add vanilla. drain again. Mix sauerkraut with the meat; add Mix flour and milk together to form a smooth paste: 2 cups hotwatw gradually add to egg mixture. Bring to boiling; cover and simmer ~ hr. longer, or until meat is tender when pierced Heat irons in hot oil. Dip hot iron in batter just to with a fork. Remove sauce pot from heat. \" from top of iron. Fry in hot oil (375°) till Gradually blend about Hi cups cooking liquid lightly browned. Hakes 48. into 1 Ya cup, thick sour cream Blend into hot mixture. Stirring con1tantly. cook over low he1t, 3 to 5 min.,· until heated thoroughly. Do not bail. Sene in amall bowl,, 6to8~ Yogurt Carrots cook: 80 medium carrots, scraped and cut into li;" slices add: 5 c sliced green onions (including tops) 2~ c butter 3 1/3 T sugar 2 ~ t. cayenne salt & pepper 10 c. plain yogurt 20 T fresh dill 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 13 of 63 OSTFRIESISCHEN TEESTUNDE Tea is tb, beverage in that tiny spot between the Dutch border and the North Sea called Osttriesland. On the other side of the border is another part of :Friesland, Westtriesland, belonging to a different land. The people of Osttriesland -- Ostfriesen -- are famous tea drinkers. Everyone there likes tea; in the olden days even babies had itl During tha war the Ostfri'esln got extra rations of tea--nobody had it except them. Taa-drink.ing starts out in the early morning: when you get up, for break.fast, for second breakfast, tor in-between, when a visitor comes, and so on. The last cup you'll have maybe just before you jump into your bed. ·Normal• people couldn't go to sleep with this huge quantity ot caffeine, but tha OstfrillSIID will--thay are addicted! The tea blend is a special mixture, •ostfriesisclie Miscliung•. A real tea drinker does not usa tea bags--it's forbidden! I Before you can start to drink. you have to warm up your teapot. It's never washed with soap, so it always looks brownish inside. You need tiny, thin tea cups, a small spoon (important!), Kandis, Kluntj, (rock. candy) and real cream. In avary farm house they have a big bowl sat with fresh caw milk. You'll need the cream when it is thick. and tat. Tha procadure for preparing tea is this: You warm up the teapot. You boil water (but not long--it spoils the water.) You put (not too few!) tea leaves into the teapot. You pour the boiling water into the teapot and steep it 3-5 minutes. You put a KluntJ, into the cup. You pour the tea through a little siava into the cup. (Just listen- something 15 bursting--oh, it was not the cup, it was the Kluntje ! ) The teapot is sat on a warmer (Stiivcb,n). Now you take a little bent-handled spoon, skim your milk bowl and lay the cream on the surfaca of the tea. After a while tiny clouds will show up. We call them Emd,r Wlill!c/1,n (•little clouds from Emden•, a town in Osttriesland.) You can drink many cups of tea. When the teapot is empty the Osttriesian housewife just pours more boiling water on the old tea leaves--no sorrow--it will still be very strong! If you should feel like stirring your tea right in the beginning, don't do it. It spoils your tun ot coming to the very sweet end of drinking your cup of tea. When you are filled up and don't want to drink any more you put your little spoon into your cup--otherwise you'll sit there for hours drinking tea until it flows out of your ears (and this Ostfrin, properly never would invite you again!) How about another cup? Maybe in our farmhouse near Bremen, near Osttriesland? One thing I must confess, though: Our water in Achim isn't as good as in Ostfriesland--and the tea doesn't taste as wonderful as it does in Osttriesland--Jane will .know! --slured by ~88j 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 14 of 63 The evening in the alps began with dinner at the Springende Gemsa Gasthaus. We were welcomed by the BU.rgermeister Herr Ast, and dined on a feast of Roast Venison. When entertainment failed to materialize, guests were required to yodel for their dessert. Several versions of the origin and history of yodelling were heard, as well as a report on ethnic variations, and many yodels were performed. Road closures due to the on-going blizzard forced the guests to don their cross-country skis to go to the dance hall. They were guided by the trusty ski patrol. The party included Zigeuner Polka, Schwarzerdner, Hammer schmiedsg'sell'n, Heilsberger Dreieck and other Alpine favorites. Unexpected were dancn led by gunt instructor Yves Moreau, who was stranded at a nearby chalet. Dancing concluded with the running of the 40th annual FY Alpine Cross-Country Ski Race, with both beginner and advanced routes, the latter proceeding over an extremely hilly course through the Swiss Alps. The race ended at Chalet Lug'is Land, where everyone completing the race received a · ribbon. Participants were greeted by host Felix Thalhammer, and served a . snack of Cheese Kuchen and a tea punch. Entertainment was by storyteller Mark Wagler. 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 15 of 63 The dining hall 'Was decorated 'With olivos, grapes, fiaharman'a' net&, and !ish. The committee reported on their research into the origins ot a Greek dance, accompanying themselves on authentic Grnk ka200kis. Thay told the story ot the marriage of Zeus, who loved food fried with olive oil [•yuck"] and miserable Louisa, who, to satisfy his obsession with clean floors, k.ept having to scrub the floor on her knees. Eventually, singing while she cleaned, she invented a way to save her knees by attaching paper towels to her feet and dancing the floor clean. Other women followed suit, and thus we have the origin of miserable Louisa's dance, Miser-lou; and Zeus had a new name as well: Ah-Zorba-the-Greece. Royal messengers read the proclamations inviting everyone to assemble in Buckingham Palace for tea and dancing. We began learning the English country dance •upon a Summer's Day", but before we finished, the royal butler burst in and reminded us that tea time had indeed arrived. Tea carts and chairs quickly appeared as we sat down for tea and butter cakes. Entertainment was provided by Charles and Pi tapping out ·Tea for Two." After tea, the dance was concluded, with music provided by the Buckingham Palace Country Band. Faw.di C.••ll'i•11 IWIIHldiall Upon appra.1ching the dining hall, guests were seated by tours upon a two-horse sleigh [for which the design patent is pending] and ushered in to a delectable turkey dinner in the setting of a French Canadian home. P'est1vittes throughout the meal included the songs •oans Mon Chemin J'ai Rencontre" and • Ahl Si Mon Moine Voulait Danser," and the energetic dance • Jean Petit." Once everyone had finished their meal it was on to dancing for all, including the now ever-popular Quadrille de St. Basil (in six parts) and many other French Canadian favorites.More songs were sung ("'Bonhomme, Bonhomme") and there was a fabulous clogging display by the Morreaus, who demonstrated some of the different styles of clogging in Quebec, including the very beautiful ·Valse Clog." At snack, the deliciously sweet Sugar Pie was resisted by only a few. The evening's final song was • Au revo1r, mes amis." The avening was enjoyed by all, and the French Canadian spirit 'Was quite evident in everyone. Joyewc Noel ! ! ! Bonne Anne ! ! ! Merry Christmas & Happy New Year ! ! ! 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 16 of 63 Today is the 13th of December and a very special day in Sweden: Lucia day. We are pleased to have a Lucia celebration this year at Folklore Village as it might be today in SWeden. Lucia, wearing a crown of lighted candles, and carrying a tray of coffee, saffron buns and gingerbread cookies, appears at breakfast followed by her stargirls (tarnor) and starboys (stjarn gossar). We process in singing the traditional Lucia song, actually an Italian song from the 1850's -- •Santa Lucia." This is followed by a song of welcome, whose beginning line is usually •Good morning, ladies and gentlemen, we welcome you to our program of songs." Lucia also welcomes the Christmas season to SWeden. The singing continues with beloved Swedish Christmas songs. The starboys usually sing a song of Stephen (•staffansvisa"). These songs were originally songs sung on 12th night when the poor went to the rich and begged food for a party in the Christmas season. Now these songs have migrated to the Lucia celebrations. We finish the program with •santa Lucia" again and leave the guests to enjoy coffee, saffron buns and gingerbread. --contriJJutlld .by Bar.btlr,1 lllc1, resident ·LucioJOKist,. A!ter the meal, several Mexican Christmas traditions were described. The custom of •Posadas", or asking for lodging, is a traditional folk drama in song, which is celebrated for nine days before Christmas in family or neighborhood groups. A group carrying a small creche with figures of the Christmas family goes to a house representing the inn, and knocks .. The singers outside take the part of Mary and Joseph and ask for lodging. Inside, the ·tnnk.eeper" answers, refusing. The songs continue until finally the singers outside are invited in. The creche is placed on an "altar" in the house and traditional religious songs are sung. This is followed by a party in the patio with the breaking of the pinata to the cries of "'dale" (hit itl) as the children try to break it. · We sang Jingle Bells and Silent Night in Spanish and the children broke a pinata hanging from a broomstick held by two tall members of the group. Other Mexican Christmastime customs: • The Dia de los Inocentes (Dec. 28) • The n~cimiento or large elaborate nativity scene in the home (the Christmas tree is not traditional) • A day of practical jokes much like our April 1 • The eating of the Rosca de Reyes or King's Bread on Jan. 1. The finder of the porcelain doll baked inside must give a party on Candlemas (Feb. 3) • The coming of the Reyes Mqoswho leave gifts in children's shoes on Jan.6 But the custom most loved by Mexican children in the nine nights of Posadas, followed by the pinata and party. 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 17 of 63 A Community N1ght conversat1on between a Jost traveJJer and a Norwegian, wh1ch went someth1ng I 1ke th1s .... - Good afternoon, my~ man - It wasn't nuth1n' of d8 k1nd and I a1n't either - What miQht your name be? - Might be Sven, might be Olle -- but it ain't - How old are you, sir? - 97 - Have you Jtved here all your life? - notyet - 1'm IJ)ing to Blue Mounds - You yust IJl right atm1 I a1n 't stopp1n' you. - Ores this rta1 IJ) to Blue Mounds? - It - Wtr/ Jook over there--1 see a si~ with an arrow po1ntinQ this Wtl( that says to BJue Mounds, and another siCJl pointing the opposite Wf!lf to Blue Mounds. Does it matter which of those two roads I take? - Not to me it - Does this rtB1 fork on the Wtl( to Blue Mounds? - No, but it sp Jfts an to pieces yust over d8 hf11 dere. - Do you mean that there fs a b1furcat1on fn th1s road? - Ya, Sven's horses dfd dat yesterdev. - What I mean to ask is--can I~ to Blue Mounds on this road? - Ya, but it's 60,000 miles d8 Wf!lf you're heeding and some stretches of pretty wet wheeling. - You - Can't you Q1ve me e dfrect1ons to Blue Mounds? - Oh. You want to IJl to BJue Mounds. Wen, wtrt dfoo 't you say so in de first place? OK, dis here's what you oo. You take and IJ) strai~t aheai till you get to Ole Peterson's farm. A half a mile afore you get dere you just take a left Den let's see--anOOEr left--den a right--den two lefts in succession--den, let me see ... den you ccme to dat here crossino. Ya, clere's where we IJ)t trouble. I yust couJm't remember where you IJl from dere.... but by den you'll be so cb»)ne mixed up it won't malce no difference anyhow. - There ain't much between you and a fool! - Yust the shoulder of dB na1 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 18 of 63 We played some games from Sweden: "Pass the penny" (Denna ringen den skall vantra), "Good morning, good afternoon, good evening,'" and "Here we come"--where we imitated (in two teams) something and the other team guessed what we were. We learned a dance from Denmark (Vi reser till Amerika) and Jane played broom games With us. We had a special part in the Norwegian lunch as "Nissar" and learned a Norwegian Christmas song and dance. We made marZipan figures and covered them with melted chocolate--a Christmas candy. And Herman showed us numbers. s,.,...... Mark Wagler conducted two workshops in storytelling. He led exercises in the telling of personal tales. Mark made the act of telling a natural, yet powerful event. Topics were brainstormed... winter travelling tales, getting stuck in storms, falling through the ice, playing chocolate cake songs on the piano. In pairs, participants told their tales to each other, and then to the larger uoup. Mark pointed out ways to pay attention to one's own telling - watching tempo, pauses, gestures, eye contact. By the end of the workshop, each person was able to go away with a new awareness of the role of stories in our lives, and several people used their new-found skills to tell Wes to Smor1ashord guests on Community Night. 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 19 of 63 VI RESER TILL AMERIKA (Norwegian song dance, taught by Barbara Rice) Vi res-er till A- mer- -ka tingalinga ling linga hoppsan-sa Och ~ .. J J J J I J J J J I J J J J J UUJ· II den som sist i ra-den sdr han tar sitt bag- age och gir ------ (Translation: We're travelling to America, tingalinga ling linga hoppsansa. You people of the last farm, take your baggage [and go] under your arm) Dance: Formation: partners facing each other, making two lines A music: clap hands against partner's hands, on every beat SING · B music: t1ake a tunnel of joined hands. ALL SING. On the last word (g!r) the last couple walks through the tunnel as quickly or as slowly as they wish. Hold last note/word until they get to the other end. NORWEGIAN ROUND (as taught by Barbara Rice) ~~ e J J I J J J J J;t IJ J j J J I J J J J, ;) I J J l J J I Det var rli-ven og r!t-tan og grisen som skulle g! o-ver i-sen men s! J J. j ~I J IJ J J. } J J J. } IJ J J J J I kom dlir fram en gam-mal man med stav i hand og ja-ga demi - land 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 20 of 63 Jean Petit f.\ J I J:5 J JJ J J II Jean Petit qui danse (bis) De son doigt il danse (bis) De son doigt, doigt, doigt [finger] De son poing, poing, poing. [ fist] Ainsi danse Jean Petit. Jean Petit qui danse (bis) De ses fesses il danse (bis) De ses fesses,fesses, fesses. [thigh] De son genou, genou, genou. [knee] L'autre genou, genou, genou. [other knee] De son front, front, front. [forehead] De son pied, pied, pied. [foot] De ses jambes... [legs] De son coude... [elbow] De sa main... [hand] De son poing, poing, poing. Ainsi danse Jean Petit. THE ~!.OZART a dance com~osed hy Dudley .Laufman. Lon,;W~ys sets of u or 5 cou~les term in lines outw~rd from the center or the roo~ like scokes. Too couple is ne~rest the center. '-.:easures i-4 Cou:,les race towards center .:1nd oromemde for'rtard and back. $-8 Forward and back facin~ partners. 9-16 All swi.nit. 11-2u First couple weave down through their own lines to foot. 25~32 All move forward and back, pass throu~h the O'!)posite ·11ne to meet the oncomini set. All have new partners. A Theme by Mozart 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 21 of 63 LONESOME SHEPHERD PROMPTED CALL: FORMATION: CONTRA LINES, 1, 4, 7, ETC., COUPLES ACTIVE AND CROSSED OVER. THIS IS AN ALTERNATE TRIPLE MINOR CONTRA AUTHOR: FROM JACK McKAY INTRO - -- -, AQ!IVEMEliLEADGIBLSAROUND.QEE.OSITES 1-8 - - - -, -- - -, 9-1 6 --- -, AQIIVE LAQIES LEAD Maj AROUND .QEE.OSITES 17-24 - - - -, -- - -, 25-32 --- -, AQIIVEm!JeLEOQwr:IINMQa 33-40 --- -, DJ.Bli Ai.m!E COME .BAQK TO .eL.AQE. 41-48 -- .QASI.QE.E -- B.1.G..1::1I AND LEFT THROUGH 49-56 --- -, Willi THE MUSIC .8J.Gl:il AND LEFT~ NEEDHAM SPECIAL PROMPTED CALL: TUNE - ANY 32 BAR REEL OR JIG FORMATION: CONTRA LINES, 1, 3, 5, ECT., COUPLES ACTIVE AND CROSSED OVER. THIS DANCE HAS A DOUBLE PROGRESSION SO EACH SET SHOULD HAVE AN EVEN NUMBER OF COUPLES. THE CROSSOVERS AT THE HEAD AND THE FOOT OF THE SET ARE AUTOMATIC AND NEED NOT BE CAUED. AUTHOR: HERBIE GAUDREAU INTRO --- -, .EY:EAYBQOYGO.EQRWARDAND~ 1-8 --- -, --,OORNER~ 9-16 --- -, f!JIHERONTHEBJGHIGO~IN.EOVE§ 17-24 --WHEELilJ.B.t:!.--COME~TOPL,ACE 25-32 -- .aEHJl THE UHE., -- .LA.DIES .G.HAlli 33-40 --- -, --~THEMSAQK 41-48 --- -, ALLPASSTHROUGHANDIVfill™ 49-56 --- -, WITHTHE.LADYONYOURBJGHI.PROMENADE.HOM;. SLAUNCH TO DONEGAL PROMPTED CALL: TUNE - ANY 32 BAR REEL FORMATION: COUPLES FACING COUPLES, LADY ON PARTNER'S RIGHT, IN LONG LINES DOWN THE HALL, AN EVEN NUMBER OF COUPLES IS REQUIRED. AUTHOR: ADAPTED BY EDE BUTLIN FROM "BECKETT'S REEL" BY HERBIE GAUDREAU INTRO ----• WIIl:::l YOUR ~NER ALLEMANDE LEE[ 1- 8 - fYERVWQY ~ YOUR,QiMi - . -' 9-16 .sLAW: AND LEFT THROUGH - - - -' LEEIBJGHT 17-24 STRAIGHT ACROSS AND LEFT THROUGH ----' BJGHT 25-32 ,SAME .EQ1lB TWO .LADIES ,CHAlli - - - -' 33-40 Willi THE MUSIC ,CHAIN THEM~ - - - -' 41-48 ,SAME EO!.!B 1.EEI HAND SIAB --- -' 49-56 BlGl:iI HAND SIAB .BAC1S TO YOUR .LIMES. ----' 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 22 of 63 HOMOSASSA HORNPIPE PROMPTED CALL: TUNE - ANY 32 BAR REEL FORMATION: CONTRA LINES - IMPROPER, 1,3,5, ECT COUPLES ACTIVE AND ~ AUTHOR: DON ARMSTRONG - THE DANCE WAS NAMED FOR A SMALL TOWN ON THE WEST COAST OF FLORIDA WHERE THE DANCE WAS WRITTEN AND FIRST DANCED. THE TOWN IS HOMOSASSA SPRINGS. RECORD: SHAW 163 INTRO AQIIVES OQ SA OQ IN THE S&,MTER 1-8 WITH THE QME BE.LOW~ AND Wl:ll.BL 9-16 f!.IIHERONTHEBKlli!ANDJ::IALEPROM~ 17-24 .s.AMEEQUB.BWI AND LEFTJHROUGH 25-32 .LE.EI HAND .s.rAB 33-40 Bl.G1:lI HAND .s.rAB 41-48 1..AD.IES .c.l:IAlN 49-56 CHAIN BACK * *Caller indicates CROSS OVER every second and alternate sequence through the dance. INFLATION REEL PROMPTED CALL: TUNE - ANY 32 BAR REEL FORMATION: CONTRA LINES, 1, 3, 5, ECT., COUPLES ACTIVE AND CROSSED OVER. AUTHOR:TONYPARKS INTRO - - - -, WITH THE 00.E BE.LQWDQ SA .00 1-8 - - - -, ~~SWfNG- 9-1 6 - - - -, f!JI HER ON THE .BIGl:fI GO .QQWli IN .EQ!JE§ 17-24 -- WHEELIUBH, -- COME™TOPLACE 2 5-3 2 -- BEW. THE LINE. -- BtGl:II AND LEFT THROUGH 33-40 - - - -, - - .LA.DIES CHAIN 41-48 - - - -, -- ~CLE.EOlJ.B 49-56 - - - -, ~ - ANDAQ.UAB.TER.MOBE* 57-64 -- .PASS.THROUGH, .NE.W.QQBNERDQSAQQ (Start of new sequence) 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 23 of 63 ASTON POLKA CONTRA PROMPTED CALL: TUNE - ANY 32 BAR POLKA AT CONTRA TEMPO FORMATION: CONTRA LINES, 1, 3, 5, ECT., COUPLES ACTIVE AND CROSSED OVER AUTHOR: JOHN FINDLAY INTRO -- - -, AI.LGET~FORTHEl:fEELANDIQE 1 - 8 HEEL. IQE QUI YOU 00, HEEL. IQE .IN YOU 00 9-16 J:lEEL. .IQE QUI YOU QQ. J.ADIES .IN ALL MARCH 17-24 --- -, IlJBN AL00E COME SACK TO .HEB 25-32 ALLEMENADE .LEE!. -- LADIES .QliA.lli 33-40 --- -, -- ~THEM~ 41-48 --- -, SAME .EQUB .LEE! HAND .sI&3. 49-56 --- -, 8KlliI HAND .s:IA8 SACK TO YOUR .LINE.S.* *caller indicates CROSS OVER every second and alternate sequence through the dance. Actions for measures 1-8. Actives face the couple below, as the inactives face them, join both hands, start with foot on the outside of the set, move away from center with a "heel and toe, and step, close, step," then with the other foot move toward the center with the same action. Actions for measures 9-16. Dance away from center as above, then repeat only the last heel and toe. Drop hands as the men take three steps in place as the ladies dance alone to the center with a step, close, step. All continue to face as they did at the start in four separate lines. Two lines of ladies facing opposite directions in the center, and two lines of men on the outside facing opposite directions, active~ facing down the set, inactives facing up the set. BROKEN SIXPENCE PROMPTED CALL: TUNE - ANY 32 BAR REEL FORMATION: CONTRA LINES - 1, 3, 5, ECT., COUPLES ACTIVE AND CROSSED o.,m AUTHOR: DON ARMSTRONG INTRO WITH THE .QtJE BE.LQW.YOU .QQ SA .W 1-8 NOW J.USI THE MEN YOU UQ SA UQ 9-16 NOW J.USI THE J,ADIES QQ SA OQ 17-24 .ac!IVE ~S~ IN THE MIQDLE 25-32 ~ THE.Ql;WEREQ!JB IN a!E, 33-40 .Il!fil:I ALQME COME BACK TO £LACE 41-48 SftjQ THE LlliE AND QIBCLE EQ!JB 49-56 .LEEI HAND .s:IAB THE QillER WAY SACK* 57-64 Repeat Intro * Caller indicates CROSS OVER every second and alternate sequences throughout the dance. 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 24 of 63 COMIN' ROUND THE MOUTAIN SINGING CALL - TUNE: SAME AS ABOVE RECOR0:45'S - RED LABEL-WINDSOR #4115-A 78'S - RECORD 38 - BALANCE #203-B 78'S - RECORD 39 - WINDSOR #7115-A .BBEM EVERYBODY BALANCE AND YOU SWING SWING THAT SWEET LITTLE MOUNTAIN GIRL AROUND THEN YOU ALLEMANDE LEFT ON THE OLD LEFT HAND PARTNER BY THE RIGHT GO RIGHT AND LEFT GRAND GRAND CHAIN 00 TWO TIMES AROUND - SING ALONG SHEU BE COMIN' ROUND THE MOUNTAIN WHEN SHE COMES SHE'LL BE COMIN' ROUND THE MOUNTAIN WHEN SHE COMES - PROMENADE SHE'LL BE COMIN' ROUND THE MOUNTAIN , SHE'LL BE COMIN' ROUND THE MOUNTAIN SHE'LL BE COMIN' ROUND THE MOUNTAIN WHEN SHE COMES FlGUFE FIRST GENT LEAD OUT TO THE RIGHT AND YOU SWING THAT SWEET LITTLE MOUNTAIN GIRL AROUND THEN YOU TAKE HER ON BACK HOME, CIRCLE THREE HANDS WITH YOUR OWN CIRCLE THREE HANDS WITH YOUR OWN SWEET MOUNTAIN GIRL FIRST GENT LEAD ACROSS THE SET AND YOU SWING THAT SWEET UTILE MOUNTAIN GIRL AROUND THEN YOU TAKE HER ON BACK HOME, CIRCLE FOUR HANDS WITH YOUR OWN CIRCLE FOUR HANDS WITH YOUR OWN SWEET MOUNTAIN GIRL FIRST GENT LEAD OUT TO THE LEFT AND YOU SWING THAT SWEET UTILE MOUNTAIN GIRL AROUND THEN YOU TAKE HER ON BACK HOME, CIRCLE FIVE HANDS WITH YOUR OWN CIRCLE FIVE HANDS WITH YOUR OWN SWEET MOUNTAIN GIRL NOW THE GENT JUMP TO THE CENTER OF THAT RING AND THE LADIES CIRCLE ROUND THAT HANDSOME THING STOP RIGHT THERE AND DROP YOUR HANDS KICK HIM IN THE SHINS AND MUSS HIS HAIR ALL JUMP UP AND KISS HIM IF YOU DARE PATIERN:BREAK FIGURE BREAK FIGURE USING SECOND GENT BREAK FIGURE USING THIRD GENT BREAK FIGURE USING FOURTH GENT BREAK 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 25 of 63 MOUNTAIN DEW SINGING CALL - TUNE SAME - FIGURE IS GRAND SQUARE RECORD: 45'S - RED LABEL - WINDSOR #4185-B .BBEAK ALLEMANDE LEFT YOUR CORNER, GRAND OLD RIGHT AND LEFT HAND OVER HAND AROUND THE RING, PARTNER PROMENADE PROMENADE EIGHT, PROMENADE ALL, PROMENADE AROUD THAT HALL AND FEED HER ON GOOD OLD MOUNTAIN - SIDES FACE GRAND SQUARE GRANO SOUARE 1, 2, 3, TURN - 1, 2, 3, TURN - 1, 2, 3, TURN - EVERYBODY HOME, REVERSE 1, 2, 3, TURN - 1, 2, 3, TURN - 1, 2, 3, TURN - EVERYBODY HOME NOTE: 1, 2, 3, TURN ECT. CAN BE REPLACED WITH VERSES OF MT. DEW ONCE DANCERS ARE COMFORTABLE WITH GRAND SQUARE RGUfE ____ALLEMANDE LEFT YOUR CORNER, WAU< RIGHT BY YOUR PARTNER DO SA DO THE NEXT LITTLE GIRL AND PROMENADE PROMENADE THE RING THROW YOUR HEAD RIGHT BACK AND SING FEED HER ON GOOD OLD MOUNTAIN - SIDES FACE GRAND SQUARE PATIERN: BREAK GS F1GUFE GS F1GUFE GS BREAK CE F1GUFE GS F1GUFE GS BREAK GS CUMBERLAND SQUARE EIGHT PROMPTED CALL: TUNE - ANY 32 BAR REEL OR JIG INTRO ---- .l:::flid. ~les ushay d.crtn l-8 __ The mb,er way .b.a&k 9- 1 6 ---- ~~les .ushay ~ 17-24 ---- __ The mb,er way .b.a&k 25-32 ---- ~ ~les Jjg,bt hand a.w2ll 33-40 ------~hand~ 41 -48 ---- .5.iml .QWJJ:2les .cigb1_ hand ~ 49-56 ------~handbm 57-64 ---- .l::l!w;I. ~las~ a !2Mket 65-72 ------73-80 ---- ~~les~awket 81-88 ------89-96 ---- All join .b.s.o.d.§. and &ircle .1§.fl 97-104 ------105- 112 ---- fr2m.e~ your J;W1ner ~ 113-120 ------ 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 26 of 63 FOUR LEAF CLOVER SINGING CALL: TUNE • SAME RECORD: 45'S - RED LABEL • LLYOO SHAW #504 DANCE#l ____.ALLEMANDE LEFT WITH YOUR LEFT HAND GRAND CHAIN GO TWO TIMES AROUND THE FIRST ONE IS MARY THE SECOND IS JANE THE THIRD ONE IS ROSEY WHO LIVES DOWN THE LANE WELL THERE IS NO NEED EXPLAINING PROMENADE THAT ONE REMAINING SHE'S SOMEBODY YOU ADORE ALLEMANDE LEFT WITH YOUR LEFT HAND ANO SWING THE ONE YOU SWUNG BEFORE FJGUEE FIRST LADY ENTER INTO THE CENTER WALK SLOWLY AROUND THE RING FIRST SWING HARRY· NOW SWING BLANE • THEN UTILE JOHNNY WHO LIVES DOWN THE LANE WELL THERE IS NO NEED EXPLAINING SWING THAT ONE REMAINING HE'S SOtvEBODY YOU ADORE ALLEMANDE LEFT WITH YOUR LEFT HAND AND SWING THE ONE YOU SWUNG BEFORE PATTERN: BREAK, FIGURE, FIGURE USING SECOND LADY, BREAK, FIGURE USING THIRD LADY, FIGURE USING FOURTH LADY, BREAK (THIS PATTERN FITS THE RECORD LISTED ABOVE. WITH LIVE MUSIC START WITH BREAK AND THEN DO FIGURE, BREAK, FIGURE, BREAK, FIGURE, BREAK, FIGURE, BREAK.) QANCE#2 .BBEM CIRCLE LEFT· rM LOOKING OVER A FOUR LEAF CLOVER THAT I OVERLOOKED BEFORE CIRCLE RIGHT· ONE IS FOR SUNSHINE THE SECOND IS RAIN THIRD ARE THE ROSES THAT GROW DOWN THE LANE ALLEMANDE LEFT YOUR CORNER GRAND OLD RIGHT AND LEFT HAND OVER HAND AROUND THE RING YOU GO· PROMENADE - SINGING l'M LOOKING OVER A FOUR LEAF CLOVER THAT I OVERLOOKED BEFORE RGUFE TWO HEAD LADIES CHAIN CHAIN ACROSS THE LAND TURN AND CHAIN THEM RIGHT BACK HOME AGAIN TWO SIDE LADIES CHAIN CHAIN ACROSS THE LAND TURN AND CHAIN THEM RIGHT BACK HOME AND THEN - FACE YOUR CORNER DO SA DO YOUR CORNER SAME LADY SWING PROMENADE THAT GIRL WALK ALL AROUND THE RING - SINGING rM LOOKING OVER A FOUR LEAF CLOVER THAT I OVERLOOKED BEFORE PATTERN: BREAK, FIGURE X 2, BREAK, FIGURE X 2, BREAK (THIS PATTERN FITS THE RECORD LISTED ABOVE. WITH LIVE MUSIC START WITH BREAK AND THEN DO FIGURE, BREAK, FIGURE, BREAK, FIGURE, BREAK, FIGURE, BREAK.) 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 27 of 63 BECAUSE JUST BECAUSE SINGIN CALL: TUNE - SAME RECORD: 78'S - RECORD 21 - WINDSOR# 7144-B aBEM WALK ALL AROUND THE CORNER SHE'S THE GIRL FROM ARKANSAS SEESAW ROUND YOUR PARTNER GENTS TO THE CENTER WITH A RIGHT HAND STAR MOVE IT ALL THE WAY AROUND LOOK FOR THE CORNER LOOK OUT MAN DO AN ALLEMANDE LEFT ON THE OLD LEFT HAND BACK TO YOUR HONEY WITH A RIGHT AND LEFT GRAND EVERY OTHER GIRL AND EVERY OTHER HAND MEET YOUR OWN AND PROMENADE PROMENADE EIGHT AND PROMENADE THEM ALL YOU PROMENADE THE RING THROW YOUR HEAD RIGHT BACK AND SING BECAUSE JUST BECAUSE FfGlJEE WELL NOW THE TWO HEAD LADIES CHAIN RIGHT OVER TURN THE LITTLE GIRL AND CHAIN 'EM RIGHT BACK HOME AGAIN SIDE TWO LADIES CHAIN RIGHT OVER TURN THE LITTLE GIRL AND CHAIN 'EM RIGHT BACK HOME ALLEMANDE LEFT YOUR CORNER ALLEMANDE RIGHT YOUR OWN GO BACK AND SWING THAT SWEET CORNER MAID YOU PROMENADE THE RING THROW YOUR HEAD RIGHT BACK AND SING BECAUSE JUST BECAUSE PATIERN: BREAK, FIGURE, BREAK, FIGURE, BREAK, FIGURE, BREAK, FIGURE, BREAK RED RIVER VALLEY THIS DANCE IS A SINGING CALL SUNG TO THE TUNE OF RED RNER VALLEY. RECORDS: WORLD OF FUN - RECORD A-1 45'S - RED LABEL - FOLKRAFT #1269X45 B 78'S - RECORD 20 - MAC GREGOR #666-8 BREAK ALLEMANDE LEFT ON THE CORNER GRAND RIGHT AND LEFT GO HALF WAY ROUND THEN YOU MEET WITH THAT GIRL IN THE VALLEY AND YOU PROMENADE GO ALL AROUND THE TOWN FlGUFE FIRST COUPLE LEAD DOWN THE V/JJ..1£( AND YOU CIRCLE TO THE LEFT AND TO THE RIGHT THEN YOU CHANGE AND YOU SWING IN THE VALLEY AND YOU SWING WITH YOUR OWN RED RIVER GAL PATTERN: BREAK FIGUREX3 BREAK FIGURE USING SECOND COUPLE X 3 BREAK FIGURE USING THIRD COUPLE X 3 BREAK FIGURE USING FOURTH COUPLE X 3 BREAK 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 28 of 63 MY PRETTY GIRL THIS DANCE IS A SINGING CALL TO THE TUNE OF MY PRETIY GIRL RECORD: 45'S - RED LABEL - WINDSOR #4112-A 78'S - RECORD #23 - WINDSOR #7112-A RGUFE FIRST COUPLE PROMENADE THE OUTSIDE ALL THE WAY AROUND THE OUTSIDE RING HEAD LADIES CHAIN GO DOWN THE CENTER AND YOU CHAIN THEM BACK AGAIN HEAD LADIES CHAIN TO THE RIGHT YOUR RIGHT HAND LADY AND YOU CHAIN THEM BACK AGAIN HEAD LADIES CHAIN TO THE LEFT YOUR LEFT HAND LADY AND YOU CHAIN THEM BACK AGAIN .eBEM YOU DO SA DO THAT CORNER LADY AND YOU DO SA DO YOUR OWN ALEMANDE LEFT WITH YOUR LEFT HAND BOYS AND YOU GRAND CHAIN HALF THE WAY AROUND WHEN YOU MEET YOUR OWN YOU PROMENADE HOME rrs HOME AND EVERYBODY SWING HEY YOU SWING YOUR HONEY CAUSE SHE'S SO FUNNY SHE'S THE GIRL THAT YOU ADORE PATTERN: FGJFE BREAK FIGURE USING SECOND COUPLE BREAK FIGURE USING THIRD COUPLE BREAK FIGURE USING FOURTH COUPLE BREAK 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 29 of 63 FAMILIE VALS and HOPSA (FAMILY WALTZ and.HOPSA) ~ fl ,,. ~ > I I I I ~ > > I >...... :;;;. . .- ...... -=. ... ,-- - . - -. . - ~- - - . . --- ... - . ------. ~ ' . - - -. --- -. -. - - - -. --·. - I I - I I - tJ I- - -. . I I I . ~ f I- ._.,_ • • • • • • • ..' - • .. ~ ~-1!- ~ ~ ~ r- ~ - - - - , . - - -- - ·~------. ·- . - - - - ,_ - - - ... - - -· ..... ~ ~ > ~ > - -.J....f > - - c.--- > - FORMATION Couples stand in a ring with the man on the woman's left. STEPS Tyrola waltz and hopsa. Waltz MEASURES 1-4 Turning away from partners first, everyone dances 4 Tyrola waltz steps. 5-8 Each man takes the woman on his left in dance position and turns her CW with 4 waltz steps, and finishes with her on his right side. In this way the women progress CCW. 9-16 Repeat measures 1-8. llopsa 1-16 T his is similar to the fi gure of the waltz hut the hopsa step is substituted for the waltz step. Note. The waltz i-; rcpt·atcd a number of time~ and t llt'n fpl!nwcd by the hopsa in quick tempo. 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 30 of 63 ALLEX::E11INE FRANCAISE or fLEDERMAUS QUADRILLE As taught by JANE Original Record.a Deutsche Grammophon gesellshaft LPE 17029 Ladies' Line -- begins with a lady Men's Line -- begins with. a man, First Tour -- Pantaloon A, Bowing introduction -- 16 measures B, 'English chain_ over and back ( R and L four taking hands) (16 counts, ) C, Couples forward and back twice (16 .. counts) D, Ladies chain over and back (16 counts) E, · Half promenade over, Ehglish chain back (16 counts) Repeat all of the above, Second Tour -- Ete' (Avant D eux) No. l's --All ladies in ladies' line, all gents in men's line, No. 2's --All gents in ladies line, all ladies in gent's line, A. Bowing introduction B, No, l's forward and back - diagonally right and back (16 counts) C, Pass L shoulders, changing places, advance to R (ladies down set, men up), greet next partner, return to face own partner, passing opposite person this time by R shoulde~. · D, step L, touch R, step R touch Land R hand thrun once around, Repeat, E, Repeat from B with number 2 active, F, Repeat from B with number l's active G, Repeat from B with number 2's active, 'nlird Tour -- Foule A. Bowing introduction., B, No. l's Rand L hand turn -- f~rm column with 4 in line. (16 counts) C, _Balance Land R twice, Half promenade across to opposite side, D, · 1st forward and back, do si do L,. · E, Couples forward and back. 'English chain to own place. F, Repeat from B with 2's active, G, Repeat with l's active, Fburth Tour -- Pastourelle (the coach) A, Bowing introduction B, Couples No, 1 forward and back, No. l ladies cross over and form coach with No. 2 couple (16 counts) C. Coach goes forward and back, Repeat, (16 counts) D. No. 1 man goes forward to greet original opposite lady and retires, No. l man goes-forward again to greet original partner (4 steps), ateps back (2 steps), and steps forward again (2 steps), joining hands in a circle of four, (16 counts) , E, Circle to L then circle to Rand retutn to place, (16 counts) , REPEAT Parts B through E with Couples No, 2 active, REPEAT Parts B through E with Couples No, 1 active ~ with No• 1 . man crossing over to form coach. 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 31 of 63 · FRANCAISE (Cnntinued) Fifth Tour -- Finale A, Bowing introduction . B, With hands joined in lines, the two lines go forward, clapping hands with opposite person on 4th count, and return to place, Repeat, (16 counts) C, Repeat Avant Dieux as in the second tour (parts B,C) (J2 counts) D, Joining right hands with partner, do four balance steps (to L,R,L,R) and turn once and a half to place (16 counts) E, Repeat parts B through D with No , 2' s active. F. Repeat parts, B through D with No, l's active. G. Repeat parts B through D with No, 2's active. H. Take partner in regular dance position and pivot to end of the music. * * * * * * * HEILSBERGER DREIECK ('Ihree Comers of Heilsberg) Record, sp 2J560 Both the music and the dance are veT.{ old. Formation, Two couples stand facing two couples in rows up and down the hall. !he dance being progressive, lines move down the hall and back. I, '!he two "inside" men lead out, hook R elbows with opposite man, turn once with 4 steps around, '!he same two hook L elbows with own partner and tum with 4 steps around, Then hook R elbows with opposite partner, then retum to place with 4 steps. II. '!his is repeated with the "outside" men lea.ding out to hook ·opposite man, etc. III. All 4 on a side join hands in a row. start with L fooi, step to L side, place R foot beginning L, take another step Land a quick change step (RL). Repeat to R starting with R foot. This step is often ~on, simply as a step, behind, step, and swing. The two lines advance and change places with two two-steps (starting L), The line facing head of hall, hold joined hands in arch while the others drop hands and go under arch and turn back to face other line (girls turn under partners R arms with 4· walking steps so that she stands on his R side,) IV. Repeat all of J back to original place. v. Grand Chain -- Turn to own p{lrtner and proceed with a grand chain around the set until meeting own partner, then turn once around with R hand grasp, shoulder high, With a balance away from one another, continue grand chain in the same direction to original place, then with 4 walking steps, cross under archway of opposite couple (without tuming) to greet a new row of dancers. * * * * * * 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 32 of 63 Willow flute tunes. The STEM of the note indicates the time value. Hollow note heads indicates open end of flute. Solid note heads indicates finger over end hole of flute. Mary Had a Little Lamb Bob's made up willow flute tune for learning and practi ce on the flute. I ! 0 , I ,;J (J j tJ I' J 1 fj I Gf 3 I a' c:, i i I I I I I • J ' ' J ' 'I , I I i / 0 p I I J ' J ,/J d I J ' -e I J I I )] 0 t cl I I I f I I Ii1 r O' ' [J d Budei-slatt - tune from the summer farm. ( Time values only approximate,} () • /III ;JJ • I, r I . / r f I I I 0 fl O" - after Mary Barthelemy, see LP "Norwegian Folk Music" Philo 41067 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 33 of 63 NORWEGIAN ROSEMALING Norwegian Rosemaling is a colorful and distincti~e folk art dating back to the early 1700's By the late 1800's it had nearly died out, but a few craftsmen in the valleys continued the old traditions and handed them down through the families. In the 1700's, although the homes were small and cozy, they were also quite dark, primitive and sooty. They had no windows. An open hearth in the center of the main room was used for cooking and to provide heat. An opening in the roof directly above the hearth let out most of the smoke. The transparent membrane of a cow's stomach, stretched over a frame served to close the opening while still allowing a little light to penetrate the dark room. It was drab and gloomy. When the traditional corner fireplace with an enclosed chimney was invented, it was much easier to keep the home cleaner, so it also was much brighter. By this time glass windows were sometimes used ( if you were wealthy enough.) And when you moved you took the window with you. The sooty rooms were cleaned up and often painted. Farmers: would seek an artist rosemaler and engage him to decorate his house. Sometimes the only pay the rosemaler would receive would be his room and board. Rosemalers usually travelled the countryside staying in the homes as they painted. The early rosemalers were always men, and were amateur artists. Their work was very individual, quaint and charming. Because wood was so plentiful, nearly everything was made of it, and many of these wooden items were decorated in this art, such as cupboards, trunks, chests, bowls, plates, ceilings, beams and even the walls. Family names and dates often appear in the designs to be handed down through the generations. l1any fine examples of rosemaling came to America wAen the Norwegians immigrated. Rosemaled storage trunks were used to store the food, clothing, and provisions for the "New World" . during the long trip across the sea. Some families are lucky enough to have such treasured pieces in their possession today. Per Lysne of Stoughton, Wisconsin was the first Norwegian American rosemaler. He introduced the art to this country several years ago. In just the last 10-15 years many Americans of Norsk descent who have been interested in their heritage have perfected this old art form. The Norwegian-American Museum in Decorah, Iowa is the largest ethnic museum in this country and has many hundreds of rosemaled treasures for one to view and study. ---contributed by Phyllis Hoefer, Rosemaling instructor 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 34 of 63 . . ~··.. ~· - . ~ ~ . ~~ ' ~ I ! I ' . I . - 40th Folklore- Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 35 of 63 • . •' ·; ..: . I 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 36 of 63... Musi~al Pipe Chimes Materials: 2 each of 10 ft., 5/811 electrical conduit Thick string or leather strips to bang_by Pipe cutter or hack saw Measuring tape Electric drill Cut conduit appropriate size. Drill hole 111 from the top for stringing. Label each pipe with number and note name. Number Note name Length of I?iEe 1 B flat 13 3/8 inches 2 B 13 3 C (middle) 12 5/8 4 C sh'!-rp • 12 1/4 5 D ll 7/8 6 E flat' ll 1/2 7 E ll 1/4 8 F 10 7/8 9 F sharp 10 5/8 10 G 10 1/4 ll A flat 9 7/8 12 A 9 5/8 13 B flat 9 3/8 14 B 9 1/8 1.5 C 8 7/8 16 C sharp 8 5/8 17 D 8 3/8 18 E flat 8 1/8 19 E 7 7/8 20 F 7 1/2 SONGS: Happy Birthday · I Heard the -Bells 3 ·3 5 3 8 7 6 10 9 10 10 ll 10 11 -12 3 l 6 6 6 4 5 5 5 6 3 3 5 3. 10 8 1 3 3 13 18 17 15 1.5 13 13 13. 6 10 10 6 a· 8 8 6 3 3 15 12 8 7 5 12 8 3 3 1 8 3 13 11 10 11 10 8 6 8 6 6 6 1 ·2 2 3 6 13 13 12 8 10 8 . 8 8 8 3 7 3 5 5 3 3 • 10 11 13 15 5 8 6 6 6 6 6 5 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 37 of 63 IF Yiu' re. Happ~· . C! (!_ F F FF FF e F t. .l 't t t"' ~ta~r .'/Dll'<". ~eeT No~ ~ou. v- "'- ~ ;i .\. {abo "'-" ap doH ~i ~er ~J Do a II fh ree -;;rokl\h~ Apple seeJ c1.t-aeE (! 0 t!._(] AF (1 p~ F ft t5 11 - 'J.!J 1.::r. IP.. 'i' 3 . 'iT .:3 &" I;). . C!. c_ D-: ~ c · a o. 'ti(!. ~ D .l. t2 C!. ·/fr Jir i'1 /;T is- I~ /1· /5°"/.5: I!, I~ J!T /Y /5 C D (-J ·· F. E a. fJ ·(! A 11. F 15" t 1 I J. !' '!. IO /:). /5 . / ~ JO 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 38 of 63 Silver Moon Is Shining Each Campfire Lights Anew 11 16 15 13 15 13 13 10 15 12 1.5 12 14 12 · 10 13 15 13 11 13 11 11 10 14 · 10 14 10 12 lQ .7 11 13 11 9 8 9 9 7 12 7 12 7 8 10 12 9 11 13 11 8 12 14 12 10 17 19 17 15 Make New Friends Michael Row Your Boat A.share 6 1 6 5 9 12 9 12 14 12 5 9 5 9 10 9 8 10 13 11 10 10 8 9 12 14 12 5 9 10 9· 13 13 13 18 13 9 12 12 9 10 9 7 11 10 8 6 5 9 9 5 7 5 4 5 7 9 7 5 2 4 5 2 4 Kum Ba Yah Silent Night: , 6 10 13 13 13 15 15 13 10 12 10 7 10 12 10 7 6 6 6 6 6 6 6 7 8 7 3 6 7 6 3 I 6 10 13 13 13 11 10 8 17 17 14 15 15 10 6 6 6 6 8 6 5 8 8 5 7 7 7 6 10 13 13 13 15. 15 13 12 12 15 14 12 10 12 10 ., ·- 3 5 6 6 6 6 12 10 8 8 12 10 7 6 7 6 3 11 10 6 8 8 6 12 12 15 14 12 10 12 10 7 6 6 5 5 1 8 8 12 10 8 7 8 7 3 17 17 20 17 14 15 19· 8 8 5 8 5 7 10 15 10 7 10 8 5 3 7 3 7 5 2 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 39 of 63 MORNING COLORS E E I G- C C E G . G I. C C C C C E I 19 19 22 15 15 19 10 10 l5 15 l5 15 15 19 G G G E C E I G (G) E E I G C C E G G 22 22 22 19 15 19 22 10 19 .19 22 15 15 19 10 10 ~ C C C C · C E I G E C G G E C C I C C C C 15 15 15 15 15 19 22 19 15 10 22 19 15 10 15 15 15 15 l. .'l~ly ~~eaiag to 12 14 10 15 14 14 12 10 15 14 14 12 10 14 15 17 14 19 17 17 15 14·: 19 17 17 15 14 10 12 . 14 10 15 14 .14 12. 10 15 14 14 12 10 10 10 10 10 14 15 17 14 19 17 17 15 14. 19 17 17 15 14 10 10 10 10 CJ) For )fe.a /th a~ Stre.~f~ (,{lra«.e.} · . . l D D D D (! BBB I-} C..~~ Fti- C. 5 11 11 . 11 IS I'/ IJ/ JI/ I~. Jq /0 /t) 9 Jo . TAPS C E G G C G . c E G C E C C E C 10 .10 1.5 ,.10 15 _19· 10 15 ·19 ·10 15 19 10 15 19 C E G E C G G G C 15 19 22 19 15 10 10 10 15 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 40 of 63 Recreation Labs/Works'1ops ' 1 \'l • • ... ~J, g "'- .,,-~ 1. Michigan -- Great Lakes Lab \) 2. Missouri -- Showme 3. Ohio -- Buckeye • 4. lllin.ois -- Leisurecraft and Counseling 5. Wisconsin -- Northland 6. Minnesota -- Winter 9reative Lab 7. Iowa -- Hawkeye Recreatory , 8. Kansas -- Kansas Recreation Workshop · 9. South Dakota -- Black Hills Rec Lab 18. North Carolina -~ P-resbyterian 10. Florida -- Baptist 19. California -- Redwood 11. Missouri -- Missouri Recreation Workshop . 20. California -- Chaparral 12. Indiana -- Hoosier 21. Alabama -- Methodist Leisure/Recreation 13. Missouri -- Ozarks 22. Pennsylvania -- Eastern Cooperative . 14. Idaho -- Chatcolab 23. Pennsylvania -- Laurel Highlands 15. Texas -- Longhorn 24. Ontario, Canada -- Maple Leaf· 16. New Mexico -- Baptist 25. New Mexico -- Southwestern 17. Nebraska -- Great Plains 26. Colorado -- Rocky _Mountain Leisure Workshop 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 41 of 63 RECREATION WORKSHOPS/LA BORATORI ES--USA/CANAD A There are recreation workshops/laboratories in practically all locations of the United States (and one in Canada). If you are interested in securing training in SOCIAL RECREATION, attend one of these workshops or laboratories. They are from four to seven days in length. Listed for each Lab is a contact person, location of Lab, approximate cost (includes room and board}, and approximate dates. Lab Location Baptist Sunday School Bd.-Rec Labs Lake Yale, FL - Jan. 3-9, 1987 Wendell Newman Glorieta, NM - Jan. 23-29, 1987 MSN 166 Lake Barkley, Ky--Oct. 20-24, Nashville, Tennessee 37234 Fee: About $235 1986 Black Hills Recreation Leaders Lab Placerville Camp, SD (near Ruth Moe Rapid City, SD in the Black 205 Corthell Road Hills) Laramie, WY 82070 Ph. 307/745-7227 Sept. 25-0ct. 1 , 1988 Fee: $140 Buckeye Recreation Workshop Pilgrim Hills Conf. Center Mary Brenner Brinkhaven, OH - Mar. 20-25, 16721 Hartford Rd. 1987 Sunbury, Oh 43074 Fee: $145 Chaparral Rec.-Ed.-Ldrshp. Laboratory Camp Cedar Glen Marianne DuBois Julian, CA (southern CA) Box 703 Nov. 7 -11 , 1984 Julian, CA 92036 Fee: $85 Chatcolab--Northwest Leadership Lab Camp Larson on Coeur d'Alene Leila Steckelberg Lake, near Worley, ID 9406 164th, NE June 5-11, 1988 Arlington, WA 98223 Ph. 206/435-3075 Fee: $115 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 42 of 63 Eastern Cooperative Rec. School Hudson Guild Farm, Netcong, NJ Ed & Margaret Moyer March 20-22, 1987 or R.D. #1, Box 287 Oct. 30-Nov. 1, 1987 Millmont, Pa 17845 Ph. 717/922-1342 Fee: $100 Great Lakes Recreation Leaders Lab Camp Gavell, Lexington, Ml Barb Collins May 1-6, 1987 1433 22nd St. Fee: $115 Ft. Huron, Ml 48060 Great Plains Arts and Crafts Workshop Camp Comeca, Cozad, NE Mrs. Henry Schneider April 23-26, 1987 Box 155, Cody, Ne 69211 Fee: $120 Ph: 402/823-4247 Hawkeye Recreatory 2 Mini Labs Jane Ann Stout Fee: $120 Harriet Goslin Pat Tullis Hoosier Recreation Workshop Bradford Woods, Martinsville, Charles Bradley IN - Apr. 24-26, 1987 Rt. 4, Box 122 Fee: $60 Greensburg, Indiana 47240 Ph: 812/663-7766 Kansas Recreation Workshop Rock Springs Ranch, Junction Marguerite Bishop City, KS (11 mi. southwest) - 1601 E. Glenn Drive April 21-24, 1988 Lawrence, KS 66044 Ph. 913/843-8716 Fee: $85 Laurel Highlands Creative Life Lab Jumonville Training Center Bob & Lois Long Hopwood, PA - Apr. 26-May 7, 4003 David Lane 1987 Alexandria, VA 22311 Ph. 703/998-7662 Fee: $160 Leisurecraft and Counseling Camp 4-H Memorial Camp, Monticello, Joyce Hinds IL Apr. 26-May 1, 1987 RR#2, Fee: $90 Pleasant Plains, IL 62478 Ph. 217/626-1773 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 43 of 63 Leisure/Recreation Workshop Camp Sumatanga, Gallant, AL Nina H. Reeves, Methodist Youth Ministry April 20-25, 1987 909 Ninth Ave., West Fee: $155 Birmingham, AL 35204 Ph. 205/251-9279 Longhorn Recreation Laboratory Texas 4-H Center, Brownwood, Longhorn Mini Lab TX - Mar. 15-20, 1987 Jim Davis · Fee: $125 102 Nagel Hall Mini Lab- Mar. 13-15, 1987 College Station, TX 77843 Ph. 409/845-7473 Missouri Recreation Workshop Rolla, MO Mrs. Peggy (Jim) Clatworthy Oct. 7-12, 1986 Greenacres Drive Fee: $50-adults, $30-children Fayette, MO 65248 Ph. 816/248-3735 (family recreation Northland Recreation Lab Camp St. Croix, Hudson, WI Jo Hecht Apr. 23-30, 1987 3420 48th Place Fee: $160 Des Moines, IA 5031 O Ozarks Creative Life Lab Camp Mound Ridge Jim Eddy Cook Station, MO Mound Ridge Camp, Rt. 2, Box 54 Second week in October Cook Station, MO 65449 Presbyterian Annual Rec. Workshop Assembly Inn, Montreat, NC Evelyn Bannerman Apr. 30-May 5, 1984 1218 Palmyra Ave. Fee: $190 Richmond, VA 23227 Ph. 804/355-1474 Redwood Recreation Leadership Lab Old Oak Youth Ranch Jim Slakey, Exec. Director Near Sonora, California 2718 Brentwood Dr. April 12-17, 1987 Lacey, WA 98503 Ph. 206/456-6546 Fee: $109 Rocky Mountain Leisure Workshop Farmers Union Center Ruth E. Moe Bailey, Colorado (near Denver) 205 Corthell Rd. April 22-24, 1988 Laramie, Wyoming 82070 Fee: $75 Phone: 307-745-7227 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 44 of 63 Showme Recreation Leaders Lab Camp Mo-Kan, Independence/ Drew Laudie Kansas City, MO - Mar. 11-15, 4525 Downs Dr. 1987 Fee: $110 St. Joseph, MO 64507 816/271-4493 Southwestern Rec. Leaders' Lab Camp Summer Life Mrs. Jackie Mcleroy Vadito, NM - Apr. 24-28, 1985 71 O West Halsell Fee: $98 Dimmitt, TX 79027 Ph. 807/647-5317 Winter Creative Life Lab Camp Onamia Retreat Center, Galen Cain Onamia, MN Feb. 7-12, 1988 332 S.E. 8th Avenue Fee: $130 Forest Lake, MN 55025 MAPLE LEAF Recreation Workshop Bolton Conference Centre Carolyn Davidson Toronto, Ontario CANADA 81 D Eramosa Rd. Feb. 13-15, 1987 Guelph, Ontario, CANADA NIE2L7 $100 U.S. dollars Ph. 519/763-4663 Recreation Laboratories and Workshops Cooperative 3rd national gathering Mary Lou Reichard Camp St. Croix, Hudson, Wi 21983 Crosswick Court Oct. 12-16, 1988 Woodhaven, Mi 48183 11-18-87 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 45 of 63 Name Street City St. ZIP ======------Rachel Adamian 4009 4 7th NW •3 Washington DC 20016 Diana Alexander 1634 Madison St. La Crosse WI 54601 Vicki Amble Box 64 Ridgeway WI 53582 Herman Ast 2895 E. 118th St. Cleveland OH 44120 Pat Badger 1311 S. Main St. Racine WI 5343 Geoffrey Baer 1131 W. Wellington Chicago IL 60657 Judy & Ivan Baxter 2205 Minneapolis Ave. Minneapolis MN 55406 Kate Bergstrom 301 W. Newhall •3 Waukesha WI 53186 Pat & Arvilla Blochowiak 5125 DuPont Ave. S Minneapolis MN 55419 Bob Borth 6926 N. Belmont La. Fox Point WI 53217 Howard & Clayton Burke 916 N. North Norris Ave. Tucson AZ 85719 David & Beth Burton 606 S. Eastman St. Harvard IL 60033 Tom Carleton Rt. 1 Box 131 Avoca WI 53596 Morgan & Daphne Cooper 2210 Birchwood Dr. Rockford IL 61107 Carolyn Davidson 582 Rupert Ave. Stouffville ONTARIO L4A 1W2 Kristine Dewey Box 134 Blue Mounds WI 53517 Dave Edwards 518 Melrose Ave.W Winnipeg MANITOBA R2C 1P3 Taylor Elkins 611 S. Brook St. Madison WI 53715 Gerte Ellis P.O. Box 159 Woodruff UT 84086 Peggy Emmond 518 Melrose Ave.W Winnipeg MANITOBA R2C 1P3 Jane Farwell Rt. 3 Dodgeville WI 53533 Harry & Cheryl Favreau 327 Government Rd. Keewatin ONTARIO POX lCO Derek & Mark Favreau 11 11 Stan & Tina Gehres 230 Greenwood Dr. Galloway OH 43119 Glenn, Christine & Hugh Greenland 790 E. Street Rd. Warminster PA 18974 Judy Gregg 1611 Center Black Earth WI 53515 Mona Gunnarson 400 Gunson St. •9 East Lansing MI 48823 Bob Hanson 3405 - 33rd Ave. NE Minneapolis MN 55418 Mary Hays 4727 NW 50th Des Moines IA 50310 Curt Hendrickson RR •1 Keewatin ONTARIO POX lCO Phyllis Hoefer 807 Bluff St. Beloit WI 53511 Janet Hull 300 Sixth Ave. Baltimore MD 21225 Debbie Jackson 9531 Pontiac Lake Rd. Pontiac MI 48054 Bruce & Clemma Jacobsen 1041 25th Ave. SE Minneapolis MN 55414 Patty Johnson Rt. 3 Box 220 Dodgeville WI 53533 Jean Johnson 208 S. First St. Mt Horeb WI 53572 Ingrid Johnsson 1154 Emerald St. •2 Madison WI 53715 Kirsten Jones (c/o Ressler) 908 Lowell St. Madison WI 53715 Richard Kaiser Rt. 1 Box 155 Arena WI 53503 Fred Kedney 624 Summit •2 St Paul MN 55105 Chris Keller 638 Pine St. Mukwonago WI 53149 Heinrich Keller Rt. 2 Box 125 Blue River WI 53518 Ken Kirkpatrick 611 S. Brooks St. Madison WI 5371'5 Bob Konle 12418 W. Rosemary New Berlin WI 53151 Kitri Larson 1300 St. Olaf Ave. Northfield MN 55057 Alice Lonsway 2348 Hwy 92 Mt Horeb WI 53572 Chris Lupton Lot 38 Blue Mounds WI 53517 Susan Lynch 206 6th St. A5 Coralville IA 52241 Brian & Dawn Markley 1251 School Dr. Waukesha WI 53186 Phil Martin 208 S. First St. Mt Horeb WI 53572 Wendy Mccanless 1033 Spaight St. *3B Madison WI 53703 Tom Mcconahay 415 Claremont Ave. Ashland OH 44805 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 46 of 63 Mary Victoria & Broe McMakin 3300 Fox Chase Dr. Midlothian VA 23113 Jim & Janet McNeill Box 446 Monticello WI 53570 Vicki Mecozzi Rt. 1 Box 155 Arena WI 53503 Glenn Mitroff Rt. 3 Box 150A Dodgeville WI 53533 Ruth Moe 205 Corthell Rd. Laramie WY 82070 Yves & France Moreau 6027 Ave. Durocher,Outremont, Montreal, QUEBEC H2V 3Y7 Francis & Catherine Moreau " ., Don, Marc & Brendan O'Brien 1042 S. Oak. Park Ave. Oak. Park. IL 60304 Karen Paape 12 Lathrop Madison WI 53705 Adrianne Paffrath 1311 S. Main St. Racine WI 53403 Cathy Palzkill 206 S. Level St. Dodgeville WI 53533 Virginia Peterson 4415 30th Ave. S Minneapolis MN 55406 Barbara Rice PL 8529 691 93 Karlsk.oga SWEDEN Mac Robertson 2020 Field St. Madison WI 53713 Bjorn Rundquist Smalandsvagen 8 18600 Vallentuna SWEDEN Cindy Schlosser 120 S . Michigan St. Eau Claire WI 54703 Sarah Shaftman 2433 Superior St. Madison WI 53704 Dagmar & Anne Jane Sielmann Langenstr. 23 2807 Achim WEST GERMANY Leverett Smith 205 S. 4th St. Mt Horeb WI 53572 Steve Sprain 631A S . 70th St. Milwaukee WI 53214 MaryAnn Steckling 4904 McKenna Rd. Madison WI 53716 Marilee Sushoreba 2020 Field St. Madison WI 53713 Ron Teare 16589 Broadway Ave. Maple Hts OH 44137 Maria & Craig Terres Sandgren 3823 N. Farwell Ave. Milwaukee WI 53211 Felix Thalhammer Rt. 2 Box 125 Blue River WI 53518 Joanna & Don Thompson 5742 Bittersweet Pl. Madison WI 53705 Ian, Gale, Riel & Norel Tucker RR •1 Keewatin Ontario CANADA POX lCO Gail Van Haren 10555 W . Erbe Rd. Blue Mounds WI 53517 Mark & Cassie Wagler 519 S. Orchard St. •2 Madison WI 53715 Paul Wagner 120 S. Michigan Eau Claire WI 54703 Margaret Warner 529 Hillcrest Viroqua WI 54665 Rose Warner 321 Fountain St. Mineral Pt WI 53565 Vern Warner PO Box 498 Conneaut OH 44030 Bill & Fannie Warren 8403 Cedar St. Silver Spring MD 20910 Becky & Bob Wernerehl Rt. 1 Blue Mounds WI 53517 Dennis West 7401 W . 101 St. •304 Bloomington MN 55438 Greg Winz Lot 15 Blue Mounds WI 53517 Mary Wolff 916 N. North Norris Ave. Tucson AZ 85719 Grace & Bill Wolff 2357 Willowgrove Ave. Dayton OH 45409 Jack & Barbara Worthington 228 W . Main St. Grand Ledge MI 48837 Catherine Young 1715 Adams St. Madison WI 53711 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 47 of 63 TRADITIONNAL DANCES OF QUEBEC: Contrary to popular belief, there has been very little research done by scholars and ethnologi~ts on the subject of folk dance in Quebec. More time, energy and money has been spent on 11material 11 aspects of folklore like : Archite.:ture, furniture, crafts etc. than 11 spiritual 11 aspects like song, music and dance. Dance has always been a form of celebration or communion. It is intrinsically linked to the body. Music and dance occupied a privileged piace in traditional society. They provided continuity, the spirit of rejoicing, the sense of imagination and the feeling of belonging. Contrary to public opinion most of our traditional rural dance forms were inherited from the nobility. What ever limited information we have on dancing in Quebec during the 17th and 18th century shows without doubt that dancing was an esteemed activity. An excerpt from the diary of a travelling Englishman notes that .. "dance was the overriding passion of the Canadians ... 11 It seems then that dancing was as popular among the aristocracy as among the ordinary people. What did they dance in the 17th and 18th century in Quebec? Documents available do not elaborate on the subject. There is no doubt however that the 11Minuet11 was the favorite dance of the 17th century, taking its cue from the court of Louis XIV. . One must note that in those days (and even stil 1 today in some instances) the Church has kept a negative attitude towards dancing. "Square Dance" is an expression which summarizes the Quebec citydwellers 1 s idea of his dance traditi·ons. Yet the repertory is far greater than he imagines. The quadrille, cotillon, reel, set, gigue et danse ronde are the principal types of dances in Quebec. They all originate from the British Isles and France. Native American culture has played a small role in the evolution of dance here but more research is needed before any definitive statement on French-Canadian dance. The Quadrille is the most popular form of dance in Quebec. There are several different types, each with at least five parts to it. Whereby the Quadrille and the Cotillon and the Contredanse are actual figure dances, the Gigue is the only real 11 step11 dance in Quebec. Many of the more popular steps used here were originally brought here by the Irish. Originally also t here were never metal taps used to create the intricate sounds . Clogging or jigging meant "making music with your f eet11 and often the sho'tis were wooden ones or with heavy soles . The taps appeared with "tap danc ing11 and many folk dance troupes today wear such taps for purely stage effect. Traditional quadrilles and gigues can sti 11 be seen and heard t oda y in va r ious r egions o f Qu e bec a nd wha t i s e ncoura ging especially is the fact that the younger generatton is taking special steps to insure itt conservation and its revival. Adaptation from an article by J ean Trudel, Forces magazine, no. 32 , 1975 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 48 of 63 QUADRILLE DE SAINT-BASILE lere partie: Le petite Promenade 4eme partie: L'Homme a 2 femmes l6 t Chalne du reel 1. Chaine des Dames 16 t Swing 2. Swing 8 t Avant-deux et arriere 3. Avant-deux des couples 1 8 t Traversee simple 4. Arriere des couples 1 8 t Avant-deux et arriere 5. Avant-deux des couples 1 B t Traversee simple 6. Honune a 2 fenunes - avant-trois et ar:::ierc 16 t Chaine des Dames 7. Rond de quatre, ~ tour SH - et arr1.ere 16 t Swing 8. Avant-deux et arriere 9. Traversee simple 10. Chaine des Dames 2eme partie: Les Quatre-coins 11. Swing 12 . Reprendre 3 a 11 incl. avec couple 2 8 t l. Avant-deux et arriere 8 t 2. Traversee simple Seme partie: La galope 8 t 3. Avant-deux et arriere 8 t 4. Traver see simple 16 t 5. Chai.ne des Dames 1. Grande promenade sur lignes de quadrille 16 t 6. Swing 2. Avant-deux et arriere '. Reprendre de l a 6 3. Traversee simple 4. Avant-deux et arriere 5. Traversee simple 3eme partie: La petite Balance 6. Demi-chai.ne des Dames 7. Swing 1. Avant-deux et arriere 8. Reprendre la 7 incl. 2. Traversee simple 3. Avant-deux et arriere 4. Tn:.versee simple 6eme partie: La Bastringue 5. Chai.ne des Dames 6. Swing 1. Grand rond et refoulades 2. Swing 7. Hl et F2 en tour de main gauche 8. Main gauche au vis-a-vis main droite au 3. Promenade (petits pas) partenaire - en balance 4. Changement de partenaire 9. Traversee simple S. Reprendre 2-3-4-5- jusqu'a son partenair 10. Avant-deux et arriere 11. TraversAe simple 12. Chai.ne des Dames 13. Swing 14. Reprendre 7 et 8 avec H2 et Fl, 9-10-11-12-13. 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 49 of 63 LE COTILLON DE BAIE STE-CATHERINE (French - Canada) This dance is based on the old French cotillons and quadrilles. It is from Charlevoix County, Quebec and is one of the few remain ing cotillons found today in Quebec. Pronunciation: luh KOH-tee-yawn duh BAY saint-kaht-REEHN Record: PHILO Fl-2003, side A, band 3. 6/8 meter. Formation: Four cpls in a square formation. Steps: Steps include walking, polka-steps, and swing. Meas Pattern 1-4 INTRODUCTION. Everyone bows to ptr and to everyone else in the set. FIGURE I. Circle left. 1-8 Everyone joins hands and circles Land back. 9-16 Everybody swings. FIGURE II. Face-to-face and back-to-back. 17-24 Cpl 1, join inside hands and f~ce each other, and with polka-type "hop-step-together-step" cross over to ·cpl 3' s pos, alternating face-to-face and back-to-back. On the 4th one pivot twd inside one complete turn and return to orig place starting with "back-to-back" etc. Meanwhile cpl 3 has crossed over with a "galop-slide" step in ball room pos. 25-32 Repeat action of meas 17-24, but cpl 3 does "face-to-face action and cpl 1 .slides through. FIGURE III. Presentation. 33-34 Same two cpls ballroom pos present to ctr with slide step. 35-36 Slide back to place. 37-40 Repeat action of meas 33 41-48 Same two cpls swing. FIGURE IV. Ladies Star to R. 49-52 All four ladies star R. 53-56 Come back to place with L star. When W comes back to ptr after Star, she gives M L hand and makes one small turn under M's arm. 57-64 Everybody swings. At this point, cpls 2 and 4 go through all the patterns of meas 17-56. Then, instead of a ladies star (~49-52) it is the M's turn to star Rand L, coming back to ptr with the same kind of turn under arm. · · DANCE CONCLUSION. All·four cpls present to ctr with slide step as in Fig. III. 1-8 Everybody swing. . 11 9-16 R hand to ptr and "Grande cha1ne all the way back to place. 17-32 When you meet ptr, swing until end of music. 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 50 of 63 SET DE FORTIERVILLE (Partie) (French-Canada) This is one part of a popular dance-type in Southern and Eastern Quebec and has many names. This version is from Beauce and was introduced by Richard Turcotte of Quebec City. Pronunciation: Record: Laridaine 7902, side B, band 1. 2/4 meter. Formation: Four cpls in square formation. Won M's R. Meas Pattern 1-2 All join hands and walk fwd four steps and reverse. 3 Repeat action of meas 1 . 4 Put Win ctr with backs to ctr facing out. M take two steps bkwd and face CW to start walking. 5-8 Win ctr, while M walk around CW 16 steps to come back to place facing ptr. 9 Mand W hold hands as follows : M's Rover mlding W's R, (Lin L) . M take two steps bkwd facing R of ctr . 10-12 M pull Was in meas 9 and travel CW. 13-·-.. .16 M turn W so that ycfu end up in "Varsouvienne" promenade pos and promenade CCW. 17-24 W walk fwd, M turn CW and face W coming from behind, swing that W. 25-32 Promenade that W. Dance repeats from beginni ng. Note: Number of measures can vary depending on particular recording . Presented by Yves Moreau 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 51 of 63 LE CAPITAINE TROMPEUR (Quebec, Canada Saguenay Region) Luh kah-pee-ten tromp¢r Music: Any French-Canadian reel 2/4 meter not too fast and in reg. 8 meas. phrases Forr.iation: Large circle of cpls (no set number) Ladies on M's R. Hands joinec ccs . Extra person (capitaine) in center of circle (~ :.. 2. ') JESCRIPTIQr~ INTRO FIGURE (Done only once at beg. of music) 8 A11 c i re lie to L ( d.....:A,:,.. 1-'; 8 All circle to R TRANSITION 8 A11 swing ptr C ~ :; 8 All cpls promenade around(~~; CAPITA I NE PART 8 Small jig in centre of circle 8 Goes around circle looking for partner(~ 5) When Capitaine finds partner, the transition fig (above) is done . Odd person stands watching during s~ing, joins in for promenade (trios) and then nevi person "out" becones new "capitaine" (d,...... ,.1.1;, Note: In certain regions of Quebec, eoual chance is often given to ladies to assume role of capitaine. There are many other v rsions of this dance in Quebec. f"l_,.- ~'"•...,. -,... \ . . .), ' . .. • • • ' '·,~ . ~--- 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 52 of 63 LA BASTRINGUE (French - Canada) This dance is also often called "La Bistringue" or "Les Confitures" and is usually danced as the fifth or sixth part of a long Quebec Quadrille, particularly in Eastern and Northeastern reg~ons of the province. The "mixer" form enables every man to dance with the bride or the partner of his choice. The dance was collected by Jean Trudel and first taught at Year End Camp, 1975 by Yves Moreau. Pronunciation : lah bast-RANG Record: LEGACY (Elektra) 120 4/4 meter or LARIDAINE 7902 Formation: Cpls in a single circle, facing ctr, Won ptr's L, hands joined, shoulder height . Style : Happy and light. Do not pick up feet off ground too much. There is NO CLOGGING in this dance. Meas Pattern To start wi th music , wait through 5 meas of foot-tapping . (Legacy rec.) FIGURE I. Forward and Back 1 Moving twd ctr, step fwd on R ft (ct 1); step fwd on L (ct 2); step fwd on R (ct 3) ; touch ball of L ft next to R (ct 4) . 2 Reverse action of meas 1. 3-4 Repeat action of meas 1-2. FIGURE I I. "Two-steps to L and R" 5-6 Turning to .face CW and moving in RLOD (CW), dance four "two-'steps" starting with R ft. Turn to face LOO on 4th "two-step . " 7-8 Dance four "two-steps" moving LOO (CCW), -face ctr on last "two- step." FIGURE III. "Swing" 9 M release R hands and W release L hands to separate into cpls. M raise L hands and turn ptr once under joined hands and lead ptr CW in front of him (cts 1-4). 10-12 Swing your ptr. Quebec style: ptrs facing each other, hold ptr in closed pos. Buzz step swing. End swing with both ptrs facing LOD with Won outside of circle, Mon inside, W place L hand on M's R shldr, M place R arm around W's waist. FOLK DANCE CAMP 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 53 of 63 LA BASTRINGUE (continued) FIGURE IV. ''Promenade'' 13-16 Cpls promenade with "two-step" movements beginning with R ft. On the 8th two-step, M sweep W fwd, turning 1/4 turn CCW themselves, so that all are again in a single circle. W have progressed one M fwd in LOO (M's new ptr is now on his L side). Repeat entire dance from the beginning. Mademoiselle voulez-vous danser La: Bastringue, La Bastringue? Mademoiselle voulez-vous danser La Bastringue va commencer! Qui monsieur je voudrais danser, La Bastringue, La Bastringue, Qui monsieur je voudrais danser, c'est poµr vous accompagner! ., P~esented b1 ·Yves Moreau FOLK DANCE CAMP 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 54 of 63 LES SALUTS (French - Canada) This dance is one part of a long quadrille known as "Le Saratgoga" done (still today-) on Orleans Island in the St.Lawrence River near Quebec City. Pronunciation: Record: Laridaine LP-7902 side A, band 5 . 4/4 meter. Formation: Inner circle of W holding hands and outer circle of M holding hands (down at sides). Each person has ptr: i.e. : ·equal number of M and W. 4 - 8 cpls is com fortable number. Ptrs are close to each other, Won M's R. Meas Pattern NO INTRODUCTION 1-4 W do eight walking steps to R, while M do eight walking steps to L (by the 8th step, cpls are pretty much back to starting place). 5-8 Repeat action of meas 1-4 in reverse direction and ftwk (by 8th step, M have c6me back to starting place on W's L). 9-12 When M get to W's L they bring joined arms over W's heads to form "front basket figure." With this new pos, every body circles to L, eight steps. 13-16 Still in basket pos, everybody circles to R, eight steps. 17-18 All face ctr (still with basket), walk fwd with four steps (new tune). 19-20 Take regular hand hold down at sides and walk bkwd four steps. 21-22 All walk fwd slowly and take a low bow (wait for music! length may vary). 23-24 M take four steps bkwd when music starts again (faster tempo) then join hands while W also join hands in middle circle (starting pos). Dance repeats from beginning with above sequence. Presented by Yves Moreau 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 55 of 63 POLKA PIOUEE CBRITANNY-FRANCE) THIS TYPE OF DANCE IS OUITE COMMON IN UPPER 8RITANNY AS WELL AS OTHER REGIONS OF FRANCE AND WESTERN EUROPE. THE CIRCLE-COUPLE FORM IS CHARACTERISTIC FOR BRETAGNE. MUSIC: ANY 'POLKA PIOUEE' OR YVES MOREAU SPECIAL CASSETTE. 2/4 METER. FORMATION: CPLS CW ON M'S R) JOINING HANDS (DOWN AT SiDES) II. A LARGE CIRCLE. FACE L OF CTR, WT ON R FT. MEASURE DESCRIPTION 1-8 INTRODUCTION TO SLOW MUSIC - NO ACTION. CHORUS STEP (DONE BETWEEN EACH FIGURE) 1-8 FACING L OF CTR AND TRAVELLING CW , EVERYONE DO EIGHT TRAVELLING TWO-STEPS STARTING WITH L FT CL-R-L, R-L-R, ETC.). THE ARMS ARE UP AT SHLDR HEIGHT ON THE UNEVEN COUNTS AND DOWN AT SIDES ON THE EVEN CTS. FIG. I - POLKA STEP OUT AND IN 1 DANCERS STILL JOINING HANDS AND FACING L OF CTR, SMALL HOP ON R SIMULT. TOUCHING L HEEL TO L Cl) HOP AGAIN ONTO R FT AND SIMULT. FLICK L FT SHARPLY BEHIND R CALF (2) 2 STEP ON L FT TO L Cl) CLOSER TO L C&l STEP ON L TO L (2) • THIS IS A TWO-STEP ACTION. 2-4 SAME AS MEAS 1-2 REVERSING DIRECTION & FTWORK. 4-8 REPEAT PATTERN OF MEAS 1-4 FIG. TI - POLKA STEP OUT AND IN HOLDING COSTUME 1-0 SAME FTWORK AS IN MEAS 1-8 FIG.I BUT DO NOT JOIN HANDS WITH NEIGHBOURS. INSTEAD, MEN HOLD OWN LAPELS OF VEST AND WOMEN HOLD OWN DRESS. FIG. III - POLKA STEP IN & OUT FACING PARTNER 1-0 SAME FOOTWORK AS IN FIG. II BUT ON 8TH MEAS OF CHORUS TRAVELLING STEP, M TURN TOR TO FACE PARTNER AND POLKA STEP IS DONE SLIDING AWAY FROM EACH OTHER. M MUST GET BACK TO CIRCLE FACING L OF CTR ON LAST SLIDE STEP. FIG. IV - POLKA STEP CHANGING PLACES WITH PARTNER 1-8 SAME FTWORK AS IN FIG. III. M ALSO FACE PARTNER ON LAST CHORUS STEP, THEN GIVE TWO HANDS TO PARTNER AND CHANGE PLACES (TOR) ON 2ND MEAS AND THEN BACK TO PLACE ON MEAS. 4. REPEAT DANCE FROM BEGINNING. 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 56 of 63 FRENCH-CANADIAN CLOGGING ("GIGUE") -. Basic cues - Yves Moreau ., I. FROTTE SIMPLE (Basic "brush" step combinations) a: With weight on L, do 8 basic brush steps ("brush-brush-right", brush-brush-left, etc.) Counts: 1&2, 2&2, 3&2, 4&2, etc. b: Do 3 basic brush steps plus 2 steps (with weight) at the end. (brush-brush-step, brush-brush-step, brush-brush-step, L-R etc. Counts: 1&2, 2&2, 3&2, 4 - 2, etc. c: Same as in "b": 3 brush-steps but with 4 quick steps at the end. (brush-brush-step, brush-brush-step, brush-brush-step, L-R-L-R Counts: 1&2, 2&2, 3&2, &4&2, etc. d: Same as in "c" above but with "point-hop" at the end (point L · toe back, then hop on R). (brush- brush-step, brush-brush-step, brush-brush-step, POINT-HOP. Counts: 1&2, 2&2, 3&2, 4-2, etc. e: Same as in "d" but instead of "point-hop", do a "STAMP-HOP". f: Sideways combination: - brush-brush-step, CROSS BEHIND (L-R), brush-brush-step, L-R, then do same to the left, reverse ftwork . Counts: 1&2, HOLD-2, 3&2, 4-2 . ., II. DOUBLE (Quick "touch-steps") a: First, incorporate in a "frotte" sequence: brush-brush-right, brush-brush-left, brush-brush-right, double-double. Counts: 1&2, 2&2, 3&2, &4&2, etc . b: You may also practice here just double steps R & L (16 of them) Counts: l&-2& etc. c: This is a popular travelling step: "HOP-double-double-double" Use it to go forward, or back or to turn in place etc. Counts: 1&2&3&4 d: Combination of "frotte" and "double": HOP-double, brush-brush, hop-stamp, then reverse . Counts: 1&2&3&4 e: Also this combination: brush-brush-step, brush-brush-step, hop-double-double-double, Counts: 1&2, 2&2, 3&2, &4&2. III. TRIOLET (Quick "foot fiap") .a. Basic triolet: Wt on L, "hop-brush-brush-hop" the underlined brush-steps are very quick and give you a "roll" type of sound: "Tadlle-lah-dah" · Counts: land ah 2, etc. Try "triolet" alternating sides. b. Triolet combination: Wt on L, one triolet, then 3 hop-heel-steps, using twisting heel step, Cue: "triolet-hop, hop-heel-step, hop-heel-step, hop-heel-step, Counts: l-and-ah-2, 2&2, 3&2, 4&2 - then reverse ftwork. c. One triolet plus, "POINT- HOP-HEEL-STEP" and reverse. Counts: l-and-ah-2, &3&4 d. Do a combination alternating 2 "b" patterns and 4 "c" patterns. 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 57 of 63 Si mon moine voulait danser REFRAIN Danse, mon moine, danse Tu n'entends pas la danse, Tu n'entends pas mon moulin, Ion, la ;'t J ?· J· I ~ ) l >J, I J· ) J, J· I J· >> Tu n'entends pas mon moulin marcher ~JI. S, !'ION M•1•NE •••·uir.)11lf·Sl!7!, All. Si l'l•1t Moi•NE Vo•· ~4. ::1 ~l LLj-l-l l l I i I ;i 1 ;: I .r , ± l i t ·" > i J1 J, t COUPLETS -u,r)A#• Sil!, IJN CA· I'• - 1J·J1>1>1J,~~l~~fl~ ~Pl 1 - Ah! simon moine voulait danser (bis) -<110>1 JE L•; :,olt• ,.E • J!Ail. ]/111t•sE ,.,;,,,..,:;,,.i)ll1t• s:, T~ lf'E,.•TE,.)S Un capuchon je lui donnerais (bu) 1 I p ; r I p J .J, l· I J· .ii l ? ) I >. Ji 2 -Ah! simon moine voulait danser (bis) 7'A$ I.A :)11,1 • SE I T• NEll•TEN>I 7'/IS ,.,.,, l'l••·LJN, J. .,, , LIi, T11 Un ceinturon je lui donnerais (bis) i J· J· I J· >fl J1 .r I .~ 1 3 - Un chapelet je lui donnerais (bis) 4- Un froc de bure je lui donnerais (bis) 5- Un beau psautier je lui donnerais (bis) 6 - S'il n'avait pas fait voeu de pauvrete (bis) Bien d'autres choses je lui donnerais (bis) Bonhomme! bonhomme! REFRAIN Tu n'es pas maitr' dans ta maison, Quand nous y sommes. ;•' 5 J1 t J, I J J· J J· I J. t J· J· I r i •1 J I :,,11·11•1t11'»•11·11011N' SAi•·T• "°" • .Ell, -a,,..,i.,,,. >•,.•1101111' s11is·Tt ., .. • 2-Bonhomm' bonhomm' sais-tu jouer? (bis) I J ' , f J· I i ; i· ~ J· I ~ ~ ) j· q ~ ~ Sais-tu jouer de cett' flute-la? (bis) • tll, 5,.;,.n Jo· 11\ >E u y,. · Lo,. L'I, SAic·r• J .. • Ell :,e cE Flut, flt1t, fliit de cett' flute-la (bis) Zing, zing, zing, etc. 3 - Bonhomm' bonhomm' sais-tu jouer? (bis) Sais-tu jouer de ce tambour-la? (bis) Bourn, boum, boum, de ce tambour-la (bis) Fliit, fliit, flut etc. 4- Bonhomm'.bonhomm' sais-tu jouer? (bis) Sais-tu jouer de ce cornet-la? (bis) 1 - (bis) Bonhomm' bonhomm' sais-tu jouer Taratata de ce cornet-la (bis) Sais-tu jouer de ce viol on-la? (bis) Bourn, boum, boum, etc. Zing, zing, zing, de ce violon-la (bis) Bonhom'! 5-Bonhomm' bonhomm' sais-tu jouer? (bis) 'Sais-tu jouer de cett' bouteill'-la? (bis) Glou, glou, glou, de cett' bouteill'-la (bis) Taratata, etc. 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 58 of 63 Dans mon chemin, j'ai rencontre JANS H•• CMi • /'11/f .,·A; 7l(AI • COIi -11:.i , ... , ,., •• ·~' • >!IN JA.; IZ -' 1 1 7 jfJli 1 I.: " I .I J· I f' p ~ I 1 .I ~ ..... •A ·"' ·" '" ~ ) j ~ IJ'JJJl.1-~ 1 .~ i ((1.,- ,.. ;;iS- Q•• "'"' I j F I J I; . J .P ~.) ~ I; . f J_...._, ? I J , t j· ~ c110• 11 • J'ET•TIJ JA1 'JI&• u,. • T.I! ,"IA 'Jlit • NE (i.. •lc 11•E jJ)t£J·1J, 1 - Dans mon chemin, j 'ai rencontre (bis) Rencontre Mine, rencontre Fine Rencontre J acqu', J acqu' queline Tralalalalalalala Rencontre Germinette Celle qui vend des chopinettes J'ai rencontre ma reine Celle que mon coeur ai-aime 2 - J e les ai tout's, tout's fait entrer (bis) Fait entrer Mine, fait entrf r Fine etc ... etc... 3 - Je les ai tout's, tout's fait manger (bis) Patate aMine, patate a Fine Patate a Jacqu', Jacqu' queline Tra la la la la la la la Patate a Germinette Celle qui vend des chopinettes Beau chapon a ma reine Celle que mon coeur ai-aime 4 - Jelesai tout's, tout'sfaitcoucher (bis) Paillasse aMine ... etc... etc... Beau lit d'plumes a ma reine Celle que mon coeur ai-aime 5 - J e les ai tout's, tout's renvoyees (bis) Renvoye Mine, renvoye Fine... etc ... etc... Mais j'ai garde ma reine Celle que mon coeur ai-aime. 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 59 of 63 MALHAO Other title: Origin: PORTUGAL Source: Simple form of a dance which comes from Villanova ..... de Gaia, Portugal. ... Age: 6 and up . • -II Formation: Longways (diag.l) Position: Hands free ... Steps: Walking steps . ... Music: Peixinho vermelho Record: CECM 1981 Part 1 • -II .Counting: and-1-2-3, do 3 little steps bkwd, going: and-R-L-R (diag.2) .Do: and-L-R-L going fwd, clapping hands at the same time, -··(~1.J 3 times (diag.3) REPEAT throughout the first part of the music (3 more times) . .. Part 2 .Do 3 small steps back and 3 other steps to turn CW on the spot (diag.4) .Back up with 3 small steps and finish going fwd. with the last 3 steps and clapping your hands 3 times. . ... REPEAT dance from beginning. . ... 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 60 of 63 MAKEDONSKO NARODNO (Macedonia) Pronunciation: MAH-keh-dohn-skoh NAH-rohd-noh This is one of the many variations of the Narodno or Pravata type in 2/4 meter found in Macedonia and parts of Western Bulgaria. It was observed at a wedding near Skopje, Macedonia in the summer of 1966. Music: RPG BG 1001. Side A, band 2. Or other "Narodno" or "Pravata" tunes of this type. 2/ 4 meter. Formation: Mixed open circle. "W" pos, ha'nds a bit fwd. Face LOD (R of ctr). Wt on L ft. Leader holds handkerchief. Style: Partly danced on balls of ft with knees slightly bent. Upper part of body erect and proud. Leader indicates change in pattern at own discretion. Arms are loose enough to create slight jiggling effect while moving. Meas PATTERN No introduction. Leader may start at beginning of any musical phrase. I. BASIC 1 Moving LOD, step on R (ct 1). Step on L (ct 2). 2 Repeat action of meas 1. 3 Tum to face ctr and step slightly on R to R (ct 1). Raise L ft, bending knee and slightly crossed in front of R (ct 2). 4 Still facing ctr, step on L next to R (ct 1). Raise R ft bending knee and slightly crossed in front of L (ct 2). 5 Repeat action of meas 4, reversing direction and ftwk. 6 Turn to face slightly RLOD and step on L (ct 1). Step on R across L (ct 2). 7 Facing ctr, step on L to L (ct I). Step on R behind L (ct 2). 8 Repeat action of meas 4. II. TWO-STEP 1 Facing LOD step fwd on R (ct 1). Step on L closing behind R (ct &) . Step on R (ct 2). 2 Repeat action of meas l, Fig II, but start with L ft. 3-8 Repeat action of meas 3-8, Fig I. III. TURNING TWO-STEP 1-2 Repeat action of meas 1-2, Fig II, but making a half-turn individually (CW) on each two-step. Let hands of your neighbors go on this part. *This is like in Povrateno . 3-8 Repeat action of meas 3-8, Fig I. 'N. FAST PART When music gets faster hands go down, still joined at sides and patterns I-III can be danced with lighter and sharper steps. Leader may perform fancy steps and squats on meas 3-5. Presented by Yves Moreau 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 61 of 63 HORA MARE DIN BUCOVINA tBucov i na, Romania) FORMATION: Mixed circle. Hands in "W" pos . Wt on L , face R of ctr. METER: 4/4 No intro. Start with music MUSIC: Special cassette Yves Moreau MEASURE DESCRIPTION FORWARD AND BACK WITH TOUCH l "Two step" to ctr R-L-R 2 A "two-step" fwd to ctr L-R-L 3 Another "two-step" to ctr R-L-R 4 Tap L 3 times next to R 5-8 Same as 1-4 in reverse (moving bkwd) 9-16 Repeat same as 1- 8 RIGHT AND LEFT 1-2 Two "two-steps" to R of ctr 3 Turning to face LOO (L of ctr) 2 steps back R-L, hands move down (R) and then up (L) 4 One two-step facing RLOD and moving slightly back. 5-8 Repeat 1-4 in reverse direction 9~16 Repeat pattern of meas 1-8 FORWARD AND BACK WITH STAMP & ARM MOTION 1-2-3 3 "two-steps II to center 4 step fwd on L (anns go down) step bac~ on R, arms come up 5-8 same as 1-4 in reverse 9-16 Repeat pattern of 1-8 Repeat dance from beginning 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 62 of 63 ... KUKUVICKA Bulgaria Koo-koo-VEETCH-kah Another dance in the family of the pan-Balkan "Alunelul" or "Tropanka" dances. This one is popular especially in the Strandza region of S.E. Bulgaria. It includes a fast part typical of the "Kasamsko" or "D:!inovsko" dance type using hand-clapping motions. The dance is also considered a game loved by young and old and reminiscent of the "Simon Says" format or the French "Savez-vous planter les choux". Source: Stefan Vaglarov, Sofia 1969 Music: Yves Moreau special cassette. 2/4 meter. Formation: Open circle or line. "W" pos (hands at shldr height). Face ctr, wt on L ft. Styling: Traditionally heavy and proud but can vary depending on leader's commands or who dances (i.e. children). MEASURE DESCRIPTION 1-16 Introduction, fast music - no action SLOW PART 1 Step on R to R (1) step on L behind R (2) 2 Repeat pattern of meas l 3 Step on R to R (1) Stamp with L next to R (2) 4 Stamp again with L next to R, no wt·(l) Hold (2) 5-8 Same as in meas. 1-4 with reverse direction & footw:rk 9-16 Repeat pattern of meas 1-8 17 Step on R in place (l) stamp with L, no wt, next to R (2) 18 Same as in meas 17 with opp footwrk 19 Step on R in place (1) stamp with L, no wt, next to R (2) 20 Stamp again with L, no wt, next to R (1) hold (2) 21-24 Same as 17-20 with opp. direction & footwrk 25-32 Repeat pattern of meas 17-24 FAST PART 1 Facing ctr, step fwd on R(l), hop on R (2) 2 Same as in meas 1 but beginning with L J-4 Repeat pattern of meas 1-2 5-8 Same as in meas 1-4 but with reverse ftwrk & direction (moving bkwd) 9-16 Repeat pattern of meas 1-8 Note: On 1st count.of each meas. of the fast music, each dancer claps own hands in a "clashing cymbals" style. 17-32 Join hands again and repeat pattern of meas. 17-32 of the slower part (but to fast music). Note: In the "folk game" approach to this dance, a choosen "leader" must invent new movements with feet and hands but which fit the basic "Alunelul-Tropanl:a" format. Description by Yves Moreau 40th Folklore Village Christmas Festival, 1987, Mt. Horeb, Wisconsin Page 63 of 63