DOCSLIB.ORG

1948-05 May Folk Camp Review

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1948-05 May Folk Camp Review • • ••••• ~1- 19 1 ~ ; ~ 48 • TRA LA. LA LA, JA SAS ••••••••••••••••••••••••••••••• Play Party Game THREESOME GRAND MARCH •••••••••••••••••••••••••••••••••••••••• ••• USA RAATIKO ..................................................... Finnish COTTON EYED JOE ........................................... American KICK POLKll, .................................................. Finnish THE OLD NlAIDS IN THE PARLOR ......................... Play Party Game TEN PRETTY GIRLS ••••••••••••••••••••••••••••• t •••••• Play Party Game SISSY IN THE BOND ................................... Play Party Game BROWN EYED WlARY .•••••••••••••••••••••••••••••••••••• Play Party Game THREE LADIES CHAIN ..................................... Square Dance FOUR LEAF CLOVER ................. ' .................... Square Dance CARELESS LOVE .......................................... Square Dance GREEN SLEEVES .......................................... ' .... English SPINNING WALTZ .............................................. Finnish VELETA ARI-ARA ................................................. Palestinian TROPANKA ••••••••.••.••••••••• , ••••••••••••••••••••••••••••• Bulgarian CIRCLE FROM SARID ............................................ Jewish .. KARA.P'YET •••••••••••••••••••• , .... , • • • • • • • • • • • • • • • • • • • • • • • • • • • Russian NEBESKO KOLO ••••••••••••••••••••••••••••••••••••••••••••••• Jugoslav ALEXANDROVSKY ••••••••••••••••••• ............................ Russian WINDE~ULI...ER ••••••••••••••••••••••••••••••••• , ••••••.•••• • •••• German KHER PAN ................................................ ••• Armenian SliER ••..••.•••..••• , • • • . • • • • • • • • • • • • • • • • • • • • • • • • . • • • • • • • • • • • • Jewish THE ANIMAL FAIR ........................................ Square Dance 1948 May Folk Camp Review, Oglebay Institute, West Virginnia Contributed by Jane Farwell II / c 3 I. J 11: ~ J ~ I ~ #~ I J J ~ I ~ Jjl / I am waiting, I am hoping That someone ~ill join me in the ring, Won 't you come and dance with me my partner While the other people stand and sing? Tra la la la, Ja sas (yes sir) Tra la la la, Ja sas, ~ori't you come and dance the way that I do Or must I reverse and go with you! Formation: Single circle without pa~tners - odd players in , center. Action: A. All circle left. B. Odd players take partners to center. C. All turn in place to right starting with right foot - three steps, stamp wit h left, then clap: repeat to left. D. Players in center of circle hook right elbows and turn once around - Reverse, hook left elbows ff(. and turn once in other direction. f"'\ '{g '~ NoW each player in center goes to get a new partner. i,,.:. ,· '\: 1948 May Folk Camp Review, Oglebay Institute, West Virginnia THREESOME GRAND MARCH Contributed by Jane Farwell Formation: Men have a girl on each side. Action: Down in threes Alternate threes Tunnels (one side making arches, other side pa ssi~g under single file keeping to the left.) This is done in reverse at the other end of room when lines meet. Zig zag (sets of threes alternate in and out pass i ng one another. Grand right and left Down · in Sixes Outside girls under arches made by man and his inside girl single file returning to man on outside. Inside girl under arches made by man and his outside girl single file, returning back to place. Men join with other man and walk up double under arch made by inside girls. Snake-dance Spiral FINNISH RAATIKO The 0:d Maid's Dance Formaticm: 0cu:;:>l es in r egular dan:;:.ng positi':>n. Music : Finu:ish Rc.atiko - Scandina.vian F.e cor d Action: Ej g~t. g&y poll~a cteps around the roo:n counter cl ockwise. Four slid:!.ng steps forward begi.n!l.ing '~· i tn :r.an i s left e.nd la::iE.:; · -riglY~ - on each ::te,P 7 -~ he joined ~and s moving down and up wi th each slJ.cie . 1948 May Folk Camp Review, Oglebay Institute, West Virginnia COTTON EYED JOE Contributed by American Jane Farwell Formation: Regular dance position. Music: ''Cotton Eyed Joe" Imperial Record Action: Beginning with outside feet, touch heels forward, then touch toes back. Then with same feet (man's left and ladies right) take one two step forward in line of direction. Turn to face the other way, starting with man's right and ladies' left and repeat above. Partners separate and each does four two steps starting with outside feet, and turning away from each other with a strut or style reminiscent of the origin of the dance which is negro. Partners do four sliding, gallop, or "susie Q" steps to man's left and lai ies' right as they face each other, without 'co uching. This part is t'lfree style" and should be a chance for lots of expressing. Four slides or gallops in opposite direction. Partners take regular dancing position and t ake four t wo steps together, turning and moving forward at the same tim6 . FINNISH KICK POLKA Formation: Partners side by side, man having his right arm around girl's waist, she has her free hand on his, her left hand being held in his left hand. Music: Any polka Action: Both start with left f eet and take four polka steps f orward. "Bouncing" on the ball of the right feet, both kick the left feet forward twiceG They turn and face the opposite direction by steppi ng on their l ef t f eet, and ":.t.:r~5. :lg their bodies to look the otl:.e ~: way. In th:~ s J irEc ·cion they take t wo of the ; : ~~ :i_ ck a steps , :~ ..:un cing on the left f eet and kicking the r i g!.t , Repeat starting forward with the left foot on the four polka steps as above. 1948 May Folk Camp Review, Oglebay Institute, West Virginnia THE OLD MAIDS IN THE PARLOR ContributeJ. by Jane Farwell Formation: All in single circle, girls on right of boys Music: To the tune of "Pig in the Parlor". Action: All to the center and back twice, four steps each way. This is done to this part of the song: We've got the old maids in the parlor Ne 1 ve got the old ~aids in the parlor Ne 1 ve got the old maids in the parlor Knitting canaries and cats. On the chorus all face partners and turn once around with right hands. Then all face neighbors behind them and turn once with left hand. Then return to partner and take both her hands and promenade around circle. This is done to the following~ A right hand to your partner A left hand to your neighbor A right hand to your partner And all promenade And all promenade And all promenade Swing the lady behind you And all promenade. On "Swing the lady behind you'' all boys turn around and swing lady behind them, and keep her for new partner. Any extra gir~s are in the center as "old maids" and they step in behind a couple on the pr.omenade part in order to get t:swungn as the lady behind. TEN PRETTY GIRLS Formation: Couples in double circle, boys on inside, holding girls right hand in his right (back of her) and her left hand in his across his chest. Music; 11Ten Pretty Girls" - Globe record Action: Begin with left foot -- both point in front - then to the side (left), and take three quick steps to the right beginning with the left foot. Do the same starting with the right foot. Walk four slow steps straight forward, beginning with left foot. Kick left foot forward, then straight back, and take three quick steps in place beginning with left foot. At this point the boy leaves his lady and goes on to the one ahead for his new partner. Begin all over again, this time starting with right foot. 1948 May Folk Camp Review, Oglebay Institute, West Virginnia SISSY IN THE BOND Contributed by Jane Farwell / 1. Sis - sy in the bond, the bond a - lar - ry_ ~ Pret-ti-est lit-tle sis-sy I ev-er did see! Oh bond,bond put your ~~ I \ \. \ ~ I ""'" ' 1\. 1'-·' .SI• .at ..J ...... \. ·' .-1 501. ~ ..... ,..; - ~ ./ -· .r-..._ - ' - -""" •• "' -·......... - - ·' I arms a -ro~d :fe ,_~ Tell me lit-tle sissy, won't you mar-ry me? 4: things you say! Oh bond, ~and put your arms a -round me,_ ~ £ ~ t Js J\f J. ! I ~ ~ J II Formation: All in single circle - boys on left, girls on right. Action: All circle to the left (1.) All boys swing their own partners (girl on the right) (2) Boys have backs to center of circle, girls ar.e facing them, all push away from each other on "Step back nown --stamp foot on "Don 1t.u Make face and shake finger at partner on ltAll those sassy words you say.tt (.3) 1948 May Folk Camp Review, Oglebay Institute, West Virginnia BROWN EYED MARY Contri buted by Jane Farwell / ~~~-~b -----~---t!!l~l-'- ' 1 j_J_".;..._e: J_l__.__l E ~ ~ -~----~--~-+--l-IJ'-J+--jJ-f-----+1 1 1. If perchance we should meet On this wild prairie In my arms will I embrace My darling brown eyed Mary. 2. Turn your partner half way round 3. Turn your opposite lady 4. Turn your partner all around 5. And prom'nade corner lady. Formation: Partners in promenade. posit~on Action: 1. With hands crossed, partners promenade in a circle with three or four feet between each two couples. 2. Partners JO~n right hands and turn around (so that man is facing back with right hand toward center, lady in opposite direction.) 3. Each man joins left hands with the lady who was in the couple behinJ him, and turns her com­ plet ely arounri. 4. Join r ight hands with partner and turn her entirely around. 5. Take la1y behind in promenade pJsition for new part:1er, and repeat f r om 'beginning. 1948 May Folk Camp Review, Oglebay Institute, West Virginnia THREE LADIES CHAII~ Square Dance Contributed by Earl Gulley Fall Camp t 47 Music - Any good Fiddle Tune ' . Introduction - Callers Choice Action: "The first couple lead to the right and circle four all the way around, The ~hree ladies chain on the· longer track . you chain across the set and back, Th9 three gents stand like rocks.' in the sea And wave them past till. you've chained .all three On to the next and oircle .four now change and swing .
Load more

Recommended publications
  • December 1952 Editor's Mail B
    DECEMBER 1952 THE MAGAZINE OF FOLK AND SQUARE DANCING 25c EDITOR'S MAIL B A G - SEE PAGE 7 SQUARE DANCE FOLK DANCE DRESSES, GRACE FERRYMAN'S BLOUSES, SKIRTS, SLIPPERS PLEASANT PEASANT DANCING WE MAKE COSTUMES TO ORDER CHRISTMAS CARDS BEGINNERS—Fridays, 7-9 p.m. Moll Mart Smart Shop 625 Polk St., California Hall, San Francisco 7 Different Motifs—4 colors 5438 Geary Boulevard San Francisco INTERMEDIATES—Thursdays, 8-10:30 p.m. lOc and 20c each Mollie Shiman, Prop. EVergreen 6-0470 Beresford Park School, 28th Ave., San Mateo DON'T DELAY! MAIL YOUR ORDER WITH CHECK OR MONEY ORDER Second Annual Order one or 100 Write "Fiddle and Squares" DANCE INSTITUTE 291 I-A No. 5th St. Milwaukee 12, Wis. FOLK, SQUARE, ROUND, AND CONTRA DANCING SAN FRANCISCO STATE COLLEGE (Urmte New Campus—19th Avenue at Holloway, San Francisco 451 Kearney St., San Francisco Opportunities to learn and review dances, and do practice-teaching if desired. CLASSES College Credit May Be Earned Fee: $7.50 Monday 7 to 8:30 P.M. Friday, Dec. 26, through Tuesday, Dec. 30, 1952 Scottish Country Dances Co-Directors: Tuesday, 7 to 8:30 Eleanor Wakefield, San Francisco State College Spanish and Mexican Dances (Castanets, Latin American Dances, Ed Kremers, Past President, Folk Dance Federation of California Rumba, Tango, Samba, Mambo) Information may be obtained from Leo Cain, Dean of Educational Services, San Private Lessons $2 per half hour Francisco State College, 124 Buchanan, San Francisco 2, or from Co-Directors By appointment, day or evening- SUtter 1-2203 SPEND THE HOLIDAYS DANCING! a double feature in SEPARATES FOLK DANCING OR DAYTIME-EVENING WEAR EXQUISITE HAND LOOMED IMPORTED FABRICS of finest light weight wool FOR SKIRTS AND MATCHING STOLES AUTHENTIC BAVARIAN BORDER DESIGNS in contrasting colors AGAINST BACKGROUND COLORS OF: RED LIGHT GRAY ROYAL BLUE GREEN BLACK DARK GRAY BROWN WHITE It's Easy! It's Fun! MAKE YOUR OWN COSTUME CAPER OR SOCIAL WHIRLER 2 YARDS MAKE LOVELY DAYTIME OR EVENING SKIRT 3 YARDS MAKE LOVELY DANCE SKIRT 38" WIDE .
    [Show full text]
  • Appendix a NOP & Public Comments.Pdf
    APPENDIX A Notice of Preparation and Public Comments THIS PAGE HAS BEEN INTENTIONALLY LEFT BLANK NOTICE OF DRAFT EIR PREPARATION FOR PROPOSED CHANGES IN MAMMOTH CREEK BYPASS FLOW REQUIREMENTS WATERSHED OPERATION CONSTRAINTS, POINT OF MEASUREMENT, AND PLACE OF USE SCH #97032082 LEAD AGENCY: Mammoth Community Water District Post Office Box 597, Mammoth Lakes, California 93546 PLEASE RESPOND BY: 25 JANUARY 2008 1.0 SUMMARY OVERVIEW During November of 2000, a Draft Environmental Impact Report/Environmental Impact Statement (EIR/EIS) was issued by Mammoth Community Water District (MCWD or the District) as Lead Agency under the California Environmental Quality Act (CEQA), and by the United States Forest Service (USFS or Forest Service) as Lead Agency under the National Environmental Policy Act (NEPA). The 2000 Draft EIR/EIS evaluated a proposal to modify the District’s bypass flow requirements, change the point at which stream flows would be measured, and add six customers to the authorized place of use of Mammoth Creek water supplies. USFS subsequently withdrew from the project, and MCWD in 2005 issued a new Notice of EIR Preparation (NOP) as the sole Lead Agency under CEQA. The 2005 project proposal was identical to the 2000 proposal in terms of proposed modifications to the bypass flow requirements and proposed change in the point at which stream flows would be measured. With respect to the Place of Use, the 2005 NOP proposed to add eleven customers to the authorized place of use (instead of six as in 2000). The 2005 project proposal also incorporated a new proposal to change some of the watershed operation constraints.
    [Show full text]
  • Northern Junket, Index
    CTT3 I —•\ I •—I I I N D E I I X Digitized by the Internet Archive in 2011 with funding from Boston Library Consortium Member Libraries http://www.archive.org/details/northernjunketinOOpage I ND O NORTHERN JUNKI VOLUME 1. - NUMBER 1. THROUGH VOLUME 14.- NUMBER 9 APRIL 1949. THROUGH JULY 1984. RALPH PAGE - EDITOR AND PUBLISHER. INDEX Compiled and Published by Roger Knox INDEX TO NORTHERN JUNKET COPYRIGHT 1985 by Roger C. Knox Roger C. Knox 702 North Tioga Street Ithaca, NY 14850 TO THE MEMORY OF RALPH PAGE THIS WORK IS RESPECTFULLY AND AFFECTIONATELY DEDICATED "He was a very special human being." (Dave Fuller) "It was a sad day for the dance world when he passed on. He left thousands of friends, and probably hundreds of his-taught Contra-callers who will perpetuate his memory for some time to come." (Beverly B. Wilder Jr.) "All who knew him have suffered a great loss." (Lannie McQuaide) "About very few can it be truly said that 'He was a legend in his own time,' but Ralph certainly was and is such a legend. The world of dance is a richer place because he was here." (Ed Butenhof) ACKNOWLEDGEMENTS There is a danger when one starts naming those who helped in a task that someone may have been left off the "Honor Roll." To avoid that problem 1 wish to thank everyone who gave me any encouragement, advice, orders for the Index, or anything else one can imagine. I wish specifically to thank several people who played an important role in this endeavor and I will risk the wrath of someone I may have missed but who will nevertheless live in my heart forever.
    [Show full text]
  • FOLK DANCER/ONLINE INDEX Vol. 1 No.1 (Summer 1969) to Vol. 51 No
    FOLK DANCER/ONLINE INDEX Vol. 1 No.1 (Summer 1969) to Vol. 51 No. 5 (December 2020), inclusive Written by Karen Bennett. Not indexed: most editorials and like content written by editors while they hold that position; most letters, ads, cartoons, coming events, and photographs; and social announcements, sometimes made in a column whose title varied a lot, including “Hiers Ek Wiers,” “Tidbits,” “From the Grapevine” and “The Back Page”). Not all content was attributed (especially that of Walter Bye and Karen Bennett while they were editors), and reports by OFDA executives aren’t listed under their names, so this combination index/bibliography doesn’t include under a person’s name everything they wrote. Abbreviations used: ''AGM'' stands for Annual General Meeting, "bio" for biography, “fd” for folk dance, IFD for international folk dance,“info.” for information, "J/J/A" for June/July/August, and "OFDC" for Ontario Folk Dance Camp, and “IFDC” for the International Folk Dance Club, University of Toronto. The newsletter title has been variously OFDA, OFDA Newsletter, Ontario Folk Dance Association Newsletter, Ontario Folk Dance Association Magazine, Ontario Folkdancer, Ontario FolkDancer, Folk Dancer: The Magazine of World Dance and Culture, and Folk Dancer Online: The Magazine of World Dance and Culture. A Alaska: --folk dance cruise, Oct. 15/90 --visit by Ruth Hyde, J/J/A 85 Acadia, see French Canada Albania: Adams, Coby: obituary, J/J/A 86 --dance descriptions: Leši, Oct. 76; Valle Adamczyk, Helena: Jarnana, Jan. 15/96 (p. 8) --“Macedonian Celebration in Hamilton, 27 --dance words:Valle Jarnana, Jan. 15/96 (p.
    [Show full text]
  • 1953-12 6Th Annual FV Christmas Festival Syllabus.Pdf
    \. Folklore Village C:hristnas Festival Mount Horeb, "'iisconsin Dece'Jber 27, 1953 to January 1, 19S4 1iielco,:1e to the Christ);ns F',2stiv,':H You h:we co11e to tho frie!l.dly to7m of Mo 1mt Horeb to h,~ln us celebrri.te t)-:. o tr:iditionnl "T·;relve Days of Christ:.1,,s11 in .fivo hapny conccntra t:Jd Javs. il1 1ch of the joy nu ·.'ill 0zr.,::::1·io:1ce r..oc·rJ ~rou ·i.i.ll h,c;lp to croa te yours1..::l i.'. A: ,:l ,:.i.r:Jry exp ,::rienco shared '.'lill b,J ·,:i th you h.,::ir ily during the year to co;.10. Fast mray to old year passes, }fail the nc-:·.;, ye lads -:md l,sses\ Sin:; ',Yo joyous "111 to'.sctllc,r, Hoodless of the v;irnl 2.nd 1:,:0.1 ther\ \:felsh Carol 6th Annual Folklore Village Christmas Festival, 1953, Mt. Horeb, Wisconsin Page 2 of 12 r., 1 __In ,_th .. - t.•:c .. _ ,rn:.........1...t.: "'g ..... 8:00 9:00 10:00 And th(""r: ··;:i t.h J i.::J, ·.1.c::i. ERrm~n - ... ( rr..._; t..' ,, :..!,. I. .,., ,~.. .'..I, •.'· c'Jl.:.~' , .lh,r·..t,. ··Ao"'ni'ngi)l:L... ~ • 11:00 Squ;:ire T,~w ·.·rit}1 Rickey Eolden 12:30 Lunch (.:::;clin in ,'.l different country) In the Afternoon 1:30 The Folklore Village Store is open\ Folk 1\luseu,:1 for browsing Com;nittee neetings - here and theret 2:00 Special interesto On Stage, every day Peasant Craft - Folk Dance Pockets Fe stive candles with 1Iar.r Frances :Running Silver Work 3nd such Bi 11 Bunning Watch Village Bulletin for the following: The Callerts Corner --- Rickey Holden tolk Dance Lc.'.lding .....i- Michael IiGrman Music of t!'rn ,,,\,.ooden Flute" Gretel Dunsing Crnfts fron the 11 Bordor11 - Hanuel Falcon Uexicrm D'lnces Nelda Lindsay Swiss rmd Sccend:-m:wian Dnnces .....- Jnne Farwell Short Cuts 1.·ri th the Silk Screen fhippy Farwell (If yout d like to watch or hGlD silk screen our napkins, ask her when i+, 1Hill be) Coffeey Time and After 4:1.5 Coffee p,quse - Frogram of Christ!"lcls stories and customs.
    [Show full text]
  • Annual Report 2016
    Annual Report Fiscal Year 2016 January 1 – December 31, 2016 Folklore Village Farm, Inc. Year of Jane Farwell – 2016 In 2016, we celebrated what would have been our founder, Jane Farwell’s 100th birthday, were she alive today. The year was marked with special commemorations from both the state legislature and the governor’s office, memorable birthday bashes, a community reunion festival, a centennial quilt series, a special display in the gallery, and the publication of the Folklore Village Cookbook. Activities were jointly sponsored by the Friends of Folklore Village and the board and staff of Folklore Village. Jane Farwell was born on January 18, 1916, on her family farm near Ridgeway, Wisconsin. Creating a major in "Rural Recreation," she graduated with honors in 1938 from Antioch College in Yellow Springs, Ohio. Deciding that folk dancing was going to be the main thrust of her recreational program, she established the country's first folk dance camps, including those in Ohio, New York, Maryland, Pennsylvania, and West Virginia. Jane is credited as one of the founders of the modern folk dance movement, whose enthusiasts in the United States became to number in the thousands. In 1955, Jane married Jergen Hinrichs, a young farmer from Germany, who was doing an internship on her father's farm. The couple moved to Germany where she lived in Ostfriesland for 11 years. Throughout Germany, and in Switzerland, Scandinavia, the Netherlands, and Turkey, she continued to teach folk dancing and to study European folklore. In 1956, Jane was invited to tour Japan together with four other well-known folk dance leaders.
    [Show full text]
  • Northern Junket, Vol. 2, No. 2
    EAOMJCGIR 1 The big news this > TAKE IT OR LEAVE IT ./'month is New Hampshire's ' first Polk Dance Camp. £ —,—n'—• The advertisement a few I pages from here will J1 tell you all about it. The camp can accomodate about 100 people;natural ly we'd like to have a full camp at both of the sessions. Do not expect j -.palatial apartments,but '^neither will you have to sleep on the floor. The theme of the carnp will be French Canadian and we hope to have a real French Canadian folk singer there for at least one night. That i3 a hope-not a promise. Vacations will be over for many people and that is the reason we chose two week end camps. Tell your friends about it and let's make this first folk dance camp somothing to write home about. It will be fun in later years to be able to say "Sure,I was there at the first camt> way back in 1950". When you read this Issue of NORTHERN JUNKET I shall be in Atlanta,Ga.teaching at Fred and Mary Collotte's Dixie Square and Folk Dance Ins- titute. From there I go to Stockton,Calif.also to teach New England squares and contras at the College of the Pacific Folk Dance Camp.Will be home the mifldlo of August. Sinceroly 2 FIRST Y SESSION Prom Colorado,Ohio,Kentucky, New York,Vir— ginia,and five New England states came 75 folk and square dance lovers to the first session of Maine's Polk Dance Camp at Sunset Inn,on Kezar Lake.
    [Show full text]
  • Northern Junket, Vol. 6, No. 2
    2 VV""*"^ ,v\— >'' * ' J- '? / \ \ t ! f-"~) 1 J J H : / / H ' "•- ...... -4..-^ v ,v V.) k> t/ ^y /::.^.v ^ \;^- , ,,; ,.,..f ;^ I, ^' ;"'."* "'• : '' '/ . fe VS. & . « . f .-•' n -• x } i i ' y-vW/) if . • f .-••.'*-. ? I- A • *'* / s J 4 -*.^ ^ V JL.. .-J.JT V7& VOL.6 '1 <^ MO. 3.AKGAJNS:! S0>/\£ Of THEM .HAr^D TO GET 0JR3 HUNDRED pD ONE SlIGIBS CALLS - $2,00 "by Frank Lyman, Jr. POLK DANCING FOR FJN - .50^ by Jane Farwell DAKOTA SQUARE DANCES - $1,50 "by J. Leonard Jennewein 50 MUSICAL MIXERS - $1,00 by Ray Olson MUSICAL MIXER FUN - $1,00 by Ray Olson DANCES FRlOM WOODLAND - $1,00 by Norman Cazden N.H. Cm& NOTEBOOK - $2,10 nearly 200 dances taught at New Hampshire Camps; Squares Polk, Contras, plus Songs & Recipes Order any of the above material from: Ralph Page 182 Pearl St. Keene, N.H. ; . HOW ABOUT a m :;. f ( Weekend of folk, square and contra, dancing & folk sing- ing at CRYSTAL KILLS h^Qilk^, ' §23 LODGE, Intervale, ' N.H. March 28,29,30 Les Brown (owner) assisted "by Conny & Marianne Taylor, Tony Saleton, John Trafton, Charlie Wehster and Dudley Laufman, invite you to spend this wwekend with them at this famous ski resort - no classes - dance for enjoy- ment only - "bring your own, records Modified American Plan - "breakfast & dinner - all you can eat - Dormitory style with sleeping "bag, $9,50. Rooms available $2 to $4 more* Rese rvation a MUST . Write to LIS BROWN or JOHN TRAFTON CRISTA! HILLS SKI LODGE "Box ?6, Intervale, N.H. t ir ,' THE N.H, CAMP NOTEBOOK is ready! NEARLY 200 DANCES, Polk, Square, Contra; Recipes, L .--" v_•-••—-- -^'^ ''•' & Songs $2,10 postpaid RALPH PAGE 132 Pearl St.
    [Show full text]
  • 7704 Ocooch Folklore Village.Pdf
    - 1 Madeline Uraneck, left, captures the attention of the visitors to Folklore Village on a Saturday night potluck. Hungarian and German folk painting decorate woodwork, and a harvest wreath hangs from the schoolhouse ceiling. (Photo compliments of Folklore Village, by Roger Turner, WISCONSIN STATE JOURNAL) [original picture appeared on p.1 in a State Journal article on November 30, 1975] By Madeline Uraneck If you happen to be wandering the back roads of Iowa County, between the Wakefield Cheese Factory and the Old Military Ridge Road, you would discover an 84-year-old school house standing stately and well-kept on a wind-swept hill. A heart shaped sign designates the place "Folklore Village Farm.” As it stands there in its simplicity, so quiet amidst the fields of corn and alfalfa, you would not guess that it is one of the country’s best loved and most unique folk art centers. Superb folk musicians from Norway and Denmark have made its walls quiver with sparkling, foot-tapping fiddle music. Dance groups from the very folk heart of Sweden and England have delighted dancers and audiences there. Its rafters have been shaken by the throb of drums from Turkey, Israel, and Rumania. Here have thousands of children spent afternoons of laughter, - 2 exploring games and dances of the world’s children. Teen groups have danced there following toboggan parties and taffy pulls, and senior citizens have been welcomed in for sing-alongs, shadow plays and rosemaling workshops. The secret of its conversion from empty school house to internationally known dance center lies in the fantastic warmth and energies of a single woman, Jane Farwell, who alternately dons grubby workpants and folky dirndls in her roles as director, custodian, hostess, cook, gardener, and teacher.
    [Show full text]
  • Northern Junket, Vol. 1, No. 6
    rr 5? | £4. «4ib <t.r5?!S3FA4, V-i-1 V..< 43 7 ^ — /<r V i V4 ' >\ > ••-•v /?.' / \ / / «*r i-*i ^ TAKE IT OR LEAVE IT r^the other day. "Why do 1 you go to folk dance camp?" Nov; there ±3 a pood question.Speaking . only for myself here are some of the reasons. \ J """ Most important of all r- are the friendships ac- X.) quiredquir . You never really U j. knoknoww a person until you -S havhav.e c \nced,sunr, and •jHvi,o»«.,v.'orlc0(i together at a pjlhi:;—-i—l£olk dance carap. The .nner self come3 out and is subjected to full view of the whole camp. Under such conditions it doesn't take long to find out what a por3on is really like. Camp friendship3 lasting friendships. re is a wealth of information to be -oc. Hot only about dances,but other allied subjects-folk songs,lore,costumes and cooking. -"here comes a time when every camper realises how LITTLE he laiow3 about even a simple dance; sue": i.s proper stylo and form. They are what keep3 •-•very dance from looking alike. It is true that we may never do a. dance ex- actly as a native would do it. But we can try. An;. the trying will come a better understand ing of our fellow men. Sincerely (A aJLji'ti U ^ MAINE FOLK DA" ICS GAMP n > It is a difficult task to write in glowing terms about the Sap ten- Folk Dance Camp in Ilea no without running afoul of the sceptics and the over critical,who are / only too glad of the chance to point a scorn- ful finger and yowl "Yah-h-hl You said the same about the spring canrp." Over emphasis defeats its ov/n purpose,so we'll try to keep the adjec- tives at a minimum.
    [Show full text]
  • Pari Iii a Journey of Economic Discovery
    PARI III A JOURNEY OF ECONOMIC DISCOVERY DEEPLY EMBEDDED IDEOLOGIES of our times initially led me to reject the centrality of land policy and the inequitable treatment of land wealth elucidated by Henry George and others. This power of accepted standards and customs to sustain themselves with little questioning lets us understand how our predecessors could mentally block out past injustices like slavery or denial of women's rights. It explains how socially aware and intelligent people have difficulty in recognizing ethical fault lines in our current economic landscape. The following chapters describe the constellation of people and events that shaped my economic perspectives and gave me a sense of urgency about getting America back on track. 31 The Earth, Our Home WHAT NATURE PROVIDES - this bountiful eaith - is the ticket to survival and well-being for every person and creature in the world. How much longer we can abuse and poison the air, water and soil of our earthly home and workplace is no idle academic question. More and more people have come to agree with the noted ecologist and ethicist Aldo Leopold (1886-1948), who wrote: 'When we see land as a community to which we belong, we may begin to use it with love and respect. There is no other way for land to survive the impact of mechanized man." Or for mankind itself to survive, it may be added. Starting in the early 1930s, A.B. Brooks, a charismatic naturalist- philosopher and pioneer conservationist, led bird walks every Sunday morning in my home town, Wheeling, West Virginia.
    [Show full text]
  • Christeson, Robert P. (1911-1992), Collection, 1808-1995, (C3971)
    C Christeson, Robert P. (1911-1992), Collection, 1808-1995 3971 36 linear feet, 1387 audio discs, 135 audio tapes, 152 audio cassettes, 112 wire recordings, 3 film reels RESTRICTED This collection is available at The State Historical Society of Missouri. If you would like more information, please contact us at [email protected]. INTRODUCTION The Christeson Collection comprises sheet music, song books, and other publications related to square dancing and folk dances, publications on the history of violins and fiddlers, catalogs of instruments and musical recordings, correspondence, photographs and family papers, fiddle organization newsletters, fiddling contest flyers, folk festival information, and the working papers of volumes I and II of The Old-Time Fiddler's Repertory. In addition, this collection contains Christeson's original wire recordings, audio tapes, and audio discs of fiddle tunes, jam sessions, fiddle contests, and other folk genres. DONOR INFORMATION The Robert P. Christeson papers were donated to the University of Missouri by his wife, Joan, on May 12, 1998 (Accession No. 4767). She made seven subsequent donations from January 2002 to May 2007 (Accession No. 5778). RESTRICTIONS Consult the reference staff about the restrictions on this collection. BIOGRAPHICAL SKETCH Robert P. Christeson was born September 5, 1911, to Ethel May and Frank C. Christeson in Dixon, Missouri. After graduating from Dixon High School in 1928, he attended Drury College in Springfield., Missouri. After one year he transferred to the University of Missouri where he obtained a degree in Agriculture in 1933. The Depression made it necessary for Christeson to move back to Pulaski County after graduation to help his father on the family farm.
    [Show full text]