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Canada Dance Mapping Study: Literature Review
REPORT Canada Dance Mapping Study: Literature Review PREPARED FOR PREPARED BY Claire McCaughey Maria De Rosa and Marilyn Burgess Head, Research and Evaluation Section MDR Burgess Consultants Canada Council for the Arts With the participation of Philip Szporer Constitution Square 12th Floor, 350 Albert Street 503 Victoria Avenue P.O. Box 1047 Westmount, Québec Ottawa, Ontario H3Y 2R3 K1P 5V8 March 28, 2012 2 Canada Dance Mapping Study: Literature Review Table of Contents TABLE OF CONTENTS............................................................................................................................... 2 INTRODUCTION ......................................................................................................................................... 4 1. PREAMBLE .................................................................................................................................................. 4 2. APPROACH AND METHODOLOGY .............................................................................................................. 4 A. OVERVIEW OF FINDINGS.................................................................................................................... 7 B. POLITICAL: NO OVERARCHING POLICY.......................................................................................14 1. PREAMBLE ................................................................................................................................................14 2. FEDERAL GOVERNMENT POLICY IN THE ARTS .......................................................................................14 -
Dance Studies
CONVERSATIONS ACROSS THE FIELD OF DANCE STUDIES e Talking Point s . Society of Dance History Scholars Newsletter Illustrations: © Bibliothèque nationale Rethinking de France 19th Century Dance2011 | VolumeXXXI www.sdhs.org PAGE 1 A Word from the Guest Editors | Sarah Davies Cordova & Stephanie Schroedter ................. 3 Remembering The socio-political Fault-lines While Dancing at Quebec’s Winter Carnival | Charles R. Batson ............................................................... 4 Giselle at Mabille: Romantic Ballet and the Urban Dance Cultures of Paris | Stephanie Schroedter ........ 6 At Work on the Body: 1860s Parisian Tutus and Crinolines Or Women’s Silhouettes on Stage, at Fashionable Gatherings and in the Streets | Judith Chazin-Bennahum .................................................... 8 Why bother with Nineteenth-Century Ballet Libretti? | Debra H. Sowell ............................................ 12 CLOWNS , EL E PHANTS , AND BALL E RINAS . Joseph Cornell’s Vision of 19th Century Ballet in Dance Index (as collage) | Eike Wittrock ................. 14 From the Romantic to the Virtual | Norma Sue Fisher-Stitt ...................................................... 24 Notes & Pointεs from the field ................................ 26 Contributors .................................................................. 30 News SDHS Awards ............................................................................. 31 SDHS Publications. ..................................................................... 33 Forthcoming -
Proquest Dissertations
THE STATE OF CANADIAN DANCE AND DANCING WITH THE STATE FROM 1967-1983 By Katherine Cornell, B.A., M.A. Toronto, Ontario, Canada, 2008 A dissertation presented to Ryerson University/York University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in the Program of Communication and Culture Toronto, Ontario, Canada, 2008 ©Katherine Cornell, 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-40489-8 Our file Notre reference ISBN: 978-0-494-40489-8 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
22Nd Annual Ralph Page Dance Legacy Weekend January 16-18, 2009 Memorial Union Building University of New Hampshire Durham, NH 03824
SYLLABUS of the 22nd Annual Ralph Page Dance Legacy Weekend January 16-18, 2009 Memorial Union Building University of New Hampshire Durham, NH 03824 Wood Engraving © Randy Miller Used with permission; all rights reserved Sponsored by the Ralph Page Memorial Committee of the New England Folk Festival Association, Inc. (NEFFA) 1770 Massachusetts Avenue Cambridge, MA 02140-2102 Table of Contents Table of Contents .......................................1 Quebecois Music for Contra Dancing....21 Introduction................................................3 Reel de Valleyfield (tune) ......................22 Program Grid.............................................5 Belle rivière (tune)..................................22 Welcome Dance Party................................6 The Zen of Contra Dancing....................23 Newlyweds’ Jig ........................................6 Prime Interest..........................................23 Momma Loo’s Reel ..................................6 Roll in the Hey........................................23 The Swedish Dance ..................................6 Laura’s Zig Zag ......................................23 The Virginia Reel Square .........................7 The Roberts ............................................24 Shadrack’s Delight....................................7 Fun Dance for Marjorie..........................24 Salute to Larry Jennings ...........................7 Mange Tak..............................................25 Waltz Quadrille.........................................8 Tune Up -
Daggering Inna Di Dancehall
Daggering Inna Di Dancehall Kierkegaard’s Conceptualization of Subjectivity and Nietzsche’s Dionysus in Relation to Jamaican Dance by Randolph-Dalton Hyman B.F.A., Concordia University, 1996 M.A., McGill University, 1999 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Arts Education Program Faculty of Education Randolph-Dalton Hyman 2012 SIMON FRASER UNIVERSITY Summer 2012 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for “Fair Dealing.” Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Randolph-Dalton Hyman Degree: Doctor of Philosophy (Arts Education) Title of Thesis: Daggering Inna Di Dancehall: Kierkegaard’s Conceptualization of Subjectivity and Nietzsche’s Dionysus in Relation to Jamaican Dance Examining Committee: Chair: Dr. Lynn Fels, Assistant Professor Dr. Yaroslav Senyshyn Senior Supervisor Professor Dr. June Francis Supervisor Associate Professor Dr. Heesoon Bai Internal Examiner Professor Dr. Robert Walker External Examiner Professor New South Wales University Date Defended/Approved: August 8, 2012 ii Partial Copyright Licence iii Abstract This thesis explores dance beyond entertainment, psychological, behavioural or cognitive theory; beyond conventional interpretations of performance, and beyond the disciplinary categories that tend to separate practices in contemporary Western culture. This is a study of “Daggering,” the Jamaican style of dancing marked by violence and raw sexual licentiousness inna di dancehall (in the dancehall)—a male-dominated dance space in Jamaica. -
Rethinking Ethnographic Collections and the Role/Place of Performing Arts in the Museum Hélène Bernier, Mathieu Viau-Courville
Museum & Society, 14 (2) 237 Curating Action: Rethinking Ethnographic Collections and the Role/Place of Performing Arts in the Museum Hélène Bernier, Mathieu Viau-Courville Abstract Dance involves a set of movements that embody social memory. Such forms of intangible heritage have presented emerging challenges for curatorship. This paper draws from the experience of the Musées de la civilisation (Quebec City, Canada) to address ideas of collecting and curating in the performing arts. By presenting the travelling exhibition Rebel Bodies, an international collaborative project that highlights contemporary dance and movement as universal modes of creativity and expression, the paper reflects on the social role of the museum in sustaining creativity within the community as well as on the use of ethnographic material to collectively (through museums and artists) curate the intangible. In treating notions of natural, virtuoso, urban, multi, political, and atypical bodies, this exhibition brings together performers and creative artists as well as industries in the museum setting. Such interplays, it is argued, encourage the sustainable participation of artistic communities/industries and further highlight museums as dynamic loci for the promotion of social change. Keywords: performing arts, intangible cultural heritage, museum, dance, performance, participation, reenactment, artists Introduction The notion of performance in museum studies, as in the social sciences and humanities in general, has become an important topic in recent years by highlighting the central role of visitors’ actions in the production of meaning (Robertshaw 2006; Bal 2011; Jackson and Kidd 2011; Macdonald 2011:2; Christidou 2012). Facilitated by the use of digital technologies, interactive media and intricate sound and light installations, some museums have indeed transformed into ‘ever-changing theatre scenes’ (Alivizatou 2011:82). -
Yes I Dance: Yes a Survey of Findings from from Findings
Findings from Yes I Dance: A Survey of who Dances in Canada canadacouncil.ca canadacouncil.ca Canada Dance • Mapping conseildesarts.ca Study http://canadacouncil.ca/council/research/find-research Cover image: Le Continental XL, choreography by Sylvain Émard, a Sylvain Émard Danse and Festival TransAmériques co-production, co-presented by Quartier des spectacles. 200 amateur dancers took part in this line dancing extravaganza. Photo: Robert Etcheverry 2011. Findings from Yes I Dance: A Survey of Who Dances in Canada FINAL REPORT Submitted to: Claire McCaughey Head, Research and Evaluation Section Canada Council for the Arts [email protected] EKOS RESEARCH ASSOCIATES INC. July 21, 2014 EKOS RESEARCH ASSOCIATES Ottawa Office 359 Kent Street, Suite 300 Ottawa, Ontario K2P 0R6 Tel: (613) 235 7215 Fax: (613) 235 8498 E-mail: [email protected] Toronto Office 51 Wolseley Street Toronto, Ontario M5T 1A4 Tel: (416) 598-8002 Fax: (416) 533-4713 Email: [email protected] Winnipeg Office 7 Prominence Point Winnipeg, Manitoba R3Y 0A9 Tel: (204) 221-9923 E-mail: [email protected] www.ekos.com TABLE OF CONTENTS Acknowledgments ................................................................................................... v Executive Summary .............................................................................................. vi 1. Introduction .................................................................................................. 1 1.1 Overview ................................................................................................................. -
Concert of Scottish Music and Dance Alasdair Fraser and Natalie Hass with Campbell Webster, Highland Dance Boston & the Demonstration Team of the Boston Branch
appreciatiOns button design Dirk Tiede button assembly Bob Littlehale & Betty Allen ride & hospitality coordinators John Crabtree & Karen Sollins tour guides Laura & Meyer Billmers parking coordinators Dave Arnold & Ward Whitlock bookstore manager Dawn Little webmasters Laura & Meyer Billmers dance binders Betty Allen dance diagrams Chris & Sue Ronald and Charles Liu sound managers Christopher Jacoby and Julie Vallimont Session 1 bookstore assistant Mike Little welcome party hosts Ellie & Mel Briscoe and Kent & Marian Smith first night party hosts Linda McJannet & Chris Gallagher first-timer party hosts Alex Brick & Emily Peterson sangria social host Laurie Somario tea party host Ilene Goldstein ceilidh MCs Debbie Jarvis & Karen Cotting ceilidh refreshments Sara & Ed Pokrass teacup auctioneers Patrick Athy & Timothy Higdon Pinewoods Reel teacher Elizabeth Holtan ball decorations Hannah McArdle grand march devisor Kat Dutton Session 2 bookstore assistant Donna Griffith welcome party hosts Lance Ramshaw & Gail Wine and Lyle Ramshaw & Jewel Murphy first night party hosts Ken Launie & Sara Schechner first-timer party hosts Polly & Dale Birdsall root beer float & games night hosts Kendra Eshelman & Jeremy Thorpe live auctioneer Justin Giacoletti silent auctioneer Connie Kent auction accountants Dan and Lara Friedman-Shedlov auction refreshments Lucinda Brandt & Julie MacRae ceilidh MCs Jeff Graham & Bree Humphries ceilidh refreshments Amy Cummings-Leight & Ned Leight Pinewoods Reel teacher Melissa Shaner candlelight dinner decor Cathy Fahey liqueur party hosts Guy Quesnel & Melissa Shaner ball decorations The Scannell Family grand march devisor Howard Lasnik * a listing of session staff appears at the end of this gazette * greeting frOm the chairs For Scottish Pinewoods 2017, we invite you to explore the infinite possibilities of the universe. -
Northern Junket, Vol. 13, No. 3
J " r T r~iv\ n. \j\uiLir\u iJ '- U U i±, I VC L, 13 50 V NO. 3 VA JC A Article Page Take ir Or Leave It 1 Traditional lancing - What Is It? - 2 Clubs ajid Da nop Levels - 6 Ladies Chair. - - 10 18th Anniversary - Morthway Squares - 13 American Folklife Center - - - 16 Hints On Contra Dancing - - - 17 Traditional Dance In Quo "bee - Part 1-29 Contra Dance - The Young Widow 2? Square Dance - Around Just One - 28 Party Mixers - -25 It's Fun To Hunt - 30 flook and "Record Reviews - - 36 Dance Through the Ages - 39 Monadnock Colloquialisms - - 4-1 Odds and Ttads of Folklore - - -44 Weather - - - - 47 Tongue Twisters - - - . 49 Family "Receipts" - - -5* Wife Savers - - - 52 We hope all of you watched Charro and her dancers on the recent Bob Hope Show "Salute to the World Series. Two of the dancers were Jimmy Brown and Andre Stegman who have taught at Maine Folk Dance Camp for several years. Most of the program was typical Bob Hope zilch but the dancing was quite good, Jimmy and Andre were the two young men dancing directly behind Charro. I T R L £ A V 3 I T Things t^nd to go in cycles and dancing is no different from anything: else. So it has come about that the best traditional New Eng- land-style square and contra dancing is now to be found within a 25 mile radius of Greater Boston. Two of the things responsible for this: A few excellent young call ers who insist on a reasonably gentlemanlike conduct on the dance floor with few of the dancers stomping and clomping their way through a dance like a herd of love sick buffaloes. -
A Report on the Dance Mapping Inventory
Dancing Across the Land: A Report on the Dance Mapping Inventory canadacouncil.ca canadacouncil.ca Canada Dance • Mapping conseildesarts.ca Study For more information please contact: Research and Evaluation Section 150 Elgin Street. P.O. Box 1047 Ottawa ON Canada K1P 5V8 613-566-4414 / 1-800-263-5588 ext. 4526 [email protected] Fax 613-566-4390 www.canadacouncil.ca Or download a copy at: http://www.canadacouncil.ca/publications_e Publication aussi offerte en français Cover image: Le Continental XL, choreography by Sylvain Émard, a Sylvain Émard Danse and Festival TransAmériques co‐production, co‐presented by Quartier des spectacles. 200 amateur dancers took part in this line dancing extravaganza. Photo: Robert Etcheverry 2011. Table of Contents Preface 1 Introduction ...................................................................................................................................................................... 1 2 Overview of Findings ..................................................................................................................................................... 6 3 Aboriginal Dance .......................................................................................................................................................... 11 4 African, Latin American & Caribbean Dance ..................................................................................................... 16 5 European, Asian & Oceanic Dance ........................................................................................................................ -
Je Me Souviens
Je me souviens Faire danser le patrimoine Fernand Nault (1920-2006) 100e anniversaire de naissance (2020-2021) / 100th anniversary (2020-2021) Je me souviens Faire danser le patrimoine Table des matières / Table of Contents Sigles et expressions / Acronyms and Expressions ............................................................. 3 Avant-propos ...................................................................................................................... 4 Marcello Angelini ................................................................................................................ 5 Betsy Baron ......................................................................................................................... 6 Anik Bissonnette ................................................................................................................. 7 Andrea Boardman ............................................................................................................... 8 Sally Brayley Bliss ................................................................................................................ 9 Anastasie Chiriaeff ............................................................................................................ 10 Alain Dancyger .................................................................................................................. 12 Chantal Dauphinais ........................................................................................................... 13 Louise Doré ...................................................................................................................... -
1987-12 40Th Annual FV Christmas Festival Syllabus.Pdf
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