Automatic Typographic-Quality Typesetting Techniques: a State-Of-The-Art Review
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Supreme Court of the State of New York Appellate Division: Second Judicial Department
Supreme Court of the State of New York Appellate Division: Second Judicial Department A GLOSSARY OF TERMS FOR FORMATTING COMPUTER-GENERATED BRIEFS, WITH EXAMPLES The rules concerning the formatting of briefs are contained in CPLR 5529 and in § 1250.8 of the Practice Rules of the Appellate Division. Those rules cover technical matters and therefore use certain technical terms which may be unfamiliar to attorneys and litigants. The following glossary is offered as an aid to the understanding of the rules. Typeface: A typeface is a complete set of characters of a particular and consistent design for the composition of text, and is also called a font. Typefaces often come in sets which usually include a bold and an italic version in addition to the basic design. Proportionally Spaced Typeface: Proportionally spaced type is designed so that the amount of horizontal space each letter occupies on a line of text is proportional to the design of each letter, the letter i, for example, being narrower than the letter w. More text of the same type size fits on a horizontal line of proportionally spaced type than a horizontal line of the same length of monospaced type. This sentence is set in Times New Roman, which is a proportionally spaced typeface. Monospaced Typeface: In a monospaced typeface, each letter occupies the same amount of space on a horizontal line of text. This sentence is set in Courier, which is a monospaced typeface. Point Size: A point is a unit of measurement used by printers equal to approximately 1/72 of an inch. -
Unicode Nearly Plain-Text Encoding of Mathematics Murray Sargent III Office Authoring Services, Microsoft Corporation 4-Apr-06
Unicode Nearly Plain Text Encoding of Mathematics Unicode Nearly Plain-Text Encoding of Mathematics Murray Sargent III Office Authoring Services, Microsoft Corporation 4-Apr-06 1. Introduction ............................................................................................................ 2 2. Encoding Simple Math Expressions ...................................................................... 3 2.1 Fractions .......................................................................................................... 4 2.2 Subscripts and Superscripts........................................................................... 6 2.3 Use of the Blank (Space) Character ............................................................... 7 3. Encoding Other Math Expressions ........................................................................ 8 3.1 Delimiters ........................................................................................................ 8 3.2 Literal Operators ........................................................................................... 10 3.3 Prescripts and Above/Below Scripts........................................................... 11 3.4 n-ary Operators ............................................................................................. 11 3.5 Mathematical Functions ............................................................................... 12 3.6 Square Roots and Radicals ........................................................................... 13 3.7 Enclosures..................................................................................................... -
Deconstructing the Editorial and Production Workflow
Deconstructing the Editorial and Production Workflow Bill Kasdorf Vice President, Apex Content Solutions General Editor, The Columbia Guide to Digital Publishing Metadata Subgroup Lead, EPUB 3.0 & 3.0.1 WG Chair, BISG Content Structure Committee We all know what the stages of the editorial and production workflow are. Design. Copyediting. Typesetting. Artwork. Indexing. Quality Control. Ebook Creation. Ummm. They’re usually done in silos. Which are hard to see into, and are starting to break down. Thinking of these stages in the traditional way leads to suboptimization. In today’s digital ecosystem we need to deconstruct them in order to optimize: Who does what? At what stage(s) of the workflow? How to best manage the process? Who Does What? Do it in-house? Outsource it? Automate it? You can’t answer these questions properly without deconstructing the categories. And the answers differ from publisher to publisher. At What Stage(s) of the Workflow? How do these aspects intersect? How do you avoid duplication and rework? How do you get out of “loopy QC”? Getting the right things right upstream eliminates a lot of headaches downstream. How Best to Manage the Process? Balancing predictability and creativity: where to be strict, and where to be flexible? How can systems and standards help? Buy vs. build vs. wing it? Your systems, partners, and processes should make it easy for you to do the right work and keep you from doing the wrong work. Let’s deconstruct two key workflow stages to see what options there are for optimizing them. Copyediting -
Mobile Digital Computer Program. Mobidic D
UNCLASSIFIED AD 4 7_070 DEFENSE DOCUMEI'TATION CENTER FOR SCIENTIFIC AND TECHNIA!. INFO'UMATION CAMERON STATION, ALEXANDRW , VIFGINI, UNCLASSIFIED NOTICE: When government or other drawings, speci- fications or other data are used for any purpose other than in connection with a definitely related government procurement operation, the U. S. Government thereby incurs no responsibility, nor any obligation whatsoever; and the fact that the Govern- ment may have formulated, furnished, or in any way supplied the said drawings, specifications, or other data is not to be regarded by implication or other- wise as in any manner licensing the holder or any other person or corporation, or conveying any rights or permission to manufacture, use or sell any patented invention that may in any way be related thereto. FINAL REPORT 1 FEBRUARY 1963 J a I MOBILE DIGITAL COMPUTER PROGRAM MOBIDIC D FINAL REPORT 1 July 1958 to 1 February 1963 I Signal Corps Technical Requirements I SCL 1959 SCL 4328 Contract No. DA 3 6 -039-sc-781 6 4 I DA Project No. 3-28-02-201 I Submitted by: _, _ _ _ E. W. Jer'7is, Manage'r MOBIDIC Projects February 1963 S SYLVANIA ELECTRONIC SYSTEMS-EAST SYLVANIA ELECTRONIC SYSTEMS A Division of Sylvania Electric Products Inc. 189 B Street-Needham Heights 94, Massachusetts ~• I 3 TABLE OF CONTENTS I Section Page LIST OF ILLUSTRATIONS v ILIST OF TABLES vii I PURPOSE 1-1 1U1.1 MOBIDIC D General Purpose High-Speed Computer 1-1 1.2 MOBIDIC D Program 1-1 11.2. 1 Phase I -Preliminary Design 1-1 1.2.2 Phase II-Design 1-1 1.2.3 Phase III-Construction and Test 1-2 1.2.4 Phase IV-Update MOBIDIC D to MOBIDIC 7A 1-2 I 1.2.5 Phase V-Van Installation and Test 1,-2 II ABSTRACT 2-1 III PUBLICATIONS, LECTURES, CONFERENCES & TERMINOLOGY 3-1 3.1 Publications 3-1 T3.2 Lectures 3-1 3.3 Conferences 3-2 3.4 Terminology and Abbreviations 3-10 S3.4.1 Logical and Mechanization Designations: 3-13 Central Machine and Converter S3.4.2 Logical and Mechanization Designations: - 3-45 Card Reader and Punch Buffer 3.4. -
Relief Printing Letterpress Machines
DRAFT SYLLABUS FOR PRESS WORK - I Name of the Course: Diploma in Printing Technology Course Code: Semester: Third Duration: 16 Weeks Maximum Marks: 100 Teaching Scheme Examination Scheme Theory: 3 hrs/week Internal Examination: 20 Tutorial: 1 hr/week Assignment & Attendance: 10 Practical: 6 hrs/week End Semester Exam:70 Credit: 3 Aim: Getting the output through a printing machine is the most important operation for completing the print production. This subject known as Presswork - I is one of the key subject to make a clear and sound knowledge in some of the major print production systems and supplies. This will enable the students to make judgement about the aspect of printing, particularly the selection of a particular process to choose for a specific print production. Objective: The students will be able to (i) understand the basic and clear classification of all kinds of printing processes; (ii) understand the details divisions and subdivisions of letterpress printing machines, their applications and uses, characteristics and identifications of their products- merits and demerits of various letterpress machines; (iii) understand the principal mechanism of various letterpress and sheet-fed machines, their constructional differences in the printing unit and operational features; (iv) understanding the various feeding and delivery mechanism in printing machines; (v) appreciate the relational aspects of various materials used in presswork. Pre -Requisite: Elementary knowledge of Basic Printing & Production Contents: Group-A Hrs/unit Marks Unit 1 Relief Printing 10 10 1.1 Classifications of various relief printing machines, their applications and uses, characteristics of the products. 1.2 Details of divisions and subdivisions of letterpress printing machines, their applications and uses, characteristics and identifications of their products- merits and demerits of various letterpress machines General unit wise division of a printing machine. -
Kemble Z3 Ephemera Collection
http://oac.cdlib.org/findaid/ark:/13030/c818377r No online items Kemble Ephemera Collection Z3 Finding aid prepared by Jaime Henderson California Historical Society 678 Mission Street San Francisco, CA, 94105-4014 (415) 357-1848 [email protected] 2013 Kemble Ephemera Collection Z3 Kemble Z3 1 Title: Kemble Z3 Ephemera Collection Date (inclusive): 1802-2013 Date (bulk): 1900-1970 Collection Identifier: Kemble Z3 Extent: 185 boxes, 19 oversize boxes, 4 oversize folder (137 linear feet) Repository: California Historical Society 678 Mission Street San Francisco, CA 94105 415-357-1848 [email protected] URL: http://www.californiahistoricalsociety.org Location of Materials: Collection is stored onsite. Language of Materials: Collection materials are primarily in English. Abstract: The collection comprises a wide variety of ephemera pertaining to printing practice, culture, and history in the Western Hemisphere. Dating from 1802 to 2013, the collection includes ephemera created by or relating to booksellers, printers, lithographers, stationers, engravers, publishers, type designers, book designers, bookbinders, artists, illustrators, typographers, librarians, newspaper editors, and book collectors; bookselling and bookstores, including new, used, rare and antiquarian books; printing, printing presses, printing history, and printing equipment and supplies; lithography; type and type-founding; bookbinding; newspaper publishing; and graphic design. Types of ephemera include advertisements, announcements, annual reports, brochures, clippings, invitations, trade catalogs, newspapers, programs, promotional materials, prospectuses, broadsides, greeting cards, bookmarks, fliers, business cards, pamphlets, newsletters, price lists, bookplates, periodicals, posters, receipts, obituaries, direct mail advertising, book catalogs, and type specimens. Materials printed by members of Moxon Chappel, a San Francisco-area group of private press printers, are extensive. Access Collection is open for research. -
The General Idea Behind Editing in Narrative Film Is the Coordination of One Shot with Another in Order to Create a Coherent, Artistically Pleasing, Meaningful Whole
Chapter 4: Editing Film 125: The Textbook © Lynne Lerych The general idea behind editing in narrative film is the coordination of one shot with another in order to create a coherent, artistically pleasing, meaningful whole. The system of editing employed in narrative film is called continuity editing – its purpose is to create and provide efficient, functional transitions. Sounds simple enough, right?1 Yeah, no. It’s not really that simple. These three desired qualities of narrative film editing – coherence, artistry, and meaning – are not easy to achieve, especially when you consider what the film editor begins with. The typical shooting phase of a typical two-hour narrative feature film lasts about eight weeks. During that time, the cinematography team may record anywhere from 20 or 30 hours of film on the relatively low end – up to the 240 hours of film that James Cameron and his cinematographer, Russell Carpenter, shot for Titanic – which eventually weighed in at 3 hours and 14 minutes by the time it reached theatres. Most filmmakers will shoot somewhere in between these extremes. No matter how you look at it, though, the editor knows from the outset that in all likelihood less than ten percent of the film shot will make its way into the final product. As if the sheer weight of the available footage weren’t enough, there is the reality that most scenes in feature films are shot out of sequence – in other words, they are typically shot in neither the chronological order of the story nor the temporal order of the film. -
Introduction to Printing Technologies
Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping Introduction to Printing Technologies Study Material for Students : Introduction to Printing Technologies CAREER OPPORTUNITIES IN MEDIA WORLD Mass communication and Journalism is institutionalized and source specific. Itfunctions through well-organized professionals and has an ever increasing interlace. Mass media has a global availability and it has converted the whole world in to a global village. A qualified journalism professional can take up a job of educating, entertaining, informing, persuading, interpreting, and guiding. Working in print media offers the opportunities to be a news reporter, news presenter, an editor, a feature writer, a photojournalist, etc. Electronic media offers great opportunities of being a news reporter, news editor, newsreader, programme host, interviewer, cameraman,Edited with theproducer, trial version of Foxit Advanced PDF Editor director, etc. To remove this notice, visit: www.foxitsoftware.com/shopping Other titles of Mass Communication and Journalism professionals are script writer, production assistant, technical director, floor manager, lighting director, scenic director, coordinator, creative director, advertiser, media planner, media consultant, public relation officer, counselor, front office executive, event manager and others. 2 : Introduction to Printing Technologies INTRODUCTION The book introduces the students to fundamentals of printing. Today printing technology is a part of our everyday life. It is all around us. T h e history and origin of printing technology are also discussed in the book. Students of mass communication will also learn about t h e different types of printing and typography in this book. The book will also make a comparison between Traditional Printing Vs Modern Typography. -
Procurement and Retrieval - Meeting the Challenge"
UNCLASSIFIED AD NUMBER AD493137 NEW LIMITATION CHANGE TO Approved for public release, distribution unlimited FROM Distribution authorized to U.S. Gov't. agencies and their contractors; Administrative/Operational Use; 10 JUN 1964. Other requests shall be referred to Bureau of Naval Weapons, Washington, DC. AUTHORITY USNOL ltr, 26 Nov 1969 THIS PAGE IS UNCLASSIFIED NOLTR 64-98 PkOCEEDINGS OF THE 7th MILITARY LIBRARIANS' WORKSHOP "Procurement and Retrieval - Meeting the Challenge" - 0 40 :- =7 - r cOm 1963 No2,3,4 UNITED STATES ,,:,,NAVAL ORDNANCE LABORATORY, WHITE OAK, MARYLAND co I- 0 NOLTR 64-98- PROCEEDINGS OF THE SEVENTH MILITARY LIBRARIANS' WORKSHOP "Procurement and Retrieval - Meeting the Challenge" ABSTRACT: Papers presented at the Workshop on library operation make up the Proceedings. A panel on the Army STINFO program and one on procurement were important contributions to the Work- shop. Two sessions were devoted to library operation - one using computer, the other using automated equipment. Questions and answers at the end of the talks are included. U. S. NAVAL ORDNANCE LABORATORY WHITE OAK, MARYLAND V77 7. NOLTR\64-98 NOLTR 64-98 10 June 1964 PROCEEDINGS OF THE SEVENTH MILITARY LIBRARIANS' WORKSHOP "Procurement and Retrieval - Meeting the Challenge" The Naval Ordnance Laboratory was host to the Seventh Military Librarians' Workshop on 2 - 4 October 1963. These Proceedings are the record of the meeting, including papers presented, and recordings of discussion which followed the talks. The business meeting of the Group, which was held on 4 October, is included in the Proceedings. R. E. 0DENING LAN BECK By directio ii A# NOLTR 64-98 I CONTENTS Page INTRODUCTION ................. -
Graphic File Preparation for Letterpress Printing ©2016
GRAPHIC FILE PREPARATION FOR LETTERPRESS PRINTING ©2016, Smart Set, Inc. COMMON GRAPHIC FILE FORMATS Vector Formats .ai (Adobe Illustrator) Native Illustrator file format. Best format for importing into Adobe InDesign. Illustrators’s native code is pdf, so saving files in .ai contains the portability of pdf files, but retaining all the editing capabilities of Illustrator. (AI files must be opened in the version of Illustrator that they were created in (or higher). .pdf (Adobe Portable Document Format) A vector format which embeds font and raster graphics within a self-con- tained document that can be viewed and printed (but not edited) in Adobe’s Reader freeware. All pre-press systems are in the process of transitioning from PostScript workflows to PDF workflows. Because of the ability to em- bed all associated fonts and graphics, pdf documents can be generated from most graphics software packages and can be utilized cross-platform and without having all versions of different software packages. Many large printers will now only accept pdf files for output. .eps (Encapsulated PostScript) Before Adobe created the pdf format, PostScript allowed files to be created in a device-independent format, eps files printed on a 300 dpi laser printer came out 300 dpi, the same file printed to an imagesetter would come out at 2540 dpi. PostScript files are straight code files, an Encapsulated PostScript includes a 72 dpi raster preview so that you can see what you’re working with in a layout program such as Quark XPress or InDesign. COMMON GRAPHIC FILE FORMATS Raster Formats .tiff (Tagged Image File Format) Tiffs are binary images best for raster graphics. -
Chế Tạo Tại Nhật Bản
AKIO MORITA CHẾ TẠO TẠI NHẬT BẢN Bản quyền tiếng Việt © Công ty Sách Alpha NHÀ XUẤT BẢN TRI THỨC Dự án 1.000.000 ebook cho thiết bị di động Phát hành ebook: http://www.taisachhay.com Tạo ebook: Tô Hải Triều Ebook thực hiện dành cho những bạn chưa có điều kiện mua sách. Nếu bạn có khả năng hãy mua sách gốc để ủng hộ tác giả, người dịch và Nhà Xuất Bản MỤC LỤC CHẾ TẠO TẠI NHẬT BẢN ..................................................................................................... 2 LỜI GIỚI THIỆU ....................................................................................................................... 4 CHIẾN TRANH .......................................................................................................................... 8 HÒA BÌNH ................................................................................................................................. 43 BÁN HÀNG CHO CẢ THẾ GIỚI .......................................................................................... 81 NGHỆ THUẬT QUẢN LÝ ................................................................................................... 141 PHONG CÁCH NHẬT BẢN VÀ MỸ ................................................................................ 187 CẠNH TRANH ...................................................................................................................... 220 KỸ THUẬT CÔNG NGHỆ ................................................................................................... 245 NHẬT BẢN VỚI THẾ GIỚI .............................................................................................. -
Covenant Journal of Engineering Technology (CJET) Vol.3 No.1, June 2019
Covenant Journal of Engineering Technology (CJET) Vol.3 No.1, June 2019 ISSN: p. 2682-5317 e. 2682-5325 An Open Access Journal Available Online Covenant Journal of Engineering Technology (CJET) Vol. 3 No. 1, June 2019 Publication of the College of Engineering, Covenant University, Canaanland. Editor-in-Chief: Dr. Olugbenga Omotosho [email protected] Managing Editor: Edwin O. Agbaike [email protected] URL: http://journals.covenantuniversity.edu.ng/index.php/cjet Achebe C. H., et al CJET (2019) 3(1) 1-19 © 2019 Covenant University Journals All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any meams, electronic, electrostatic, magnetic tape, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. It is a condition of publication in this journal that manuscripts have not been published or submitted for publication and will not be submitted or published elsewhere. Upon the acceptance of articles to be published in this journal,the author(s) are required to transfer copyright of the article to the publisher. ISSN: p. 2682-5317 e. 2682-5325 Published by Covenant University Journals, Covenant University, Canaanland, Km 10, Idiroko Road, P.M.B. 1023, Ota, Ogun State, Nigeria Printed by Covenant University Press URL: http://journals.covenantuniversity.edu.ng/index.php/cjet ii Achebe C. H., et al CJET (2019) 3(1) 1-19 Articles Evaluation of Frictional Heat and Oil Cooling Rate in Mechanical Contact Due to Debris Formation. Achebe C. H., Nwagu I. A., Chukwuneke J.